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Cinderella / Transformation Stories
Variants on the "Cinderella" Story
The Cinderella story is one that is much loved throughout the world; more than seven hundred versions exist. Many of these versions have been told for centuries. The story has universal appeal because of specific elements that are part of human nature. It is a story in which good triumphs over evil. It is a story that shows that dreams really can come true. Those are ideas that transcend generations and cultures. Almost anyone can imagine himself (or herself) in circumstances such as Cinderella's: a good person, trying to do the right thing, thwarted by an enemy who is jealous and mean-spirited. The good person eventually triumphs and gets her reward, while the evil-doers also get what they deserve. "Something about the Cinderella story resonates with its audience" (EDSITEment n.p.) Few people get the kind of vindication in real life that…
Behrens, Laurence, & Rosen, Leonard J. Writing and Reading Across the Curriculum.
Boston: Longman, 11th ed. 2011. Print.
Butterfield, Carol L. "Behind the Scenes with Cinderella." ReadWriteThink.org. International Reading Association. n.d. Web. 21 Jul 2012.
"Cinderella Folk Tales: Variations in Plot and Setting." EDSITEment: The Best of Humanities
Cinderella archetype is manifest in characters like Mathilde Loisel in Guy De Maupassant's "The Necklace," Cinderella in Charles Perault's "Cinderella," assilissa in Russian folktale "The Beautiful assilissa," and Princess Ann in the 1953 film Roman Holiday. Guy De Maupassant's short story "The Necklace" is about a working class woman, Mathilde, who longs to be wealthy but learns a hard lesson about the illusion of glamor. Perrault's Cinderella is about a young woman raised by an abusive stepmother and finds upward social mobility by meeting a handsome prince. assilissa of "The Beautiful assilissa" folktale meets a powerful sorceress Baba-Yaga, who helps her use supernatural power and a magic doll to achieve her upward social mobility. Finally, Princess Ann in Roman Holiday is an actual princess who longs to be a normal woman. Therefore, Roman Holiday is a fun reversal of the traditional Cinderella story. Each of these stories has elements of…
De Maupassant, Guy. "The Necklace." Retrieved online: http://www.eastoftheweb.com/short-stories/UBooks/Neck.shtml
Perrault, Charles. "Cinderella." Retrieved online: http://www.pitt.edu/~dash/perrault06.html
Stanton, Elizabeth Cady. A History of Woman Suffrage. Vol. 1 (Rochester, N.Y.: Fowler and Wells, 1889), pages 70-71.
"Wassilissa the Beautiful." Retrieved online: http://courses.wcupa.edu/johnson/vas1.htm
Perrault's "Cinderella" and the American Dream
The Cinderella story has existed since the age of antiquity and has been told in many different cultures in as many different fashions. Yet, in America, one version stands out above the rest. Charles Perrault's version, popularized by Disney in 1950, became the standard, sentimental (Disneyfied) "some day my Prince will come" spawning fairy tale that became the classic progenitor of other animated features like Sleeping Beauty. hile alt Disney's animated feature helped cement Perrault's "Cinderella" in the minds of generations of Americans, the Cinderella fantasy had actually been produced in film around the world several times since the beginning of the twentieth century. Each was unique, yet, it is Perrault's that continues to perpetuate the kind of idealized dream-come-true fantasy that fits so well in the idealized world of Americana. This paper will show how of all the various Cinderella stories that…
Bettelheim, Bruno. The Uses of Enchantment. New York, NY: Vintage Books, 1989.
De Tocqueville, Alexis. Democracy in America. (R. D. Heffner, ed.). New York,
NY: Penguin Mentor, 1984.
Cinderella: Or, On the Virtues of Shutting Up and Sitting Down
There are many ways of critiquing folktales. However, they all agree on one central point: the tale is told to children so that they will behave. In less coercive terms, one might say the story is that so that the child will grow up to be a functional part of society. Either way, it boils down to the same thing. These stories are finely tuned propaganda pieces designed to inculcate into children the basic "virtues" needed to make them obey and keep to their place in the world. Among the many stories that for centuries now has been teaching children, especially the young girls at which it is aimed, to be meek and quiet beneath the command of their superiors and elders has been Cinderella.
One the face of it, this folktale may seem almost subversive. After all, Cinderella…
The Salvation of Cinderella: Moral Character and Virtue
Two entirely different versions of the same basic theme show that gender norms and social roles remain relatively constant and consistent across cultures. The Disney version of the "Cinderella" story, which was originally a European folk tale, is about a girl who lives with her mean old stepmother and step sisters, who work Cinderella like a slave and treat her terribly. Cinderella eventually gets her comeuppance, when with the help of a fairy, the prince chooses her for his wife. They live happily ever after. The same tale is told from an African perspective in "The Maiden, the Frog, and the Chief's Son." A girl lives with her stepmother and step sister, who work the girl like a slave. Though the intervention of magical frogs, the girl wins over the heart of the local prince and they live happily ever after.…
"The Maiden, the Frog, and the Chief's Son."
The second significant difference between the French and Germany version of Cinderella is the tone used by the authors. Perrault provides a sense of triumph for Cinderella, a caring guardian in the fairy godmother and a positive moral at the end of the story.
The Brothers Grimm use grotesque descriptions to illustrate the evil of the stepmother and stepsisters. They force Cinderella to separate lentils while they attend the ball. They ridicule her for having watched the ball from the window and deny her the right to do so on the second evening. Most disturbing is the description of the sisters mutilating their feet to fit into the slipper. In this version of the story, the Prince must demand to have Cinderella try on the slipper, while in the French version the stepmother and stepsisters provide the prince with knowledge of Cinderella's presences. Additionally, the Brothers Grimm does not provide…
film "Pretty Woman" is, in many ways, a modern day Cinderella story (Kelly 1994). To begin with, the major premise of both stories is that a woman of extremely low social standing succeeds in joining with a man of power and wealth. Additionally, both tales involve an element of deception: the females are forced to pretend to be something they are not. Also, both women are rescued from their poverty and lowly position by something akin to the stereotypical knight on a white horse. Ultimately, upon recognizing the true identities and social standing of their women, both Prince Charming and Richard Lewis embrace their new relationships in the name of love and in the face of tradition. In a number of ways, the values and stereotypes that have helped the story of Cinderella to be so popular among young women for centuries have carried over into the modern age, and…
1. Bridget Jones' Diary. Feature Film. Miramax, 2001. 98 min
2. Cinderella. Feature Film. Disney, 1950. 90 min.
3. Kelly, Karol. "Pretty Woman: A Modern Cinderella." Fairytales: A Closer Look at Cinderella, 2004.
4. Kolbenschlag, Madonna. "A Feminist View of Cinderella." Fairytales: A Closer Look at Cinderella, 1979.
Julie's failed rebellion is the result of a "revolution that is unable to construe power in a new way. It dramatizes the sometimes pitiable, sometimes contemptible, vulnerability of one whose changing consciousness cannot create commensurate expression and one whose desires are easily twisted against her own interests. Read against the preface, as well as against Jean's judgments of Julie, the play conveys not a degenerate falling woman, but a woman who is beginning to move toward social and gender consciousness. Her recklessness attests both to her ignorance of self and world, and to her desperation. Her determination to satisfy her desires, which are more likely satisfied through social and personal change, leave Julie vulnerable to Jean's deterministic reduction of desire to vulgarized sexual need. Although her determination to fall is translated by the preface as determinism" it can also be seen as a challenge articulated through a radical reinterpretation of…
Chaudhuri, Una. "Private Parts: Sex, Class, and Stage Space in Miss Julie." Theatre Journal. 45.
3 (Oct., 1993), pp. 317-332
Greenway, John L. "Strindberg and Suggestion in Miss Julie." South Atlantic Review. 51. 2
(May, 1986), pp. 21-34.
Grimm and Disney approached the Cinderella story. Inherent in those differences are very concepts of social construction of knowledge as well as necessary concessions to their respective time periods. Grimm's treatment is a reflection of medieval influences and an emotionally sensitive protagonist who shares a loving relationship with her father and symbiosis and harmony with the natural world. By contrast, Disney's Cinderella presents the protagonist as a tortured soul. Meanwhile, the thematic influences cater to modern sensibilities in the absence of the harsh medieval realities of punishment and physical mutilation.
The plots also reflect significant changes as between the two treatments. In that respect, the contemporary version of the story also had the benefit of multiple adaptations to incorporate modern audience sensibilities. Disney introduces an entirely new character to replace the wench by the fire. The modern versions rely heavily on magic whereas Grimm's reliance on that mechanism is minimal…
Fairy Tales, especially old classic versions of children stories, revolve around one central theme i.e. A person must struggle against odds in order to eventually receive the coveted reward. These stories are usually simple and lucid as the target audience is not cognitively ready to grasp more complex issues and subjects. Grimm Brothers are a popular name in this connection and their many fairy tales including Cinderella and Snow White are every child's favorite. These stories are meant to provide entertainment but they also offer important moral lessons in disguise. "Despite all the criticism, fairy tales survive because of their greatest strength: the enduring lessons of life expressed in few and very simple words." (Schulte-Peevers 1996)
For this paper, I have chosen Cinderella to analyze the theme of struggle. Do fairy tales prepare young children from struggles of life? This question is indeed important and thought provoking because it…
1) "Cinderella or the Little Glass Slipper" from Cinderella, Or the Little Glass Slipper, and Other Stories: Publisher: Henry Altemus. Philadelphia. 1905
2) Andrea Schulte-Peevers, The Brothers Grimm and the Evolution of the Fairy Tale German Life; 3/31/1996;
FIRST PAGE OF THE STORY PASTED BELOW:
Cinderella; or, the Little Glass Slipper.
The 2005 film "Cinderella Man" reunites the team of director Ron Howard, screenwriter Akiva Goldsman, and leading man Russell Crowe, who had worked together four years earlier on the Oscar-winning "A Beautiful Mind." On the surface the two projects could not seem more different: in "A Beautiful Mind" Crowe plays John Nash, a bespectacled Princeton professor with paranoid schiozphrenia and a Nobel Prize in economics; in "Cinderella Man" he plays Depression-era heavyweight boxing champion James J. Braddock (who had been dubbed "Cinderella Man" in the newspaper columns of raffish "Guys and Dolls" scribe Damon Runyon, who also supplies the film's epigraph). Although the film was widely praised by critics and was nominated for three Oscars (for editing, makeup, and for Paul Giamatti as Best Actor in a Supporting Role playing Braddock's trainer Joe Gould) "Cinderella Man" would underperform at the box office on its original 2005 release --…
Yeh-Shen: A Cinderella story from China (Louie, 1982); (Carr, 2012); (Snuggs, 2007).
Chinye: A West African folk tale (Onyefulu & Safarewicz, 1994); (Nigeriaworld, 2012); (Snuggs, 2007),
The Korean Cinderella (Climo, 1993); (Shapiro, 1993); (Snuggs, 2007).
Tattercoats: An old English tale (Webster Steel, 1976); (Advameg, 2012); (Snuggs, 2007).
The rough-face girl (Martin, 1992); (Native Languages of the Americas, 2011); (Snuggs, 2007).
Names of Cinderellas
"In the dim past," according to first publication in 850-860 AD
"Long ago," according to the book published in 1994.
"Long ago," according to the 1993 book.
"…there once dwelt"
"Once, long ago" according to the 1992 book.
"Treated roughly and not allowed to go to the springtime festival to choose her marriage partner."
"Chinye must run a dangerous errand through the forest…
The psychoanalysis attempted to decipher the meaning of the most popular folk tales though the lenses of psychology and psychiatry and went as far as the archetypes of humanity presented under the form that could be digested by children. Thompson considers such attempts to generalize and explain the phenomena simplistic and rather deceptive. He emphasizes, however, the importance of the study of primitive society in coming closer to a theory regarding the origin and role of folk tales. The availability of folk tales databases from around the world made possible a conclusion regarding the globalization of the phenomena from ancient times (the Folktale, 400).
If for religious purposes or mere entertainment, folk tales are a component of childhood that can hardly be ignored. They were the first forms of the written form of art a child came in contact with. Their role is undoubtedly essential in a child's development of…
Thompson, Stith. The Folktale. Kessinger Publishing, 2006
Panttaja, Elisabeth. Making Reality Evident: Feminine Disempowerment and Reempowerment in Two Grimms' Fairytales. Retrieved: Apr. 9, 2009. available at: https://scholarworks.iu.edu/dspace/bitstream/handle/2022/2045/21(2)%20166-180.pdf?sequence=1
Lang, Andrew. Cinderella, or the Little Glass Slipper, and Other Stories. Altemus, Henry. 1905
Donald Haase. The Greenwood Encyclopedia of Folktales and Fairy Tales. Greenwood Publishing Group, 2007
This is perhaps most notable in the punctuating words of the witch. "One midnight gone!" cries the witch at the mid-point of the first act, then sings "It's the last midnight," before she leaves the play. The return to the words and themes of the woods is the only constant of the play. This is because the play is about journeys, not about coming to some final moral conclusion. The woods, unlike the safety of the home, is unpredictable -- not even the witch knows that the spell she weaves to regain her beauty will deprive her of her magic, or that the golden floss first provided by the baker will come from her own beloved, adopted child Rapunzel.
Interestingly enough, Rapunzel is the one character who never says 'Into the Woods,' and when other characters provide often humorous reflections on what they have learned in the woods, such as…
Curious young astronomers who ask, "what are stars made of?" And "Why do astronauts float in space?" will find answers here. A brief survey of the universe in a question and answers format.
Reading level: Ages 4-8
Paperback: 28 pages
Tayleur, K. Excuses! Survive and Succeed by David Montimore Baxter. (Mankato, MN) Stone Arch Books: 2007
Young David Mortimore Baxter, who knows how to stay out of trouble, shares excuses for avoiding chores, bullies, homework, and vegetarian dinners. David experiences his fifteen minutes of fame and the impacts it has on his friends and family.
Reading level: 9-12
Paperback: 80 pages
Williams, M. The Velveteen Rabbit. Square Fish: 2008.
By the time the velveteen rabbit is dirty, worn out, and about to be burned, he has almost given up hope of ever finding the magic of love. The original "Toy Story."
Reading level: Ages…
Moral Messages in Children's Literature
I chose four children's classics: Charlotte's web (1952) by E.B. White, and other three children's fairy tales, two by Jakob and Wilhelm Grimm (Cinderella and Snow white and the seven dwarfs) and one by Charles Perrault (Sleeping Beauty). These were among my personal childhood favorites. Looking back on all four as an adult, I see many similarities, but also many differences, in these books' inherent moral messages. All have been positively reviewed (e.g., have received awards or good critical reviews, and/or have stood the test of time). Each contains many distinct moral messages, some plain, others less so. Each also deals with situations that require moral decisions.
Charlotte's web is a story about eight-year-old Fern, who, while growing up on a farm, loves and nurtures a pet pig, Wilbur. Wilbur grows up (with help from Fern and various animal friends, including a wise…
diversity of the different cultures. The main aim is to highlight the diversity in the form of literature. Through different research methods, the paper has been compiled with the help of different reference sites and libraries.
There are different pieces of literature listed in the paper. The main aim of this is to show the different variance of culture in literature. The main focus of the paper is children's books. There is a vast variety of different story books for children. Some are universal, while others are culture specific.
This list is based on such culture specific stories for children to read. This list consists of books which are suitable for children in grades K. To 8.
Bishop, C.H. (1996). The Five Chinese Brothers.
The story is about five brothers from Chinese descent, who have the ability to do something special. The one with the ability to hold…
Naomi: Ruth why are you following me? Your sister picked up and went. It is late. You have a long walk home. I don't want you to be lost or raped on the way. Come: let's kiss once again and say goodbye.
Ruth: Mama: last week an idea occurred to me that I do not want to be your former daughter-in-law (despite the wonderful memories that come with that). I would rather that this situation - with talking to you / learning from you / listening to you - continues for as long as possible please God throughout our lives. I thought about this and sat on the floor and cried, I wanted this so much. Almost daily up to the day I met you, I prayed for someone to answer my many questions. They tormented me and there was almost nothing more urgent for me than that. You…
Reaction to the source
The authors presented a well developed and cohesive approach to analyzing the manner in which young people learn a foreign language.
Kartal, G. (2006). Working with an imperfect medium: Speech recognition technology in reading practice. Journal of Educational Multimedia and Hypermedia, 15(3), 303-305.
Description of the focus of the source
The focus of this study was the read-aloud behaviors of learners who were assigned an experimental computer-based program that used speech recognition software for reading practice that provided novice students with immediate feedback.
Usefulness of the source
The useful of this source was primarily for classroom ESOL teachers using speech-recognition applications.
Limitations of the source
Many ESOL classrooms may not feature speech-recognition software, making this study purely speculative for these educators.
Description of the intended audience
Primary school ESOL teachers.
Although speech-recognition software has become more accurate in its interpretation of speech, the technology…
A couple of weeks ago the movie the Longest Yard came out and I was surprised how much it was like the first movie that was so long ago (I've seen it a few times on TV). In this one, the minorities were stereotyped, Chris ock said "nigger" thousands of times to make everyone laugh, the guards were all white and the gay cheerleaders were all minorities. It was supposed to be a spoof, and many people movie writers agree with that. However, I feel like Cortes. Here is a movie that was pushed for kids (although rated PG-13) that includes gay jokes and sexual humor with minorities. I have read about the prison system in the U.S. with a too high percentage of minorities over whites and about other discrimination in this country. I do not think that movies like this help.
Cortes says that one of the most…
Cortes, C.E. The Children Are Watching: How the Media Teach About Diversity. New York: Teachers College Press, 2000.
Tales and Nursery hymes
Children's rhymes and fairy tales serve as a fun and interesting way to teach children moral lessons At least, that's the modern interpretation of what nursery rhymes and fairy tales are meant for. The history of nursery rhymes and fairy tales is a lot darker than their modern use suggests. They are filled with violence and abuse. These relics of the middle ages and renaissance are filled with references to death, plague, and in some cases, even torture. This paper will take a look at several nursery rhymes and classic fairy tales and evaluate their hidden meaning.
A beloved children's nursery rhyme is the old woman who lived in a shoe. The first image that comes into one's head when this rhyme is mentioned is that of a kind old lady chasing after her myriad of children. But closer analysis of the rhymes reveals something more…
Alchin Linda. (2009). Nursery Rhymes lyrics, origins and history. Retrieved 04 February 2014 from http://www.rhymes.org.uk/index.htm
Davies, P., Lee, L., Fox, A., & Fox, E. (2004). Could nursery rhymes cause violent behaviour? A comparison with television viewing. Archives of Disease in Childhood. 89(12), 1103-1105.
Cinder -- the Lunar Chronicles
hen and where does the story take place?
The story takes place in 125 in New Beijing. It is the future after a disastrous orld ar IV.
List two main characters and tell something about each one
Linh Cinder: The protagonist is 16-year-old Linh Cinder, a cyborg mechanic, who is loosely associated with the fairy tale Cinderella although there are major differences between the traditional Cinderella and Linh Cinder. Linh Cinder is the only real heir to the lunar throne because her mother was Queen Channary (now deceased) and she is the niece of Queen Levana. Linh Cinder was born with the name Selene Channary Jannali Blackburn but sadly did not know who her father was and her memory was weak because of an accident she was involved in. In that accident both of Linh Cinder's parents perished and she lost a hand and one…
Meyer, M. (2012). Cinder: The Lunar Chronicles. New York: Square Fish / Macmillan.
DDI is a systematic and precise method designed to enhance learning by students. The cycle of inquiry for data driven instruction entails assessment, analysis of the student performance and action. It is a central causal factor for the realization of student success. The student tasks indicate to us what our learners are capable of doing and what they know. They also indicate points of weakness in their learning activities. The central question is how to make use of such data to close the gaps in the learning process. Experts in the education sector cite the use of data driven instruction and inquiry as an important tool in improving student performance (Data Driven Instruction, 2016).
What did you learn in the program you are now completing, including in student teaching, about the use of data-supported instruction?
The data that shows student achievement is highly valuable in helping education managers…
Barbara Means, Lawrence Gallagher, & Christine Padilla. (2007). Teachers' Use of Student Data Systems to Improve Instruction. Jessup: U.S. Department of Education.
Bongiorno, D. (2011). Student Assessment. Virginia: U.S. Department of Education.
Data Driven Instruction. (2016, October 9). Retrieved from Engage: https://www.engageny.org/data-driven-instruction
Jerry L. Johns. (2002). What is Evidence-based reading instruction? Newark: International Reading Association.
The use of a retractable plateau allows for the creation of new places in the woods, and also makes the woods seem like an ever-shifting place, where identity is continually disturbed and questioned. The impression is as if the viewer shifts suddenly from a community center theater production for children to the darkness of Les Miserables, another famous musical with a moving set.
The woods are not entirely a place of freedom, however. Set designer Aaron Kennedy makes use of multiple layers within the context of the scenery to convey different 'realms.' For example, Rapunzel, the adopted child of the witch, is kept high in a tower, far from the other characters. Until Rapunzel is cast out from the tower, she can only interact with others in a limited fashion, through her singing and letting down her glowing, golden hair. A lighted knothole represents the spirit of Cinderella's mother, who…
Distinctly from John Updike's teenage character Sammy in his short story "A&P," who realizes he has just become an adult; Connie as suddenly realizes she feels like a kid again. Now she wishes the family she usually hates having around could protect her. The actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (paragraph 7). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the Big Bad olf, or the evil stepmothers (and/or stepsisters) that fix on Snow hite, Sleeping Beauty, Cinderella, and other innocent young female characters as prey. And Connie at the end of "here Are You Going, here Have You Been" wishes, like Little Red Riding Hood, Snow…
Kafka, Franz. "The Metamorphosis." E-text. 28 May 2007 http://www.mala.bc.ca/Johnstoi/stories/kafka-E.htm
Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" Celestial Time
Piece: A Joyce Carol Oates Home Page. 28 May 2007 http://jco.usfca.edu / works / wgoing/text.html>
Updike, John. "A&P." Tigertown.com. 28 May 2007 http://www.tigertown.com/whatnot/updike/html
In the beginning of the story, Erendira must "bathe and overdress her grandmother, scrub the floors, cook lunch, and polish the crystal ware" (Marquez) every day. Erendira endures a difficult life for a fourteen-year-old girl, considering she was "too meek for her age" (Marquez). The life her grandmother makes her live is inhumane as she attempts to make Erendira pay for her mistake with prostitution. Erendira's prince does not arrive quickly and when he does, she leaves him. Here is where we see the story move from a fairy tale story to one that seeks to explain human behavior. Erendira takes care of herself with the money she feels she deserves. She decides to do so without a man and this makes the story modern while at the same time, very timeless, in that people are as unpredictable as they are predictable. Erendira is an independent woman in need to…
Kafka, Franz. "The Metamorphosis." The Norton Anthology of Short Fiction R.V. Cassill, ed.
New York W.W. Norton and Company. 1981.Print.
Marquez, Gabriel Garcia. "The Incredible and Sad Tale of Erendira." American Buddha Online.
Web. Site Accessed May 16, 2011. http://www.american-
Frances Hodgson Burnett's 1909 "The Secret Garden" is one of the best loved children's stories of all time. As with most children's stories it is based on the fairy tale motif.
No one really knows the exact origin of fairy tales, in fact they seem to have originated in that timeless realm of their subjects (Harischandra Pp). J.R.R. Tolkien describes the realm of fairy tales as "wide and deep and high and filled with many things: all manner of beasts and birds are found there ... beauty that is an enchantment ... there it is dangerous ... To ask too many questions, lest the gate should be shut and the keys be lost" (Tolkien pp). Fairy tales generally have elements of good and evil, often portrayed by evil stepmothers and fairy godmothers, and usually a fair maiden as the protagonist. Burnett modernized the fairy tale motif in "The…
Burnett, Frances Hodgson. The Secret Garden. Pp.
Harischandra, Neshantha. "Fairy Tales and the concept of femininity."
Nivedini -- A Sri Lankan Feminist Journal. June 01, 2001; Pp.
Risk factors then include elements such as socioeconomic disadvantage and parental distress. When stepparents however work to establish a close rapport with their children, these can be minimized by encouraging the child to talk about whatever his or her feelings are about the transformative events within the family, and also outside of the family. This will also be helpful in coping with the above-mentioned social stigma that is related to the stepfamily in society.
In creating a safe and warm atmosphere for children to talk about their feelings and experiences, dysfunctional elements such as conflict, negativity, lack of support and authority (Hetherington et al. 1998) can be overcome to create a better and warmer environment. This environment will then help to curb the negativity that has been observed in children from stepfamilies. However, because adequate knowledge and research lack in this area, it is often left to stepparents and their…
Banker, Brenda S. And Gaertner, Samuel L. "Achieving Stepfamily Harmony: An Intergroup-Relations Approach."
Journal of Family Psychology. Vol. 12 (3) September 1998, pp. 310-325. American Psychological Association.
Braithwaite, Dawn O., McBride, M. Chad, and Schrodt, Paul. "Parent Teams' and the Everyday Interactions of Co-parenting in Stepfamilies." Communication Reports, 0893-4215, June 1, 2003, Vol. 16, Issue 2. Database: Communication & Mass Media Complete.
Dunn, Judy, Davies, Lisa C., O'Connor, Thomas G., and Sturgess, Wendy. "Family Lives and Friendships: The Perspectives of Children in Step-, Single-Parent, and Nonstep Families." Journal of Family Psychology, 0893-3200, June 1, 2001, Vol. 15, Issue 2. Database: EBSCO Host.
Cultural in the United States
Compare and contrast what Morris Berman, Frank Capra, and David Fincher present as the flaws in our culture's pursuit of material self-interest.
Morris Berman, Frank Capra, and David Fincher present the society in postmodern consumer where the masculine identity is lost: the gray-collar male personnel and the satisfaction socially created by the society focused in materialism. Technology is the baseline for Berman's argument. The argument goes well-known to Neil Postman, and McLuhan Marshal it is not normal, not only does it change the way we connect with the rest of the world, but it also gets our brains wired (Berman 21). A normal brain of a person who has been print raised differs with a big margin from that of a person who, most of his time is corrupted by the internet.
However, the significance of the internet is making a reduction to our understanding…
Berman, Morris. Why America Failed: The Roots of Imperial Decline. Hoboken, N.J: John Wiley & Sons, Inc., 2012. Print.
Frank, Capra. It's a Wonderful Life: A Play in Two Acts. Woodstock, Ill: Dramatic Pub, 2008.
Finchers, David. "fight Club." Mu-nchen: GRIN Verlag GmbH, 2007. Internet resource.
French New Wave/Auteur Theory and Tarantino
Quentin Tarantino: An Auteur
French New Wave cinema is a cinematic movement of the 1950s and 1960s established by French filmmakers and film critics who founded the Cahiers du Cinema that felt cinema had become too commercialized, formulaic, and unoriginal. This critical contention eventually led to the development of the auteur theory. Throughout various essays and critiques, Cahiers du Cinema critics sought to revolutionize cinema and analyze the function of writer in relationship to director. Cahiers du Cinema critics further argued that directors should be the driving vehicle behind a film and not writers. The criterion for an auteur, as defined by film critics in France and the United States, is still evident to this day. Through his unique writing and directing style, and through the use of mise-en-scene in his most recent film Inglourious asterds,[footnoteRef:1] Quentin Tarantino has demonstrated he is a contemporary…
Astruc, Alexandre. "The Birth of a New Avant-Garde: Le Camera-Stylo." L'Ecran Francais, No.
144, (March 30, 1948). transl. In "The New Wave: Critical Landmarks," by Peter Graham (Secker & Waurburg, 1968). pp. 17-23.
"Creator: Quentin Tarantino." TV Tropes.
Assembling Southern Appalachian Belief Culture from the Foxfire Archive
This project looks at the belief structure of people in the Southern Appalachian mountains as recognized through the Foxfire archival project, documentary evidence and artistic interpretation. Through an examination of belief systems it is believed that unique cultural aspects of this isolated group of people can be determined. The Foxfire project is an archive that documents how the people lived prior to the mass introduction of outside influences that happened concurrent to the ability of residents to electrify their houses which occurred from approximately 1935 and into the 1950's. Prior to this time the residents of these southeastern mountains were isolated due to the remoteness of villages, and they were able to remain relatively self-contained even though some sections were being encroached by industry. The belief systems in this examination include religion and healing, but mainly relate to how…
Breton, Andre. Nadja. New York: Grove Press, 1960. Print.
Cheek, Angie, and Lacy Hunter Nix. The Foxfire 40th Anniversary Book: Faith, Family, and the Land. New York: Anchor Books, 2006. Print.
Cohen, Margaret. Profane Illumination: Walter Benjamin and the Paris of Surreal Revolution. Berkeley, CA: University of California Press, 1995. Print.
De Caro, Frank. The Folklore Muse: Poetry, Fiction, and Other Reflections by Folklorists, Logan, UT: Utah State University Press, 2008. Print.
ob einer's 1987 film The Princess Bride enjoyed only moderate box office revenues, but developed popular underground appeal and has become a cult classic. The enduring respect for einer's quirky romantic comedy is immediately apparent: it is far from formulaic, and does not truly fit in either to the "rom com" designation or that of a fantasy. The Princess Bride also includes a cast filled with luminaries like Peter Falk, Andre the Giant, and Christopher Guest. Its cast and celebrity director therefore enhances the credibility of The Princess Bride. Ultimately, though, the script and the overall tone of the film make The Princess Bride classically compelling. William Goldman's eponymous novel, upon which the film is based, transforms seamlessly into a film that capitalizes on the clever story-within-a-story concept. Peter Falk reads The Princess Bride to his grandson, who is staying home sick from school. At first, the grandson balks at…
Berardinelli, J. (2003). The Princess Bride. Retrieved online: http://www.reelviews.net/movies/p/princess_bride.html
Ebert, R. (1987). The Princess Bride. Retrieved online: http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19871009/REVIEWS/710090301/1023
Ecroyd, C.S. (1991). Motivating students through reading aloud. The English Journal 80(6).
Henry, R. And Rossen-Knill, D.F. The Princess Bride and the parodic impulse: The seduction of Cinderella. International Journal of Humor Research 11 (1): 43 -- 64, ISSN (Online) 1613-3722, ISSN (Print) 0933-1719, DOI: 10.1515/humr.19184.108.40.206, / / 1998
The story of Bluebeard is a famous one, although not as often retold as some of the happier stories like "Cinderella" or "Sleeping Beauty." One of the reasons for this is that the story of "Bluebird" does not end happily, nor does it allow the hearer to vicariously imagine him or herself saved from a life of poverty or despair. Fairy tales were told not only to entertain but also to instill wisdom and teach the listener important lessons about proper behavior. The concept was that if a young person, particularly a young female, emulated the behaviors of the virtuous characters in these stories, then perhaps they too would be saved from a miserable life of destitution and depression. This tale, then, is an advisory both about who you choose to marry and about the dangers of disobeying your husband. Critics have argued about what the purpose of this…
Dworkin, Andrea. "Onceuponatime: The Roles." Woman Hating. New York: Dutton. 1974.
Lurie, Alison. "Folktale Liberation." Don't Tell the Grown Ups. Little Brown. 1990. Print.
Opie, Iona and Peter. "Bluebeard." The Classic Fairy Tales. New York: Oxford UP. 1974. Print.
tales we know to be true. They begin with "once upon a time." They end with "happily ever after." And somewhere in between the prince rescues the damsel in distress.
Of course, this is not actually the case. Many fairytales omit these essential words. But few fairytales in the Western tradition indeed fail to have a beautiful, passive maiden rescued by a vibrant man, usually her superior in either social rank or in moral standing. Indeed, it is precisely the passivity of the women in fairy tales that has lead so many progressive parents to wonder whether their children should be exposed to them. Can any girl ever really believe that she can grow up to be president or CEO or an astronaut after five viewings of Disney's "Snow White"?
Perhaps, perhaps not. But certainly it is true that modern popular culture contains a number examples of characters and stories…
Bacchilega, C. (1997). Postmodern Fairytales: Gender and Narrative Strategies. Philadelphia: University of Pennsylvania.
Rohrich, L. (1970). Folktales and Reality. Bloomington, IN: Indiana University.
Waddell, Terrie. "Revelling in Dis-Play: The Grotesque in Absolutely Fabulous" in Seriously Weird: Papers on the Grotesque, Alice Mills, ed. New York: Peter Lang, 1999 (207-223).
Marketing Communication for Subway Restaurant
Marketing for any product or any service depends on the inherent reasons for the demand of that product or service. Thus the relative importance of different aspects is not the same for the marketing of different products or services. A restaurant is a place all of us go for a meal, bit, in our own minds, the rationale for going to different types or classes of restaurants are different. This determines the people who will go to that particular restaurant and what is the level of prices that he expects to pay. Some high class restaurants may get a crowd who just want to be seen there to improve their social status. ut, subway restaurants are for the hoi polloi.
A product for the general public is viewed in marketing terms more as a sales exercise than a publicity exercise. (uttle, 1996) Marketing is generally…
Buttle, Francis. (1996). Relationship Marketing. In Francis Buttle (Ed.), Relationship Marketing: Theory and Practice (pp. 1-16). London: Paul Chapman Publishing Ltd.
Manning, Gerald, L. & Reece, Barry L. (1997). Selling Today (7th Ed.). Upper Saddle River, NJ: Prentice Hall.
Dainow, Sheila & Bailey, Caroline. (1988). Developing Skills with People: Training for Person to Person Client Contact. New York: John Wiley & Sons Ltd.
Scholtes, Peter, R. (1988). The Team Handbook: How to use Teams to Improve Quality. Madison, WI: Joiner Associates, Inc.
With the help of Salome, she discovers Jamie's dual nature, and when he, offended by her lack of trust, leaves her, Rosamond goes after him. Her journey is the hero's quest, usually a male activity in myths and legends. It takes her through the wilderness where she suffers hardship and trials but emerges transformed, reconciled with Jamie's duality and enlightened (Carson). Rosamond's heroic journey also results not only with her achievement of knowledge, love, and happiness, but in the end she rescues the man Lockhart from his divided self and double life.
Welty's portrayal of the relationship between Salome and Rosamond reverses the typical stepmother-daughter antagonism found in fairy tales. Although Salome is hateful toward Rosamond early on in the story, she changes and becomes the girl's ally in her heroic quest. Salome gives Rosamond a recipe to remove the stain on Jamie's face so she can learn who he…
Trace the roots of many of the traditional cannon of fairy tale - Cinderella, Snow White, Sleeping Beauty etc. - and women and children are often subdued by the establishment. Stardust's suggestion that there might be greater things inside all of us seems perfectly in line with traditional fairy tales.
If, however, you believe in more traditional gender roles and are very conservative in regards to family structure then Stardust may present a problem namely, that homosexuality is okay. To those coming from the hard right, Captain Shakespeare's effeminate behavior behind closed doors (or in the closet), and his revelation to the crew that he enjoys cross-dressing and they're subsequent reveal that they already knew, Stardust is definitely a challenge to the status quo. Even the heterosexual romance between Tristan and Yvaine pushes the limit as they are shown in bed together on more than one occasion. Magic and the…
The process of reframing is well illustrated in the case of Tata Nano car concept. The reframers question themselves in an attempt to answer the question "why not." Tata for instant broke a century old paradigm for car manufacture by distributing the component kits for the manufacture of the Tata nano to a number of entrapreneural smaller firms could assemble closer to their customer base. This was as opposed to complete production of the car in their factories. They questioned the conventional wisdom in order to aid the firm in navigating the increasingly complex corporate environment.
The culture of creative dissatisfaction
Other than the formal system of the TSC the company has taken certain key steps that are aimed at the stimulation of creative thinking. The company trains its employees so as to think about improving its products at all times. They refer to this as the culture of creative…
Business Week (n.d). Tata's Innovation Engine:How Tata spurs creative thinking http://feedroom.businessweek.com/?fr_story=b3b3118b61a41a63272819d801b28a6ab58242d9
Drucker, P (1985). Innovation and Entrepreneurship: Practice and Principles
Gosh, G (2010). Reframing is the key to Disruptive Innovation
The one exception to these generalizations is Marlboro, but its dominant market share is publicized by a tobacco watch group. Marlboro itself perhaps does not want to emphasize the fact it is the most popular brand in the United States because this might draw greater regulatory attention regarding its advertising and distribution. That is the reason that is market share is being publicized by anti-tobacco activists.
Q3. Taste test
For my taste test, I selected three cola brands that would not be immediately recognizable, based upon their appearance (This eliminated the possibility of comparing 7-Up and Coca-Cola, for example). I did a blind taste test of Coca-Cola, Pepsi-Cola, and Dr. Pepper, labeled as a, B, and C. Almost every person in the taste test was able to pick out the distinctly sweet taste of Dr. Pepper. Coca-Cola and Pepsi were less obvious: while individuals were able to recognize that the…
Marlboro, Phillip Morris. (2010). U.S. Tobacco Market Share. Tobacco.org.
Retrieved August 22, 2010 at http://www.tobacco.org/Resources/mktshr.html
Moser, Jason. (2010, August, 20). Measuring up: Home Depot vs. Lowes. Motley Fool
Retrieved August 22, 2010 at http://www.fool.com/investing/value/2010/08/20/measuring-up-home-depot-versus-lowes.aspx
The films Pickford brought to life as a producer later in her career were often nothing like those she starred in as an actress: For example, "in 1945, during the independent production boom at the end of orld ar II, she organized Comet Pictures to make medium-budget films with Ralph Cohn, the son of Columbia Pictures cofounder Jack Cohn. At Comet she produced probably her finest later film, the noir hit Sleep, My Love (1948)" as well as the broad, comedic-style films My Little Chickadee (1940) with .C. Films; Love Happy (1950), with the Marx Brothers comedy and (briefly) Marilyn Monroe and the war movie the Story of G.I. Joe (1945) (Aberdeen 2005).
Pickford defended the role of independent producers in 1934, in a speech that noted that for film to continue to remain relevant in the 20th centuries, it must be innovative and challenging, particularly given that radio and…
Aberdeen, J.A. "Mary Pickford: The SIMPP Years." Hollywood Renegades. Reprinted by Cobblestone, 2005 on the web in excerpted form. May 4, 2010.
Dirks, Tim. "Film history of the 1920s." Film Site. AMC Movie Classics. May 4, 2010.
A toasted my favorite strawberry Pop Tarts, carefully cut them into quarters like my precision would protect me from something, and sipped regular Coke.
Garbage in, garbage out, sis," said my brother. "Carrie, girl, your energy is going to totally crap out halfway through practice, if you eat like that." I didn't care that much. Yeah, I'd probably have half a snack bag of corn chips for lunch, throw the rest away and say I was fat, try to pretend I was fashionably dieting like the pretty girls, and then feel like wet rag after doing wind sprints with my hockey stick after school. But I never saw my body as a carefully sculpted, inhuman machine, capable of perfection like my brother. My legs were just a vehicle to get my life to Point a and Point B, as best as it could. I think deep inside, I had learned…
The frequency of window imagery in the novel highlights both the importance of expectancy ("Esperanza) and houses. Esperanza's namesake was said to always be looking out of a window, after she was 'carried off' by a man, symbolizing Esperanza's fears of maturity. Esperanza is ashamed when people point to her house through windows, like the nun at her school points at the house from a window to indicate why Esperanza cannot eat her rice sandwich with the 'special students' who do not live nearby. The first chapter of the novel chronicles all of the many problems with the house she lives in, from the crumbling steps to the leaky plumbing, and worst of all the fact that it, just like all of the houses Esperanza has lived in her life, is leased.
A window is something both 'of' a house, but also allows an individual to look away and beyond…
" In it, he showed a poor boy and a rich boy (the Prince), who exchanged places and found that they each preferred to live in the life to which they had been born. Still, each learned from the other's life and the outcome was not what the Sunday School books had all written. The rich Prince "lived only a few years," but he lived them worthily.
In conclusion, Mark Twain was saying in his Story of the Good Little Boy, it is in a situation where one might expect to find reward that one finds punishment, and it is not how one's religion wants one to live that one finds reward and satisfaction. Also, the authorities in his Story did not exercise justice, so this was another disappointment for the reader, again coming to the conclusion that religion was not the answer to life's problems. It did no good…
Library of Congrress. "America's Story from America's Library." Website at: http://www.americaslibrary.gov/cgi-bin/page.cgi/jb/gilded.
PBS, "Andrew Carnegie: The Gilded Age." Website at http://www.pbs.org/wgbh/amex/carnegie/gildedage.html .
Twain, Mark. "Poor Little Stephen Girard," in Carleton's Popular Readings, Anna Randall-Diehl, ed., New York, 1879, 183-84.
Twain, Mark. The Gilded Age. New York: Classic Literature Library. 1873.
African-Americans and Puerto icans, for instance, have a long history of racial tensions. The other maids celebrate Marissa's promotion by doing an improbable dance of joy to show her success is a success for all of them -- in real life, they might be happy for her, but maid work is hard work that doesn't leave a lot of energy for dancing on the job. It is only one step above cleaning people's houses for a living and only better because there is a place to go up and a chance for advancement at a hotel while there is no place to go when working in a private home. But it still involves cleaning the toilets and scrubbing the floors.
Marissa is very intelligent, as pointed out to her by the butler who quit when she got fired. He gives her a little speech in which he says, "To serve…
Alleyne, S. (2005). Zoning in on cultural differences. Black Enterprise, 35 (9), 55.
Koehler, R. (2002). Maid in Manhattan. Variety, 389 (4), 40-41.
Noh, D. (2003). Maid in Manhattan. Film Journal International, 106 (1), 43-44.
Puerto Rican Americans web site: (www.everyculture.com/multi/Pa-Sp/Puerto-Rican-Americans.html).
On one hand, Esperanza has just been badly wounded. Her beloved Angel, however, is an expert at healing, not because he is a holy angel, but because he is a wrestler who frequently gets injured himself and has blue ointment in his truck. He explains that red meat is better than white meat to treat a bruise, but chicken must suffice. His ointment, he says helpfully, is "the closest you can get this ointment is near a race track in Tijuana, just ask horse," and the ointment does heal Esperanza's wound, even though it is not offered to her in a romantic way -- just like the raw chicken (224).
Esperanza feels guilty for falling in love with Angel because she feels that she should only act like a mother, living only for her daughter, rather than thinking of herself. She does not think that she should take delight in…
As Connie grows more frightened of Arnold's escalating threats, she eventually allows her own imagination to run wild, to the point where she can neither think clearly anymore, nor even manage to use her own telephone to call the police.
The fright-inspiring actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (p. 2279). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the ig ad Wolf, or the evil stepmothers (and/or stepsisters) that fix on Snow White, Sleeping eauty, Cinderella, and other innocent young female characters as prey.
The shaggy-haired man who drives "a jalopy painted gold" (p. 2279) first notices Connie at a "drive-in restaurant where older kids hung out"…
Bender, Eileen T. "Joyce Carol Oates, b. 1938." Retrieved November 16, 2006, at http://www.georgetown.edu/faculty/bassr/heath/syllabuild/iguide/oates.html .
Celestial Timepiece: A Joyce Carol Oates Home Page. Retrieved November 16, 2006, from: http://www.usfca.edu/facstaff/southerr/wagner.html#preface html>.
Friedan, Betty. The Second Stage. New York: Summit, 1981. 341.
Gilbert, Sandra M., and Susan Gubar. "Joyce Carol Oates 1938-." The Norton
These are some of the arguments that Ingraham deploys to illustrate the gender, race, and ethnic nuances of wedding advertisement and the wedding industry.
ccording to Furstenberg (2003), the problem regarding teenage childbearing is misplaced. Instead of seeking ways to limit it, one should ask why it is problematic. Shattering many of the myths of teen childbearing -- showing, for instance, that many of the mothers do go on to become productive members of society (sometimes on a footing with 'regular mother), and that these mothers ultimately acted better for themselves than had they married the person who would have, likely, ruined their lives, as well as that there is little statistical numerical difference between the numbers of white and black premarital birth, and that teenage birth was always common but only became problematic when it occurred outside marriage (starting off first with the Blacks and then progressing to Whites)…
According to Furstenberg (2003), the problem regarding teenage childbearing is misplaced. Instead of seeking ways to limit it, one should ask why it is problematic. Shattering many of the myths of teen childbearing -- showing, for instance, that many of the mothers do go on to become productive members of society (sometimes on a footing with 'regular mother), and that these mothers ultimately acted better for themselves than had they married the person who would have, likely, ruined their lives, as well as that there is little statistical numerical difference between the numbers of white and black premarital birth, and that teenage birth was always common but only became problematic when it occurred outside marriage (starting off first with the Blacks and then progressing to Whites) - Furstenberg shows that disapproval is relegated solely to America's evangelical Christian minority views. In this way, the entire issue of pre-martial teen motherhood it serves as social construction fueled by a nation's ideology, and that in basis there should be hardly any problem whatsoever. The problem, Furstenberg asserts, is not that teens are having children -- teens always did -- but that this is happening outside wedlock and this contravenes with the Evangelical (not Puritan (as popularly thought) mindset of contemporary America.
Research limitations with Furstenberg's study are that no comparative research was conducted on other cultures, and that, as he himself notes in regards to his Baltimore study, many other differences between the subjects and their former classmates should have been taken into effect. Also noticeable is the fact that whilst significant and remarkable longitudinal attention was dedicated to the cohort of Black pre-marital teenage mothers, no corresponding attention was accorded their former classmates. Interesting, too, would have been research on the contrast between children born in a non-marital nurturing marriage to those born in a conventional (stable) and unhappy marital structure.
Furstenberg's main point is that concern of pre-marital teen childbearing is misplaced; that much of the findings are erroneous; that concern of problem is a social construction, and that research should be better placed on other aspects.
Overview of ecommendations
As has been demonstrated above, whether or not a company should outsource its human resources management tasks and processes is a highly individual consideration. Many aspects of the company's operations, its financial standing and capital reserves, and the specific industry fluctuations must be taken into account when determining whether or not to outsource. It should be noted that this overview recommendation is by no means an exhaustive list of considerations.
Companies that are very small or that have very stable human resources needs should keep most if not all of their human resources management processes and tasks internal, and specifically should allocate these tasks amongst line managers in order to achieve the maximum efficiency. In certain industries where human resources management takes up a large amount of organizational resources yet remains very stable in the time devoted to such management -- academia and healthcare are examples, in…
Becker, B. & Huselid, M. (2006). Strategic Human Resources Management: Where Do We Go From Here? Journal of Management 32(6):898-925.
Gospel, H. & Sako, M. (2010). The unbundling of corporate functions: the evolution of shared services and outsourcing in human resource management. Industrial and Corporate Change 19(5): 1367-96.
Greer, C., Youngblood, S. & Gray, D. (1999). Human Resource Management Outsourcing: The Make or Buy Decision. The Academy of Management Executive 13(3): 85-96.
Lawler, E. (2004). Human resources business process outsourcing. San Francisco: Jossey-Bass.
China on the West
Freed at last from 150 years of humiliation as a worthless Soviet-style command economy and nation, China first became a "rising power" and then as an actual "risen power (rookes 2005). Unprecedented economic reforms two decades ago led to its amazing economic growth and expansion. Achieving an almost double-digit growth in the last two decades, China has clearly restored its old grandeurs as the "Middle Kingdom." Chinese analysts believe this immense growth will continue and challenge traditional world powers, including the United States, in dominion and control of international mechanisms. At present, it has the largest population in the world and the second largest defense budget and ranks as the second largest economy. These capabilities allow China to play big roles in global politics. It is not only a permanent member of the UN Security Council. It is also a nuclear weapons…
Bodde, D. (2005). Chinese ideas in the West. Committee on Asian Studies in American
Education: University of Pennsylvania. Retrieved on November 14, 2011 from http://www.learn.columbia.edu/nauxuntu/html/state/ideas.pdf
- (2005). China's gifts to the West. Retrieved on November 15, 2011 from http://afe.easia.columbia.edu/song/readings/inventions_gifts.htm#conclusion
Brookes, P. (2005). China's influence in the Western Hemisphere. Asian Studies Center:
marketing strategy a college athletic department. I a couple pages discussing background research a typical college athletic program, a school marketing increasing communities involvement ticket sales.
Most universities have intermural athletic programs. However, there is a wide variation in terms of the funding, success, popularity and approaches between these programs, spanning from Division I powerhouses to relatively noncompetitive Division III schools. Regardless of the nature of the program or the school, athletic programs can be powerful marketing and publicity tools for academic institutions. Alumni donations often increase after a successful season, as do applications from more competitive students. Also, success tends to breed success in athletics: the more successful and highly-promoted the program, the more top athletes will be inclined to apply to the school -- the more top athletes are drawn to the school, the greater the likelihood of athletic success in the future.
For example, when Northern Iowa…
Logue, Andrew. March's madness gives players, program at Northern Iowa a boost. USA Today. August 22, 2010. Available November 21, 2010 at http://www.usatoday.com/sports/college/mensbasketball/mvc/2010-08-22-northern-iowa_N.htm
Inglourious Basterds: A new take on history
Continuing to push the boundaries of contemporary cinema, Quentin Tarantino's Inglourious Basterds helps to redefine an era and rewrites history in the process. Tarantino's extensive knowledge of cinema and music drive his stories, rewriting history, and redefining cinema. Tarantino's postmodern approach to cinema is evident in many of his films, and his writing and filmmaking approach and style have cemented his place in Hollywood history. Inglourious Basterds is a welcome addition to Tarantino's repertoire and continuing to redefine a latent industry content on remaking successful foreign films and producing films devoid of artistic substance.
Inglourious Basterds is a modern day spaghetti western set in Nazi occupied France and relates the story of the "Inglourious Basterds" and their quest to kill as many Nazis in the most unconventional manner, as well as, Shosanna Dreyfus's quest to avenge her family. An all-star cast helps Tarantino…
Ebert, Roger. "Inglourious Basterds." 19 August 2009. Web. Accessed 10 December 2010.
Martin, F.D., and Lee Jacobus. The Humanities through the Arts. 5th ed. New York: The
McGraw-Hill Companies, Inc., 1997.
The state of Georgia has a long history of southern heritage and pride in the United States. The movie Madea's Family Reunion depicts the subculture of the state of Georgia showing its strong ties to marriage/family, food, religion, guidance, culture and traditions. The movie depicts a strong black grandmother Madea, who is the matriarch of the family helping her family deal with pressing issues. She does all this while at the same time planning for a huge family reunion. The movie, which was filmed in Atlanta, Georgia deals with many traits and issues one would see among regular families in Georgia, some of which depicting times during the slavery revolution. Love, acceptance, friendship and family are all qualities shown in this movie and in the community of Georgia.
Georgians are known for their strong ties to family and the sanctity of marriage. The hardships the black community has had…
Perry, Tyler. (2006). Madea's Family Reunion. Atlanta, Georgia. LionsGate.
Even five years ago, this was not the case. Moore uses his own brand of investigative, and sometimes highly charged and emotionally biased journalism to make his points. He causes people to violently disagree with his determinations, but he causes people to think, something that many filmmakers simply avoid. Moore's documentaries are more than entertainment, they get people talking about and investigating issues on their own. His message may not appeal to everyone, but his methods are some of the best in filmmaking. He creates films that people remember, and this is an important aspect of the process. He uses emotional, controversial, social, and meaningful themes to "stir the pot," and will certainly be one of the 21st centuries most remembered filmmakers.
Steven Spielberg is probably the most influential and important filmmaker today. His films are much more than entertainment, they are thought provoking, artistic, and stunningly memorable. From "The…
alt Disney Company Scenario
Scene: Fiscal Karat (FK), host of TV's Let's Talk Money, is seated at the center of an oak conference table. Let's Talk Money is a weekly PBS talk show that interviews business leaders and often finds government officials to debate certain ideas and programs. Tonight's episode features Mr. Michael McDuck (MM), CEO of alt Disney Company and Mr. Rigid B. Crat (RC), Senior Administrator for the U.S. Treasury's Anti-trust Division.
FK: Good evening and welcome to Let's Talk Money, your weekly adventure into provocative and interesting monetary topics ranging from mild to wild. Tonight, a special treat for the kid in us all -- Michael McDuck, CEO of alt Disney goes head to head with the Administration's Senior Anti-Trust Maven, Rigid B. Crat. elcome gentlemen!
First though, let's take a moment to establish a bit of background. The alt Disney Company is a multinational mass media…
Disney Vows to Investigate Claims of ABuse at Factories. (2005, June). Retrieved from SACOM: http://sacom.hk/archives/66
J&J, Walt Disney, Kraft Foods Top Rankgin. (2010, October 13). Retrieved from Environmental Leader: http://www.environmentalleader.com/2010/10/13/jj-walt-disney-krafts-foods-top-csr-ranking/
Hearing: Are Government Contractors Exploiting Workers Overseas? (2011, November 2). Retrieved from Sparky - Keeping You Plugged In: http://mssparky.com/2011/10/hearing-are-government-contractors-exploiting-workers-overseas/
Areeda, P., & Hovenkamp, H. (2011). Fundamentals of Antitrust Law. New York: Kluwer Law.
An intergalactic space mission from Earth tries to create a scientifically-based cooperative. The name of the ship is the Nefertiti, after the ancient Egyptian Queen. Captain Reeftart, his first mate Jane, and their enthusiastic crew first set foot on the friendly planet Stauron. The Stauronians share the Earthlings' hope for an interplanetary federation based on science. Although the Stauronian leader Glastia is skeptical, Reeftart believes that the Dirgonians will be receptive. However, Dirgon is a xenophobic, insular, and isolationist planet who, though benevolent, do not generally support measures to collectivize resources. Reeftart's optimism is tempered by Jane's pragmatism.
Faced with the potential for failure, Reeftart conspires to trick the Dirgonians into starting their own collective; he believes that if the Dirgonians believe that they initiated the idea they would feel fully in charge. Reeftart obviously knows little about Dirgon or their core culture, for when the Nefertiti arrives on…
Farewell My Concubine
Kaige Chen's 1993 film Farewell My Concubine traces the development of several characters and the evolution of China throughout the twentieth century, from the Warlord Era in the 1920s until the end of the Cultural Revolution in the 1970s. The social and political upheavals occurring in the country mirrors the strife in the personal lives of Cheng Dieyi, Duan Xiaolou, and Juxian. War, chaos, and social turbulence are apt backgrounds for the depiction of these three central characters. The events of the film begin in Beijing during the warlord era, in 1924. A prostitute names Yanhong carries her child through a crowded public area, where a performance by the Beijing opera enthralls a rowdy crowd. Yanhong ignores a man who calls her a whore, an act that sets the stage for one of the film's overarching themes: social class conflict and the ill treatment of both actors…
On the eve of the Great Proletarian Cultural Revolution in 1966, which was designed to "reconstruct people's mind," fire becomes a key symbol for transformation, destruction, and change. Dieyi burns the costumes he despises, as Duan and Juxian burn jade relics of the old society. Later he, Duan Xialou, and Juxian are ridiculed in public in front of a great bonfire, their lives at stake. Figures like Na Kun slander and rat out Dieyi, calling the three of them "reactionary" and "anti-party." Like the opera "Farewell My Concubine," the King, played by Duan Xialou, is being defeated by the Han invaders, played by the Communists. In spite of his being "bold and resourceful," he cannot escape his fate.
Farewell my Concubine ends and begins in 1977, ten years after the Cultural Revolution. Dieyi and Duan Xialou are reunited after more than a decade of being apart and are set to perform "Farewell My Concubine" in front of an unseen audience. As his final moment of retribution, Dieyi kills himself on the sword that the pair had been performing with since their early days in the Beijing Opera. Now all of the events of the classical Chinese opera have came to pass, as Duan screams his final farewell to Concubines Yu and Dieyi.
The film captures decades of cultural, political, and social turmoil in China and juxtaposes several layers of characters in play-within-a-play format. The Cultural Revolution eliminated the appearance of the old social stratification, but the lives of actors and prostitutes remain substandard. When Duan, Dieyi, and Juxian stand before their communist accusers, all three of them are ridiculed for being low life actors and prostitutes, a bold assessment of the failure of the proletarian revolution to instill social equity on top of a millenia-old Chinese culture.
That relieves all the pent-up anxiety of a Trump wannabe. Therefore, such a viewer remains content with his or her current life, acquiescing to (and as a result reinforcing) current hegemonic power structures (i.e., the real power of big corporations, and corporate players like Trump, over all the rest of us)).
"The Apprentice" is especially successful at pro-hegemonic reinforcement, moreover, since it focuses on a subject we all (except for those born independently wealthy, or winners of huge lotteries) recognize and experience day-to-day: work. Hegemonic power of corporate workplaces, and, by association, a national government that allows, and encourages, corporate uses and abuses of power, are validated by "The Apprentice's" implicit suggestion that a high-powered corporate career, the higher paid and more prestigious the better [the stuff that makes the Ken Lays of the world tick], is exciting, fun, glamorous, where the winners are, and something to aspire to, rather…
"Dinsdag." November 30, 2004. Swerve Left. Retrieved May 11, 2005, from:
"Inkwell." Independent Women's Forum. Retrieved May 11, 2005, from:
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio.…
"What better way to annoy the Hollywood liberals than to remind them every single day that
George W. Bush is STILL the President?" Retrieved from https://www.donationreport.com/init/controller/ProcessEntryCmd?key=O8S0T5C8U2 Accessed 15 September, 2005
"What's interesting about the business is that it's no longer the movie business" Retrieved from http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/picture/corptown.html Accessed 14 September, 2005
David Ogilvy, etc.
It is difficult to refute David Ogilvy regarding advertising's place in American life. It is difficult, simply because -- at least as he explains it -- Ogilvy was an ethical practitioner of the art of letting people know what goods, services and ideas were available for their pleasure. And he seems to think most of his colleagues were, as well. If it is possible to refute his very balanced argument, it would be on the basis of the changes in the advertising marketplace that have led to non-sensical excesses of every stripe, excesses Ogilvy would doubtless have abhorred had they been obvious when he wrote "What's Wrong with Advertising?" (Ogilvy, date unknown, page n/a).
An article in The Atlantic Monthly in 1997 explained communications professor Joseph Turow's attitude against advertising. Turow proposed that in the 1970s, 1980s, and 1990s, "marketers, advertisers, and media companies developed a view…
"Breaking Up America: Advertisers and the new media world." (1997, June) The Atlantic Monthly, 279(6), pp. 113, 120. Retrieved 21 October 2005 from www.questia.com.
Fleetwood, B. (1999) "The broken wall." Washington Monthly, 31(9), p. 40. Retrieved 21 October 2005 from www.questia.com.
Ogilvy, David. "What's Wrong with Advertising?" As published in (please add anthology information; see parenthetical citations as well.)
But Sabrina's initial rough exterior is still presented in terms of a kind of casual tomboyishness, in this case, Julia Ormond's bespeckled visage rather than Audrey Hepburn's ponytail. The young woman must put away childish, gender-ambiguous play and adopt a feminine norm, to show she is a 'real' woman, worthy of David's class. Contemporary norms in terms of how males and females are portrayed in the two versions, are perhaps more manifest in how the newer version seems to take a more damning view of David's love of fast women and fast cars and his frequently boorish behavior with the fair sex. But by virtue of replicating the plot, Linus' equally crass seduction of a vulnerable young woman to preserve a corporate merger is still viewed in a reasonably tolerant light.
Also, in terms of the characteristics of both versions of Linus, Linus remains a much older man, which raises…
Sabrina." Directed by Billy Wilder. 1954.
Sabrina. Directed by Sydney Pollack. 1995.