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The Problem of Alienation
Words: 355 Length: 1 Pages Document Type: Essay Paper #: 13384484
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Frank Kafka’s The Metamorphosis is a short novel that was first published in 1915. The author uses his experience to develop much of Gregor Samsa’s life and demonstrate the physical metamorphosis. Prior to the metamorphosis, the protagonist’s family viewed him as a means of survival and eventually took advantage of him. Samsa’s alienation from the family and his surrounding world begins with his transformation into an insect. According to Kafka, the book is a “story of a young man who, transformed overnight into a giant beetle like insect, becomes an object of disgrace to his family…” (p.1). After the metamorphosis, the protagonist becomes a quintessentially alienated man as he is an outsider in his own home. While Samsa is available and close to his family and friends, they are unable to communicate with him as he is trapped in another physical body that makes it impossible for him to…

The Metamorphisis Research Analogy
Words: 1281 Length: 4 Pages Document Type: Essay Paper #: 60987313
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Metamorphosis by Franz Kafka

A Discussion about the Methods the Narrator uses to Control the Audience's Perceptions and Attitudes about the Characters and Events

The Metamorphosis is a story that makes an interesting use of the third person narrative by narrating the story from a rather unique perspective, but also evolving as the story progresses. In the beginning of the story the narrator is a witness to all events and is described as being limitedly "omniscient," or being knowledgeable about everything that is going on in relation to the story from one perspective. For example, the narrator is able to illustrate to the reader all of the thought and emotions that are held by the protagonist Gregor Samsa, and after his death this perspective is broadened to including the inner most thoughts of other members of the Samsa family as well. The level of understanding that the narrator can share…


Beicken, P. (2012). Kafka's Narrative Rhetoric. Journal of Modern Literature, 398-409.

Kafka, F. (2002). Metamorphosis. Gutenberg Project.

Rhodes, C., & Westwood, R. (2016). The Limits of Generosity: Lessons on Ethics, Economy, and Reciprocity in Kafka's The Metamorphosis. Journal of Business Ethics, 235-248.

Sokel, W. (1956). Kafka's "Metamorphoisis": Rellion and Punishment. Monatshefte, 203-214.

Self-Destructive Behavior Depicted in Kafka's
Words: 4103 Length: 15 Pages Document Type: Thesis Paper #: 85183206
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He does his share of complaining but he does little else to remedy the situation. The truth of the matter is that Gregor did not enjoy much of his life away from work. He never expresses a desire to have more in his life nor does he express any regret, until he is a bug. In "A Hunger Artist," our hunger artist chooses to live a considerable amount of his life behind bars being a public spectacle. hile he can communicate with onlookers, he is separated from them by the bars and the setting in which he finds himself only forces him to interact with individuals for a short amount of time. Once they have become satisfied with his spectacle, they move on and leave the artist to his own thoughts. Our hunger artist is aware of the world that exists around him but it does not seem to affect…

Works Cited

Freed, Donna. The Metamorphosis and Other Stories. New York: Barnes and Nobel Books. 1996.

Goldfarb, Sheldon. "The Metamorphosis." Short Stories for Students. 2001. Gale Resource Database. 1963. Site Accessed November 22, 2008. 

Kafka, Franz. "A Hunger Artist." The Norton Anthology of Short Fiction R.V. Cassill, ed. New York W.W. Norton and Company. 1981. pp. 779-86.

Kafka, Franz. "The Metamorphosis." The Norton Anthology of Short Fiction R.V. Cassill, ed. New York W.W. Norton and Company. 1981. pp. 740-78.

Changes in Life
Words: 1285 Length: 4 Pages Document Type: Essay Paper #: 12113446
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Kafka's Metamorphosis

Metamorphosis: Transformations

The Metamorphosis as authored and offered by Franz Kafka in 1915 is often labeled as one of the more transforming, to use a pun, works in the history of literature of the last century or two, if not well beyond that. Anyone who reads the book should obviously take note of the fact that the points being made are more abstract and figurative but this does not mean they are not profound. As suggested by the assignment being completed in this report, Metamorphosis is a story of transformations and how these changes can lead to significant changes in perceptions and reactions even from the people and groups that embraced the changed person in prior examples and instances.


People inevitably change as they grow older and experience more and more of life. However, sometimes such changes can be quite sudden and dramatic and this can lead…

Works Cited

Aichele, George, and Richard Walsh. "Metamorphosis, Transfiguration & The

Body." Biblical Interpretation 19.3 (2011): 253-275. Academic Search Premier.

Web. 20 July 2014.

Chinchester, Ana Garcia. "Metamorphosis In Two Short Stories Of The Fantastic By

19th and 20th Century Literature
Words: 1660 Length: 5 Pages Document Type: Term Paper Paper #: 68776169
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Balzac and Kafka: From Realism to Magical Realism

French author Honore de Balzac defined the genre of realism in the early 19th century with his novel Old Man Goriot, which served as a cornerstone for his more ambitious project, The Human Comedy. Old Man Goriot also served as a prototype for realistic novels, with its setting of narrative parameters which included plot, structure, characterization, and point-of-view. The 20th century, however, digressed considerably from the genre of realism. Franz Kafka, for example, has been considered as one of the forerunners of the genre known as Magical Realism. endy B. Faris defines the genre of Magical Realism as the combination of "realism and the fantastic so that the marvelous seems to grow organically within the ordinary, blurring the distinction between them… [including] different cultural traditions" (1). Faris finds magical realism to exist at the crossroads of modernism and post-modernism, as a kind…

Works Cited

Bettelheim, Bruno. The Uses of Enchantment. New York, NY: Vintage, 2010. Print.

Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville, TN: Vanderbilt University Press, 2004. Print.

Nabokov, Vladimir. "The Metamorphosis." Victorian. Web. 8 May 2012. < >

Inverted Worlds of Kafka's the
Words: 580 Length: 2 Pages Document Type: Term Paper Paper #: 24665256
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Certainly, this subverts, right away, our assumptions of what is likely and humanly possible. Later, Gregor's enraged father violently illustrates the old social maxim that appearances really do matter, by pelting his stubbornly-metamorphosed son with apples in a fury one day. Soon afterward, Gregor dies. In most cases, human beings are saddened when a son or brother dies, but in this case, the remaining Samsa family members, with the possible exception of little sister Grete, are actually relieved. Gregor's metamorphosis and subsequent death forces upon each of them a metamorphosis of his or her own: ironically, Gregor's physical metamorphosis forces each of them back into life, like butterflies finally emerging from especially stubborn cocoons. Here, Kafka is pointing out the fallacies and limitations of typical human assumptions about first (in Gregor's case) what one "should" do for others; and second, in the cases of his parents and sister, what one…

Kafka From the Very Opening
Words: 1100 Length: 3 Pages Document Type: Essay Paper #: 52348271
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They attempt to achieve normalcy at points by allowing Gregor to witness the family interacting through his opened door. Still, he begins to view his family with a detached hostility as they have clearly begun to treat him with shame and revulsion, rather than as a member of the family. Though his sister still attempts to feed him for a time, she can no longer bring herself to address him directly. Likewise, the mounting unhappiness in the family results in a total neglect, where his room is left to descend into filth, underscoring the idea that Gregor himself is, on the basis of his ghastly appearance, filthy and to be cast out.

This would be particularly difficult for the reader to witness, as Gregor undergoes his descent with seemingly little internal reflection. Much as is the case with his life in service to his job, Gregor is driven only by…

Works Cited:

Charmaz, K. (1983). Loss of self. A fundamental form of suffering in the chronically ill. Sociology of Health and Illness, 5(2), 168-195.

Kafka, F. (2004). Metamorphosis. Kessenger Publishing.

Major Themes in European Literature
Words: 2421 Length: 7 Pages Document Type: Term Paper Paper #: 13929846
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contemplated an individual's relationship with his or her environment. In Oedipus Rex and Antigone, Sophocles explores the relationship an individual has with the world and society. In each of these plays, Sophocles juxtaposes divinity and humanity and investigates the role of each within Theban society as well as looks into conflicts that arise when the laws of man conflict with divine laws. Through their narratives, Oedipus Rex and Antigone posit man is intended to serve others, including gods, and that they do not exist to be self-serving.

Oedipus Rex revolves around an eponymous anti-hero who by saving the city of Thebes from a Sphinx inadvertently and simultaneously brought forth a plague upon it. By defeating the Sphinx, Oedipus secured his place upon the Theban throne and as such was not only responsible for ensuring laws were abided, but was also responsible for protecting Thebes' citizens. Because of the plague that…

Works Cited

Sophocles. Antigone. The Complete Greek Tragedies. Eds. David Grene and Richard Lattimore.

2nd Edition. Chicago: The University of Chicago Press, 1991. pp. 160-212.

-. Oedipus Rex. The Complete Greek Tragedies. Eds. David Grene and Richard

Lattimore. 2nd Edition. Chicago: The University of Chicago Press, 1991. pp. 10-76.

Generational Conflict and Adult Decision-Making
Words: 2441 Length: 6 Pages Document Type: Term Paper Paper #: 93779374
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Distinctly from John Updike's teenage character Sammy in his short story "A&P," who realizes he has just become an adult; Connie as suddenly realizes she feels like a kid again. Now she wishes the family she usually hates having around could protect her. The actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (paragraph 7). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the Big Bad olf, or the evil stepmothers (and/or stepsisters) that fix on Snow hite, Sleeping Beauty, Cinderella, and other innocent young female characters as prey. And Connie at the end of "here Are You Going, here Have You Been" wishes, like Little Red Riding Hood, Snow…

Works Cited

Kafka, Franz. "The Metamorphosis." E-text. 28 May 2007

Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" Celestial Time

Piece: A Joyce Carol Oates Home Page. 28 May 2007  / works / wgoing/text.html>

Updike, John. "A&P." 28 May 2007

Humor in Kafka and Marquez
Words: 914 Length: 3 Pages Document Type: Essay Paper #: 28268562
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In the beginning of the story, Erendira must "bathe and overdress her grandmother, scrub the floors, cook lunch, and polish the crystal ware" (Marquez) every day. Erendira endures a difficult life for a fourteen-year-old girl, considering she was "too meek for her age" (Marquez). The life her grandmother makes her live is inhumane as she attempts to make Erendira pay for her mistake with prostitution. Erendira's prince does not arrive quickly and when he does, she leaves him. Here is where we see the story move from a fairy tale story to one that seeks to explain human behavior. Erendira takes care of herself with the money she feels she deserves. She decides to do so without a man and this makes the story modern while at the same time, very timeless, in that people are as unpredictable as they are predictable. Erendira is an independent woman in need to…

Works Cited

Kafka, Franz. "The Metamorphosis." The Norton Anthology of Short Fiction R.V. Cassill, ed.

New York W.W. Norton and Company. 1981.Print.

Marquez, Gabriel Garcia. "The Incredible and Sad Tale of Erendira." American Buddha Online.

Web. Site Accessed May 16, 2011. http://www.american-

Value Struggle the Struggle Between
Words: 873 Length: 3 Pages Document Type: Essay Paper #: 40266488
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The use of various artifacts as symbols is also important in showing the transference and transformation of values in many texts. In Whale ider, a whale's tooth that has been cast into the ocean serves as a symbol of leadership, and the protagonist's retrieval eventually cements her ascendance to the role of a tribal leader. Her positive arc moving away from traditional values is shown in her appropriation of certain physical symbols of this traditional value system. In this way, the protagonist both literally and symbolically adopts and yet transforms the traditional values of her tribe in order to achieve her own identity.

Artifacts are out to a much different use in Franz Kafka's the Metamorphosis. Of course, the arc that the protagonist of this story travels is also markedly different from that of the protagonist in Whale ider; Gregor Samsa is quite happy his traditional role of a grown…


Caro, N. (2003). Whale rider. Buena Vista.

Kafka, F. (1915). The metamorphosis. New York: Penguin.

Lahiri, J. (2003). The namesake. New York: Houghton Mifflin.

Transformations and Realizations Every Human
Words: 1029 Length: 3 Pages Document Type: Term Paper Paper #: 5624953
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In the Metamorphosis, it is the image of the main character's family and those around him that is transformed. However, in the Death of Ivan Llyitch it is the main characters image of himself that is transformed. Gregor is the same person on the inside in his cockroach form that he was when he was a salesman. However, his family fails to see him the same. Gregor was happy, but becomes depressed as his family isolates themselves from him more and more. In the Death of Ivan Llyitch the main character moved from depression to joy. The characters in these novels occupy different ends of the emotional spectrum. Their emotional spectrum moves in the opposite direction.

The emotional transformation of the two main characters is opposite as well. Ivan's is an inner transformation. His physical world changes little, it is his emotional world and inner sense of self that changes.…

Works Cited

Kafka, Franz the Metamorphosis and Other Stories, trans. Donna Freed. New York:

Barnes & Noble. 1996.

Tolstoy, L. The Death of Ivan Ilyich and Master and Man. Slater, Ann (trans.). New York,

Modern Library. 2004.

Politics Literature and the Arts
Words: 1748 Length: 5 Pages Document Type: Term Paper Paper #: 68936064
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Politics, literature and the arts -- Transformation, Totalitarianism, and Modern Capitalist life in Franz Kafka's "Metamorphosis," Fritz Lang's "Metropolis," and Albert Camus' Caligula

At first, the towering heights of the German director Fritz Lang's "Metropolis" may seem to have little to do with the cramped world of the Czech author Franz Kafka's "Metamorphosis." Fritz Lang portrayed a humanity whereby seemingly sleek human beings were dwarfed by towering and modernist structures, where one class of thinking humans were drunk on pleasure while others suffered in pain so that the upper classes or regions of Metropolitan society might prosper. Franz Kafka portrayed a man named Gregor Samsa who became a grotesque creature, increasingly beset upon by his tiny and encloistered environment until he is transformed into a gigantic cockroach. Rather than focusing on the higher echelons of society, Kafka focused on its lower elements immediately.

In Kafka, the transformed Gregor Samsa becomes…

Works Cited

Camus, Albert. "Caligula." 1936.

Kafka, Franz. "Metamorphosis." Translated by Ian Johnston. Released October 2003.

'Metropolis." Directed by Fritz Lang. 1926.

Women in Novellas Gender as Opposed to
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omen in Novellas

Gender, as opposed to the physical classification of sex, has always been based upon societal construct. The current psychology of the masses dictates what proper or improper behavior for the given genders is. Things have progressed, but there is still a vast difference between the roles and responsibilities of males and their female counterparts. The conflict of the modern age often stems from an intersection of gender and ethical dilemmas, both based upon societal rules. Fictional characters are written by flesh and blood human beings. Thus, the norms of the social order will bleed into their fictional creations. Female characters in a fictional work will have the same gendered notes as a human being. If they do not prescribe to the norms of their given gender, it is always for an artistic purpose which functions as the purpose of the piece. Gabriel Garcia Marquez's Chronicle of a…

Works Cited:

Kafka, Franz. "The Metamorphosis." Web. 2012.

Marquez, Gabriel Garcia. Chronicles of a Death Foretold. New York, NY: Vintage. 2003. Print.

Morrison, Toni. The Bluest Eye. New York, NY: Vintage. 2007. Print.

Kafka & Xun Modernist Writers
Words: 438 Length: 1 Pages Document Type: Essay Paper #: 53170483
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His parents, no longer supported by him financially, are so repelled by his transformation that they completely ostracize their son. Even his sister, when her brother becomes a social pariah withdraws from him, despite his former support for her violin-playing. At first she feeds him and then gradually grows hardened as he resembles less and less the brother she once knew. At the end of the story, the family is relieved upon Gregor's passing, and instead plans for his sister's possible marriage, rather than mourns the loss of the man who sacrificed his life so they could be happy.

Gregor's fantastical fate is thus a metaphor for a very realistic condition -- someone who is imprisoned in a miserable life, with ungrateful relatives, and no real secure sense of a happy and fulfilling identity. Similarly, Lu Xun's "Diary of a Madman," in which the title madman is haunted by the…

Parallel Between Zits and Gregor
Words: 1732 Length: 5 Pages Document Type: Essay Paper #: 42098878
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Having difficulties connecting with other people is part of life. Both Indians and whites have suffered from a lack of communication, between themselves and within their own communities.

Many of the most well-intentioned foster parents failed to communicate with Zits, and now Zits realizes he was as much at fault as some of the people who fostered him. Zits has always felt abandoned by both white and Indian culture because he is treated like an Indian, yet has lived amongst whites and has never been educated in Indian customs. However, despite the fact he feels and has been rejected, this does not make him any less worthy as a person and this does not mean that he should stop trying to connect with others. Because he expects to be abandoned, in many instances he has been abandoned and sometimes life lives up to your expectations.

Q5h. Zits learns that even…

Black Films as a Reflection
Words: 4019 Length: 10 Pages Document Type: Essay Paper #: 90025348
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The Aftermath

Uncle Tom characters were common in both white and black productions of the time, yet no director before Micheaux had so much as dared to shine a light on the psychology that ravages such characters. By essentially bowing to the two white men, Micheaux implied that Old Ned was less than a man; an individual whittled down to nothing more than yes-man and wholly deprived of self-worth. At this point in the history of black films, with some of the most flagrant sufferings of blacks exposed to the American public, the only logical path forward that African-Americans could take was to begin making cogent demands to improve their collective social situation.

Slowly, black characters in film took on greater and more significant roles in film. Sidney Poitier was one of the most powerful film stars of the mid twentieth century. In roles like the 1950 film by…

Reference List

Finlayson, R. (2003). We Shall Overcome: The History of the American Civil Rights

Movement. Lerner Publications Company, Minneapolis, MN.

King, Jr., M. And Jackson, J. (1963). Why We Can't Wait. Signet Classic, New York,


Politics Literature and the Arts
Words: 650 Length: 2 Pages Document Type: Term Paper Paper #: 17601659
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Kafka, he Wannsee Conference, And Shadows and Fog

Kafka's protagonist of "he Metamorphosis," Gregor Samsa, perfectly embodies the totalitarian mindset in the sense that he is colonized by the desires of his employer, his family, and even the room in which he lives to the point that he can hardly think for himself. he room in which Samsa dwells is so small; the man becomes a virtual prisoner of its confines. Samsa turns into an insect seemingly as a result of the limiting pressures of his physical space and cramped social and emotional life. In fact, his life is so confining, he can only think of returning to the office, even after becoming transformed into a huge and hideous insect.

Over the course of the short story by Kafka, Gregor's own family rejects him after his physical alteration, despite the fact that Gregor has long been giving up his own…

The film shows the discussions that caused the Nazi officers to arrive at the exact particulars of settling the 'final solution' of the so-called Jewish question or problem of living space in Europe, as well as of Jewish culture. At the conference depicted in the film, which actually took place, the 'hothouse' nature of the discussion of the officers, according to the apparent theory of the director of the film regarding totalitarianism, created the necessary 'freedom' for the Nazi officials at the conference to discuss the removal of Jews from every sphere of life of the German people and the expulsion of the Jews from the supposed righful European living space of the Ayran German people. Because everyone at the conference agreed, in totalitarian lockstep and mind that Jews were inferior, this horrifying decision became feasible to the Nazi's mindset.

Over the course of the film, the ability to be the most restrictive in terms of Jewish life becomes a kind of competition for the Nazi officers, as they compare who enacted legislation to prohibit Jews from owning canaries, with those who engage in the most bloody anti-Semitic rherotic. Before the viewers' eyes, with beautiful scenery in the background, the totalitarian mindset takes hold, and measures about the concept of the deportation, labor use, and extermination of the Jews.

The much earlier 1955 film "Night and Fog" enacts as a similar depiction of the totalitarian mindset after the fact. The film is a documentary of the Holocaust crafted by Alain Resnais. Less than a decade after the end of the war, it interposes archival clips from the concentration camps with denials of the camps' existence. Under totalitarianism, it suggests, even as obvious a truth as the Final Solution can be ignored, as Gregor Samsa ignored his limited life, and as the Nazi officials as a collective denied their individual humanity.

Gentlemen of Verona the Concept
Words: 1589 Length: 5 Pages Document Type: Essay Paper #: 1800971
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Even one of the most rational individuals in the play, the Duke of Milan, is initially unable to understand the significance of love and the effect that it has on people. He considers that Valentine's straightforwardness is too upfront and that the young man should be criticized for this approach. The fact that he does not understand metamorphosis until the end of the play makes it difficult for him to accept that his daughter is not meant to marry Thurio. However, as he eventually understands the importance of love in a relationship, he supports Valentine in his endeavor.

Although the concept of metamorphosis is rarely used in the contemporary society in order to describe the transition from normalcy to being in love, it can be used today in the same context as it was used then. People in the present experience similar feelings when they are in love and most…

Works cited:

Martindale, Charles and Martindale, Michelle, "Shakespeare and the uses of antiquity: an introductory essay," Routledge, 1994.

Shakespeare, William, "The Two Gentlemen of Verona," 1590.

Basin Spadefoot the Common Named
Words: 3667 Length: 12 Pages Document Type: Term Paper Paper #: 29715331
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These calls are done in a rapid series of low-pitched throaty notes (Great1 pp).

A study titled, "A Comparative Analysis of Plasticity in Larval Development in Three Species of Spadefoot Toads," reported by David Reznick in the June 01, 2000 issue of Ecology, evaluated four salient features of the ilbur and Collins (1973) model for amphibian metamorphosis (Reznick pp) H.M. ilbur and J.P. Collins offered an evolutionary explanation for the labile nature of amphibian metamorphosis (Reznick pp). Their model has provided the most important framework for interpreting phenotypic plasticity in age and size at metamorphosis (Reznick pp). This model is attractive due to its simplicity, and the fact that it focuses on selection at the larval life stage, is time invariant, and ignores complex relationships between larvae and their predators (Reznick pp).

Reznick study performed an experiment on three species of spadefoot toads derived from environments that differ in their…

Works Cited

Aidem, Patricia Farrell. "Wildlife Shields Proposed Protected Areas May Expand." Daily

News. February 04, 2001. Retrieved October 08, 2005 from HighBeam Research Library Web site.

Biota Information System of New Mexico. Retireved October 08, 2005 at

Bransfield, Ray. "Lands of contrast, diversity, and beauty."

Messed Up Family That Breaks
Words: 2044 Length: 6 Pages Document Type: Essay Paper #: 32556723
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There isn't one time in the film that Martin doesn't act out of passion. Unlike Oedipus, Martin does not choose blindness but rather it is a result of his passion and desire for Mini.

atching Mini's First Time, the audience has a sort of god-like perspective as perhaps the audience felt in one of the great Greek theatres. As one watches the film, there is a definite feeling that it isn't going to end well for the humans involved. e can see the machinations growing and growing until they spin out of control and utter chaos is revealed. e are not sure what the fate of the characters will be, unlike Oedipus because we are so familiar with it, but like Oedipus, we know that there isn't much hope. In the Iliad and Odyssey, the gods do occasionally look down upon the humans with some compassion and interest -- and…

Works Cited

Sophocles. (Berg, Stephen., Clay, Diskin) Oedipus the King by Sophocles. Oxford University Press: Trade edition. 1988.

Ovid. (Martin, Charles) Metamorphoses. W.W. Norton & Company. 2005.

Value of Conflict in Fiction
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The narrator becomes repulsed by Bartleby and decides that he must be suffering from some type of mental problem. The less the narrator knows about Bartleby the worse things seem to be for him. He wants to make sense of things. He wants it all to make sense. The conflict arises from his inability to do so. The narrator is simply being human in his desire to control and understand things but Kafka is demonstrating how we cannot always know everything and how we must be at peace with that, lest we become insane. It is also important to point out that some things are simply not meant to be known or completely understood. Kafka does not attempt to explain everything in this story because we often face situations that will never be truly understood.

Marquez demonstrates conflict and how it makes for interesting fiction by allowing the readers to…

Works Cited

Kafka, Franz. "The Metamorphosis." The Norton Anthology of Short Fiction R.V. Cassill, ed.

New York W.W. Norton and Company. 1981.

Gabriel Garcia Marquez's "Chronicle of a Death Foretold." Collected Novellas. New York:

Harper Perennial. 1990.

Metamorphism Physical Geology Metamorphism Causes
Words: 1236 Length: 4 Pages Document Type: Essay Paper #: 34555526
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The effects of liquids are not a factor in regional metamorphism as fluids cannot circulate due to the effects of pressure upon the rocks, which seal in the circulation of moisture. egional metamorphism occurs in areas of heavy tectonic activity, near the places where the earth's plates rub up against one another. "egional metamorphism can be subdivided into different pressure-temperature conditions based on observed sequences of mineral assemblages. It may include an extreme condition, where partial melting occurs" (Jessey & Tarman 2010). egional metamorphism is commonly found in mountain regions (hence the name regional metamorphism), consisting of foliated rocks developed under medium to high temperatures. "The accompanying pressures vary from low to high. Geothermal gradients, which are likewise moderate to high, produce Buchan and Barrovian Facies series. Because the pressures of Buchan and Barrovian Facies series are commonly higher than are those of Contact Facies Series, they may contain different…


Contact metamorphism. (2010). Pomona College. Retrieved May 12, 2010.

Jessey, Dave. Metamorphism. (2010). Geology 101. Pomona College. Retrieved May 12, 2010.

Kafka This Report Aims to
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And a lot of this has to do with real epithets that were used against Jews at that time on the streets. Someone would see a Jew and say, 'You dirty dog', or 'You're nothing more than a cockroach', or something like that. For Kafka, this became a kind of literal condemnation which he accepted into himself. OK. 'You point a finger at me and call me a dog, the next thing I have to write is a story about a dog,' in which a dog has human qualities; or he transforms himself into a cockroach. A lot of this has to do with the anti-Semitism that was absolutely rampant all around him at the time." (Radio National)

As noted, by having experienced Kafka's work first hand prior to reading Mairowitz's version, I believe that Introducing Kafka turned out to be very delightful for the main reason that the reader…

Works Cited

Franz Kafka (1883-1924). Retrieved on 12 June 2005, from

Mairowitz, David Zane, and Robert Crumb. Introducing Kafka. Cambridge: Icon Books, 2000.

Radio National. Franz Kafka. Ed. ABC.NET. 11/21/99. Retrieved on 12 June 2005, from


Danger of Assumption Is a
Words: 620 Length: 2 Pages Document Type: Essay Paper #: 94558219
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In "The Story of Daedalus and Icarus," we have a similar lesson regarding knowledge. Icarus, much like Phaeton, does not follow his father's advice. In the air, he is distracted by everything happening below and before long "left his father, / Soared higher, higher, drawn to the vast heaven,/nearer the sun" (188). His mistake is deadly for no one can rescue him from up above. This story is importantbecause it also teaches us that we should never assumewe are something we are not or that we are more than human. Icarus forgot his humanity and "turned his thinking / Toward unknown arts, changing the laws of nature" (187). Daedalus must face his culpability here for it was his idea to leave Crete in a way that was not conventional. He assumed everything would turn out just fine.

In Hippolytus, Theseus assumes he knows the truth regarding Hippolytus and Phaedra. However,…

Work Cited

Ovid. "The Story of Daedalus and Icarus." Metamorphosis. Rolfe Humphries, trans. Bloomington: Indiana University Press. 1955.

"The Story of Phaeton." Metamorphosis. Rolfe Humphries, trans. Bloomington: Indiana University Press. 1955.

Mortal Struggle in Mythology in
Words: 889 Length: 3 Pages Document Type: Essay Paper #: 68101126
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Dionysus allows Midas to have his wish knowing that it will soon be the worst thing he could have done as man cannot live by gold alone. For awhile Midas is a "happy man" (Ovid 263), surrounded by all of the gold but soon he begs to be rescued from "this loss / That looks so much like gain!" (263). e also see a tragedy with the story of Narcissus, who is so in love with himself that he falls in love with his own reflection in a pool as punishment for his cruelty. This might not seem like such a bad thing except for the fact that he is compelled to look at the reflection and never leave. In short, he "wanted himself" (70) and died while trying to kiss the image.

e see how the gods can inflict their wrath on individuals in Homer's The Iliad. hen Achilles…

Works Cited

The Epic of Gilgamesh. Arts and Culture: An Introduction to the Humanities. New York: Prentice Hall. 2001.

Ovid. Metamorphosis. Rolfe Humphries, trans. Bloomington: Indiana University Press. 1955.

Paintings Colors and Self-Portrait Introduction
Words: 14235 Length: 50 Pages Document Type: Research Proposal Paper #: 62048188
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Pissarro took a special interest in his attempts at painting, emphasizing that he should 'look for the nature that suits your temperament', and in 1876 Gauguin had a landscape in the style of Pissarro accepted at the Salon. In the meantime Pissarro had introduced him to Cezanne, for whose works he conceived a great respect-so much so that the older man began to fear that he would steal his 'sensations'. All three worked together for some time at Pontoise, where Pissarro and Gauguin drew pencil sketches of each other (Cabinet des Dessins, Louvre).

Gauguin settled for a while in ouen, painting every day after the bank he worked at closed.

Ultimately, he returned to Paris, painting in Pont-Aven, a well-known resort for artists.

X...for pic

Le Christ Jaune (the Yellow Christ) (Pioch, 2002) Still Life with Three Puppies 1888 (Pioch, 2002)

In "Sunny side down; Van Gogh and Gauguin," Martin…


Bailey, Martin. (2008). Dating the raindrops: Martin Bailey reviews the final volumes in the catalogues of the two most important collections of Van Gogh's drawings. Apollo Magazine Ltd. Retrieved February 26, 2009 from HighBeam Research: 

Martin. (2005) "Van Gogh the fakes debate. Apollo Magazine Ltd. Retrieved February 26, 2009 from HighBeam Research: . Bell, Judith. (1998). Vincent treasure trove; the van Gogh Museum's van Goghs. Vincent van Gogh's works from the original collection of his brother Theo. World and I. News World Communications, Inc. Retrieved February 26, 2009 from HighBeam Research:

Explanation of These Authors and Novels Including Their Literature Era
Words: 599 Length: 2 Pages Document Type: White Paper Paper #: 55981974
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control over one's own destiny is an illusion of misconstructed ideals and metaphysical analysis. Beginning with Sigmund Freud's fascination with the power of the unconscious which he explicitly details through his work Dora (1963), the influence that the unconscious has on an individual is explicated and determined to practically guide everything that one does, but without really giving the illusion that one is in control. The unconscious controls the self, but does it define who one is? When there is no sense of control or free will, things fall apart. One wants to know that one can influence the way that one's life turns out, but in reality, a very small number of things are actually under one's control. By attributing all sense of control and destiny to the unconscious, one either loses the definition of who one is as a person, or gives up any sort of power in…


Cunningham, Michael. The Hours. New York, NY: Picador Publishing, 1998. Print.

Freud, Sigmund. Dora: An Analysis of a Case of Hysteria. New York, NY: Simon & Schuster. 1963. Print.

Camus, Albert. The Guest (Creative Short Stories). Ithaca, NY: Cornell University Publishing. 1957. Print.

Kafka, Franz. The Metamorphosis. USA: Tribeca Books. 1915. Print.

Women's Spirituality and Women's Experience at Midlife
Words: 800 Length: 3 Pages Document Type: Article Review Paper #: 40317367
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Gleanings: Readings at the Intersection of Culture and Faith

Women, Midlife, and Leadership.

In Gleanings: Readings at the Intersection of Culture and Faith, Catherine Wallace suggests that several factors in contemporary society combine to make midlife a pivotal period in the lives of women today, much more so than in previous generations. First, Wallace points out that increases in human health and life expectancy in the last century have added so much time to the average life span that it amounts to the equivalent of an entire second adulthood. For example, she recalls her thoughts at her son's college graduation that she is thirty years older than her son but that much younger than her mother, who is herself, active and vibrant in her eighties.

Second, Wallace argues that simultaneous social changes in the way that women are perceived and in the rights and norms that typically shape their adult…

Is Hamlet Reasonable
Words: 620 Length: 2 Pages Document Type: Term Paper Paper #: 92873767
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Is Hamlet reasonable?: Murder and death in "Hamlet" by William Shakespeare

In the play "Hamlet," playwright William Shakespeare portrayed the character of Prince Hamlet as a trusting individual who later changed to become a vengeful man when he learned that his stepfather had murdered King Hamlet, his father. Considered a classic tragedy, "Hamlet" highlights the metamorphosis of Hamlet from being an indecisive leader of the kingdom to being a vengeful, wise, and ultimately, reasonable individual. This change in character had occurred towards the climax of the play, wherein it was revealed to him through the ghost of Old Hamlet who the real murderer of his father was.

In the course of metamorphosis, Hamlet is already portrayed as a reasonable individual. Despite Shakespeare's apparent infusion of an emotional being in Hamlet's character, his was a character that was initially molded from a leader's rational personality, then later into being an…

Adaptations Mythology - Adaptations When Watching the
Words: 2781 Length: 10 Pages Document Type: Research Paper Paper #: 84884803
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Mythology - Adaptations

When watching the Coen Brothers' film Oh Brother, Where Art Thou?, it becomes immediately apparent that the film is meant to be a creative adaptation of The Odyssey by Homer. Rather than a straightforward mimicking of The Odyssey, however, the film makes use of Homer's plot to tell a very different story about escaped convicts in the southern United States in the late 1930s.

The most obvious parallel between the original and the Coen brothers' adaptation is the main character, played by George Clooney. While he is called by his middle name, Everett, throughout most of the film, the full name of Clooney's character is Ulysses Everett McGill. "Ulysses" is, of course, the Latin translation of the name "Odysseus." By giving him an Irish last name, it could even be suggested that the Coen brothers are also making reference to another famous adaptation of The Odyssey,…

Report on Sirena Selena
Words: 1317 Length: 4 Pages Document Type: Book Report Paper #: 8267707
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Sirena Selena by Mayra Santos-Febres. Use the following format:

A) Give a Historical Context if any.

The novel is placed in the Puerto ica of today where street boys -- and there are many of them -- do rummage through garbage cans and live a torturous life for survival forced to snort and sell drugs whilst doing so.

Selena was fortunate in that he was recognized for his golden voice. There are many others, however, who similarly gifted may sing their boleros in vain. Many of them end up as prostitutes or criminal. This is the story of many Mexican children of the past and of today.

B) Give the type of plot and explain why you consider that it is specifically this plot.

Most, if perhaps all, plots can be reduced to one theme: conflict. This plot is no different. The story describes Selena's conflict with various factors that…


Polti, Georges. The Thirty-Six Dramatic Situations. trans. Lucille Ray. Franklin, Ohio: James Knapp Reeve, 1921

Santos-Febres, Mayra. Sirena Selena trans. Stephen Lytle. New York: Picador, 2001.

Tobias, Ronald B. 20 Master Plots. Cincinnati: Writer's Digest Books, 1993.

1982 Lebanon War Introduction Thesis The
Words: 1683 Length: 5 Pages Document Type: Essay Paper #: 59960702
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1982 Lebanon ar

Introduction / Thesis:

The Middle East is famous for being a battleground. Throughout history, wars have been staged towards this corner of the world to gain control over religious Holy Land. Much of the modern conflict in the Middle East centers on the nation state of Israel and the responses of other countries to the presence on Israel. The Israeli film industry's portrayal of past ethnic conflicts present intimate points-of-view from which the audience can learn both the truth behind the events as well as the director's message. In the case of both Lebanon (2009) and altz with Bashir (2008), applying a human face to tragedy makes the conflict more personal and allows the audience to relate more to the events and to understand the inherent futility of violence and warfare and the damage to the survivors as well as the deceased.

History of the Conflict:


Works Cited:

Erlanger, Steven. "A Tank's-Eye View of an Unpopular War." The New York Times. 2010. Print.

Lebanon. Dir. Samuel Maoz. Perf. Oshri Cohen and Italy Tiran. Sony Pictures Classics, 2009.


MacBride, Sean. Israel in Lebanon: the Report of Intentional Commission to Enquire into Reported Violations of International Law by Israel During its Invasion of Lebanon. London: Ithaca. 1983. Print.

Elkind's Manifestations of Adolescent Egocentrism
Words: 1328 Length: 4 Pages Document Type: Essay Paper #: 5558321
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Elkind's Manifestations of Adolescent Egocentrism

Adolescent egocentrism is the belief of teens that other people are attentive to their appearance and behaviors. In other words, egocentric adolescents generally believe that all eyes on them. Typically, adolescence egocentrism characteristics appear between the age of 11 and 12 and may taper off between the 15 and 16 years of age. Egocentrism features on adolescents because they see things from their perspectives rather than the perspectives of others. Typically, adolescent egocentrism is characterized by some behaviors, for example, adolescents may spend hours admiring themselves behind the mirror because they think everybody will notice them if they do not look good. The theory of adolescent egocentrism is proposed by Elkind (1978) who argues that the resurgence of adolescent egocentrism appears during the earlier childhood and is expressed through personal fable and imaginary audience. (Elkind, Bowen 1979). Elkind argues that adolescents always focus on their…


Alberts, A. Elkind, D. Ginsberg, S. (2007). The Personal Fable and Risk-Taking in Early Adolescence. Journal of Youth and Adolescence 36 (1): 72.

Elkind D (1978) Understanding the young adolescent. Adolescence 13(49):127 -- 134.

Elkind D, Bowen R (1979) Imaginary audience behavior in children and adolescents. Dev Psychol 15(1):38 -- 44.

Galanaki, E.P. (2012). The Imaginary Audience and the Personal Fable: A Test of Elkind's Theory of Adolescent Egocentrism. Psychology. 3(6): 457-466.