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(Poe) This is important because the black room, being the final room, represented death, and the death that was threatening everyone was the plague known as the "Red Death." This room also had a great ebony colored clock that struck out on the hour in a loud and most annoying manner. The clock is also symbolic of time, and how time is always ticking away on a person's life, moving them closer toward death.
The seven rooms of various colors were seven adjacent rooms, all in a row from East to est; in other words, the easternmost room was the first and the westernmost room was the seventh. The fact that they were arranged from East to est represents the daily cycle, the sun rises in the East and sets in the est, but it is also symbolic of the cycle of life. In other words, as a person travels…
Poe, Edgar Allan. "The Masque of the Red Death." The Literature Network. Web. 07
June 2012. http://www.online-literature.com/poe/36 /' target='_blank' REL='NOFOLLOW'>
Prince Prospero in Edger Allen Poe's story " The Masque of the ed Death" is an interesting character that reveals much about Poe's views on nobility and the qualities these elitists exude. The purpose of this essay is to analyze the character Prince Prospero to demonstrate his fearfulness, reluctance and ignorance, three qualities that dominate the story's main character.
As Prince Prospero and his band of nobles try to escape the ed Death by shutting themselves away from the rest of society, they succumb to their greatest fears and are all killed by this mysterious spirited presence. Prospero, like many men, thinks he can avoid death or at least put it off. When the ed Death begins to kill most of the people in Prospero's kingdom, he attempts to use his wealth and possessions to escape the fate of everyman. The mere act of trying to escape death demonstrates the…
Poe, E. "The Masque of the Red Death" at EServer.org
Edgar Allen Poe was a 19th century American author who wrote gothic horror stories (as well as gothic poetry). Here, he delivers his theme that no one escapes death in his short story “Masque of the Red Death” through symbolism, setting, and narration. The colors of the room serve as symbols of life, with the red room serving as a symbol of blood and of the horror that awaits the revelers as the plague that they think they have escaped makes its way in to their party. The setting is also important. It is a party held in an abbey, secluded from the rest of the country, and the people are celebrating while those outside are dying. There is a distinct sense of separation and division between those at the masque and those who are not part of the elite crowd, the Prince’s friends. The narration of the story…
Poe refers to an ebony clock throughout the writing, Butler, uses a tree in the back yard, as well as the corner of the footboard that he is able to see from the cage.
Poe uses terminology that is more complicated in his writing and gives the reader a more formal feel to his overall writing. Butler on the other hand uses basic terminology, as has a relaxed atmosphere about his writing one may even find that they are laughing aloud. Poe's writing is more serious and could even be said to be more vivid in its descriptiveness.
Both, are amazing in their own right, they both discuss different situations, however there is one thing the two have in common that may not be apparent at first sight. That is the undertones of death. Butler discusses reincarnation, and Poe discusses the act of death and how it appears in the…
Butler, R.O. (1996). Tabloid Dreams.: Henry Holt & Co..
Poe, E.A. (2004). The Museum of Edger Allan Poe. The Masque of the Red Death,. Retrieved 02/10/08, at http://www.poemuseum.org/selected_works/red_death.htm
Pluto is the Roman god of the underworld, and Poe is foreshadowing a hellish and horrific experience for the narrator. He also sets up an expectation in the reader and truly tests the thin but palpable sympathetic emotional response that is built in the opening lines of the story. He foreshadows the narrator's actions by stating subtly that the narrator has begun to feel strangely as the story unfolds. The narrator states, "(I) experienced a radical alteration for the worse. I grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence. My pets, of course, were made to feel the change in my disposition. I not only neglected, but ill-used them.." The reader, now draw into the story, begins to feel like the narrator is not quite…
The unusual event of resurrection is a theme particularly apparent within the stories "The Fall of the House of Usher" and "Ligeia." In the latter story resurrection occurs after the Lady Rowena's corpse finally resurrects itself into the form of Lady Ligeia. In the former story "resurrection" actually occurs when the Lady Madeline, after recovering from her cataleptic state, manages to escape from her tomb. In two of Poe's stories certain unusual and grotesque events occur that are unique to those tales. The story "illiam ilson" contains a doppelganger theme, which is unique to it. In the story "The Masque of the Red Death" the uniquely violent and unusual event is the characters unknowingly making an unfortunate encounter with the personification of the Red Death disease while they are busily engaged in their festivities.
Bizarre forms of death are a pervasive feature in Poe's short stories. Nowhere is it more…
Poe, Edgar a. "Ligeia." E.A. Poe Society of Baltimore. Oct. 23, 1999. Retrieved April 16, 2007:
Poe, Edgar a. "The cask of Amontillado." E.A. Poe Society of Baltimore. Nov. 22, 1998. Retrieved April 16, 2007:
John esley Before Referencing
Supernatural tales of death and jealousy: Edgar Allen Poe's "Masque of the Red Death" and Robert Olen Butler's "Jealous Husband Returns in the Form of a Parrot"
Both Edgar Allen Poe's "Masque of the Red Death" and Robert Olen Butler's "Jealous Husband Returns in the Form of a Parrot" use supernatural plots to highlight the intense emotions human beings often feel about common and ordinary subjects, namely death and the loss of a loved one to someone else. Poe's tale is written in the style of American Romanticism, and uses highly ornate language and a European setting to create an atmosphere of death, misery and decay. Poe's tale begins strangely, and becomes even stranger as the narrative wears on. The final appearance by death as a masked figure at a costume ball makes the allegorical theme of the story horrifyingly real -- not even the wealthy…
Butler, Robert Olen. "Jealous Husband Returns in the Form of a Parrot." Fiction from Web Del Sol. 22 Feb 2008. http://www.webdelsol.com/butler/rob-5.htm
Poe, Edgar Allen. "The Masque of the Red Death." Online Literature. 22 Feb 2008. http://www.online-literature.com/poe/36
In this story, we find this terror, especially at the end of the story when Fortunato sobers up. Montresor tells us that the cry he hears as he places the final bricks in the wall is "not the cry of a drunk man" (Poe 94). The drunk man and the crazy man are pitted against once another in this tale and there is nothing Fortunato can do when he realizes what has happened. The real terror emerges as Montresor follows through on his plan to the last detail without any hesitation.
Edgar Allan Poe allows us to realize how close to life terror actually becomes. His life was no ideal life but rather a playground for terror and death of all sorts. A young boy abandoned by both parents becomes an adult to witness death take his loved ones at much too early an age. By taking his life experiences…
Magistrale, Tony. American Writers. Parini, Jay. et al.New York: Charles Scribner's Sons. 2003.
Poe, Edgar Allan. "The Cask of Amontillado." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
The Masque of the Red Death." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
The Tell-tale Heart." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
Poe "not only created art from the essence of his own personal suffering but also came to define himself through this suffering" (263). This is a sorrowful assessment but we can certainly see how Magstreale comes to this conclusion. Terror was not fiction in Poe's world; it was real and it pushed the pen on the paper. Poe took on what some artists might shy away from and that is death. Many of his characters die tragic and gruesome deaths but they are deaths we remember. An example of the power of death is in "The Masque of the Red Death." This tale is unique in that no one manages to escape the grip of death. This is oddly much like the individuals in Poe's life. Nothing could save them from their fate. Humanity's helplessness is demonstrated with Prospero's "strong and lofty wall" (Poe the Masque of the Red Death…
Bleilel, E.F. "Edgar Allan Poe." Supernatural Fiction Writers. New York: Charles Scribner's
Sons. 1985. Print.
Carlson, Eric W. American Short-Story Writers Before 1880. The Gale Group, 1988. Information
Retrieved Dec 13, 2010. Web. GALE Resource Database.
Edgar Allan Poe and Hannibal
Edgar Allan Poe was more than a horror storywriter. He was a person that delved into the human psyche and created a psychological thriller that haunted the reader's mind well after the conclusion was made.
Poe has delved into the human spirit at a time when the idea of the unconscious mind had probably either not evolved, or had just been described and was not commonly known. In his stories of horror, Poe explored in depth the human psyche. Poe was a critic of rationalism but at the same time he was a master in the art of constructing, logically, the irrational 'rationale' for crime committed by his characters. Poe lived a difficult and rather impoverished life, and was himself often given to alcoholism in his private life and the narrator's fears and contradictions that the author describes are something he might have experienced himself.…
DeNuccio, Jerome, History, narrative, and authority: Poe's "Metzengerstein.' (Edgar Allan Poe's novel "Metzengerstein"). Vol. 24, College Literature, 06-01-1997, pp 71(11).
Arthur H. Quinn Edgar Allan Poe: A Critical Biography by (1941)
Author not available, Hannibal Lecter, Superstar., The Toronto Star, 06-20-1999.
THOMPSON Douglas, Moral with a twist., Sunday Star Times (New Zealand), 03-29-1998, pp 5.
Lastly the point of engendering the idea that alcoholism and in short inappropriate decadence ruled the day is the description of the isolation environement; "There were buffoons, there were improvisatori, 3 there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. ithout was the 'Red Death.'"
The Black Cat is a slightly more plebian story, about a man who had a particular affinity for pets and who adopted many and shared this love with his patient and loving wife. The man developed severe alcoholism and his entire demeanor changed, as he went about cruelly attacking verbally and physically all who were close to him, including cutting out the eye of his previously cherished pet a very large and loving black cat and eventually hanging the cat to death by a tree limb. The mans alcoholism did not wane as it might have…
Poe, Edgar Allan. Thirty-Two Stories. Ed. Stuart Levine and Susan F. Levine. Indianapolis: Hackett Publishing, 2000.
Poe's famous poem, "The Raven," to most readers is a straightforward yet haunting, chilling tale of the loss of someone loved, and the troubling emotions and inner sensations that go along with a loss, no matter how the loss occurred. In this case, the "rare and radiant maiden whom the angels named Lenore..." is the one lost. hy did an angel name Lenore, one has to wonder? Is there something associated with death or the afterlife in this image?
In fact Poe builds up the beauty of "lost Lenore" in sharp contrast to him saying that it was a "bleak December," and "each separate dying ember wrought its ghost upon the floor" and adds that when he awoke from his nap, and looked out his chamber door, there was only darkness "and nothing more."
So the poet is giving a narrator's identity as a person who hears a…
Cervo, Nathan. "Poe's 'The Cask of Amontillado.'" The Explicator 51.3 (1993): 155-157.
Delaney, Bill. "Poe's 'The Cask of Amontillado.'" The Explicator 64.1 (2005): 33-36.
Graham, John Stott. "Poe's 'The Cask of Amontillado.'" The Explicator 62.2 (2004): 85-89.
Griswold, Rufus Wilmot. "Death of Edgar Allan Poe." (New York Daily Tribune). Edgar
Man of the Crowd
By Edgar Allan Poe (1840)
The story significantly depicts not only the preoccupation of the 17th hundred London issues and a trend brought by the progressive industrialization of time, but speaks so much relevance in our modern time as well. The epigraph which sums up the very essence of the story explains the dynamic of a human being too busy to mingle with the crowd for fear of facing the haunting memory of a disturbed self, the lonely person, the conscience and the unsettling disturbances deep within. The epigraph "Such a great misfortune, not to be able to be alone" is rich in context within the story, but also a rich source of reflection of a human and societal struggle. I firmly believe in the relevance of the story not only in its significance to the theme and era when this story was written, but for…
Anxiety Care UK. Fear of Being Alone-Monophobia. 2012. 10 November 2012
Auster, Paul. The New York Trilogy. New York: Penguin, 1990. Gerald, Kennedy J.
"Poe, Death, and the Life of Writing." Yale University Press (1987): 118.
Frost's Poetry And Landscape
The Rise of Modernist Poetry
Between the years of 1912 and 1914 the entire temper of the American arts changed. America's cultural coming-of-age occurred and writing in the U.S. moved from a period entitled traditional to modernized. It seems as though everywhere, in that Year of 1913, barriers went down and People reached each other who had never been in touch before; there were all sorts of new ways to communicate as well as new communications. The new spirit was abroad and swept us all together. These changes engaged an America of rising intellectual opportunities and intensifying artistic preoccupation.
With the changing of the century, the old styles were considered increasingly obsolete, and the greatest impact was on American arts. The changes went deep, suggesting ending the narrowness that had seemed to limit the free development of American culture for so long. That mood was not…