Hip Hop Dance History: Evolution and Technology's Role
This paper examines hip hop dance as one of the most influential dance styles of the 21st century, tracing its origins in 1970s South Bronx culture and following its evolution through key artists and groups. The author focuses on the fluid, improvisational style exemplified by the Pharcyde and Bobby Brown of New Edition, distinguishing this approach from formal breakdancing and choreographed boy-band routines. The paper also maps an intergenerational line of influence running from James Brown to Michael Jackson to New Edition to the Pharcyde, and argues that modern technology — including music videos, YouTube, and mobile internet access — has dramatically accelerated the transmission and universality of dance styles across generations and cultures.
- Introduction to Hip Hop Dance: Hip hop dance as personally significant and culturally influential
- Origins and Styles of Hip Hop Dance: South Bronx roots, breakdancing, and the Pharcyde's fluid style
- New Edition and Bobby Brown's Improvisational Style: Bobby Brown's agile, autonomous footwork as a hip hop ideal
- An Intergenerational Chain of Influence: James Brown to Jackson to Brown to Pharcyde lineage
- Technology as the Bridge for Dance Evolution: Internet and mobile devices universalize dance transmission
- Conclusion: Technology cements hip hop dance's global reach and legacy
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What makes this paper effective
- The paper grounds abstract claims about dance influence in concrete, named examples — the Pharcyde, Bobby Brown, James Brown, and Michael Jackson — giving the argument specificity and credibility.
- The author draws a clear distinction between the type of hip hop dance they admire (fluid, improvisational, autonomous) and types they do not (formal breakdancing, coordinated boy-band choreography), which sharpens the thesis throughout.
- The concluding argument about technology's role in accelerating dance transmission is logically developed through a direct contrast between the mid-20th century (limited broadcast) and the digital era (YouTube, mobile devices), making the technological claim feel earned rather than asserted.
Key academic technique demonstrated
The paper demonstrates the use of a traced lineage argument — establishing a chain of influence (James Brown → Michael Jackson → New Edition/Bobby Brown → the Pharcyde → Michael Jackson again) to support a broader claim about how cultural forms evolve over time. This technique is common in arts and cultural studies writing, where showing transmission of influence is a form of evidence.
Structure breakdown
The paper opens with a broad framing of dance history before narrowing to hip hop dance and the author's personal investment in it. It then develops three supports: the style exemplified by the Pharcyde, the style of New Edition and Bobby Brown, and the intergenerational evolution connecting these artists. The final section shifts to a macro argument about how technology has transformed the transmission of dance influence, bringing the paper to a forward-looking conclusion.
Introduction to Hip Hop Dance
The history of dance is a lengthy and rich one, certainly worthy of serious scholarly pursuit. It encompasses numerous styles and motivations for dancing, as well as a plethora of cultures, ethnicities, races, and religions. Many aspects of these different facets of dance remain highly visible in the 21st century, especially in a country such as the United States, which is a virtual melting pot of people from varying socioeconomic backgrounds. However, despite the multitude of dance styles, the one that has consistently been most compelling — ever since becoming aware of dance from a fully conscious perspective — is what is commonly referred to as hip hop dance. Although the term "hip hop" is used in a variety of contexts, the type of hip hop dancing discussed here is that which accompanies hip hop music. The vast majority of such music is rap, although there are also songs in which artists sing — typically in a variation of rhythm and blues — and dance in this style as well. A thorough deconstruction of this form of dance reveals that history and various tools today, most of which involve technology, have helped to catapult it into one of the most influential styles of dance in contemporary times.
Origins and Styles of Hip Hop Dance
The true history of hip hop dance began alongside hip hop itself, in the streets of the South Bronx in New York City during the 1970s. Hip hop culture has always encompassed three distinct elements: music (primarily rapping and deejaying), dancing, and graffiti. When hip hop culture was first forming, breakdancing was the form of dance that most commonly accompanied this music. There is, however, a clear distinction between the contemporary version of hip hop dancing and formal breakdancing, in which individuals would spin on their backs and heads.
It is also worth noting that the type of hip hop dancing most worthy of admiration is not the highly choreographed kind performed by large dance troupes, nor the style that artists such as Justin Timberlake or Robin Thicke perform in their videos and concerts. The dancing under consideration here is less rigid than breakdancing, and considerably more fluid than anything those aforementioned artists do on stage. Specifically, the dancing of the Pharcyde — a seminal Los Angeles-based hip hop collective from the 1990s — represents this ideal. The four original members of this group moved in a way that is rarely seen elsewhere, and they remain one of the few acts whose dancing is genuinely visceral and moving. Their style is fluid, compelling, and wholly unique.
New Edition and Bobby Brown's Improvisational Style
Another form of hip hop dancing worthy of recognition is that performed by New Edition, a six-man group largely from Roxbury, Boston, which made its debut in 1983. Although they do engage in the coordinated group choreography typical of the many "boy bands" that have populated popular culture since, certain members of the group stand apart. Bobby Brown, in particular, displays footwork that is so effortless, and an agility and dexterity that seemingly defies physics. His best dancing — considered a form of hip hop dancing — is not the coordinated ensemble work he performs with the rest of his group, but rather the moments in which he freely improvises and simply moves as the music moves him.
This same quality — where the dancer takes a kind of autonomy with the music — is also what makes the Pharcyde's dancing so compelling. Bobby Brown was once seen performing a few solo dance moves during a Whitney Houston concert television broadcast, and the spontaneity and precision of his movement was completely captivating. The rows of girls engaged in uniform, synchronized hip hop dancing that appear in some music videos of that era represent the opposite of this ideal: choreography that is technically proficient but lacking in individual expression.
Conclusion
Hip hop dance has traveled a remarkable path from the streets of the South Bronx to global screens, carried forward by a living chain of artistic influence. From James Brown to Michael Jackson, from New Edition's Bobby Brown to the Pharcyde, each generation has both inherited and transformed the styles that came before it. What technology has added to this ancient human process is speed and accessibility: dance moves that once spread through live performance and rare broadcasts now circulate instantly, crossing borders and generations with every upload and share. It is this combination of deep cultural roots and modern technological reach that has made hip hop dance one of the defining movement languages of the 21st century.
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