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City Slickers (1991) depicts a group of middle-aged pals going on a two-week western cattle drive run by the cowpoke Curly .Besides such obvious Western themes, such as the horses, Western scenery and uplifting music, are the male characters. Although in their modern city life the do not reveal their inner strengths, in the West, the men find the important values in life and within themselves. Curly represents the sole cowboy that once was and mostly likely will never be again.
Lastly, the 1976 Outlaw Josey Wales is closest to what we today consider the Western. Once again, this movie has the rugged and individualist protagonist and the comic friend. The difference here is that Josey Wales starts out as an unassuming farmer and transforms into a violent shooter. Although he has reason to seek revenge, one questions whether...
Even the men with the blacker hat, the Union Soldier, decide that the violence must come to an end and let Josey go back to his farming days.
Although Dances with Wolves and Outlaw Josey Wales, especially, and to some respect City Slickers, pushes the envelop of the Western genre of the 1950s, beyond a simple tale about a lonely hero, his side kick and horse in the badlands of the West, to a more complex psychological analysis of characters as they face varying life challenges, the overall theme is the same -- how the ruggedness of the West brought out the best or worst of humans as they may their way into a new…
City Slickers (1991) depicts a group of middle-aged pals going on a two-week western cattle drive run by the cowpoke Curly .Besides such obvious Western themes, such as the horses, Western scenery and uplifting music, are the male characters. Although in their modern city life the do not reveal their inner strengths, in the West, the men find the important values in life and within themselves. Curly represents the sole cowboy that once was and mostly likely will never be again.
Lastly, the 1976 Outlaw Josey Wales is closest to what we today consider the Western. Once again, this movie has the rugged and individualist protagonist and the comic friend. The difference here is that Josey Wales starts out as an unassuming farmer and transforms into a violent shooter. Although he has reason to seek revenge, one questions whether two wrongs make a right and has Wales lost sight of the values that he once had? Yet, the movie swings back to the true Western genre at the end as Josey and Laura fall in love and decide to live at her son's ranch. Even the men with the blacker hat, the Union Soldier, decide that the violence must come to an end and let Josey go back to his farming days.
Although Dances with Wolves and Outlaw Josey Wales, especially, and to some respect City Slickers, pushes the envelop of the Western genre of the 1950s, beyond a simple tale about a lonely hero, his side kick and horse in the badlands of the West, to a more complex psychological analysis of characters as they face varying life challenges, the overall theme is the same -- how the ruggedness of the West brought out the best or worst of humans as they may their way into a new territory.
Horse Dealer's Daughter" by DH Lawrence and "The Blue Hotel" by Stephen Crane The short stories by DH Lawrence and Stephen Crane, entitled "The Horse Dealer's Daughter" and "The Blue Hotel," respectively, have differing plot, character developments, settings, and style of the author, but these two short stories are a good study of literature because of one unique similarity that the short stories have regarding the plot of their story,
Saddle a Horse using a Western Saddle Western-style horseback riding is popular hobby in the United States, where it can be a means of pleasure, athletic competition, or work. In fact, today's cowboys run the gamut from people working on actual working cattle ranches and horse farms to relative novices enjoying the pleasure of a trail ride. What these people have in common is that they are using a Western
In a similar moment, when he and his friend become separated from Blevins, his friend tries to talk him out of going back for the boy, arguing that it can only lead to trouble. Cole simply can't bring himself to do it (79). It seems that he is driven by a notion of himself as a kind of manly hero, a notion that often gets him into trouble. Luce
Turning a Hobby into a Business: This is Where the Cowboy Rides Away with a Profit I was fortunate to spend part of my childhood on a working cattle ranch. I learned how to ride horses, rope, work cattle, shoot, and hunt. Though my uncle, who owned the cattle ranch, sold it when I was still relatively young, I have always considered "cowboying" to be one of my hobbies. I have
(Famous Cattle Trails) The Trail in fact aided in the collection of herds of cattle from San Antonio, Helena and Texana in the south and Uvalde, and also from Comanche and Fort Worth, from further north. From Fort Worth, the Chisolm Trail goes straight northwards, and crosses the Red River at Red River Station, and when it reaches the Indian Nation Territory, it passes through Rush Springs, Kingfisher and Hennessy
Often, these films portrayed the Indians as bloodthirsty villains who preyed on whites for no reason. They were often violent, and whites almost always died at their hands. In addition, most of the "Indian" actors were actually white actors in makeup. These stereotypical ideals where what most Americans thought of when they thought of the Old West, and as this film shows, they were often very far from the