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Mythology
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What is Mythology?

Mythology sits at the intersection of religion, literature, anthropology, and history, making it a subject that appears across humanities curricula worldwide. Students encounter it in world religions courses, comparative literature classes, and cultural studies programs because myths do more than tell stories — they encode a society's understanding of creation, death, love, and moral order. Traditions ranging from Hindu mythology to ancient Greek religion to early monotheistic systems like those explored through Atonism, Zarathustrism, and Judaism offer rich material for examining how different cultures construct meaning and organize their relationship to the divine and the natural world.

Student papers on this topic tend to take several distinct approaches. Comparative analysis is common, with writers examining how cosmic creation myths function across multiple cultures or setting figures like Apollo and Dionysus against each other to explore contrasting divine values. Character-focused essays trace archetypes such as the trickster or goddesses like Aphrodite through their mythological roles. Other papers narrow to a single tradition, as with Hindu mythology, while some extend mythological frameworks into literary texts, finding mythic patterns in works like Moby Dick or The Joy Luck Club. Feminist readings also appear, interrogating how myths represent gender and power.

A strong essay on mythology requires a focused, arguable thesis rather than a broad summary of stories. Evidence should draw on specific mythological texts, cultural contexts, or theoretical frameworks tied to myth's function — such as how myths address mortality or earth's origins. The most common pitfall is treating myths purely as entertainment rather than analyzing what they reveal about the values, fears, and structures of the culture that produced them.

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Paper Doctorate
Fate, Free Will, and Divine Law in Sophocles' Antigone and Oedipus Rex
this is a five page paper about the Sophocles plays Antigone and Sophocles. The paper talks about how these plays are linked together, and have continuity of character. These plays share the same characters, who are members of the same family. The similar themes of fate versus free will are discussed in this paper, as are the themes of human law versus divine law. Tragic hero is mentioned.
Research Paper Doctorate
Human Nature in Confucianism, Xunzi, Mencius, and Christianity
This paper discusses the issue of human nature as it relates to philosophy. Some argue that human beings are inherently good. Others believe that human beings are inherently bad and have to overcome their nature in order to be considered good. Although these perceptions differ in many ways, they all agree that human beings have a degree of choice.
Research Paper Doctorate
Green Architecture in Japan: Tradition, Culture & Design
Green Architecture in Japan: a Reflection of Societal Values
Paper Undergraduate
Mildred Pierce, the Male Gaze, and Female Independence in Film
Analysis of Lawrence and Jewett's definition of the American Monomyth and how it relates to Nolan's film The Dark Knight. Additionally, Robert Ray's official and outlaw hero theory is applied to demonstrate that both concepts can work together. A short analysis of Ray's theories is also applied to Rick and Lazlo in Casablanca and Ray's theories are further analyzed within film, particularly when comparing heros in The Dark Knight and Captian America.
Paper Doctorate
Justice in Antigone and Dante's Inferno: Secular vs. Divine
The comparison of Antigone and Dante's Inferno is interesting as they are really quite different in style, tone, context, and story type. Both stories address the choices made by mankind, and the allegiances that people form which impact their actions. Dante is in charge of the telling in his story, but Antigone must suffer through the interpretations, telling, and retelling of her story and that of her opponent by the Chorus. Antigone is compelled to express her rationale for insisting that her brother be given a proper burial to honor him, and she believes for a time—though she remains fatalistic throughout the play—that Creon can be made to understand why her position is honorable and correct from a social and religious perspective. Dante, too, in his narration, give voice to his philosophy and seeks to elevate mankind, to encourage and implore, if necessary, them to do the right thing and act in accordance with their heritage as civil, righteous people.
Paper Undergraduate
Mourning Becomes Electra: Myth, History, and Repetition
This paper examines Eugene O'Neill's use of the mythic structure of Aeschylus' Oresteia in his trilogy Mourning Becomes Electra. The play suggests that O'Neill's play is built around acts of repetition and re-enactment: not only does O'Neill himself re-enact the Oresteia, but his characters seem to ritually re-enact the behavior of those who have gone before. The play connects Mannon's death in the play to a ritualized re-enactment of the death of Abraham Lincoln.
Thesis Doctorate
Ralph Ellison's "The World and the Jug": Race and Literature
The literary work of Ralph Ellison is among the most studied and the most controversial. In the context of African-American writers Ellison is both revered and despised for the manner in which he wrote (or failed to…
Research Paper High School
Leonardo da Vinci and Michelangelo: Renaissance Art Compared
This paper looks at two Renaissance painting and how they show humanism. Leonardo Da Vinci's "The Mona Lisa" features a woman who has been a mystery for centuries. Michaelangelo's "The Creation of Adam" from his fresco on the ceiling of the Sistine Chapel, shows God and Adam and how their personalities are portrayed as different through the paint.
Research Paper Doctorate
Oracle Bones and the Origins of Chinese Writing and Civilization
According to ancient writings, the history of China dates back approximately 3,300 years. Studies by modern archaeologists provide evidence of ancient origins in a culture that was flourishing between 2500-2000 B.C.
Research Paper Doctorate
J.R.R. Tolkien's The Lord of the Rings: Sources and Influences
The Lord of the Rings forms a significant part of the substantial canon of works written by the English author and academic J.R.R. Tolkien (1892-1973) set in his invented world of Middle Earth.