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Genre
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What is Genre?

Genre is a foundational concept in the arts, referring to the categories and conventions that organize creative works — whether in literature, film, visual art, or performance. Students encounter genre across disciplines including literary studies, film studies, art history, and cultural criticism. What makes it academically interesting is the tension between genre as a stable set of rules and genre as a living, evolving form shaped by audience expectations, social context, and artistic innovation. The works and movements appearing in this body of student writing — from Rococo and Neoclassical painting to lowbrow art, from dime novels to Western film, from short fiction to hip-hop and street dance — reflect just how broadly genre operates across the arts.

The papers here approach genre from several distinct angles. Some take a comparative approach, placing two works or styles side by side to examine how each handles form and convention, as seen in analyses pairing short stories or contrasting artistic movements. Others focus on a single genre — the Western film, the crime novel, the short story — tracing its defining characteristics and cultural role. Case-study analysis is also common, with writers using a specific work or artist to illuminate broader genre questions. A few papers address how genre intersects with social change, looking at how shifting audiences and cultural moments reshape artistic categories.

A strong essay on genre establishes a clear, arguable thesis about what a genre does, not just what it is. Evidence drawn from close reading of specific texts, films, or artworks carries the most weight. One common pitfall is treating genre as a fixed checklist rather than a dynamic framework — strong essays acknowledge that the most interesting works often push against or redefine the conventions they inherit.

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Research Paper Doctorate
Telemachus and Willard: coming of age in ancient and modern narratives
The Odyssey is recognized as the epitome of epics in literature and mythology by which all other epics are judged. Odysseus' journey home to Ithaca after the Trojan war takes many twists and turns and has all of the…
Paper Undergraduate
Kenneth Goldsmith and conceptual poetics through symbolic interactionism
Symbolic Interactionism and the Redefinition of Art and Creativity: Kenneth Goldsmith and Conceptual Poetics
Paper Undergraduate
Developing sixth graders' writing confidence through process-based instruction
When children are young and just learning to write, writing is often fun. Children are awed by the fact that they can produce letters; it is like a secret code has been unlocked for them.
Paper Undergraduate
I.S.P. Nation's four writing task types for ESL/EFL learners
¶ … Teaching ESL/EFL Reading and Writing by ISP Nation (2009), the author addresses various approaches that teachers can use to help learners improve their writing. The chapter opens by explicating the principles…
Paper Undergraduate
Oliver Stone's satirical biography of George W. Bush
The timing and media hype of this film have all added to the anticipation of its release. With the coming election and George W. bush being the outgoing president, the disastrous state of the economy after his eight…
Research Paper Doctorate
Perception and truth in Akutagawa's "In a grove" and Kawabata's "A thousand cranes"
Akutagawa Ryunosuke, born in the year 1892, was a short story writer and a poet and an essayist, who was also one of the first few Japanese writers whose works happened to be translated into English.
Paper Undergraduate
Gothic elements in Robert Louis Stevenson's *Jekyll and Hyde*
Robert Louis Stevenson published his Strange Case of Dr. Jekyll and Mr. Hyde in 1886 -- a good century after the first Gothic novel came into being in England. Stevenson's novel was, in a sense, a throwback to the…
Research Paper Doctorate
Gangsta rap's misogynistic lyrics and violence toward women
The term gangsta rap began its rise to popularity when the controversial single "Gangsta, Gangsta" by N.W.A. (*****z with Attitude) hit the Billboard's Hot Rap Singles chart (Quinn 2000).
Research Paper Doctorate
National identity and deconstruction in postmodern American fiction
Discuss the representation (or the deconstruction) of national culture in the postmodernist fiction of the United States (reviewing four novels).
Paper Undergraduate
Aristotle's tragic formula applied to the endangered California condor
anguage and What it Does Introduction Where are all the humbling, memorable, well-crafted stories about believable characters fighting for hope and survival in our climate-changing, globalized and fragile world? What's happened to the screenwriters who once upon a time craftily juxtaposed compelling characters with down-to-earth and / or tragic Earthly events? Is it now considered passé to employ character-powered narrative that helps the underdog overcome conniving, selfish culprits and extraordinarily complex situations in lusty scenes from today's changing world? When it comes to embracing 2012-style pragmatism – which could and should branch out to naturalism and realism – has quality storytelling disappeared forever from the entertainment genre called film?