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Hawk Roosting and Grass Different Styles of Poetry
Words: 932 Length: 3 Pages Document Type: Essay Paper #: 71511103
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Poetic Comparison:

"Hawk oosting" by Ted Hughes and "Grass" by Carl Sandburg

Both "Hawk oosting" by Ted Hughes and "Grass" by Carl Sandburg are narrated in the voices of silent, living objects in the natural world. Hughes' poem is told in the first person of a hawk while Sandburg's poem is narrated by the grass. Through personification both poets examine the place of humanity in a larger context, highlighting the extent to which what people think is important seems small when seen in relation to the big picture of nature. Hughes' poem achieves this by showing how in the eyes of an ordinary hawk, the bird is all-powerful because of his predatory capacity. The grass of Sandburg's poem is similarly powerful as it blankets the dead, without any apparent concern for the heroism the soldiers might have shown in battle or in any other facet of their lives.

The hawk's…


Hughes, T. (1960). Hawk roosting. All Poetry. Retrieved from: 

Sandburg, C. (1918). Grass. Retrieved from:

Effective Use of the Pantoum
Words: 1228 Length: 4 Pages Document Type: Essay Paper #: 14625798
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Pantoum in Two Poems

The poetic form of the pantoum is prevalent and makes up the structure of the following two poems: My Brother at 3 A.M. By Natalie Diaz and Incident by Natasha Trethewey. Each poet is able to use the pantoum distinctly and with a certain level of aplomb and effectiveness in order to convey the underlying feeling of the overall poem. The pantoum refers to a literary structure which is able to strongly evoke the past, and memories of the past as a result of its dreamy and enchanting repetitions. This form of poetic structure originated in France, derived from one which was evoked from Malaysia in the 15th century; the form first became popular within Europe and North America in the 19th and 20th centuries (Unst, 2013). One of the more riveting aspects of this form of poetic and structural device is that "subtle shifts in…

Works Cited

Diaz, N. My Brother at 3am. 2014. April 2014

. Poetic Form: Pantoum. 2014. April 2014


Tenets Lawrence and Derek Walcott
Words: 1860 Length: 6 Pages Document Type: Term Paper Paper #: 18345473
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Although "Midsummer" is a shot work, in keeping with more of the original modernistic style of poetry writing, it is no less poignant in the message it conveys.


In many ways, DH Lawrence is a visionary that offers the reader imagery and creativity that engulfs the reader into the world in which he creates with his words. As with Walcott, it was not necessary for Lawrence to achieve cadence in his writing though the use of rhyme. There is a balance that is struck that clearly reads as poetic. Lawrence's expressive language and use of interesting characters helps to tell the stories of dehumanization that only comes with man's lack of recognition for the power of nature, and moving too fast in directions unknown under the call for modernization.

"If one thinks a poem is coming on… you do make a retreat, a withdrawal into some kind of silence…


Baugh, Edward. Derek Walcott. Cambridge: Cambridge UP, 2006.

Burnett, Paula. Derek Walcott: Politics and Poetics. Gainesville: University Press of Florida, 2001.

Eagleton, Terry. The English novel: an introduction. Willey-Blackwell, pp. 258-260, 2005.

King, Bruce. Derek Walcott, a Caribbean life. Oxford: OUP, 2000.

Husband's Message Portrays a Feeling
Words: 1917 Length: 6 Pages Document Type: Essay Paper #: 37435662
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In "Federigo's Falcon," the female protagonist Monna Giovanna was widowed by her husband who suddenly fell ill and passed away. Her husband was a very wealthy man, and together they had a son who become the sole beneficiary of his father's estate. From the beginning of the story, female's roles in the Middle Ages become apparent. The story writes, "...he made his son, who was growing up, his heir, and, since he had loved Monna Giovanna very much, he made his/her heir should his son die without a legitimate heir..." Instead of the wife and mother becoming the beneficiary of her husband's finances, it is the male son, who is still not old enough to take care of himself yet, that inherits all of his father's fortune. The wife inherits the money only if the son dies before she does. This notion however, is very reflective of the given time…

Art of Plotting
Words: 1019 Length: 4 Pages Document Type: Term Paper Paper #: 56119192
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Save the Cat

Author introduces himself and his history in the world of screenwriting

eason for writing the book -- to help readers not make the same mistakes he made and to avoid common screenwriting pitfalls

Meaning of 'Save the Cat:' Using scenes that define who the hero is that are dramatic (like saving a cat)

Selling the story

Importance of a good 'logline' (attention-getter for the person to whom your pitching the film). A film cannot be 'sold' without a good logline, no matter how strong the picture

Importance of 'high concept' (movies that are easy to visualize), even today

Make sure your story falls into one of the 10 basic genres to enable it to be marketed to a target audience

Creating characters

A. Need a hero

Use Jungian archetypes that the audience can easily identify with when constructing characters

C. Never cast the movie before you write…


Aristotle. Poetics. Internet Classic Archives. [14 Jan 2013] 

Memento. Directed by Christopher Nolan. 2001.

Snyder, Blake. Save the Cat. Michael Wiese, 2005

British and German Trench Poetry
Words: 385 Length: 1 Pages Document Type: Research Proposal Paper #: 9412341
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These young men were not immersed in the high modernist traditions of Virginia Woolf and T.S. Eliot: rather, they were immersed in the experience of war and their own visceral response to the horrors they witnessed.

Thus a multifaceted, rather than strictly comparative approach might be the most illuminating way to study this period of history and literature. Cross-cultural, comparative literary analysis is always imperfect, particularly given the linguistic challenges presented by evaluating German poetry in relation to its British counterparts. Contextualizing the British war poets requires a certain level of understanding how the war was seen by the other side, and by alien eyes. More is likely to be gained than lost by reading the German war poets in translation. Yet reading the German poets in translation allows the reader to appreciate the influence of symbolism and expressionism in their work that was not present even in the harsh…

American Eulogies to the Old
Words: 2289 Length: 6 Pages Document Type: Term Paper Paper #: 15024290
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Nelson's violent images call upon the reader to behold the corpse of Till, forcing the reader into a state of seismic cultural shock, as America has long been eager to forget its racist legacy (Harold, 2006, p.263). Trethewey's first lines of her book are gentler, but there is always the urge to remember: "Truth be told, I do not want to forget anything of my former life" (Trethewey, p.1)

The calls her poetic collection an act of memory "Erasure, those things that get left out of the landscape of the physical landscape, things that aren't monumented or memorialized, and how we remember and what it is that we forget. I wanted to kind of restore some of those narratives, so those things that are less remembered (Brown, 2007). Her use of the sonnet form over her cycle of poems is not as perfectly consistent as Nelson's, but repetition and remembrance…

Works Cited

Black Soldiers in Blue: African-American Troops in the Civil War Era. Edited by John

David Smith. Chapel Hill: University of North Carolina Press, 2004.

Brown, Jeffery. "Pulitzer Prize Winner Trethewey Discusses Poetry Collection."

Transcript of Online New Hour. 25 Apr 2007. 6 Jun 2007.

Rising of the Moon
Words: 1170 Length: 3 Pages Document Type: Term Paper Paper #: 31494448
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In Lady Gregory's The Rising of the Moon, the character of the Sergeant begins the action as an already transformed man. He was once loyal to his home country, Ireland. As he grew older, however, the lure of money and good living brought him to his profession of Sergeant and his loyalty to England. It is with the Sergeant in this position that the play begins. The central conflict then occurs within the Sergeant, who is ultimately transformed to let his former ideals overrule his loyalty to English law.

The ragged man, who is the protagonist of the play, makes his appearance as the Sergeant waits alone to make the arrest. According to Saddlemyer (94) the freedom fighter and criminal represents the Sergeant's "antithetical self." In other words, the ragged man reminds the Sergeant of the importance of all the ideals that he has betrayed. Apparently these ideals are…


Aristotle's Poetics Translated by Leon Golden. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1968.

Coxhead, Elizabeth. Lady Gregory: A Literary Portrait Second Edition. London: Secker & Warburg, 1966.

Gregory, Lady Augusta. The Rising of the Moon. In Seven Short Plays. Maunsel, 1909.

Janko, Richard. "From Catharsis to the Aristotelian Mean." In Essays on Aristotle's Poetics Edited by Amelie Oksenberg Rorty. Oxford: Princeton University Press, 1992.

Samuel Taylor Coleridge the Cliched Image of
Words: 4280 Length: 12 Pages Document Type: Term Paper Paper #: 12835525
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Samuel Taylor Coleridge

The cliched image of the Romantic poet is of a solitary tortured genius; it is ironic that the work of the poets collectively regarded as the 'Romantic School' is marked by collective and co-operative effort as much as by individual creativity. For none of the great figures of Romantic poetry is this so true as it is for Samuel Taylor Coleridge. The first-rate poetic output of this extraordinary, multi-faceted man lasted only a few years, from approximately 1797 to 1802, and he has even been regarded by some historians and critics as 'merely a channel for the work and ideas of others' (Jasper, 8) rather than as a creative figure in his own right. It is as if his own creative character has become lost in the extraordinary wide-ranging and complex interplay of relationships between poets, thinkers, writers and critics which swirled around him. It is also…

Works Cited

Coleridge, Samuel Taylor. Biographia Literaria. Ed. J. Shawcross. London: Oxford University Press, 2 vols., 1954.

Coleridge, Samuel Taylor, The Complete Poetical Works. London: Oxford University Press, 1912.

Hill, John Spencer. A Coleridge Companion. Basingstoke: Macmillan, 1983.

Holmes, Richard. Coleridge: Early Visions. London: Penguin, 1989.

Wanna Hear a Poem I Agree With
Words: 307 Length: 1 Pages Document Type: Peer Reviewed Journal Paper #: 29322193
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Wanna Hear a Poem

I agree with you that Steve Coleman's piece "I Wanna Hear A Poem" would be an excellent choice of a first poem to study in an introductory poetry class, given the way that it frames all of the many weighty and sometimes contradictory expectations teachers and students bring to poetry. Questions which inevitably arise in a class when students begin to discuss poetry are: what is poetry? How is it different from prose? What purpose does poetry uniquely fill in the literary landscape? Coleman's ambitious demands for poetry, rendered as a long, searching, compelling drumbeat of a list highlight the 'specialness' we demand of the poetic format. Poetry must mean something that transcends the surface meaning of the poet's words. I also agree the poem is an excellent jumping-off point for discussing the various functions poetry has fulfilled in societies across the ages.

However, as well…

Fall Aristotle on Things Fall
Words: 575 Length: 2 Pages Document Type: Essay Paper #: 54371556
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This tragic flaw is very clearly apparent in Okonkwo, the protagonist of Achebe's Things Fall Apart. He is very strong and very masculine according to the expectations of his people, and this both helps him to win success amongst his people despite the shame of his family background -- his father was not well respected in the community -- and causes him to be banished from the villages. This banishment somewhat ironically -- though in a perfect twist for a tragic plot -- weakens the villages and enables the white newcomers' ways to dominate the society, which ultimately leads to Okonkwo's "weak" death at his own hands. The beginning of the change can be seen when Okonkwo convinces himself to take part in the ritual slaying of a kidnapped boy from another village, despite warnings that he should avoid participation: "When did you become a shivering old woman,' Okonkwo asked…

Beowulf as a Hero Lesson
Words: 8817 Length: 19 Pages Document Type: Journal Paper #: 81934961
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Your answer should be at least five sentences long.

The Legend of Arthur

Lesson 1 Journal Entry # 9 of 16

Journal Exercise 1.7A: Honor and Loyalty

1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality.

2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable.

Lesson 1 Journal Entry # 10 of 16

Journal Exercise 1.7B: Combining Sentences

Complete the Practice Activity on page 202 of your text. After completing this activity, read over your Essay Assessment or another journal activity you've completed.

* Identify three passages that could be improved by combining two or more sentences with coordinating or subordinating conjunctions. Below the practice activity in your journal, write the original passages and the revised sentences you've created.

* Be sure to…

Sick Rose by William Blake
Words: 675 Length: 2 Pages Document Type: Research Paper Paper #: 60089677
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The second aspect is that the subtlety of the sickness keeps it under the surface of an apparently healthy whole. The indication appears to be that the casual observer would not detect the illness. However, a person who moves closer to the rose will begin to see the signs of the illness that is in the process of consuming the life of the rose from within.

The words "bed" and "crimson joy" appear to refer to love that has been consummated by sex. This provides further possibilities for interpretation. It could be that the romance of young love was corrupted by sex -- "crimson" could refer to the loss of virginity. From a modern point-of-view, however, the disease could be the deception of one of the partners while the other is faithful. This deception then destroys the relationship from within. This interpretation can be substantiated by the phrase "dark secret…

Shakespeare's Othello Is it a Tragedy According
Words: 1987 Length: 6 Pages Document Type: Essay Paper #: 89018144
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Shakespeare's Othello: Is it a tragedy according to Aristotle?

Aristotle and tragedy

Aristotle defines tragedy as imitation of an action that is serious and has a certain dramatic and complete magnitude. Tragedy to Aristotle is something that is:

"A form of drama exciting the emotions of pity and fear. Its action should be single and complete, presenting a reversal of fortune, involving persons renowned and of superior attainments, and it should be written in poetry embellished with every kind of artistic expression. (Poetics, Part IX)

Aristotle saw tragedy as a simulation of an event that aroused pity and fear in the individual and, by doing so, served as a form of catharsis in the individual could identify with the plot and feel a certain sort of purging or relief (VI.2).

In fact, it is this sense of purging that most distinguishes the tragedy from the comedy or epic (for instance)…


Aristotle. (1970). Poetics. Univ. Of Michigan Press

Gellrich, M. (1988). Tragedy and theory. The problem of conflict since Aristotle. Princeton: Princeton Univ.

Greek theory of tragedy: Aristotle's Poetics

New York College. Outline of Aristotle's theory of tragedy

Seth's the Golden Gate --
Words: 1042 Length: 3 Pages Document Type: Essay Paper #: 61280582
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After the advertisement is placed, then Liz, a lawyer, enters into the picture and poetry of John's life. Liz Donati attracts John by writing him two sonnets, and of course, the use of a personal advertisement as a meeting place provides even more evidence of how individuals still connect, even in the sterile and technical modern world, through prose. Even the most prosaic individuals such as Liz and John find ways to express their lust and then their love in the form of a verbally astute dance.

The other couple that dominates the text is Liz's brother, Ed. Ed is gay and is involved with John's old college roommate, Phil. The conflicts created by homosexuality destroy Ed and Phil's tryst, making their coupling in poetic terms the more traditional of the two that are depicted in the Golden Gate, in terms of the sonnet medium's frequent depiction of unhappy…

Works Cited

Seth, Vikram. The Golden Gate. New York: Vintage. First published 1986. Reissued 1991.

Coleridge & 18 Thcent Tradition Samuel
Words: 1523 Length: 4 Pages Document Type: Term Paper Paper #: 25263539
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His belief that literature is a magical blend of thought and emotion is at the very heart of his greatest works, in which the unreal is often made to seem real.

Samuel Taylor Coleridge effectively freed British (and other) poetry from its 18th century Neo-classical constraints, allowing the poetic (and receptive) imagination to roam free.

orks Cited

Coleridge, Samuel Taylor. Kublai Khan. In The Portable Coleridge, I.A. Richards

Ed.). New York: Penguin, 1987. 157-158.

The Rime of the Ancient Mariner. In The Portable Coleridge, I.A. Richards

Ed.). New York: Penguin, 1987. 80-105.

Moore, Christopher. "Introduction." Samuel Taylor Coleridge. New York:

Grammercy, 1996. 10.

Nokes, David. Raillery and Rage: A Study of Eighteenth Century Satire. New York: St. Martin's, 1987. 99.

Pope, Alexander, The Rape of the Lock. Representative Poetry Online. Retrieved September 22, 2005, from:>.

Romanticism." ikipedia. 3 Apr. 2005. Retrieved September 22, 2005, at

Samuel Taylor…

Works Cited

Coleridge, Samuel Taylor. Kublai Khan. In The Portable Coleridge, I.A. Richards

Ed.). New York: Penguin, 1987. 157-158.

The Rime of the Ancient Mariner. In The Portable Coleridge, I.A. Richards

Ed.). New York: Penguin, 1987. 80-105.

Killing Shot to the Heart of the
Words: 965 Length: 2 Pages Document Type: Term Paper Paper #: 22792931
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Killing Shot to the Heart of the Rhetoric of the Pro-ar Movement:

The Man He Killed" by Thomas Hardy

Often, 'poetry' is narrowly though popularly defined as the use of heightened or self-consciously poetic language to deal with a particular theme that exists outside of the realm of everyday life. Poetry is seen as impractical, as opposed to an essay, for instance, a written medium that directly engages on an intellectual level with issues of importance. However, Thomas Hardy's poem "The Man He Killed" powerfully punctures such notions of poetry being removed from the language and the issues of real life. The poem, through the use of colloquial rather than metaphorical language, captures the voice of a soldier who has just killed a member of the opposing army. The soldier expresses an inner humanity that exists beyond the empty rhetoric of national propaganda. However, Hardy also makes use of irony…

Works Cited

Hardy, Thomas. "The Man He Killed." An Introduction to Reading and Writing. Sixth Edition, p. 673

Archetypal Psychology James Hillman's Archetypal
Words: 2112 Length: 6 Pages Document Type: Term Paper Paper #: 11879958
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To recognize something as beautiful can be deemed as dirty. If every life and every twist in life has its own beauty, why is there such judgment that comes with each of those lives or twists in lives?

It has been believed that beauty has had to be neglected because it was regressive (i.e., considering the Oedipal model). To see something as beautiful can be viewed as base. Beauty has become something that can only be mentioned in certain situations -- at the right place, at the right time because of what we associate beauty with.

Beauty has often been symbolic of the solely aesthetic approach, which produces some sort of embellishment rather than any kind of sincere meaning. By developing the soul -- or the psyche, we discover the beauty of ourselves. When a beauty of the soul is cultivated, it will be far more beautiful than any kind…


Hillman, J. (1999). The force of character and the lasting life. NY: Ballantine Books.

Hillman, J. (1996). The soul's code: In search of character and calling. NY. Warner


Hillman J. (1992). The thought of the heart and the soul of the world. Dallas: Spring

Pippa Passes Robert Browning's Lengthy
Words: 1160 Length: 4 Pages Document Type: Term Paper Paper #: 86211152
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What many of these other people have to say about themselves and their situation an about the change of hear they may have now that they have heard Pippa sing could be fodder for a dramatic monologue in the way Browning would later shape that form.

The poem covers an entire day, New Year's Day, a day of remembrance and renewal, a day of change from one year to the next and from one state of mind to another. Significantly, then, Pippa's songs serve as a form of forced New Year's resolution for many of these people, making them rethink their lives and make a decision where before they could not. This story contrasts in some ways with that of Sebold and Ottima. The lovers now are Jules and Phene. Jules is the butt of a cruel joke by his fellow art students. He is inclined to leave Phene and…

Spring Symbolizes Rebirth The Buds
Words: 685 Length: 2 Pages Document Type: Term Paper Paper #: 43643709
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Although there may be "bright April suns" spring also brings "the rain, the pulsing tide," (line 2). The narrator is profoundly sad at the love lost, symbolized by the passing of winter. At the same time, the narrator welcomes the turning tide of the seasons, the hope that lies embedded in each new blossom.

In fact, it seems that much time has passed since the death of the loved one because the narrator is not overly emotional or melodramatic in "Lonely is the Heart." The tone is of subdued sadness, a sadness that has mellowed and matured through time and wise reflection. From the first line, "How lonely is the heart that used to know," the narrator notes that a hole has been left in his or her heart (line 1). The narrator appears forever changed by having known the individual who passed away and has spent "endless nights" in…

Wallace Stevens The Emperor of
Words: 2090 Length: 7 Pages Document Type: Term Paper Paper #: 21604861
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Let the wenches dawdle in such dress

As they are used to wear, and let the boys

Bring flowers in last month's newspapers.

Let be finale of seem.

The only emperor is the emperor of ice-cream.

The children gather around the curls of cream, to wonder at the miraculous substance and this ordinary, humble labor is made momentarily great by his trade, a European Emperor who can give and take at will, and thus also seems faintly sinister in his muscularity.

Stevens celebrated "the emergence from old ideologies in the form of what was rapidly becoming an aesthetic ideology," a form of "American home-grown" modernist abstraction that still had its roots in the concrete, the concrete nature of imagism, and also of plain, simple, profound American reality. Unlike other American modernists, like T.S. Eliot (who eventually became a British citizen and converted to Anglicanism) or Ezra Pound (a permanent expatriate)…

Works Cited

Filreis, Alan. "Beyond the rhetorician's touch: Steven's painterly abstractions."

Originally published in American Literary History. Spring 1992: pp. 230-63. Accessible 4 Dec 2006 at 

Groundbreaking Book: Harmonium by Wallace Stevens." Online publication of the Academy of American Poets. [4 Dec 2006] 

Modernism." Online publication of the Academy of American Poets.

William Shakespeare Uses Irony Imagery
Words: 672 Length: 2 Pages Document Type: Essay Paper #: 29658235
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This suspicion becomes even more ironically clear as we read further. As we progress with the analysis of the protagonist's description of his love we find even more apparently negative comparisons. For example, he states that that in comparison to perfumes his "mistress reeks" and that music has a much more "pleasing sound" than her voice. He also states that she is no goddess in the lines,

I grant I never saw a goddess go;

My mistress, when she walks, treads on the ground

However in the final couplet of the sonnet there is a dramatic change of tone and a radical change in our perception of the loved one. The final two lines read as follows.

And yet, by heaven, I think my love as rare

As any she belied with false compare.

These two lines should be carefully considered as they ironically overturn the meaning and intention of…

Tragedy With an Emphasis on
Words: 1183 Length: 4 Pages Document Type: Thesis Paper #: 15853622
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The things that ruins his life is his humanity and while this is a sad tale, it is one filled with knowledge for those who want to see how not to ruin one's life. It teaches us and one of the most resilient characteristics of man is that he can learn from his mistakes if he is courageous enough.

Plato considered drama and tragedy from another perspective, namely an isolated one. He wrote, "e would not have our guardians grow up amid images of moral deformity . . . until they silently gather a festering mass of corruption in their own soul" (Plato X) and he also expressed the notion that artists would better serve the world if they were "gifted to discern the true nature of the beautiful and graceful" (X). In Book X, he writes we should "remain firm in our conviction that hymns to the gods and…

Works Cited

Aristotle. "Poetics." S.H. Butcher, Trans. MIT Internet Classics Archive. Site Accessed October

01, 2011.

Plato. The Republic. The Internet Classics Archive. Massachusetts Institute of Technology.

2009. Web. Site Accessed October 01, 2011.

Edmund Spenser Amoretti Sonnet 34
Words: 386 Length: 1 Pages Document Type: Term Paper Paper #: 83659499
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" The speaker nevertheless remains full of hope and faith: "Yet hope I well, that when this storme is past / My Helice the lodestar of my lyfe / will shine again, and looke on me at last, / with louely light to cleare my cloudy grief." Until the storm passes, however, the speaker is doomed to "wander carefull comfortlesse, / in secret sorow and sad pensiuenesse." Furthermore, Helice also symbolizes the beloved, a romantic love interest the speaker is currently apart from.

Spenser employs a variety of poetic devices to convey the underlying meaning and tone of the poem. First, a sonnet is traditionally a form of love poetry, which is why Helice probably refers to a human being as well as to a star. As a sonnet, this poem is structured with fourteen lines and a distinct rhyming scheme: ABABBCBCCDCEE. As with most sonnets, the final two lines…

Keats Dickinson Keats and Eliot
Words: 921 Length: 3 Pages Document Type: Term Paper Paper #: 59364683
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However, in line with the Paz prompt at the outset of this discussion, Keats merely uses this tradition as a bridge on which to extend toward motivation on behalf of the evolving form. The subject matter is where this work takes a step toward modernity. The manner in which Keats describes the reality of dying is startling for its time primarily because it lacks religiosity. In describing death, the poet tells, "where youth grows pale, and spectre-thin, and dies; / here but to think is to be full of sorrow / and leaden-eyed despairs; / here beauty cannot keep her lustrous eyes, / or new Love pine at them beyond to-morrow."

The notion of discussing death from a decidedly humanistic rather than spiritual perspective is more daring and innovative than perhaps we are won't to give credit for. It is remarkable that the poet would invert a steadfastly traditional form…

Works Cited:

Dickinson, E. (1862). #303 (the Soul Selects Her Own Society).

Eliot, T.S. (1917). The Love-Song of J. Alfred Prufrock. University of Virginia. Online at 

Keats, J. (1819). Ode to a Nightingale. Arthur Quiller-Couch, ed. 1919. The Oxford Book of English Verse: 1250 -- 1900.

Night the Crystals Broke Write Where You
Words: 3364 Length: 10 Pages Document Type: Essay Paper #: 66231725
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Night the Crystals Broke

Write where you got inspiration from?

The inspiration from this poem comes from my grandmother and her family, who lived through the pogroms and just before the Nazis took over Hungary. The title refers to the Kristallnacht, the event in which the Nazis burned synagogues and their religious items, and broke the windows. They also broke the windows of the local businesses. This poem also refers to the journey that was scary and arduous, over the Atlantic in the ship to Ellis Island. The statue at the end of the poem is the Statue of Liberty, which welcomed the "poor" and "hungry" masses, like my grandmother's people.

(2) Which author and poem did you refer to when writing this poem?

There is no one author or poem I referred to here. This is a completely original work. However, it is written in the form of a…

Contemporary Irish Literature
Words: 1094 Length: 3 Pages Document Type: Essay Paper #: 75816058
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Irish Literature

Ireland has a rich literary tradition with a legacy of authors who have each contributed something to the creation of a cultural identity. For centuries, the authors of Ireland have utilized the beautiful landscape as a counterpoint to the violent political history of the Emerald Isle. Quite literally, the whole history of Ireland can be traced through the literature of the country's writers, both the good and the bad. This tradition lives on in contemporary Irish authors and poets. Two such poets, Ciaran Carson and Allan Gillis, have used their chosen literary type to illustrate their own understanding of Ireland's history. Through their poetry, readers can simultaneously travel back in time and also listen to the eye witness of Ireland's current historical moment. This can be traced through Carson's "Belfast Confetti" and Gillis's "The Ulster ay" in the poetic form, the techniques that the poets utilize, and then…

Works Cited:

Carson, Ciaran. "Belfast Confetti." The Poetry Archive. 2010. Web. March 2012. 

Gillis, Allan. "The Ulster Way." Somebody Somewhere. Ireland: Gallery Press. 2004. Print.

Figurative Language and Imagery in Poetry
Words: 1165 Length: 4 Pages Document Type: Essay Paper #: 37393201
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.....people the opportunity to see life from a new perspective, to be entertained, enlightened, and to experience some level of catharsis through engagement with a dramatic experience in reading. It can also provide a comedic experience or poke satirical fun at society.

The importance of reading has changed from in earlier eras in the sense that books are now old media (new media consists of digital technology) and we have a hundred other ways to entertain ourselves today aside from books. For this reason, I believe genres like flash fiction have emerged -- because the world is so fast-paced today as a result of technology that few have the time or inclination to sit down with a book and read it. Twitter-speak is now the preferred method of communication, and flash fiction fits that impulse better than the long narrative epic.

Thus, I think Clugston's quote is valid because perceptions…

Love Is Not All --
Words: 1090 Length: 3 Pages Document Type: Essay Paper #: 16606014
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Additionally, the power of this poem is that it is universal; rather than being about two specific lovers, it is about romance and indirect -- the trials and tribulations of what lovers might expect: "Love is not all; it is not meat nor drink." Directly after this we are given to a wild oceanic storm, and can picture a man in the sea who is desperately struggling to survive against the dramatic power of nature. As the waves take him down and he struggles to grab hold of something tangible, all he things of is love. "Nor yet a floating spar to men than sink, And rise and sink again." s love a blessing, or is love a curse? t is both -- it is neither.

Word choice is important in this poem to tell the reader that if one must define love only in the logical, one will fail.…

In another way, the poem seems like a journey: if one pictures a wise guru being asked, "Master, what is love?" -- then slowly, as if teaching children, the guru tells the student all the things that love is not, pauses, and then logically says, "ah, but the lack of love causes death." Then continues the story to allow the student to see that there are many things that may not be defined by tactical or logical words or concepts, yet that never diminishes their importance. For Millay, love is the reason to live -- and she reminds us why this remains a universal construct.


St. Vincent Millay, E. (2008). Selected Poetry. New York: Modern Library.

Romeo & Juliet the Most
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Juliet's speeches to the Friar after learning that she must marry Paris in a week's time indicate this as she lists the horrors she would rather endure: "bid me leap... / From off the battlements of any tower...lurk / here serpents are; chain me with roaring bears..." (Riverside 1130, IV.i. 77-80). She continues in much the same vein, and this is not her only moment of such emotional extremity. To see this as comedic, it must be remembered that Juliet is only twelve years old, and Romeo probably around fourteen, and although people married younger in those days it is ridiculous to assume that they could possibly have had the same emotional maturity as other of Shakespeare's heroes and heroines.

In Baz Luhrmann's 1997 film version of Romeo and Juliet, certain aspects of the storyline are also ridiculously overblown. Luhrmann does not attempt to approach comedy in the tragic moments…

Works Cited

Dobson, Michael. "Shakespeare on the Page and on the Stage." The Cambridge

Companion to Shakespeare. New York: Cambridge University Press 2001.

Evans, G. Blakemore and M. Tobin, eds. The Riverside Shakespeare. New York: Houghton Mifflin, 2003.

Shakespeare, William. Romeo and Juliet. In the Riverside Shakespeare.

Worry or Not to Worry
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Let the unknowable touch the buckle of my spine.

Let the wind turn in the trees, and the mystery hidden in the dirt (Oliver).

Thus, the differences between the two narrators can be seen clearly through these two stanzas. hile Olds' narrator gives the impression of urgency, frustration, sadness, and overwhelming emotion, Oliver's narrator is calm, released, and accepting.

Thus, a comparison of Sharon Olds' "Little Summer Poem Touching The Subject Of Faith" and Mary Oliver's "The Daughter Goes To Camp" reveals that the poems have both similarities and difference. Both poems take place during summer, are narrated by a rather female voice, and discuss the subject of worry. Differences, however, suggest that the poems may, indeed, be antithesis of each other. hile an urgent, worried, narrator who is overcome with emotion narrates Olds' poem, Oliver's poem gives the reader a sense of calmness and acceptance. Thus, while one poem…

Works Cited

Olds, Sharon. "The Daughter Goes To Camp." Poem Hunter. n.d. 17 April 2009.

Oliver, Mary. "Little Summer Poem Touching The Subject Of Faith." Plagiarist Poetry

Archive. 2 March 2002. 17 April 2009.

Elizabethan Renascence
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Renaissance Art

An Analysis of Love in the Renaissance Art of Sidney, Shakespeare, Hilliard and Holbein

If the purpose of art, as Aristotle states in the Poetics, is to imitate an action (whether in poetry or in painting), Renaissance art reflects an obsession with a particular action -- specifically, love and its many manifestations, whether eros, agape or philia. Love as a theme in 16th and 17th century poetry and art takes a variety of forms, from the sonnets of Shakespeare and Sidney to the miniature portraits of Hilliard and Holbein. Horace's famous observation, ut picture poesis, "as is poetry so is painting," helps explain the popularity of both. Indeed, as Rensselaer . Lee observes, the "sister arts as they were generally called…differed in means and manner of expression, but were considered almost identical in fundamental nature, in content, and in purpose" (Lee 196). In other words, the love sonnets…

Works Cited

Aristotle. Poetics (trans. By Gerald Else). MI: Ann Arbor Paperbacks, 1970. Print.

Greenblatt, Stephen. Will in the World. NY W.W. Norton, 2004. Print.

Hogan, Patrick. "Sidney and Titian: Painting in the 'Arcadia' and the 'Defence.'" The

South Central Bulletin, vol. 27, no. 4. (Winter, 1967): 9-15. Print.

Oedipus Exemplifies or Refutes Aristotle's Definition of
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Oedipus Exemplifies or Refutes Aristotle's Definition of a Tragic Hero

Aristotle's, the Greek philosopher definition of a tragic hero and tragedy has been influential since he set these definitions down in The Poetics. These definitions were viewed as important during the Renaissance, when scores of writers shaped their writings on the works of the ancient Rome and Greece. Aristotle asserted that tragedies follow the descent of a tragic hero or a central character, from a noble and high position to a low one. A tragic hero posse some tragic flaws, which cause his, fall from fortune, or turnaround of fortune, and to some point, the tragic hero realizes that his own mistakes have caused the turnaround of his fortune. Aristotle also noted that the tragic fall of a hero or a central character in a play stirs up fear to the audience or the reader given that the audience sympathizes…

Work Cited

Bloom, Harold. Oedipus Rex. Texas: Infobase Publishing, 2007.

Grene David. Sophocles. Oedipus the king. Chicago: University of Chicago Press, 2010

Kahan Jeffrey . King Lear: New critical essays. New York: Routledge, 2008.

Madden Frank. Exploring literature: Writing and arguing about fiction, poetry, drama and the essay. Pearson Education Canada, 2008

Hammad Poetry Is One of the Most
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Poetry is one of the most ancient of all the literary genres known to humanity, yet contemporary poems can still speak to occasions which grip the human consciousness in the here and now. I agree that this is manifested in Suheir Hammad's poem, in which she speaks directly to the reader about her experiences as an Arab-American in a post-9/11 world. Hammad's poetry is in the vernacular in the sense that it mimics human speech with its raw, angry quality, but poetic techniques are evident in the way that it uses repetition and colorful language.

"One more person ask me if I knew the hijackers.

One more motherfucker ask me what Navy my brother is in.

One more person assume no Arabs or Muslims were killed"

Poetry can rhyme and follow a strict format, such as a ballad or a villanelle, or it can pour out in uncontrolled free…

Natalie Diaz and Orlando White
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Native American Poetry Reading: Natalie Diaz and Orlando White

Native American culture has traditionally been an oral culture, and although the Native American poets Natalie Diaz and Orlando White are published authors, hearing them speak aloud provides the listener with a critical, additional appreciation of their art. The Aztec-American poet Natalie Diaz's work "I Lean Out the Window and She Nods Off in Bed, the Needle Gently Rocking on the Bedside Table" is a poem that must be heard aloud to be fully appreciated. The poem unfolds in a series of luxurious, sensuous images: "I've brushed glowing halves of avocados/lamping like bell-hipped women in ecstasy. / A wounded Saint Teresa sketched to each breast." The poem paints a picture in words of the woman who is being observed, and Diaz's emotion, the detail with which she describes the figure and the intensity of her inflection give additional weight to every…