Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Vietnam, the place talks." The environment sinks under their skin, uncomfortable and yet unavoidable -- in short, hell.
There is also a growing sense of insanity among the men that O'Brien describes in this story. There is the crack-up of the team that Mitchell Sanders describes, and the idea of playing catch with a smoke grenade as an idea of fun -- both of these instance reflect a certain necessary insanity. Without going a little crazy, these men would lose their minds. Any situation where insanity becomes necessary to retain sanity, and thus where insanity becomes normal, must be a type of hell. This confusion is most clearly reflected in Rat's letter to Lemon's sister; telling a grieving family member about how her brother went "out on ambush almost stark naked, just boots and balls and an M-16" shows the level of disconnect from "normal" normal.
The effects of the war on the soldiers'...
O'Brien's remarks about the type of women who often approach him after a reading illustrates that despite the author/speaker's obvious compassion, war has made him somehow separate from many individuals who refuse to listen. When they tell him to put his past behind him, O'Brie says that he will "picture Rat Kiley's face, his grief, and I'll think, You dumb cooze." Thinking this about nay middle-aged woman, regardless of the impetus behind the thought, is surely an indicator that war has had lasting de-formative effects on the soldiers involved.
"War is hell" might not be a true enouh statement to make, especially for someone who has never gone to war. But the assertion that war has hellish effects is fairly self-evident. There are layers of truth, as O'Brien adeptly points out, and for some of simply knowing war is horrible should suffice.
True War Story," by Tim O'Brien. Specifically, it will discuss are there universal truths that apply to all people and societies; or do we live in a state of relativism, one in which perception dictates how we will respond to the tasks that we are given, or to the world around us? What happened to Rat Kiley and Curt Lemon? What part of Rat Kiley's story do you think
He is more interested in "things," than what those things will bring. "Nick went over to the pack and found, with his fingers, a long nail in a paper sack of nails, in the bottom of the pack. He drove it into the pine tree, holding it close and hitting it gently with the flat of the axe. He hung the pack up on the nail. All his supplies
Things They Carried In his thought-provoking novel about the Vietnam War, The Things They Carried, Tim O'Brien redefines the traditional concept of war as an honorable pursuit. In doing so, he explodes the myth about war being even remotely romantic and undermines the long-standing belief about war's other redeeming features such as "glory," "honor" or "sacrifice." Although a fictional collection of stories about the Vietnam War, the novel has a feel
Kiowa's death also evokes the notion that for the U.S. Vietnam was a quagmire; his drowning functions almost emblematically to suggest America's deepening entanglement in Southeast Asia. 'This field,' O'Brien writes, 'had embodied all the waste that was Vietnam'" (Neilson 193). The entire book is an antiwar message, and it continues in the chapters and memories where O'Brien follows the men home after the war. The Chapter "Notes" follows Norman Bowker,
War is thrilling; war is drudgery. War makes you a man; war makes you dead" (O'Brien 86-87). It is interesting that Briony includes a large section of World War II in her novel, tying these two works together in many ways. Briony is writing to assuage her own guilt, but there seems to be at least some of that in O'Brien's novel, as well. He seems to be writing
standard joke about America in the 1960s claims that, if you can remember the decade, you did not live through it. Although perhaps intended as a joke about drug usage, the joke also points in a serious way to social change in the decade, which was so rapid and far-reaching that it did seem like the world changed almost daily. This is the paradox of Todd Gitlin's "years of