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Arranged Marriage
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What is Arranged Marriage?

Arranged marriage sits at the intersection of religion, culture, gender, and identity, making it a compelling subject across courses in religious studies, sociology, literature, and cultural theory. Because the practice is deeply embedded in social and spiritual traditions across South Asia, the Middle East, Africa, and beyond, it raises questions about autonomy, community, and the role of family in shaping individual lives. Literary works by authors such as Chitra Divakaruni, Ha Jin, Mahasweta Devi, Wang Anyi, and Buchi Emecheta have brought these questions into academic focus, using fiction to examine how women navigate the expectations that arranged marriage systems impose.

Student essays on this topic tend to approach it through literary analysis, comparative cultural study, and identity exploration. Papers frequently compare arranged marriage practices across distinct societies — for instance, placing Indian traditions alongside American marriage customs — or analyze how fictional characters in works like Clothes, The Destination, and The Joys of Motherhood negotiate agency within such systems. Other essays examine concepts like cultural hybridity and South Asian identity, tracing how immigration and diaspora complicate traditional mate-choosing processes. Seduction plots, irony, and female voice also appear as recurring analytical frameworks drawn from the literary texts.

A strong essay on arranged marriage identifies a specific, arguable thesis rather than simply describing the practice. Evidence drawn from primary texts, cultural context, or direct comparison between societies carries the most weight. The most common pitfall is treating arranged marriage as a monolithic institution — strong essays acknowledge the significant variation in how the process unfolds across different religious, regional, and generational contexts.

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Paper Doctorate
Dhowli vs. The Magic Chalk: A Comparative Analysis
The condition of mankind in the world is an inexhaustible source of tales and stories, one more impressive than the other. And even when the stories approach the same subject, they will still differ as the authors will address the ideas from different angles and the characters will feel different emotions.
Paper Undergraduate
Initiation and Identity in Divakaruni's "Clothes"
"Clothes" by Chitra Divakaruni is a coming-of-age story filled with irony about the immigrant experience of East Asian women. It is an initiation story that follows a progression of three stages: the innocence,…
Paper Masters
Emotional blindness and marital rupture in "The Disappearance"
The protagonist in The Disappearance is a brutish, self-centered, self-serving pig of a man. However, the author presents these facts from a third-person narration in which he is blissfully unaware of these negative character traits and the effects they have on his wife. He is so thick-skulled that it takes him a good year after his wife leaves to realize why she left him--or that she did so voluntarily.
Paper Doctorate
Cultural Hybridity and Identity in Lahiri and Ghosh
Culturally hybrid, uniformly uncertain of their identities: Gogol of the Namesake and Kanai of the Hungry Tide
Paper High School
Fra Filippo Lippi's Portrait of a Woman with a Man at a Casement
The purpose of the present paper is to discuss a very interesting piece of art, namely, Fra Filippo Lippi's "Portrait of a woman with a man at a Casement." We will begin by the analysis of the formal qualities of the…
Paper Undergraduate
Human Behavior in the Works of John Milton
Human Behavior Explored in the Works of John Milton
Research Paper Doctorate
Ideal Wife in Qing Dynasty and Revolutionary China
The treatment of women in China has long been a subject of debate. The strict traditional views have restricted the rights and privileges of Chinese women form many years. For the purposes of this discussion, we will…
Research Paper Doctorate
Marriage, Home, and Cultural Identity in Lahiri's Story
In the story, the definition and shape of marriage was shown to depend on the sense of what and where "home" is by the characters of Mala and her husband. Both of the characters live in Calcutta, India.
Research Paper Doctorate
Courtly Love, Loyalty, and Spiritual Conflict in Medieval Literature
Courtly love is usually defined solely in terms of the image of a noble knight pining for a woman he cannot have, because she is married or betrothed to another. Later writers such as Dante, Cervantes, and Milton often…
Paper Masters
Exoticism in 19th and 20th Century Opera: Carmen and Madama Butterfly
Exoticism in 19th and 20th Century Opera Exoticism was a cultural invention of the 17th Century, enjoying resurgence in the 19th and 20th Centuries due to increased travel and trade by Europeans in foreign, intriguing continents. The "West," eventually including the United States, adapted and recreated elements of those alluring cultures according to Western bias, creating escapist art forms that blended fantasy with reality. Two examples of Exoticism in Opera are Georges Bizet's "Carmen," portraying cultural bias toward gypsies and Basques, and Giacomo Puccini's "Madama Butterfly," portraying cultural bias toward the Far East. Butterfly's "exotic geisha" imagery of the Far East and Carmen's "earthy Spanish gypsy" imagery originating from the Middle East blossomed from escapist original source material that was borrowed and embellished to create some of the finest operas of the modern art world. Though the premieres of both operas were poorly received, both "Carmen" and "Madama Butterfly" survived to become classic, enduring masterpieces.