This paper examines cultural biases and racial stereotypes directed at Asian Americans in the United States, tracing their origins from 19th-century trade card advertising through contemporary media representations. The paper discusses both negative and ostensibly "positive" Asian stereotypes, arguing that even flattering generalizations cause harm by denying individuality. Drawing on the work of cultural historian James Chan and journalist Marsha Ginsberg, the paper connects historical imagery to present-day discrimination, including a radio host's mockery of a Chinese restaurant worker and the murder of a teenage Chinese delivery person. The paper concludes with a call for greater cultural awareness and tolerance.
Look around you. How many faces of color do you see? Or perhaps you yourself are considered β or consider yourself β a person of color. We would like to think that we are all the same under the skin, so to speak. Yet our culture tells us differently. In the words of James Chan, the Chinese cultural historian, the media reflects the culture and serves the culture, but is also embedded in the biases of culture, and thus reinforces its worst aspects in all of our minds.
Unfortunately, there are many stereotypes directed against individuals deemed to be different β Asian Americans, as well as African Americans and other historically discriminated-against minority groups. Because Asians are often thought of as relatively recent immigrants to America, it is common to assume that discrimination against Asians is relatively new as well. However, this is not the case. The construction of the "exotic Asian" is an old one β older, in fact, than television or the Internet.
Even trade cards β a kind of commercial business calling card popular in the 19th century β frequently made use of Asian stereotypes. Think Asians aren't really that discriminated against? Consider some of the images on those cards from a hundred years ago: the opium smoker, the dog eater. Even if you find such stereotypes abhorrent, they remain present and available within our cultural context. The trading cards of old demonstrate how long-standing a grip such images have on our cultural β if not personal β imagination.
The persistence of these images is closely tied to the broader history of anti-Asian sentiment in the United States, which has roots in 19th-century labor competition, nativist politics, and the legal exclusion of Asian immigrants under laws such as the Chinese Exclusion Act of 1882.
Think that the examples just listed are too harsh? Consider others: "We'd be happy to do your laundry," "pig-tailed coolies," and "we obey." All of these trade-card images play into so-called positive or humorous stereotypes of industries Asians were supposed to dominate. They also highlight the supposed obedience inherent to Asians as a group β portraying them as embodiments of negative, characteristic "groupthink."
Even the image of the "rat," analogous to Asians as discussed in the title of Chan's article "Rough on Rats," shows how Asians have long been construed as collectivist rather than individualistic or creative in their identity. Unlike "real" Americans β who are, by implication, all rugged individuals β Asians were depicted as interchangeable and subservient. These advertising tropes of the 19th century laid a cultural foundation that proved remarkably durable.
"Both harmful and flattering stereotypes damage Asian identity"
"Real-world incidents reveal deadly consequences of bias"
"Awareness of stereotypes is key to ending discrimination"
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