Dante's Canto VI In Canto VI, Dante mixes and weaves ancient stories and mythology into his Christian portrayal of afterlife, such as the three-headed dog Cerberus.

However, by placing the pagan gods into the Christian concept of Hell, his intention reflects that he believes Christianity as the supreme moral order and the ultimate authoritative system.

Much like the punishments in the prior circles, here they too are equally grotesque as the sins themselves (Alighieri 1983). Those who lusted pay dearly in Dante's circle of hell for their sins and obsessions of the bodily flesh. Although, he laments for them, Dante's condemnation of the lovers, Paolo and Francesca, are harsh and appear unequal to their sins.

Those souls, such as Paolo and Francesca, were forced to lie prone in the dark, having their nerves stimulated by the storm, unceasingly, for eternity. Just as the act of sexual contact stimulates the nerves of the flesh, and is usually conducted in the dark while lying down, Dante recreates these conditions in his inferno for the lovers (Alighieri 1983). Moreover, because they could not restrain the temptation of their emotions, their bodies are bludgeoned. Dante is telling his audience that those who enjoy pursuing pleasure in life will lie for eternity in disgust, using excrement to…