Themes and Symbolism in Bernice Morgan's "Windows"
This paper analyzes Bernice Morgan's short story "Windows" through the lens of three dominant themes and symbols: color and light, sound and noise, and death. The essay examines how Morgan uses vivid imagery — contrasting the bleak grays and greens of Leah's present life with warm, pastoral memories of Estonia — to convey the protagonist's depression, senility, and social isolation. The paper also considers Leah's disconnect from her son's family, her history of deception, and the ambiguous note of hope at the story's conclusion. Together, these elements reveal Morgan's skillful layering of symbol and narrative to portray the inner world of an elderly woman awaiting death.
- Introduction: Leah's World in 'Windows': Overview of Leah's misery and paper's three themes
- Colors and Light: Darkness as Depression: Color imagery contrasts Leah's past and present
- Sounds and Noise: Irritation and Intrusion: How noise amplifies Leah's irritability and bias
- Death: Obsession and Inertia: Leah's fixation on death and emotional paralysis
- Conclusion: Isolation, Deception, and a Glimpse of Hope: Leah's dishonesty, guilt, and the story's hopeful ending
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What makes this paper effective
- The paper grounds each thematic claim in specific textual evidence, quoting Morgan's language closely and explaining how individual word choices — such as "slithered," "hung," and "slash" — carry symbolic weight beyond their literal meaning.
- It maintains a consistent critical lens throughout, reading Leah's perceptions as unreliable and noting where the narrator's bias distorts reality, which adds interpretive depth to a short analysis.
- The conclusion draws together secondary themes (deception, guilt, disconnection) that were introduced but not fully developed earlier, demonstrating that the student engaged with the story's complexity rather than reducing it to three neat categories.
Key academic technique demonstrated
The paper demonstrates close reading — the practice of using specific language from the primary text to build interpretive arguments. Rather than summarizing plot, the student examines how individual images (the "naked bulb hung from a twisted black cord," Ruth's lipstick described as a slashed red line) accumulate meaning and reinforce the story's emotional register. This technique is central to literary analysis at any level.
Structure breakdown
The essay follows a classic five-paragraph thematic structure expanded slightly for academic context: a thesis-bearing introduction that previews three themes, three body sections each devoted to one symbol (color/light, sound, death), and a conclusion that introduces additional thematic observations about Leah's dishonesty and alienation. Each body section opens with a transitional claim before moving into textual evidence and interpretation.
Introduction: Leah's World in 'Windows'
One would think that waiting for death in the bitter cold of late winter is about as grim as a life can be. But when you are depressed and dirt poor, living in a ramshackle old house that leaks cold air, with a daughter-in-law you dislike intensely — one who wants you out of the house whenever possible — things are seriously awful. For Leah, who has vivid memories of how life used to be in Estonia, her misery is compounded by her confused mind. Author Bernice Morgan does a splendid job of portraying Leah's misery — and the reality of Leah's life beyond Leah's twisted perception of what life she has left — through three main themes and symbols: colors, sounds, and death.
Also woven into the short story are Leah's total lack of motivation, her cynical view of the people around her, and the conflicts she experiences — conflicts she no doubt exaggerates, since Morgan provides no scenes suggesting that the grandchildren and Ruth are truly as annoying as Leah believes. In fact, towards the end of the story Morgan lets readers know that Leah "didn't really know much about her grandchildren." While the story is depressing in many respects, its ending carries a sense of hope: trees are being planted and an old gray warehouse is torn down, so the view from her son's house becomes one of open land rather than a drab building next door.
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