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Choreography
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What is Choreography?

Choreography sits at the intersection of movement, music, and meaning, making it a rich subject across arts, humanities, and performance studies courses. Students encounter it in contexts ranging from musical theater history to gender and sexuality studies, from Western civilization surveys to film analysis. It asks writers to think carefully about how physical movement communicates ideas to an audience, how a choreographer's style reflects cultural and historical forces, and how dance functions as both art form and social practice. The presence of figures like Bob Fosse, Susan Stroman, Michael Bennett, George Balanchine, and Marius Petipa in student work signals that choreography is often approached through the lens of individual artistic vision and legacy.

Papers on this topic take several distinct approaches. Some focus on specific productions, such as Dreamgirls, A Chorus Line, or Singin' in the Rain, analyzing how choreography serves narrative and character. Others are comparative, examining how two choreographers differ in style, purpose, and technique — as in contrasting Balanchine with Petipa. A number of papers situate dance within broader frameworks, including gender and sexuality studies, copyright law as it applies to movement, and the relationship between choreography and musical composition.

A strong essay on choreography establishes a clear, specific thesis about what a particular style or work accomplishes and why it matters. Evidence drawn from production details, music, staging, and the choreographer's documented intentions carries the most weight. The most common pitfall is describing movement without analyzing its meaning — strong papers consistently connect what dancers do on stage to the ideas and effects that movement produces for an audience.

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Paper Doctorate
Michael Bennett's Choreography: A Chorus Line and Dreamgirls
Michael Bennett's legacy as a choreographer:
Research Paper Masters
Intellectual Property Law: Copyright, Trademark, and Patent
Intellectual property can be a difficult concept to define because, at its heart, it describes property rights to intangible things, such as creations of the mind. Because this involves concepts rather than physical…
Paper Doctorate
The Rite of Spring: Foundations of Postmodernism in Art, Music, and Dance
¶ … Rite of Spring - Vaslav Nijinsky & Igov Stravinsky
Essay Doctorate
Domestic Violence in What's Love Got to Do With It (1993)
¶ … Love Got to Do with It? (1993): Tina Turner
Essay Doctorate
CL's "Hello Bitches" and Post-Feminist Body Representation
CL's "Hello Bitches" and the Post-Feminist Representation of the Body
Essay High School
Dance as a Vehicle for Socio-Political Change
¶ … arts consistently contribute to socio-political change. As a uniquely personal and corporeal art form, dance can directly contribute to socio-political change by combining the best features of theater with those of…
Essay Doctorate
Chicago the Musical: A Review of the Ambassador Theater
There is an interesting dichotomy at the heart of Chicago the Musical, which was evinced most recently during the April 17th rendition of this musical at New York City's Ambassador Theater.
Research Paper Doctorate
Philip Glass: Life, Music, and Minimalist Style
Philip Glass is certainly the world's finest identified living serious composer owing to vast amounts of American recording contracts. He has a readily exclusive, if ever controversial, style that is both imitated and…
Paper Doctorate
Technical filmmaking and performance in Singin' in the Rain
Live on the Soundstage: Notes on Singin' in the Rain
Paper Undergraduate
Comparing hypnosis with Eastern meditation, Chi Kung, and Nei Kung
¶ … globalization and innovations in telecommunications are bringing healthcare practitioners together from all over the world in ways that have never before been possible. As these collaborative efforts and mature…