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Dunbar is presented as a man that loves life and all the good things about it. He expresses a sentiment of extreme pride when he prefers to die rather than have his leg amputated. Most people have returned to their homes after the war with the desire to have a normal life and a well-paid job. Dunbar, in contrast, chooses to remain in the military to protect an abandoned U.S. garrison on the western frontier. Total isolation does not seem strange to Dunbar and he immediately adapts to life in solitude, interacting only with Cisco, his horse, and Two Socks, his wolf. The Indians name him Dances with olves because he frequently plays with Two Socks.
In spite of wanting to make a typical estern, Costner has added some special touches to the script which changed some patterns that normal esterns had followed. Most early Hollywood esterns pictured Indians as…
Dances with Wolves. Dir. Kevin Costner. Orion Pictures, 1990.
Often, these films portrayed the Indians as bloodthirsty villains who preyed on whites for no reason. They were often violent, and whites almost always died at their hands. In addition, most of the "Indian" actors were actually white actors in makeup. These stereotypical ideals where what most Americans thought of when they thought of the Old West, and as this film shows, they were often very far from the truth. In truth, all Native tribes were not (and are not) violent, and many were driven to violence only after they had been attacked or pushed off their lands by the white man. The two groups in this film, the Pawnee and the Sioux, indicate this difference. Initially, the Sioux were open to negotiation, while the Pawnee were not. Engaging in these stereotypes made Hollywood movies that were popular, but they were not real. Dances With Wolves may not be totally…
Aleiss, Angela. Making the White Man's Indian: Native Americans and Hollywood Movies. Westport, CT: Praeger, 2005.
Baird, Robert. "13 Going Indian: Discovery, Adoption, and Renaming Toward a "True American," from Deerslayer to Dances with Wolves," in Dressing in Feathers: The Construction of the Indian in American Popular Culture. Edited by Bird, S. Elizabeth, 195-206. Boulder, CO: Westview Press, 1996.
Editors. 2008. Trivia. Los Angeles, CA: Internet Movie Database. Online. Available from Internet http://www.imdb.com /title/tt0099348/trivia,accessed22 April 2008.
Reagan's Foreign Policy: an Overview," in President Reagan and the World. Edited by Schmertz, Eric J., Natalie Datlof, and Alexej Ugrinsky, 5-10. Westport, CT: Greenwood Press, 1997.
Conceptualization/Film Analysis: Dances with Wolves
The movie, 'Dances with Wolves' is among the most noteworthy of Hollywood motion pictures. Though it comes with its flaws, the movie has still proven to be successful in bringing an image of the culture of Native Americans into mainstream America's collective consciousness. The movie's screenplay manages to introduce a better understanding, acknowledgement, and sensitivity towards Lakota people. Several scenes in the movie back the above idea. These scenes also give the movie's audience an access to familial relationships in tribal communities and the humanity the people of this culture possess. By the above statement, I am, in particular, thinking of the numerous scenes within the movie wherein we witness "gift giving." The first gift-exchange transpires when Lieutenant Dunbar (played by Kevin Costner) brews coffee for the little contingent of Lakota people that happens upon his military fort. This scene closes with the Lakota warriors…
Costner, K. (Director). (1990). Dances with Wolves [Motion Picture].
Eagan, K.P. (1990). Dances with Wolves (1990). Retrieved from Cabrillo.edu: http://cabrillo.edu/~crsmith/dances_wolves.html
Hersh, T.R. (1991, March 18). Dances with Wolves: A Psychological Review. Retrieved from Clinical Psychology: http://www.psychological-observations.com/published-articles/48-dances-with-wolves
In contrast, Dances with Wolves seems more like a western in that it takes place in the wild frontier and it centers on the white man's relationship with the Native Americans. The initial conflict and anxiety that the Natives experience is something that we can link to a western. There are other scenes, too, that make the film feel more like a western. These include a buffalo hunt and a fight with the angry tribe of Native Americans just to name a couple. It is important to note that we also have other battle scenes that make the movie feel more like a drama than a western. The move has been praised for its accuracy and historical detail and this makes it more than a western as well. This is not a light-hearted film like City Slickers. Instead, this movie encourages viewers to think about history and those that had…
Dances with Wolves is a movie that clearly shows the moral and political dilemmas that existed in those times and it also represents that fairly savage policy that the United States had against Indians and those that sided with the same. It also proved that skin color alone is not enough to keep people separated, as proven by Costner's character and the white woman he eventually took as his wife. However, it also became clear to Costner's character that he was in a no-win situation and that he could not stay with the Sioux even though he wanted to and the Sioux felt the same way. While a lot has changed since the days of the Civil War, some things remain stubbornly the same.
Since the settlers from other countries including Britain, France and Spain came to the shores of what is now the United States starting in the late…
When the pigs take refuge in the second house, their case is similar to the one when the Natives have been constantly trying to defend their territory. In spite of their attempts, they have been pushed back and sent into reservations by the new-comers.
The wolf had been blinded by his greed and did not pay any attention to the suffering that he caused along his migration toward the west. At the time when the pigs ran into the brick house, the wolf saw that there was no way to go any further, and, he died along with his concepts.
Consequent to the wolf's death, the pigs got together and managed to receive rights just as those that the wolves had. In Garner's story, the pigs go even further and get revenge by killing wolves and chasing them away from pig territory. In the final of the story the pigs…
Man ho Shot Liberty Valance and the Brilliance of John Ford
John Ford's The Man ho Shot Liberty Valance (1962), a classic western with a few film noir elements included, is elegiac in the sense that its narrative strategy is that of eulogistic remembrance by now-Senator Ransom Stoddard, of horse rancher Tom Doniphan, who once saved Stoddard's life and changed it much for the better, and who was the real man who shot Liberty Valance. According to Robert Horton, "This may be the saddest estern ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose" ("Editorial Reviews"). Upon Tom Doniphan's death in the small fictional town of Shinbone (state unknown) Ransom and Hallie Stoddard arrive back in town to pay their final respects to Doniphan who sacrificed so much of himself, and so much of his own future happiness,…
Berardinelli, James. "Dances with Wolves: A Film Review." Top 10 of the 90's.
Retrieved May 28, 2005, from: .
Ford, John. (Dir.). The Man Who Shot Liberty Valance. With John Wayne and Vera Miles.
ity Slickers (1991) depicts a group of middle-aged pals going on a two-week western cattle drive run by the cowpoke urly .Besides such obvious Western themes, such as the horses, Western scenery and uplifting music, are the male characters. Although in their modern city life the do not reveal their inner strengths, in the West, the men find the important values in life and within themselves. urly represents the sole cowboy that once was and mostly likely will never be again.
Lastly, the 1976 Outlaw Josey Wales is closest to what we today consider the Western. Once again, this movie has the rugged and individualist protagonist and the comic friend. The difference here is that Josey Wales starts out as an unassuming farmer and transforms into a violent shooter. Although he has reason to seek revenge, one questions whether two wrongs make a right and has Wales lost sight of…
City Slickers (1991) depicts a group of middle-aged pals going on a two-week western cattle drive run by the cowpoke Curly .Besides such obvious Western themes, such as the horses, Western scenery and uplifting music, are the male characters. Although in their modern city life the do not reveal their inner strengths, in the West, the men find the important values in life and within themselves. Curly represents the sole cowboy that once was and mostly likely will never be again.
Lastly, the 1976 Outlaw Josey Wales is closest to what we today consider the Western. Once again, this movie has the rugged and individualist protagonist and the comic friend. The difference here is that Josey Wales starts out as an unassuming farmer and transforms into a violent shooter. Although he has reason to seek revenge, one questions whether two wrongs make a right and has Wales lost sight of the values that he once had? Yet, the movie swings back to the true Western genre at the end as Josey and Laura fall in love and decide to live at her son's ranch. Even the men with the blacker hat, the Union Soldier, decide that the violence must come to an end and let Josey go back to his farming days.
Although Dances with Wolves and Outlaw Josey Wales, especially, and to some respect City Slickers, pushes the envelop of the Western genre of the 1950s, beyond a simple tale about a lonely hero, his side kick and horse in the badlands of the West, to a more complex psychological analysis of characters as they face varying life challenges, the overall theme is the same -- how the ruggedness of the West brought out the best or worst of humans as they may their way into a new territory.
This was the break that got Barry in movie music, and clearly this was a perfect genre for the talented musician and songwriter.
Barry was inducted into the Songwriters Hall of Fame in 1998 and another honor he received was to be named "Officer of the Order of the British Empire" in 1999 (Contemporary Theatre, Film, and Television, 2011).
If anyone wants proof of the genius of John Barry, all one needs to do is "…close your eyes and think of the film 'Born Free'. The first thing that comes back to you is the music," according to Don Black, who was Barry's lyricist "…for many of the past 50 years" (Mail Online). "He was passionate about his work" and he "had a way of connecting emotionally with a story," Black explained.
In 2000, Barry told the New York Times, "I like to score the inner feelings of a character…
Works Cited / Bibliography
Billboard "Brit Film Composer John Barry Collecting Honors." Retrieved April 22, 2013, from http://www.billboard.com .
Biography in Context. "Barry's sexy theme gave 007 swing: composer's dangerous, dark vibe still guides the latest Bond scores." Retrieved April 22, 2013, from www.galegroup.com.
Black, Don. "Bond viveur: 007 composer John Barry's huge appetite for love, lunches and glorious music." Mail Online. Retrieved April 22, 2013, from http://www.dailymail.co.uk .
hat Mrs. Pell says to agent Anderson is both poignant and ironic: "Hatred isn't something you're born with. At school, they said segregation what's said in the Bible...Genesis 9, Verse 27. At 7 years of age, you get told it enough times, you believe it. You believe the hatred. You live it...you breathe it. You marry it" (Pell, (www.imdb.com).This movie was not a documentary albeit it did follow the plot of a real life civil rights tragedy. But the lines in the film reflect the reality of life in segregated, Jim Crow-dominated Southern towns during that time in our history.
In "Dances ith olves" the protagonist, John Dunbar, who has been banished to a wilderness post because he tried to commit suicide, has a newfound appreciation for Native Americans. In his life and his army career he has been given the propaganda that all native peoples are criminals and…
Lion's Gate Home Entertainment. "Crash." (2005)
Crash Script. "Dialogue Transcript." Retrieved October 22, 2008, at http://www.script-o-rama.com .
IMDb. "Dances With Wolves." Retrieved October 21, 2008, at http://www.imdb.com .
Ebert, Roger. "Crash." Retrieved October 21 at http://rogerebert.suntimes.com .
Smoke Signals directed by Chris Eyre. Specifically it will discuss what the film is attempting to say to us.
"Smoke Signals" made history because it was the first film made by Native Americans, and acted by Native Americans. The story is really about two young men coming of age and learning to accept each other, and their past, to move ahead in life.
The textbook calls Native American history "among the most intriguing in history, that has captivated scholars for centuries" (Gibson 2). This film is a natural evolution of that history. It is natural that Native Americans would want to tell their own story on film, and this film is the culmination of Native Americans working together to tell their own story. Victor and Thomas have to come to terms with their past in order to move on with their lives in this film. That past revolves around Arnold,…
Gibson, Arrell Morgan, The American Indian: Prehistory to the Present. Lexington, MA: DC Heath and Co., Publishers, 1985.
Smoke Signals. Dir. Chris Eyre. Perf. Adam Beach, Evan Adams, Irene Bedard. Miramax Films, 1998.
narrators in Tracks shows that there is no unified Indian experience. Indian wise men like Nanapush can love their tribes and Indian identities give spiritual significance to their hardship and endure much and learn much from whatever life offers them. Other Indians, like Pauline, are torn asunder by the low value placed on Indian culture by Americans and feel jealous even of their own people, like Fleur, whom Nanapush valorizes as much as Pauline's voice despises this alternative female figure. hile Nanapush tells Pauline "the earth is" as "limitless as luck," she resists his message. Pauline is divided between her mixed blood and her inability to fit into white or Indian society. (14) The two narrators of Pauline and Nanapush symbolize not simply the young woman's divided consciousness, white and Indian, but a divided America and a divided way of viewing hard times and the complex figure of Fleur.
Erdrich, Louise. Tracks. New York: HarperCollins Perennial: 1989.
Puritans and Native Americans
What scholars call the "captivity narrative" has had a remarkable life of its own in American culture: stories about this kind of "captivity" continued to be told as entertainment, in Hollywood films like "The Searchers" or "Dances With Wolves," long after anyone had been abducted by a Native American tribe and held captive. It is worth inquiring why this particular type of story maintains its fascination for an American audience, by returning to where these narratives first came from, and how they were told in the centuries before Hollywood movies existed. In Colonial America, the life of Mary owlandson presents an excellent way to examine the clash of cultures. owlandson was born in England but came to New England as a Puritan colonist: she was then abducted during the "First Indian War" and held for several months before a ransom was paid and she was released…
Downing, D. (1981). 'Streams of Scripture Comfort': Mary Rowlandson's Typological Use of the Bible. Early American Literature 15(3), 252-9.
Faery, R.B. (1995). "Mary Rowlandson (1637-1711)." Legacy 12 (2), 121-132.
Rowlandson, M. (1682). A True History of the Captivity and Restoration of Mrs. Mary Rowlandson, A Minister's Wife in New England. Retrieved from: http://www.gutenberg.org/files/851/851-h/851-h.htm
estern films, "Shane," made in 1953 and directed by George Stevens, and "Unforgiven," made in 1992 and directed by Clint Eastwood. Specifically, it will analyze the two films, and discuss their importance in the genre of estern films. Today, the classic estern is a film gone out of style, but these two films live on as classics, generally because they deviate from the classic estern model, by showing the characters three dimensionally, and the violence as real and devastating.
TO ESTERN FILMS
"Shane" does not rely on elaborate sets and costuming to get its message across to viewers. One reviewer called the sets "spartan" and the language of the film "laconic." The characters of this estern make the film the classic that it has become. Shane is a man of few words, but much action, and he firmly stands behind his beliefs. From the opening scene, when he rides down…
Dirks, Tim. "Unforgiven." Filmsite.org. 2002. 27 July 2002.
Shane. Dir. George Stevens. Perf. Alan Ladd, Van Heflin, Jean Arthur, and Brandon de Wilde. Paramount, 1953.
Sitton, Bob. "Refocusing the Western." Film-Philosophy. Vol. 4 no. 24. October 2000. 27 July 2002.
'For though beauty is seen and confessed by all, yet, from the many fruitless attempts to account for the cause of its being so, enquiries on this head have almost been given up"
illiam Hogarth, The Analysis of Beauty, (1753)
Not very encouraging words, but if the great artist illiam Hogarth felt himself up to the task, we can attempt at least to follow his lead. That beauty is enigmatic goes almost without saying. Different ages, different cultures, and even different individuals, will have their own definitions of "beauty." The problem is more than skin deep. Any term that can be so widely and irregularly employed is bound to trap the casual researcher ... Or reader ... Or viewer ... Or for that matter, any other human being who attempts to define what is and what is not "beauty." People, places, things -- even ideas dreams -- can…
Al-Braizat, Fares. "Muslims and Democracy: An Empirical Critique of Fukuyama's Culturalist Approach." International Journal of Comparative Sociology (2002): 269+.
Browne, Stephen H. "EDMUND BURKE (1729-1797)." Eighteenth-Century British and American Rhetorics and Rhetoricians: Critical Studies and Sources. Westport, CT: Greenwood Press, 1994. 42-50.
Callaghan, Karen A., ed. Ideals of Feminine Beauty: Philosophical, Social, and Cultural Dimensions. Westport, CT: Greenwood Press, 1994.
"The Eighteenth-Century Beauty Contest." Eighteenth-Century Literary History: An MLQ Reader. Ed. Brown, Marshall. Durham, NC: Duke University Press, 1999. 204-234.
Too bad I didn't listen to my parents when they said, "Enjoy it now, for you'll never be young again." Or questioned, "Why are you always in such a big hurry to grow up?" Too bad I didn't realize that my older siblings were just as jealous of me having no responsibilities, as I was of them being older. Too bad that I did not have adult eyes in my child's body, so I could have seen all the wonderful things I was missing by dreaming about being older. I would like to see with adult eyes how great those New Year's parties were with my family, as we cuddled close together and watched the movies or television shows, ate popcorn, and drank bubbly non-alcoholic champagne. I would like to see with adult eyes how wonderful it was to go to story hour each week and just sing songs, dance…
Blues music however did not cross racial lines, with the majority of famous blues musicians still residing in New Orleans and various other well-known black music entertainment venues of the South.
Gospel music has been an African-American church tradition with influences from traditional African music and especially prevalent during the slavery era. Later (most likely because of those particular ignominious associations and all they implied, especially in the South) gospel music was strongly discouraged within mainstream society and actively suppressed.
Similarly, blues music represented a blending of black musical traditions with a centuries-long history originating from the earliest days of American slavery. Sammy Davis Jr. And Nat King Cole, were and remain today among the best-known of early black entertainers within the (then) up-and-coming rock 'n roll genre of the 1940's. Each had a heavy influence upon Elvis himself.
Obviously, though, the blending of Southern musical traditions was not started…
African-American Musical Tradition." (June 9, 1998). Retrieved January 9, 2007,
From: http://www.questia.com/html .
Bane, Michael. White Boy Singin' the Blues: The Black Roots of White Rock.
Harmondsworth, Eng: Penguin, 1982.
Pop is tomorrow's Classical"- Paul McCartney. Discuss this contention within the context of rock/classical music collaborations since the early 1950s.
Classical Rock and Popular Prophecy
To the average music-listener, musical genres are easily divided into homogenous groupings without any danger of overlapping one another. Certainly, there are rare occurrences of "cross-over" hits on the radio that find airplay on both Adult Contemporary and Country stations, or those releases which find an audience among both Easy Listening and Rock fans. Another seemingly strange occurrence that may be observed by the slightly more alert music consumer is that time shifts musical pieces from one genre to another, and yesterday's Alternative Rock is today's Easy Listening, yet even this phenomenon is considered an anomaly of the music industry. A simplicity is desired among musical elitists that preserves some musical forms as valid, labeling others as mere fads. However, the deep impact of musical…
"Classical Music." Heart & Soul. World Book. 2004. http://www2.worldbook.com/features/aamusic/html/classical.htm
Duxbury, Janell R. "The Nexus of Classical and Rock." Progression, no. 39, p70-74. Summer, 2001. http://www.geocities.com/Vienna/8660/article.html
Duxbury, Janell R. Rockin' the Classics and Classicizin' the Rock: A Selectively Annotated Discography. Greenwood Press, 1991.
Fissinger, Laura. "Jim Steinman: To 'Hell' & Back." BMI MusicWorld. Spring 1994. http://jimsteinman.com/bmi.htm
Smoke Signals" directed by Chris Eyre
eleased on video in June 1999 by Miramax films, Smoke Signals is the first full-length film that has been performed and directed by the American Indians. Smoke Signals is "from top to bottom, an American Indian production, and that makes it historically unprecedented" (Ward Churchill). Adam Beach and Evan Adams play the roles of Victor Joseph and Thomas Builds-the-Fire respectively. They are Coeur d'Alene Indians and the movie opens in Idaho on the fourth of July 1976. Thomas' parents who were alcoholics die in a fire and Arnold Joseph, played by Gary Farmer, the stepfather of Victor, saves Thomas. Arnold Joseph is seen to have a drinking problem and is eventually thrown out of the house by his wife. Arnold, leaving his son behind, goes off to live in Phoenix. After a long period of no contact with him, Victor finds out that his…
(1) Ward Churchill -- Smoke Signals in Context: An Historical Overview. [Online website] Available from: http://www.zmag.org/zmag/articles/nov98ward.htm [Accessed on: 22/09/2005]
(2) Anonymous -- Plot Summary of Smoke Signals. [Online website] Available from: http://www.imdb.com /title/tt0120321/plotsummary [Accessed on: 22/09/2005]
(3) Anonymous -- "Smoke Signals" Summary. [Online website] Available from: http://www.fallsapart.com/smoke.html [Accessed on: 22/09/2005]
(4) Paul Bond -- Stories from the reservation. [Online website] Available from: http://www.wsws.org/arts/1998/nov1998/smo-n20.shtml [Accessed on: 22/09/2005]
Professionals involved in therapy and counseling with members of the Creole culture of New Orleans and southern Louisiana should be aware of the history and traditions of this group that make it distinctive from all others in the United States, and indeed from the French-speaking Cajun communities in the same region. In Louisiana, Creoles are not simply the white descendants of the early French and Spanish colonists, although in the post-Civil War era of Jim Crow there was a major attempt to redefine them as 100% white. This was never the case in history since they are a mixed-race people descended from Europeans, Native Americans and African slaves during the 18th Century and occupied a special caste in pre-Civil War Louisiana. They spoke their own language known as Creole French, as do tens of thousands of their descendants today, and in appearance have often been able to 'pass' as…
Ancelet, B.J. (1994). Cajun and Creole Folk Tales: The French Oral Tradition of South Louisiana. Garland Publsihing, Inc.
Dass-Bailsford, P. (2010). "Ignore the Dead: We Want the Living" in Dass-Brailsford, P., ed. Crisis and Disaster Counseling: Lessons Learned from Hurricane Katrina and Other Disasters. SAGE Publications.
Dominguez, V.R. (1997). White by Definition: Social Classification in Creole Louisiana. Rutgers University Press.
Dormon, J.H. (1996). "Ethnicity and Identity: Creoles of Color in Twentieth-Century South Louisiana" in Dormon, J.H. Creoles of Color in the Gulf South. University of Tennessee Press, pp. 166-86.
erewolf, Harrison Bergeron, and a Continuity of Parks
hen considered together, seemingly disparate stories can sometimes actually serve to illuminate each other better than a discrete reading of any given text. ith that in mind, this essay will examine the short stories "Harrison Bergeron," "The erewolf," and "A Continuity of Parks" in conjunction with each other, specifically looking at how each story challenges the reader's assumptions with a kind of "surprise" twist at the end. In particular, the unique way in which each story reveals the reality of the situation demonstrates how different stories may accomplish the same goal using means especially relevant to that particular story, because where "Harrison Bergeron" uses the bluntness of language to shock its reader out of a reverie, "The erewolf" adapts a well-known fairy tale as a means of subverting the reader's assumptions, and "A Continuity of Parks" uses the structure of the narrative…
Carter, Angela. "The Werewolf." The Bloody Chamber and Other Stories. 2011. Web. 3 Jul
Cortazar, Julio. "A Continuity of Parks." Blow-up, and other stories. New York, NY: Knopf
Together they'll face moose, bears, and the terrors of the subarctic winter.
Down the Yukon: Amid the shouts and the cheers and the splashing of oars, it was pandemonium. "Nome or bust!" Jason yelled. In the shadow of the Arctic Circle, Dawson City is burning, changing forever the lives of thousands in the Klondike gold fields. All the talk is of Nome, nearly two thousand miles away, where gold has been discovered in the beach sands. Jason Hawthorn is itching to join the new rush. He and his brothers have been cheated out of their sawmill, and Jason has vowed to buy it back. A race to Nome has been announced, with a $20,000 prize. Jason's partner in his canoe is the girl he loves, Jamie Dunavant, freshly returned from the States as she promised she would. The Great Race across Alaska will be a grueling test for the two…
____. (2004) Will Hobbs Author Page. Retrieved September 28, 2004 from Young Hoosier Book Awards. http://www.mccsc.edu/~jcmslib/yhb/authors/authors.html
____. (2004) Meet Will. Retrieved September 28, 2004 from South Dakota Library Association. http://www.usd.edu/sdla/
____. (1996) Autobiographical sketch written for the 1996 Biography from Seventh Book of Junior Authors and Illustrators. Retrieved September 28, 2004 from the Educational Paperback Association. http://www.*****/showauth.cfm?authid=57
____. (2004) About the Author: Will Hobbs. Retrieved September 28, 2004 from the Rebecca Caudill Young Readers' Book Award. http://www.rebeccacaudill.org/nominees/2003/Hobbs/author.htm
Natures Healing Powers
The Power of Nature in the healing process has been known for centuries by the various civilizations of the world. The process of engaging nature in the healing process is done in a variety of way. It can be through the action of some herbs, performing meditation on mountains, relaxing in a windflower terrain/field or even by strolling by a slow flowing stream.
In this paper however, we are going to critically focus on the psychological, emotional and culturally healing power of nature as seen by indigenous peoples of the world-including Native Americans, Inuit, and Inughuit, African, Aboriginal, Asian cultures
The Native American nature healing process comprises of several beliefs and practices which make part of the life of the native tribesmen, women and children. The process is made up of several elements. These elements include religion, herbal medicines, spirituality and several other rituals that are all…
Durkheim, E. (1912) The Elementary Forms Of The Religious Life.
Gateley.E in God's Womb: A Spiritual Memoir
Gennep, A. (1960) The Rites of Passage. Chicago: Chicago University Press.
Grimes, R (1994) The Beginnings of Ritual Studies. Columbia, SC: University of South Carolina
As the percentage of older Americans continues to increase, the need for timely and accurate assessment screens and the formulation of effective clinical interventions will become even more pronounced. Fortunately, the research also showed that there are a number of assessment tools that are available to facilitate the process, including sophisticated multifactor instruments with proven validity and reliability. One of the more important issues to emerge from the research concerned the need for individualized interventions that draw on strengths and interests in order to minimize the risk factors that are involved.
Faber, M., Bosscher, .J. & Van Wieringen, P.C. (2006). Clinimetric properties of the performance-oriented mobility assessment. Physical Therapy, 86(7), 944-954.
Functional assessment. (2012). NursingLink. etrieved from http://nursinglink.monster.com / training/articles/331-functional-assessment-the-key-to-geriatric-care-in-the-21st-
Gates, S. & Smith, L., Fisher, J.D. & Lamb, S.E. (2008, October 1). Systematic review of accuracy of screening instruments for predicting fall risk among independently living older…
Faber, M., Bosscher, R.J. & Van Wieringen, P.C. (2006). Clinimetric properties of the performance-oriented mobility assessment. Physical Therapy, 86(7), 944-954.
Functional assessment. (2012). NursingLink. Retrieved from http://nursinglink.monster.com / training/articles/331-functional-assessment-the-key-to-geriatric-care-in-the-21st-
Gates, S. & Smith, L., Fisher, J.D. & Lamb, S.E. (2008, October 1). Systematic review of accuracy of screening instruments for predicting fall risk among independently living older adults. Journal of Rehabilitation Research & Development, 45(8), 1105-1113.
"Howl" and "Guernica" Outline
The paper demonstrates the ways in which both pieces of art contemplate and express multiple themes, including those of religion, morality, happiness, life-affirmation, and freedom.
"Howl" is a poem that is both a mourning and a celebration of life.
"Guernica" is an expression of pain and war.
oth works of art have many themes and many of the same themes.
Ginserb, the 1950s, and "Howl"
He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America.
He is heavily influenced by previous poets and by his own lived experiences.
Howl" shows readers how they can be connected to spirituality, religion, and what is sarcred or holy with, and without the use of the formal church.
Poetry is another form of storytelling that is best when read/performed aloud.
Howling, Expression, and Jazz
A. If we are howling,…
1. Raento, P., & Watson, C.J. "Gernika, Guernica, Guernica?: Contested meanings of a Basque place." Political Geography, Vol. 19, Pgs 707 -- 736, 2000.
The authors discuss the many ways to interpret "Guernica." The authors focus upon why and how Picasso created such a dense work of art. The authorts furthermore explore and offer various ways for readers to interpret the painting from a historical and contemporary perspective.
2. Ginsberg, Allen. Howl. City Lights Books: San Francisco. 1956. Print.
This is the entirety of the poem. There is a foreword, preface, and afterword. The majority of the book consists of the poem "Howl," although there are other poems. Some of the other poems in the book are directly related to "Howl" in subject and style, and some are more obtusely related to the title poem.
Asian media, specifically anime and animated movies like "Spirited Away," impact Saudi youth?
Anime or what some may consider, Japanese animation, is one of the main aspects of Japanese media. It has reached millions of people worldwide and inspired fashion, movies, and even an entire city, Akihabara. Hayao Miyasaki's "Spirited Away" is what some consider one of his best works. The magic of this animated film has brought countless fans into the realm of anime and Japanese animation. ith its themes of connection, the spirit world, and memory, it has generated meaning and depth within its growing audience. The creator, Hayao Miyasaki, is a traditional artist, focusing on strong images and themes of love, good and evil, and childhood to portray his character and tell his stories. These stories have brought him and Japanese animation in general, increased success, with "Spirited Away" becoming the most popular Japanese animated film…
Baber, Zaheer. CyberAsia: the Internet and society in Asia. Leiden: Brill, 2005. Print.
Cubbison, Laurie. "Anime Fans, DVDs, and The Authentic Text." The Velvet Light Trap 56.1 (2005): 45-57. Project Muse. Web. 9 Apr. 2014.
Darling-Wolf, Fabienne. "Virtually Multicultural: Trans-Asian Identity and Gender in an International Fan Community of a Japanese Star." New Media & Society 6.4 (2004): 507-528. Print.
Ellis, Jonathan. "The art of anime: Freeze-frames and moving pictures in Miyazaki Hayao's." Journal of Japanese & Korean Cinema 2.1 (2010): 21-34. EBSCO. Web. 9 Apr. 2014.
I do not use a pattern to design these sacred baskets. My grandmother and my mother taught me the skills to construct them, how to doubleweave a flexible basket-within-a-basket with a single common rim, for example, but the actual design comes from listening to the cane itself. It speaks to me as it moves through my hands. It tells me what it wants to be, how it wants to be shaped, what is will be used for.
It is not the first time this has happened. Stands of cane all around us have been destroyed. The white settlers do not understand Cherokee ways, and they think women's work is unimportant. I overheard one say not long ago to another white man that Cherokee "squaws" are "beasts of burden" because we do the farming work. I could tell by his tone of voice he was ridiculing us. The white settlers don't…
Luncheon of the Boating Party
Pierre Auguste Renoir
Pierre-Auguste Renoir saw an abundance of beautiful things in the world and his paintings expressed a never-ending sense of joy and discovery. ith his brilliant use of natural light and color, he shows the extraordinary splendor of everyday life. A prime example of the artist's ability to capture the joy of a single moment on canvas can be seen in The Luncheon of the Boating Party. This painting depicts the carefree gathering of French revelers, having just concluded a convivial meal. Renoir recreates the beauty of the river scene with the posing of models, all friends of the artist; his use of vibrant color applied in small brush strokes to recreate natural light and a richness in texture, and his use of contrasting white with black. All these elements come together to show one of life's greatest pleasures; the joy of eating…
Rathbone, Elizabeth. "Renoir's Celebration of Luncheon of the Boating Party:" Tradition and New." Impressionist on the Seine. Washington: Counterpoint, 1996.(Monograph)
Renoir, Jean. Renoir, My Father. Boston: Little, Brown & Company, 1962. (Biography)
Genevoix, Maurice. "Why I Love Renoir." Reprinted in Daulte, Francois. Renoir, The Great
Like most other animals, the artic fox's cot changes to reflect the summer arctic habitat, becoming a brown or gray color that matches the summer environment (National Geographic, 2008). The photograph by Norbert Rosing (National Geographic, 2004), demonstrates the usefulness of the animal's camouflage: (Norbert Rosing, National Geographic, October, 2004, online at http://ngm.nationalgeographic.com/ngm/finaledit/0410/,2008).
The artic fox contributes to the balance of nature because its diet includes rodents, which have a tendency to multiply rapidly in any conditions; birds, and fish (National Geographic, 2008). However, rodents are more plentiful during the summer months in the artic. During the winter months, when its food sources are scarcer, the fox will be follow the trail of the polar bears, acting as a scavenger to the remains of the larger animal's kills (National Geographic, 2008). The arctic fox also eats some amounts of vegetation, usually vegetables (National Geographic, 2008).
The arctic fox is a…
The Fox in World Literature: Reflections on a "Fictional Animal." Asian Folklore Studies 65.2 (2006): 133+. Questia. 10 Feb. 2008 http://www.questia.com/PM.qst?a=o& ;d=5018927838' target='_blank' REL='NOFOLLOW'>
Leadeship Skills Impact Intenational Education
CHALLENGES OF INTERNATIONAL EDUCATION
Pactical Cicumstances of Intenational schools
THE IMPORTANCE OF LEADERSHIP IN EDUCATION
What is Effective Leadeship fo Today's Schools?
Challenges of Intecultual Communication
Challenges of Diffeing Cultual Values
Impotance of the Team
Cuent Leadeship Reseach
APPLYING LEADERSHIP IN AN INTERNATIONAL SETTING
Wagne's "Buy-in" vs. Owneship
Undestanding the Ugent Need fo Change
Reseach confims what teaches, students, paents and supeintendents have long known: the individual school is the key unit fo educational impovement, and within the school the pincipal has a stong influence upon the natue of the school, the conditions unde which students lean, and upon what and how much they lean. Despite this ageement about the cental ole of the pincipal, thee is little eseach concening the chaacteistics of pincipals associated with effective leadeship and with pupil accomplishment, and even less insight…
Allen, K.E., Bordas, J., Robinson Hickman, G., Matusek, L.R., & Whitmire, K.J. (1998). Leadership in the twenty-first century. Rethinking Leadership Working Papers. Academy of Leadership Press. http://www.academy.umd.edu/scholarship/casl/klspdocs/21stcen.html
Bennis, W.G. (1997). "The secrets of great groups." Leader to Leader, No.3. The Peter F. Drucker Foundation for Nonprofit Management. http://www.pfdf.org/leaderbooks/L2L/winter97/bennis.html
Crowther, F., Kaagan, S., et. al. (2002). Developing Teacher Leaders. Thousand Oaks: Corwin Press.
Society Feels About Animals
As a first order primate, humans have a natural affinity with animals of all types that has contributed to their mutual relationships throughout history. In fact, animals of different types have been since the time of the ancient Greeks to improve the emotional and functional status of humans (Mccauley, 2006, p. 358). Animal-assisted therapy (AAT) has grown in popularity in recent years based on its proven efficacy in treating a wide range of healthcare and mental health conditions. Although dogs and cats are most commonly used in AAT settings, horses, rabbits and even fish can also be used. For instance, according to Macauley, "The use of animals ranges from companion animals that provide camaraderie and emotional support to assistance animals that provide direct physical-functional support to therapy animals that aid with the habilitation-rehabilitation in physical, occupational, speech-language, and recreation therapy" (2006, p. 358). Moreover, some researchers…
Becker, D. (2013, August 26). "Four-Legged Therapy for Military Veterans with PTSD."
Healthy Pets. [online] available: http://healthypets.mercola.com/sites/healthypets / archive/2013/0.
Bleich, A. (2004, October 1). "Mental Disability." The Israel Journal of Psychiatry and Related
Sciences, 41(4), 235-237.
Although these students are very active learners, they also enjoy reading silently and time for their own thinking. The students enjoy participating in sports, dancing, and singing.
Luis (not his real name) is a bright, outgoing 3rd grade boy. After speaking with Mrs. Jones, I learned he has been in the United States since the end of 1st grade. During the (approximately) two years Luis has lived in the United States, he has gone back to Mexico for extended periods. Luis is verbal and is not shy. He can speak fairly well, but struggles with some English. The push in services Luis receives is from a paraprofessional who has had some ESL training. The Para comes in twice a day to work with Luis. In addition, Mrs. Jones has taken the proactive approach of labeling "everything" in the room as well as partnering Luis with strong students.
Succinct structural form marks all Disney's pictures and makes other animated cartoons, no matter how ingenious they may be, look pallid."
The narrative source of the production is consistently the characters themselves, and the film's style is a mixture of realism in terms of the lush and colorful scenery and a caricature of the protagonist and antagonist, Toby and Max, as the bullied and bully, the show-off and the showed-off, respectively. As Nowell-Smith points out:
The technical advances explored in the Silly Symphonies partly arose from a rivalry with the Fleischers, who, among all the other animation studios that survived into the sound era, consistently produced excellent cartoons in the early 1930s. Unlike the Disney product, which tended increasingly to an 'illusion of life' live-action imitation, the earlier Fleischer cartoons reveled in stylization, caricature, unrealistic transformations, elaborate repetitive cycles, direct address to the audience, and illogical developments which seem inherent,…
Hunggyu, Kim and Robert J. Fouser. 1997. Understanding Korean Literature. Armonk, NY M.E. Sharpe.
Jacobs, Lewis. 1939. The Rise of the American Film: A Critical History. New York: Harcourt Brace.
Lounsberry, Barbara, Susan Lohafer, Mary Rohrberger, Stephen Pett and R.C. Feddersen. 1998. The Tales We Tell: Perspectives on the Short Story. Westport, CT: Greenwood Press.
Nowell-Smith, Geoffrey. 1997. The Oxford History of World Cinema. Oxford: Oxford University Press.
Blacks in Blues Music
Biographer Lawrence Jackson wrote that author Ralph Ellison was exposed to the blues and classical music from an early age, eventually playing the trumpet and pursuing a degree in music at Tuskegee (McLaren Pp). hen he moved to New York to pursue his writing career, Ellison was exposed to the musical developments in jazz and often attended the Apollo Theater, the Savoy Ballroom, and Cafe Society Downtown, and although he admired such figures as pianist Teddy ilson, Count Basie and Duke Ellington, he did not particularly admired Dizzy Gillespie's Bebop, considering its use of Afro-Cuban influences as a "strategic mistake" (McLaren Pp). Ellison, writes Jackson, was more concerned with the "homegrown idiom" (McLaren Pp). That homegrown idiom that Ellison referred to was the blues, a music born in the fields of the South by black workers who used their African musical heritage to give birth to…
McLaren, Joseph. "Ralph Ellison: Emergence of Genius."
Research in African Literatures; 12/22/2004; Pp.
Southern, Eileen. The Music of Black Americans. W.W. Norton & Company.
1983; pp. 330, 331, 332, 333, 334, 336, 338.
digital games is quite relaxing, as no adequate research has been carried out yet, so nearly anything goes. Writing, in general, about gaming and games is also very much similar. Sadly, and with startling cumulative consequences, games are under-theorized. Although there is the work of authors such as Ehrmann, Huizinga, and Caillois, game theory, philosophical ideas such as the work of Wittgenstein, and libraries teeming with research on board games, one can not get far into the field of computer games using only the above resources. As well, if there is, or will be, a proper computer game research field, it can also be said to be at risk of colonization and intrusion from existing scholarly tribes (Eskelinen 2001). Computer games have to be secured against the colonizing effect of textual and narrative analysis. In the case of semiotics, the idea of "text" generalizes to everything in material existence; however,…
Adams, Ernest. 1999. "Three Problems for Interactive Storytelters.." Gamasutra.
Engberg, Maria. n.d. Markku Eskelinen. Accessed July 14, 2015. http://www.elmcip.net/person/markku-eskelinen.
Eskelinen, Markku. 2001. "The Gaming Situation." The international journal of computer game research.
Eskelinen, Markku. 2001. "Towards Computer Game Studies, Part 1: Narratology and Ludology." Helsinki.
In his last moments, Hektor realizes he can never persuade Achilles because "in his breast is a heart of iron" (XXII.357). Achilles reveals his cold nature when he says, "Die: and I will take my own death at whatever time" (XXII.364) moments after Hektor dies. Again, we see the stark contrast between these two heroes.
Achilles is another face Homer attaches to the notion of war and kleos. Achilles is noble and popular for his "swift feet" (I.148). he is swift on his feet and he is swift to anger and this anger will surface to be the one thing that plagues him through The Iliad. It drives him through most of the plot and it is the bane of his existence. However, this flaw does not prevent Achilles from seeking glory or reaching fame. He experiences a different kind of kleos than Hektor does primarily because he becomes an…
Bloom, Harold. Introduction. Homer's The Iliad. New York: Chelsea House Publishers. 1987.
Homer. "The Iliad." Mack, Maynard, ed. The Norton Anthology of World Masterpieces. Vol. I.
5th ed. New York: W.W. Norton and Company. 1985. pp. 106-208.
Redfield, James. "Nature and Culture in the Iliad: Purification." Homer's The Iliad. New York:
The Kula provides a different perspective on the purpose and function of economics. One could imagine our ancient ancestors beginning trade as a social event. When we lived in small bands, every band was self-sufficient and had to supply their own basic needs. I had never thought of economics as a purely social function until reading this article. It changed my perspective on the purpose of economics.
Article Summary #14
Radcliffe-rown, a. (1940. On Joking Relationships. In Anthropological Theory: An Introductory Theory. Fourth Edition. R. McGee and Richard Warms. McGraw Hill.
Joking and teasing is a cultural construct that has different rules among different cultures. The purpose of this article is to examine the purpose and function of joking relationships among African Tribes. The author discovered that joking relationships among in-laws helps to relieve tension and diffuse what could be volatile social relations. Joking is not random and has a…
Anthropological Theory: An Introductory Theory. Fourth Edition. R. McGee and Richard Warms. McGraw Hill
" In the process, one learns to see oneself as strong and resilient, courageous, and empowered. Whether the individual can get up and go on and have a happy life after the loss depends on how the person views self
Is he or she a victim or a survivor? A strong person making spiritual progress or weak and debilitated? Whiting & Bradley (2007) argue that there must be an outcome for every loss. Whether the outcome is "reconciliation" or "vulnerability" or "victimization" depends on successful and positive identity reconstruction.
It used to be believed that the grieving individual had to achieve detachment from the person who had died. This was Freud's theory, that "grieving people need to break free from the deceased, let go of the past and reassert their individualism by charting a new course for life.
A healthy grief experience, according to Freud [was] one in which the…
Anderson, R.A. (2006). Immunity and grief. Townsend Letter: The Examiner of Alternative Medicine, 276, 128.
Briggs, C.A. And Pehrsson, D. (2008). Use of bibliotherapy in the treatment of grief and loss: A guide to current counseling practices. Adultspan Journal, 7 (1), 32-43.
Bush, H.K. (2007). Grief work: After a child dies. The Christian Century, 124 (25), 36-40.
Care of the elderly - bereavement: An essential guide (2006). The Practitioner (June 29), 22-29.
Those who watch the play make comments about how silly the play is and the play becomes more and more ridiculous, adding the parts of a Lion and Moonshine, played by two more rustics. In the play, the principle actors, Thisby and Pyramus kill themselves, as Romeo and Juliet did, then Pyramus rises to sing about his death, slumps into death, and then rises again to ask the audience if they would like to see an epilogue. Being refused an epilogue, the rustics leave and four fairies come in to dance and Puck chases them away with a broom before Oberon and Tytania appear with the other fairies, who claim they are off to bless lovers, as they themselves are in love.
The ending shows that purity and innocence win out, and that the ideal is the goal for all. Puck has the final say as he declares "all is…
Britten-Pears Foundation. A Midsummer Night's Dream, 2007. http://www.brittenpears.org/?page=britten/repertoire/opera/midsummer.html .
Karadar Classical Music. "Benjamin Britten's a Midsummer Night's Dream." Composer's BiographyComposer's Biography. http://www.karadar.com/Librettos/britten_dream.html.
Britten, Benjamin. A Midsummer Night's Dream (the recording). February 6, 1990 http://www.amazon.com/Midsummer-Nights-Dream-Britten-London/dp/B0000041WB .
ecause is easily shaped, these above-mentioned items were made to form by a skilled craftsman's hammer and by casting; gold was engraved and embossed; gold was used in granule form for decorative purposes; gold was pounded into thin sheets for "covering furniture, wooden coffins… for plating copper and silver and for cutting into thin strips to make wire" (Lukas, 264).
Lukas explains that he measured several specimens of sheet gold (actually gold foil) and those items varied from 0.17 mm to 0.54 mm in thickness; he also measured the leaf gold and it ran from 0.01 mm to 0.09 mm. These measures clearly show the talent of ancient Egyptian craftsmen, who were using tools that compared with today's technological sophistication were quite crude, and yet showed remarkable skill in producing what they did.
Ancient Egyptians -- men and women -- loved jewelry, according to professor Eric Cline from George Washington…
Cline, Eric H., and Rubalcaba, Jill. 2005, The Ancient Egyptian World. Oxford University Press: New York.
Corti, Christopher, and Holliday, Richard, 2009, Gold: Science and Applications. CRC Press: Boca Raton, FL.
History-World.org. 2008, 'International World History Project / The Scythians', retrieved August 5, 2011, from http://history-world.org/scythians.htm.
Holmes, Frank. 2011, 'Jewelry drives up demand for gold', The Christian Science Monitor, Retrieved August 5, 2011, from http://www.csmonitor.com .
The dramatic imagery, heavy with the terrain and her response to it, is most reflected in the poem that won her recognition as the North Carolina Poet Laureate.
And now that a few buds appear
On the sycamore, I watch the road
Winding down this mountain
Not even a mule can clinb
Without a struggle. Long daylight
Wildwood Flower, 5-10]
The connection of the people to their land is the nature of an Appalachian soul; it is the galvanizing hum that motors generations through its tangled thicket and cold ridge. yer knows this, feels this, and sets it alive before putting it to rest in her poetry. Through careful image choice, she joins the ranks of the southern literary elite. It is not coincidental that the great writers of the South are not known for social commentary, pink fiction, or the juvenile wandering epitomized by Kerouac, Eggers, and Davies; they…
Byer, Kathryn Stripling.
Wildwood Flower: Poems. Baton Rouge: Louisiana State University Press, 1992.
Kathryn Stripling Byer. New Georgia Encyclopedia. Literature. Available online. http://www.georgiaencyclopedia.org/nge/Article.jsp?path=/Literature/Poetry&id=h-505
All of these together constitute the full relationship, and it is confusing and contradictory" (1998, 3). The cast of public characters included U.S. diplomats, Navy and Marine officers, and congressmen. Private citizens, including bankers, journalists, lobbyists, and businessmen, rounded out the ensemble. All these groups interacted to influence U.S. relations with Trujillo, although rarely in a consolidated fashion. hile the Dominican Republic became a difficult place to do business, a querulous participant in negotiations, and a major cause of Caribbean disquiet, including genocide, war scares, and assassinations" Trujillo still continued to obtain U.S. support (1998, 3). Even after the Trujillo government was overthrown, the U.S. government insisted on maintaining its power over the region by insisting on "approving the new head of the army and keeping the military intact." In short, ashington moved to create a "guardian system" it could control or manipulate (McSherry 2003, 2). The United States support…
Atkins, Pope and Larm Wilson. 1998. "The Dominican Republic and the United States from Imperialism to Transnationalism." The U.S. And the Americas. Athens: University of Georgia Press.
Chester, Eric Thomas. 2001. "Rag-Tags, Scum, Riff-Raff, and Commies: The Intervention in the Dominican Republic 1965-1966. NY Monthly Review Press.
Desmarais P., Norman and James McGovern. "Essential Documents in American History, President Ulysses S. Grant's appeal for the Annexation of Santo Domingo, 1492-Present." Providential College.
Farmer, Richard S. 1985. "Economic Policy Toward the Caribbean Basin: The Balance Sheet." The Journal of Inter-American Studies and World Affairs, Vol. 27, No.1.
Most large cities have a symphony orchestra, which may perform a dozen times during a season. Jazz and the blues, however, are usually available most of the time in small venues like bars and clubs, and often during the year at large festivals, such as the Monterey Jazz Festival in Monterey, California. Jazz is gaining in popularity on the radio too, and most larger cities have at least one jazz station, while they might not have a classical station. Classical music is accessible in a number of areas, but jazz and the blues are accessible in many more, and that is why today's listener has a wide choice of options when looking for live jazz and blues concerts.
Any trained musician knows all musical genres have similarities. They all use a distinct language of notes and rhythms, and they all use meter, tempo, and harmony. In this, jazz and blues…
Gioia, Ted. "The History of Jazz." WashingtonPost.com. 1997. 18 July 2006. http://www.washingtonpost.com/wp-srv/style/longterm/books/chap1/historyofjazz.htm
Knight, Richard. "All That JAZZ." Geographical Oct. 2001: 14.
Porter, Eric. What Is This Thing Called Jazz? African-American Musicians as Artists, Critics, and Activists. Berkeley, CA: University of California Press, 2002.
Shepard, T. Brooks. "Music Notes Earworthy." American Visions Oct. 1999: 48.
It was from Bob that I began to learn to think. These are a few of the lessons I learned from Bob. "Nothing too good or too bad lasts too long." Try not to get too up or too down. Be meticulous, "take care of the details and the rest will take care of itself." When making a decision to do something ask three questions, "is it logical, is it fair, and will it work." If it's not logical don't do it. If it's logical but it's not fair, don't do it. If it's logical and it's fair, but it won't work…don't do it. And "there are three things you can't get back, the spent arrow, the spoken word, and the lost opportunity."
I believe these three people are the reason I am here today. Though I arrive here with no idea of what awaits I realize that the opportunities…
Environmental Themes in Grapes of rath
This essay reviews environmental themes from the following five books: Dust Bowl by Donald orster, The Grapes of rath by John Steinbeck, Everglades: River of Grass by Marjory Stoneman Douglas, Killing Mr. atson by Peter Matthiessen, and River of Lakes by Bill Belleville. This paper discusses the role that culture has played in environmental issues during the past century. Five sources used. MLA format.
Humans from the very beginning of their existence have had an impact, for better or worse, on the environment. Man has for the most part tried to control the environment to suit his needs or tastes of the era. Over-grazing, over hunting, ignoring the importance crop rotations, dam building, and toxic dumping, are but a few of the ways man tries to control. Few societies have ever considered any of the above when it comes to the environment.…
Belleville, Bill. River of Lakes. University of Georgia
Douglas, Marjory Stoneman. The Everglades River of Grass.
Pineapple Press. 50th Anniversary Edition. 1997.
Out of about 40 million slaves that were transported from African to the United States, only 15 million of them could survive, however they ended up in pure hell. It was expected of the African-Americans to meet the demands of two ideas, both of which met the needs of the rich white Americans. Thus, where slaves had a disguise to serve their masters and please them, they were just not being honest to themselves in the least bit, and they were living according to the wishes of their masters to escape the beating or to avoid being scrutinized any further. Having said that, just because they had no choice but to live up to the two ideals, it did not mean that there were not any rightfully revengeful and rebellious slaves that went against the books and refused to accept being a cookie cutter cut-out. It is assumed that the…
Bensimon, Moshe, Dorit Amir and Yuval Wolf. "Drumming through trauma: Music therapy with post-traumatic soldiers." The Arts in Psychotherapy, 35. 1 (2008): 34 -- 48. Print.
Cohn, Lawrence. Nothing but the blues. New York: Abbeville Press, 1993. Print.
Floyd, Samuel a. The power of Black music. New York: Oxford University Press, 1995. Print.
Gussow, Adam. Seems like murder here. Chicago: University of Chicago Press, 2002. Print.
Movie: The Karate Kid (2010)
Targeted Age Group: PG rated, 10+ (The Karate Kid-Family Movie Review, 2015)
'The Karate Kid' is appropriately PG-rated; there is, however, some content that adults might wish to know of, especially because this drama has a few themes aimed at older viewers. The beginning of the movie shows a climbing scene of a child's height chart. Typical milestones, like beginning kindergarten and losing the first tooth are included; however, the last 2 entries are daddy's death and the child's 9th birthday. While at this juncture, the background music is jolly and light, the death of his dad when Dre was just 8 years of age has a mildly shocking impact, and may upset younger children (Andlor, 2013).
Analyze the chosen media content for its appropriateness for the cognitive development level of this target audience. In doing so, make sure to explain what characterizes the cognitive…
ACCM. (2015, 05-27). Retrieved from Childrenandmedia.org.au: http://childrenandmedia.org.au/movie-reviews/movies/frozen
Andlor, M. (2013, March 14). The Karate Kid (2010). Retrieved from Isthismoviesuitable.com: http://isthismoviesuitable.com/2013/03/14/the-karate-kid-2010/
Council, A. (2010, 05-27). Karate Kid 2010. Retrieved from http://raisingchildren.net.au/movies/karate_kid_2010_movie.html?context=485
Council, A. (2015, 05-27). Frozen movie. Retrieved from Rasingchildren.net.au: http://raisingchildren.net.au/movies/frozen_movie.html?context=485
Game of Thrones
Even though the series has officially ended, everyone is still talking about Game of Thrones. However, this high-fantasy epic, which ran on HBO, was not for everyone. Whether because of lack of access to cable programming, concerns about the violent subject matter, or just plain lack of interest, there are actually plenty of people out there who never watched Game of Thrones. This article is created as a primer for those who have never seen the series or were casual viewers. It discusses the series, including main characters, overall plot, the ending, ratings, and whether there are any spin-offs or potential spin-offs being planned.
Game of Thrones is a television show on the cable network, HBO, which was based on the George R.R. Martin fantasy series A Song of Ice and Fire. The television series took its name from the first novel in the…
Communication: Ethics and Conflict in Remember the Titans
reaking down the barriers of communication can often prove to be a difficult task especially if the obstacles are rooted in personal biases or biases rooted in social constructs. In Remember the Titans (2000), coach Herman oone is tasked with teaching T.C. Williams High School's football staff and players how to overcome their biases in order to become a successful football team that operates as a single unit. Two concepts of communication, ethics and conflict management/resolution, are intrinsically intertwined.
Remember the Titans (2000) is set in the racially charged Virginia of the 1970s at the recently desegregated T.C. Williams High School. Coach Herman oone, played by Denzel Washington, has recently been appointed as head football coach at the school much to the dismay of the school's former head football coach and staff, all of who happen to be white. Likewise, conflict emerges…
Remember the Titans. (2000). Directed by Boaz Yakin. United States: Buena Vista Pictures.
Wormeli, R. (2001). Meet Me In the Middle: Becoming an Accomplished Middle School
Teacher. Portland, Maine: Stenhouse Publishing.
Gnostics believed that they belonged to the "true church" of an elect few who were worthy; the orthodox Christians would not be saved because they were blind to the truth.
Part E -- Content - if we then combine the historical outline of the "reason" for John's writings with the overall message, we can conclude that there are at least five major paradigms present that are important in a contextual analysis of John.
John 5:13 - I write these things to you who believe in the name of the Son of God so that you may know that you have eternal life. This seems to point that John saw a clear difference between those who believed in Jesus as the Son of God, but were unsure about eternal life. However, if we look back at other parts of his Gospel, we do find repetition of this theme. In John 1:5-7,…
Raymond Brown, "Does the New Testament Call Jesus God?" Theological Studies.26: 1,
Clark, N. Interpreting the Resurrection. (London: SCM Press, 1967).
Hamilton, James. God's Indwelling Presence: The Holy Spirit in the Old and New Testaments.