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What is Genre?

Genre is a foundational concept in the arts, referring to the categories and conventions that organize creative works — whether in literature, film, visual art, or performance. Students encounter genre across disciplines including literary studies, film studies, art history, and cultural criticism. What makes it academically interesting is the tension between genre as a stable set of rules and genre as a living, evolving form shaped by audience expectations, social context, and artistic innovation. The works and movements appearing in this body of student writing — from Rococo and Neoclassical painting to lowbrow art, from dime novels to Western film, from short fiction to hip-hop and street dance — reflect just how broadly genre operates across the arts.

The papers here approach genre from several distinct angles. Some take a comparative approach, placing two works or styles side by side to examine how each handles form and convention, as seen in analyses pairing short stories or contrasting artistic movements. Others focus on a single genre — the Western film, the crime novel, the short story — tracing its defining characteristics and cultural role. Case-study analysis is also common, with writers using a specific work or artist to illuminate broader genre questions. A few papers address how genre intersects with social change, looking at how shifting audiences and cultural moments reshape artistic categories.

A strong essay on genre establishes a clear, arguable thesis about what a genre does, not just what it is. Evidence drawn from close reading of specific texts, films, or artworks carries the most weight. One common pitfall is treating genre as a fixed checklist rather than a dynamic framework — strong essays acknowledge that the most interesting works often push against or redefine the conventions they inherit.

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Research Paper Doctorate
Hamlet and the memento mori tradition in Renaissance drama
When the Renaissance brought about a rebirth of many of the philosophies and customs of antiquity, it resurrected the ancient stoical idea that by mediation upon death one might be able to come to terms with it and pass…
Paper Masters
Defining humanity through science fiction and artificial intelligence
One very interesting aspect of the human experience is the manner in which certain themes appear again and again over time, in literature, religion, mythology, and culture – regardless of the geographic location, the economic status, and the time period. Perhaps it is the innate human need to explain and explore the known and unknown, but to have disparate cultures in time and location find ways of explaining certain principles in such similar manner leads one to believe that there is perhaps more to myth and ritual than simple repetition of archetypal themes. In a sense, then, to acculturize the future, we must re-craft the past, and the way that seems to happen is in the synergism of myth and ritual as expressed in a variety of forms that examine humanity.
Paper Undergraduate
Postmodernism in Pynchon's "The Crying of Lot 49" and DeLillo's "White Noise"
Introduction Postmodernism is, according to the Public Broadcasting Service (PBS), a reaction to the "assumed certainty of scientific, or objective efforts to explain reality." The real understanding of life, according to postmodernism, is what one's mind – in its own personal reality – tries to figure out and decipher about life. Moreover, postmodernism is very suspicious of explanations that "claim to be valid for all groups, cultures, traditions, or races" and instead it focuses on the truth each individual discovers (PBS). Additionally, it is important to note that postmodernism relies on "concrete experience over abstract principles," and the postmodernist person knows the outcomes of life's experiences will likely and necessarily be "fallible and relative, rather than certain and universal" (PBS).
Research Paper Doctorate
Edersheim's depiction of ancient Palestine during the time of Jesus
Sketches of Jewish Social Life, Alfred Edersheim attempts to transport the reader into the land of Palestine during the time of Jesus and his apostles. He does so in an effort to give readers a sense of the historical…
Research Paper Doctorate
Fee and Stuart's guide to biblical hermeneutics and contemporary interpretation
Fee, Gordon D. & Douglas Stuart. How to Read the Bible for All Its Worth. New York: Zondervan Publishing Company, 1993.
Research Paper Doctorate
The transformation of Bob Dylan from acoustic folk to rock music
He not busy being born / is busy dying" is one of the immortal lines from an old Bob Dylan song. Dylan has lived this line all his life; constantly changing his musical style, hardly ever playing a song in the same way…
Research Paper Doctorate
Stephen Crane's naturalism, realism, and local color fiction
Stephen Crane: A Great Writer of American Naturalist Fiction and Non-Fiction, and of Local Color
Paper Doctorate
Isolation and connection in Tomas Alfredson's Let the Right One In
Tomas Alfredson's 2008 film Let the Right One In follows the story of twelve-year-old Oskar as he attempts to deal with school bullies and his parents separation, but it complicates these generally mundane, childhood…
Research Paper Doctorate
Wright and Johnson's slave narratives and black autobiography
The slave narrative maintains a unique station in modern literature. Unlike any other body of literature, it provides us with a first-hand account of institutional racially-motivated human bondage in an ostensibly…
Paper Undergraduate
Repressed desire and honor in Merry Christmas, Mr. Lawrence
The document makes the point that cinema, regardless of factual content, provides a context for interpretation. Using the film "Merry Christmas, Mr. Lawrence" as a focus for the discussion, the argument is that all audiences can find a platform for application in the film.