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Choreography
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What is Choreography?

Choreography sits at the intersection of movement, music, and meaning, making it a rich subject across arts, humanities, and performance studies courses. Students encounter it in contexts ranging from musical theater history to gender and sexuality studies, from Western civilization surveys to film analysis. It asks writers to think carefully about how physical movement communicates ideas to an audience, how a choreographer's style reflects cultural and historical forces, and how dance functions as both art form and social practice. The presence of figures like Bob Fosse, Susan Stroman, Michael Bennett, George Balanchine, and Marius Petipa in student work signals that choreography is often approached through the lens of individual artistic vision and legacy.

Papers on this topic take several distinct approaches. Some focus on specific productions, such as Dreamgirls, A Chorus Line, or Singin' in the Rain, analyzing how choreography serves narrative and character. Others are comparative, examining how two choreographers differ in style, purpose, and technique — as in contrasting Balanchine with Petipa. A number of papers situate dance within broader frameworks, including gender and sexuality studies, copyright law as it applies to movement, and the relationship between choreography and musical composition.

A strong essay on choreography establishes a clear, specific thesis about what a particular style or work accomplishes and why it matters. Evidence drawn from production details, music, staging, and the choreographer's documented intentions carries the most weight. The most common pitfall is describing movement without analyzing its meaning — strong papers consistently connect what dancers do on stage to the ideas and effects that movement produces for an audience.

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Paper High School
Gender and sexuality in tango and hip-hop dance
Even with the fact that most people associate hip-hop and break-dance with stereotypes regarding thugs and outcasts in general, these two dance styles contain a great deal of sexuality and sensuality. These two dance styles actually have a lot in common with dances that are generally considered to be sexual in character, such as tango. Through understanding gender relationships and how they materialize on the dance floor during a hip-hop or during a break-dance performance, one is more likely to comprehend the complexity related to them. Cultural values are essential when considering how each individuals takes on his or her understanding of gender and it is thus essential for people to be provided with agendas that makes it easier for them to develop their sense of identity.
Paper Undergraduate
Copyright law and the music industry paralegal's role
Cases That Shaped Copyright Law and Interpretation
Research Paper Doctorate
George Balanchine's early career and choreographic innovations in America
George Balanchine was born in the year 1904. He was invited to come over the United States of America by Lincoln Kirstein, in the year 1933, and subsequently, Balanchine arrived in America in the month of October 1933.
Research Paper Undergraduate
Kung Fu Hustle and the expression of contemporary Chinese national identity in film
National Cinema: A Film Exploration of Kung Fu Hustle
Paper Undergraduate
Lilian Baylis and the founding of English National Ballet
The Order of the Companions of Honour is a United Kingdom and Commonwealth of Nations Order. It was founded by George V of the United Kingdom in June 1917, as a reward for outstanding achievements in the arts,…
Paper Masters
Hamlet and the relationship between tragedy and modern political thought
Hamlet: The struggle of being and the power of passion
Paper Doctorate
Michael Peters and the choreography of 1980s pop music videos
The form of dance which is employed in pop music contexts such as concerts and music video is often taken for granted. However, the complex ensemble productions often featured in this context owe a great debt to the late Michael Peters. The discussion here considers the work of the Tony and Emmy winning choreographer, best known for his work with MTV hit-makers such as Pat Benetar, Lionel Richie and Michael Jackson.
Paper Undergraduate
U.S. policy toward North Korea's missile testing and provocation
Punishing the Petulant Toddler: U.S. Policy In North Lorea
Paper Undergraduate
Kim Gavin's criticism of past Olympic closing ceremonies and vision for London 2012
Kim Gavin, the artistic director for the London 2012 Olympic Games Closing Ceremony criticized past Closing Ceremonies in particular Beijing 2008 Closing Ceremony, Athens, 2004 Closing Ceremony and Atlanta 1996 Closing…
Paper Undergraduate
Bob Fosse, Susan Stroman, and Michael Bennett's influence on Broadway choreography
This paper is divided into two parts. The first part examines the impact that Bob Fosse, Susan Stroman, and Michael Bennett had on the present-day Broadway stage. Meanwhile, the second part discusses ways in which up and coming dancers can deploy specific techniques in order to enhance their dance career.