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Genre
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What is Genre?

Genre is a foundational concept in the arts, referring to the categories and conventions that organize creative works — whether in literature, film, visual art, or performance. Students encounter genre across disciplines including literary studies, film studies, art history, and cultural criticism. What makes it academically interesting is the tension between genre as a stable set of rules and genre as a living, evolving form shaped by audience expectations, social context, and artistic innovation. The works and movements appearing in this body of student writing — from Rococo and Neoclassical painting to lowbrow art, from dime novels to Western film, from short fiction to hip-hop and street dance — reflect just how broadly genre operates across the arts.

The papers here approach genre from several distinct angles. Some take a comparative approach, placing two works or styles side by side to examine how each handles form and convention, as seen in analyses pairing short stories or contrasting artistic movements. Others focus on a single genre — the Western film, the crime novel, the short story — tracing its defining characteristics and cultural role. Case-study analysis is also common, with writers using a specific work or artist to illuminate broader genre questions. A few papers address how genre intersects with social change, looking at how shifting audiences and cultural moments reshape artistic categories.

A strong essay on genre establishes a clear, arguable thesis about what a genre does, not just what it is. Evidence drawn from close reading of specific texts, films, or artworks carries the most weight. One common pitfall is treating genre as a fixed checklist rather than a dynamic framework — strong essays acknowledge that the most interesting works often push against or redefine the conventions they inherit.

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Research Paper Doctorate
The Enlightenment's Impact on the French Revolution
Revolutionary changes in the leadership of 18th Century France did not occur overnight or with some sudden spark of defiance by citizens. The events and ideals which led to the French Revolution were part of a gradual…
Paper Undergraduate
Tim Burton's Sleepy Hollow vs. Irving's Original Tale
Tim Burton's 1999 film adaptation of Washington Irving's 1819 short story "The Legend of Sleepy Hollow" is hardly a faithful or literal adaptation. R.B. Palmer, in his introduction to Nineteenth-Century American…
Paper High School
Where Are the Children? by Mary Higgins Clark: A Book Review
The novel Where are the Children? By Mary Higgins Clark falls into the genre of a suspenseful mystery. The bulk of the novel involves Nancy Harmon, the protagonist. We meet her after she has moved from California to…
Paper Undergraduate
Robert Graves and Local Colour in "The Viscountess"
Robert Graves lived from 1895 to 1985, and was a novelist, poet as well as a translator of the English Language. Robert Graves produced nearly 140 works of which some have stirred controversy among his audience. He has been a vivacious author and one his books called ‘Good bye to all that' republished in 1957 cost him his friends due to its audacity. (Robert Graves Trust) Robert Graves' works also include translations of Greek mythology as well as historical novels such as King Jesus, I and the Golden Fleece. Robert Graves's memoirs particularly his experiences in the First World War have been historical accounts of great world events and have earned him a legendary repute as an English writer. For his language, and his particularly styled and set stories, Graves won the James Tait Black Memorial Prize for I, Claudius and Claudius and Claudius the God in 1934, which has been his most successful work commercially. (Liukkonen)
Paper Undergraduate
Female Exclusion in Victorian Adventure Novels: Doyle, Wells & Buchan
Females in Victorian Adventure Literature
Research Paper Doctorate
The Rise of the Novel: Watt on Defoe, Richardson & Fielding
¶ … Rise of the Novel: Studies in Defoe, Richardson, and Fielding," written by Ian Watt.
Paper Doctorate
Justice in Antigone and Dante's Inferno: Secular vs. Divine
The comparison of Antigone and Dante's Inferno is interesting as they are really quite different in style, tone, context, and story type. Both stories address the choices made by mankind, and the allegiances that people form which impact their actions. Dante is in charge of the telling in his story, but Antigone must suffer through the interpretations, telling, and retelling of her story and that of her opponent by the Chorus. Antigone is compelled to express her rationale for insisting that her brother be given a proper burial to honor him, and she believes for a time—though she remains fatalistic throughout the play—that Creon can be made to understand why her position is honorable and correct from a social and religious perspective. Dante, too, in his narration, give voice to his philosophy and seeks to elevate mankind, to encourage and implore, if necessary, them to do the right thing and act in accordance with their heritage as civil, righteous people.
Paper Doctorate
Russian Folk Belief by Linda Ivanits: A Review
Linda Ivanits' Russian Folk Belief is a foundational and possibly one of kind work exploring concepts of Russian culture that have previously been unknown and would probably have remained so had Ivanits not seen fit to…
Research Paper Doctorate
Music Videos as Promotional Devices: Culture and Influence
Music Videos: Promotional Device or Separate Product?
Paper Undergraduate
The Kite Runner: Character Analysis of Amir
The author Khaled Hosseni wrote and published the book, The Kite Runner, in the year 2003 (Miles 207-209). It was during the year 2005 that the book became a bestseller in the United States.