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Art During Renaissance the Evolution of Art

Words: 2107 Length: 7 Pages Document Type: Thesis Paper #: 43948005

Art During Renaissance

The Evolution of Art During the Renaissance

The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (rotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a reawakening or rebirth of historic and ancient traditions based on the classical antiquity and the inclusion of more recent developments by applications of contemporary scientific knowledge.

The Renaissance was seen as a bridge between the Middle Ages and the modern era. The period also marked a cognitive shift from religious perspectives to a more intellectual and social focus. Classical texts previously lost to European scholars became readily available and included science, drama, poetry, prose, philosophy, and new considerations…… [Read More]

Bibliography

Acidini, Luchinat Cristina. The Medici, Michelangelo, & the Art of Late Renaissance Florence. New Haven: Yale UP in Association with the Detroit Institute of Arts, 2002. Print.

Adams, Laurie. Italian Renaissance Art. Boulder, CO: Westview, 2001. Print.

Barter, James. Artists of the Renaissance. San Diego, CA: Lucent, 1999. Print.

Bartlett, Kenneth. The Civilization of the Italian Renaissance. Toronto D.C.
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Renaissance and Baroque

Words: 1125 Length: 3 Pages Document Type: Essay Paper #: 79000979

enaissance and Baroque Periods

The term enaissance describes, not only a movement in art, but also a corresponding social and cultural movement that moved through Europe at the conclusion of the Middle Ages. The enaissance period lasted from the 1400s to the 1600s, and spread through most of Europe, though it is probably the most heavily associated with Italy. The term "renaissance" means revival or rebirth, and the enaissance did mark a period of significant cultural revival. In order to truly understand the enaissance, it is important to understand that the Middle Ages, the time period preceding the enaissance was a period of retraction largely due to political instability. However, as Europe emerged from the Middle Ages and became more stable, the surrounding social landscape became supportive of an explosion in the arts and learning. The movement began in Italy in the 1400s and spread into France, northern Europe, and…… [Read More]

References

A&E Television Networks. (2013). Renaissance Art. Retrieved October 31, 2013 from The

History Channel website:  http://www.history.com/topics/renaissance-art  da Vinci, L. (1492-1498). The Last Supper. Retrieved November 1, 2013 from Encyclopaedia

Britannica website:  http://www.britannica.com/EBchecked/topic/331188/Last-Supper 

Khan Academy. (2013). 1600-1700: The Baroque. Retrieved October 31, 2013 from The Khan
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Renaissance Paintings- Virgin and Child Art Has

Words: 1592 Length: 5 Pages Document Type: Term Paper Paper #: 47267129

renaissance paintings- VIGIN AND CHILD

Art has always been an important tool for understanding various eras and their influence. It has served as a reflection of the times during which it was created and for this reason, art is considered a very sensitive medium. It quickly absorbs the changes that witnesses in the surrounding culture and society. It is impossible for art to remain static and uninfluenced in the wake of societal upheaval. enaissance art therefore is a completely distinctive breed as it reflects the massive transformation in political and religious mood of the society. It depicts the changes that enaissance era underwent. While some painters paid closer attention to political problems that occurred during 14 and 15th century AD, others focused mainly on religious changes. These changes are most prominent in the several enaissance paintings that depict Virgin and Child theme.

Unlike the dogmatic nature of religious beliefs observed…… [Read More]

References

OSMOND, SUSAN FEGLEY, THE RENAISSANCE MIND MIRRORED IN ART.

World and I; Date: 12/01/1998;

Kavaler, Ethan Matt Renaissance Gothic in the Netherlands: The Uses of Ornament The Art Bulletin 06/01/2000;

ROBERTA OLSON, The Florentine Tondo Oxford: Oxford University Press, 2000.
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Renaissance Baroque Comparative Analysis

Words: 1748 Length: 4 Pages Document Type: Term Paper Paper #: 23529400



The compositional structure here is actually quite daring. Even though a viewer tends to "read" a painting left-to-right, as with a book, here the left side of the canvas seems to fade away into nothingness. It is not just the empty seascape on the left as compared with the dark richness of the forest on the right. The left half of the painting contains the subject of the painting after all -- Europa and the Bull. It is Rembrandt's genius to have the drama of Europa and the Bull taking place in the lower left corner of a very large painting, almost as though the moment of drama is on its way out, and the viewer is lucky to have caught it. But it is also clever how Rembrandt essentially balances the canvas with two central subjects, equally illuminated from above -- we have Europa and the Bull on the…… [Read More]

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Renaissance and Other

Words: 1277 Length: 3 Pages Document Type: Term Paper Paper #: 28540931

Renaissance Art

The relationship between patronage and art

During Early and High Renaissance of Italy, it was through the vehicle of patronage was the key fashion in which an artist established his artistic identity as well as established himself economically. For instance, in considering Botticelli's "The Birth of Venus," it is important to remember that this vision is not an individualistic picture of a an artist living outside of his society. Rather, the patron who commissioned the Botticelli painting for his country villa was a member of the rich and powerful family of the Medici, and demanded that certain artistic standards and ideals be reflected in the work. (Sandro Bottecelli, ebart, "The Birth of Venus (http://www.ibiblio.org/wm/paint/auth/botticelli/venus/)

The Medici family had a fascination not so much with tale of Venus, but with the Neoplatonic philosophy of beauty this female form had the potential to represent. Venus, it was thought, and all…… [Read More]

Works Cited

Bottecelli, Sandro. Webart, "The Birth of Venus" The Madonna with the Book," and "Primavera

http://www.ibiblio.org/wm/paint/auth/botticelli/venus/and " http://gallery.euroweb.hu/html/b/botticel/madonna/index.html. And gallery.euroweb.hu/html/b/botticel/allegory/index.html

El Greco. "The Spoliation, Christ Stripped of His Garments.  http://www.ibiblio.org/wm/paint/auth/greco/ 

Van Eyck, Jan.
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Art Both Duccio Di Buoninsegna and Fra

Words: 1384 Length: 4 Pages Document Type: Term Paper Paper #: 18026135

Art

Both Duccio di Buoninsegna and Fra Filippo Lippi paint the Christian Madonna and child scene. Lippi's "Madonna and Child Enthroned with Two Angels" is rendered on wood with tempera and gold leaf. It is rounded at the top, and was the center part of a triptych that was completed in about the year 1440.[footnoteRef:1] Also in tempera and gold leaf on wood is di Buoninsegna's "Madonna and Child." Candle damage at the bottom of the wood panel suggests that the painting was "used for private devotion."[footnoteRef:2] Buoninsegna's painting was completed in the year 1300, almost one hundred and fifty years prior to Lippi's "Madonna and Child Enthroned with Two Angels." The two depictions of mother Mary and baby Jesus share similar themes, and in both the mother is holding the child. However, the composition of the two paintings is strikingly different and symbolizes their respective religious histories. [1: "Fra…… [Read More]

Works Cited

"Duccio di Buoninsegna: Madonna and Child (2004.442)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000 -- .  http://www.metmuseum.org/toah/works-of-art/2004.442  (September 2010)

"Fra Filippo Lippi: Madonna and Child Enthroned with Two Angels (49.7.9)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000 -- .  http://www.metmuseum.org/toah/works-of-art/49.7.9  (August 2007)

Paoletti, John T. And Radke, Gary M. Art in Renaissance Italy. Laurence King Publishing, 2005.

Tinagli, Paola. Women in Italian Renaissance Art: Gender, Representation, Identity. Manchester: Manchester University Press, 1997
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Renaissance and Early Twentieth Century Art Offer

Words: 420 Length: 1 Pages Document Type: Term Paper Paper #: 73945241

enaissance and early twentieth century art offer an interesting study in comparison because of their distinctive styles. It is the objective of this paper to describe the definitive characteristics of each period through comparing aphael's Alba Madonna to Salvador Dali's The Persistence of Memory.

enaissance art is reputed for the unified balance achieved between pictorial considerations of measurable space and the effects of light and color on the one hand, and the artist's personal expression on the other (Pioch, 2002). This unity is evident in aphael's Alba Madonna, a painting that represents the artist's unique style of sweetness of expression. The painting is remarkable because of the manner in which aphael has succeeded in addressing a serious subject within a backdrop of a serene countryside. Indeed, it can be said that he was able to do this precisely because of the use of symmetry, namely, the round format that succeeds…… [Read More]

References

MoMa. (2004). Salvador Dali. The Persistence of memory. Museum of Modern Art.

Retrieved Nov. 12, 2004:  http://www.moma.org/collection/depts/paint_sculpt/blowups/paint_sculpt_016.html 

National Gallery of Art. (2004). From the Tour: Raphael. Retrieved Nov. 12, 2004:

 http://www.nga.gov/collection/gallery/gg20/gg20-32.0.html
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Art Historical Throughout the History

Words: 626 Length: 2 Pages Document Type: Research Paper Paper #: 45490197

A good example of this can be seen with Sistine Chapel in the Last Supper. In this piece, he is using color and his imagination to understand what is happening. The use of bright and dark colors added to the sense of realism by giving the appearance as if these events were happening at the moment. In the future, this technique would be utilized by artists to create a sense of appreciation and underscore the emotions of the work itself.

Furthermore, the article that was written by Oremaland (1980), is discussing how pieta has often been used throughout many different building projects in the world (with the original at St. Peter's Cathedral). Since that time, various churches have used this dome like structure to create designs that mirror those of Michael Angelo. These different elements are important, because they are showing how this technique was continually embraced by various contractors…… [Read More]

Bibliography

Eknoyan, Garabed. "Michael Angelo," Kidney International, no. 57 (2000): 1190 -- 1201.

Lavoy, Michael. "The Digital Michael Angelo Project," Modern Art, no. 10 (1999): 2 -11.

Oremaland, Jerome. "Mourning and its Effect on Michael Angelo," Annual of Psychoanalysis, no. 8 (1980): 317 -- 351.

Chicago Format.  http://owl.english.purdue.edu/owl/resource/717/01/
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Art Conception Early Renaissance Imagine

Words: 2021 Length: 6 Pages Document Type: Term Paper Paper #: 42445226



The function of the work of art would be to stand before the city, and to show the city as wisdom personified, and by implication show that the wisdom came from the works and power of the Medici. It would make an analogy between the city-state of Florence and the ancient city-state of Athens. Because Athens was a genuine republic, it might even deflect some criticism from the Medicis, who were technically supposed to be residents of a republic, even though they ruled from behind the scenes. The setting of the sculpture, next to David, outside the city gates would act as a powerful warning of the city's power (with the violence of the anvil and David's shotgun) as well as strike a balance between Classical representations of learning and the still-important tenants of the Catholic faith that must be honored in a world still dominated by the clergy.

The…… [Read More]

Works Cited

Essak, Shelly. "Art History 101 - Early Renaissance Art." 2007. 20 Apr 2007.  http://arthistory.about.com/cs/arthistory10one/a/early_ren.htm 

Medici: Godfathers of the Renaissance." PBS.com. 2007. 20 Apr 2007.  http://www.pbs.org/empires/medici/medici/snapshots.html 

Pioch, Nicolas. "La Renaissance: Italy." Web Museum Paris. 2002. 20 Apr 2007.  http://www.ibiblio.org/wm/paint/glo/renaissance/it.html 

Renaissance Masterworks from the National Gallery of Art." National Gallery: Washington, D.C. 20 Apr 2007.  http://www.nga.gov/press/2003/exhibitions/211/background.shtm
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Art Compare and Contrast Giuliano

Words: 1730 Length: 5 Pages Document Type: Essay Paper #: 68273324



There is also little doubt that viewing the original works is a very different experience to viewing a reproduction. There is as sense of presence and intimacy in viewing the original works that is not evident when viewing a reproduction. There is something tangible and direct that comes across when looking at the original that is lost in viewing reproductions. With the original paining one is allowed to view the actual brush strikes and paint build-up in a way that cannot be achieved with a reproduction.

ibliography

"Early Renaissance, 1400-1500." Accessed September 10,

20100. http://wamtac.wordpress.com/art-history/early-renaissance-1400-1500/

"Guilliano ugiardini Madonna and Child with Saint John." Accessed September 10,

20100. http://www.renaissanceconnection.org/madonna2kids.php

"Italian vs. Northern Renaissance." Accessed September 10, 2011.

http://daphne.palomar.edu/mhudelson/studyguides/italvsnorthren_wa.html

"Religious Themed Paintings inside Houston's MFA." Accessed September 10, 2011.

http://peggy-w.hubpages.com/hub/Religious-Themed-Paintings-inside-Houstons-MFAaissance Art and Architecture

"Renaissance Art and Architecture." Accessed September 10,

2011.http://www.blackstudies.ucsb.edu/antillians/renart.html

"Guilliano ugiardini Madonna and Child with Saint John," accessed September 10,…… [Read More]

Bibliography

"Early Renaissance, 1400-1500." Accessed September 10,

20100.  http://wamtac.wordpress.com/art-history/early-renaissance-1400-1500/ 

"Guilliano Bugiardini Madonna and Child with Saint John." Accessed September 10,

20100. http://www.renaissanceconnection.org/madonna2kids.php
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Renaissance A Comparison Between the Italian and

Words: 1103 Length: 4 Pages Document Type: Essay Paper #: 25739385

enaissance:

A Comparison between the Italian and Northern European enaissance

World history is a fascinating subject, especially when one takes into account the multi-dimensional, often heavy impact changes that are constantly taking place, and that often change the course of history in a way in which it could have never been imagined. After the Dark Ages, for instance, the enaissance or "rebirth," a period of artistic-related growth across Europe, was one such change that literally pulled Europe out of the deterioration in which it found itself after the fall of the oman Empire, and put it on a path of regrowth that was so replete with creativity that many scholars are still talking about it today. In order to better understand these historical changes, this paper will examine the enaissance, for it was a very complex movement, in order to understand it better, and will do so by comparing the…… [Read More]

Referenced from: Esaak, S. (2011). The Renaissance in Northern Europe. About.com. Retrieved October 28, 20110, .

Famous Artists of Italy (n.a.). (2011). Oracle.com. Retrieved October 28, 2011, from < http://library.thinkquest.org/2838/artgal.htm>.

Italian Renaissance Art (n.a.). (2011). Retrieved October 28, 2011, from <  http://vlib.iue.it/carrie/texts/carrie_books/gilbert/07.html >.
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Renaissance vs High Renaissance the

Words: 635 Length: 2 Pages Document Type: Essay Paper #: 90396925

One the right is a statue of Athena, god of wisdom, light, and the city. On the left is Apollo, sun god, holding a lyre. Arching over the top of the painting is a great, wide semi-circle in a space resembling a basilica annex.

Philosophy in the Middle Ages was obsessed with the analytical procedures of Aristotle, whose treatises on many subjects generally worked inductively, determining truth from other truths. A feature of the high Renaissance was the shift towards Platonic thought, but also a continued influence by papal authority. In The School of Athens, Raphael has drawn a portrait of classical philosophy but sanctified it by putting theists and atheists alike in a religious setting.

Thematically, The School of Athens presents Renaissance Humanism, linking the Athenian scene of people together in a fluid, personal picture. The personalities of each philosopher mix in a jumble of activity and motion. Whereas…… [Read More]

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Art History

Words: 983 Length: 3 Pages Document Type: Essay Paper #: 41620113

Baroque Art

An examination of "Virgin and Child with St. John the Baptist" by Jacopo del Sellaio, 1480-85 and "St. Sebastian Attended by Holy omen" by Nicolas Regnier (called Nicolo Renieri) 1615-1626 reveal the differences between early and later Renaissance painting in Italy. Jacopo del Sellaio's word dates to the late fifteenth century, and Renieri painted more than a century after that. The historical context of their work also signals the differences between Sellaio and Renieri. Sellaio studied under Fra Filippo Lippi and his style inevitably reveals his connection with the Lippi school. Sandro Botticelli studied under Lippi at the same time; Renieri and Botticelli influenced each other and this is especially evident in "Virgin and Child with St. John the Baptist." For instance, Botticelli's style is evident in Sellaio's work "in such traits as the texture and color of hair, the tilt of the Virgin's head and the elongation…… [Read More]

Works Cited

Castelvecchi, Davide. "Renaissance Painting Restoration Leads to Unusual Collaboration." Stanford Report. July 21, 2004. Retrieved online:  http://news.stanford.edu/news/2004/july21/jacopo-721.html 

Regnier, Nicolas. "St. Sebastian Attended by Holy Women," 1615-1626.

Sellaio, Jacopo del. "Virgin and Child with St. John the Baptist." Painting. 1480-85
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Renaissance Portrait Portrait of a

Words: 2006 Length: 7 Pages Document Type: Term Paper Paper #: 75510721

Perhaps, the woman did give birth to a healthy child and then died, then this portrait would be in the nature of memorializing the wife of the man in this picture and the mother of his heir preserving for the child a likeness of the child's mother since the mother was no longer living and present in the lives of the family.

This is the only double portrait of its kind painted during the Renaissance period that is known and as related in the foregoing material, women were always pictured from a profile view with their hair severely pulled back away from their face and their gaze averted from the viewer since women were believed to be seductresses of men making them weak or otherwise castrating them with rejection though only casting a gaze in their direction.

The hands of the man are displayed in this portrait and he appears…… [Read More]

Bibliography

Masters. RD (2013) the Portraiture of Women During the Italian Renaissance. The University of Southern Mississippi the Aquila Digital Community. Retrieved from:  http://aquila.usm.edu/cgi/viewcontent.cgi?article=1170&context=honors_theses 

Portrait of a Woman with a Man at a Casement, ca. 1440 -- 44 (2014) Fra Filippo Lippi (Italian, Florentine, (2014) Metropolitan Museum of Art. Retrieved from:  http://www.metmuseum.org/toah/works-of-art/89.15.19
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Renaissance Italian Painting Consequent to

Words: 809 Length: 2 Pages Document Type: Essay Paper #: 92145289



Renaissance was beginning to influence Italian painters in adapting their style in order for it to fit the needs of a more advanced world. Fra Angelico is recognized as one of the great early Italian painters from the Renaissance. In his work of decorating the Dominican Monastery of San Marco, he mastered a painting style that was reported to have been partly inspired from Masaccio, with his paintings expressing motion and being filled with linear perspective meant to suggest depth of space.

It had been a common thing for the wealthy and most important families of Florence to hire talented painters to paint for them. Sandro Botticelli had been just one of the many Renaissance painters to paint for the Medici family. Even if Botticelli had spent a large part of his time working for great families, he still found time to perform additional paintings such as the one in…… [Read More]

Works cited:

1. Cole, Bruce. (1987). "Italian Art, 1250-1550: The Relation of Renaissance Art to Life and Society." Harper & Row.

2. Sohm, Philip. "Gendered Style in Italian Art Criticism from Michelangelo to Malvasia." Renaissance Quarterly, Vol. 48, 1995.

Sohm, Philip. "Gendered Style in Italian Art Criticism from Michelangelo to Malvasia." Renaissance Quarterly, Vol. 48, 1995.

idem
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Art Music Literature

Words: 1227 Length: 4 Pages Document Type: Term Paper Paper #: 94176966

Baroque Art:

PETE PAUL UBENS & CAAVAGGIO

The artistic period known as the enaissance continued without any sharp stylistic changes well into the 17th and 18th centuries; however, the art of this later period is often called Baroque, although there is no single Baroque style or set of stylistic ideals. Yet within the last one hundred years or so, Baroque has taken on the overall designation for the art of the period from circa 1600 to 1750. More recently, scholars have come to understand that Baroque styles were very different from those linked to the enaissance. For example, during the enaissance, art tended to be rather static, but during the Baroque, art became very dynamic and encompassed passion, opulence, a taste for the theatrical and introduced the virtuoso, being an artist that stood out from his contemporaries as a truly gifted genius.

Historically, the Baroque Period entailed many artistic ideals,…… [Read More]

REFERENCES

"Caravaggio: 1571-1610." (2005). Internet. Olga's Gallery. Accessed May 16, 2005. http:www.abcgallery.com/C/caravaggio/caravaggio.html.

Held, Julius S. (1954). Peter Paul Rubens: 1577-1640. New York: Harry N. Abrams.

Payne, Robert. (1969). Caravaggio. London: W.H. Allen.

"Peter Paul Rubens." (2005). Internet. The Artchive. Accessed May 16, 2005.  http://www.artchive.com/artchive/R/rubens.html#images .
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Renaissance Building Projects Their Relationship

Words: 4215 Length: 12 Pages Document Type: Essay Paper #: 37559270



In contrast, English baroque has been described as being more secular, with a higher degree of classical inspiration. However, as Daniells states, this form of the Baroque style is not easy to categorize with finality (Daniells). Wellek uses the term 'restraint' to characterize English baroque (Wellek). With regard to the period of the Scientific Revolution, English Baroque drew inspiration from renaissance geometry. As in the Italian or Roman Baroque, there is a strong religious element that permeates all the designs.

The form of Baroque is exemplified by work of Sir Christopher Wren and buildings like St. Paul's Cathedral. The following summary by Soo is reiterated as it encapsulates the link between English baroque and the religious and scientific values of the period. "...as the result of a compromise between native medieval tradition and continental classicism, reconciled by creating a disunity between appearances and reality, the final design of St. Paul's…… [Read More]

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Art and Literature

Words: 2435 Length: 9 Pages Document Type: Term Paper Paper #: 16949376

Humanities are Important:

An analysis of the Da Vinci Code, Beethoven's 9th, and 1984.

A novel by George Orwell (pseudonym), real name Eric Blair

Published in 1949

A reaction to the totalitarian state engulfing the global community

The Da Vinci Code

A (2006) film by on Howard

Based on the novel by Dan Brown

obert Langdon follows a series of clues that link Leonardo's masterpieces, the mystery of Jesus Christ, and a totalitarian regime in the guise of the Catholic Church

Beethoven's 9th Symphony

Completed in 1824 after the composer (Ludwig van Beethoven) had gone completely deaf, this -- his final symphony -- is often considered to be one of the greatest musical masterpieces of all time. The fourth movement is based on Schiller's "Ode to Joy" and invokes a chorus of universal brotherhood. If you listen long enough, you will hear the music swell into a magnificent burst of…… [Read More]

Reference List

Kyziridis, T. (2005). Notes on the History of Schizophrenia. Retrieved from http://www.gjpsy.uni-goettingen.de/gjp-article-kyziridis.pdf

Lief, R.A. (1969). Homage to Oceania: the prophetic vision of George Orwell. OH: Ohio University Press.

McLellan, J. (1988). The Beethoven Collection. NY: Time-Life Books.

Orwell, G. (1949). 1984. NY: Harcourt.
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David During the Renaissance

Words: 1432 Length: 5 Pages Document Type: Essay Paper #: 87471586

Renaissance Art

hen discussing with regard to the Old Testament figure of David and to how he was represented during the Renaissance, one would have to consider the current as a whole in order to gain a more complex understanding of why artists directed their attention toward the character. Artists during the Renaissance were determined to restructure social values for the masses to be able to acknowledge the significance of classical values. David had been a symbol of the classical era and artists in the Renaissance wanted to create works that glorified both him and the idea of the natural man in general.

It was probably David's legendary character that influenced artists to express particular interest in wanting to portray him. By looking at how each artist depicted him, one can understand the cultural elements that inspired these respective artists. All things considered, it would be safe to say that…… [Read More]

Works cited:

Crispino, Enrico. Michelangelo. (Giunti Editore, 2001)

Cunningham, Lawrence, Reich, John, & Fichner-Rathus, Lois. Culture and Values: A Survey of the Western Humanities, Volume 1.( Cengage Learning, 1 Jan 2014)

"3 Davids, 3 Theologies: Donatello, Michelangelo and Bernini," Retrieved July 6, 2014, from  http://thefineartdiner.blogspot.ie/2011/06/3-davids-3-theologies-donatello.html 

"David," Retrieved July 6, 2014, from http://www.artble.com/artists/donatello/sculpture/david
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Importance of the Renaissance

Words: 1122 Length: 3 Pages Document Type: Term Paper Paper #: 66635395

enaissance refers to the rebirth and revival of art and architecture in the 15th and 16th centuries in Italy. The enaissance is fascinating to study and is still culturally significant even today because of the high level of artistic and architectural production that was able to be produced during this time. Thus, one of the fundamental reasons as to why this period was significant is directly connected to the fact that the works which were captured during this time continue to captivate the imagination of most people, and continue to impress and amaze. The enaissance is important not just because of the high level and innovation of work that was created, but because it demonstrated a higher level of intellectualism and understanding about the human condition that was manifested through art.

The enaissance is significant today, not merely because of the high level of art that was produced, but because…… [Read More]

References

Art-movement.com. (2014). Early Renaissance Art (Italy) (1400-1490). Retrieved from www.visual-arts-cork.com:  http://www.visual-arts-cork.com/history-of-art/early-renaissance.htm 

Getty.edu. (2014). Saint Andrew. Retrieved from getty.edu:  http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=798 

Landau, S. (2014). Renaissance (1300s-1600s). Retrieved from Scholastic.com: http://www.scholastic.com/browse/article.jsp?id=3753904
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Goya Rodin and Modern Art

Words: 1575 Length: 5 Pages Document Type: Research Paper Paper #: 81770167

Art through the Ages
1. (Ch. 27) What is the interpretation of Goya's Saturn Devouring his Children?
The interpretation of Goya’s Saturn Devouring his Children is based on the myth of Saturn who feared that his children would overthrow him, so he devoured them one by one to avoid that risk. Goya lived many centuries after this ancient myth of antiquity originated. However, his own contemporary situation reflected the old myth in terms of the way the powerful rulers of the time were frantically lashing out, trying to preserve their own power by destroying the least possible threat. The wild-eyed and frenzied look of Saturn in Goya’s painting, produced between the years of 1819 and 1823, reflects what was happening in his own time. The effects of the French Revolution had spread throughout Europe and Spain had gotten to enjoy the Napoleon’s conquests. Goya’s painting reflected the insane frenzy for…… [Read More]

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Art Had Been Taken to

Words: 1135 Length: 3 Pages Document Type: Thesis Paper #: 18259227

Brunelleschi has been one of the early fathers of the Renaissance, and, the first architect to build a building with reference to classical antiquity. The architect succeeded in proving his value through various building which came in disagreement with the laws that architects had had until the time.

One of the greatest sculptors of all times, Michelangelo, became famous at the time that the public reviewed his first works of art. Despite of the fact that he had been certain that he was best fit for being a sculptor, Michelangelo accepted to paint the ceiling of the Sistine Chapel. Even with his hesitation, the painting on the ceiling still stands as one of his greatest works and one of the greatest master pieces that the Renaissance period has given birth to.

The Marriage of the Virgin is a painting appreciated worldwide for its perception of depth and for its great…… [Read More]

Works cited:

1. Prager, Frank D. Scaglia, Gustina. (2004). "Brunelleschi." Courier Dover Publications. (2005).

2. "Niccolo Machiavelli." Retrieved July 07, 2009, from the Stanford Encyclopedia of Philosophy Web site:  http://plato.stanford.edu/entries/machiavelli/ 

3. "MICHELANGELO Buonarroti." Retrieved July 07, 2009, from the Web Gallery of Art Web site:  http://www.wga.hu/frames-e.html?/bio/m/michelan/biograph.html 

4. "Renaissance: (1400-1600)." Retrieved July 7, 2009, from the World Wide Arts Resources Web site:  http://wwar.com/masters/movements/renaissance.html .
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Art of Classical Antiquity in the Ancient

Words: 1563 Length: 5 Pages Document Type: Essay Paper #: 18582454

Art of classical antiquity, in the ancient cultures of Greece and ome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and ome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and ome reverberated throughout history, impacting the art of subsequent eras in Europe. In fact, there can be no absolute "neoclassical" era in art history because of the way neoclassicism evolved throughout the centuries since the fall of the oman Empire. The arts of the enaissance borrowed heavily from classical antiquity, as can be seen in enaissance icons such as Michelangelo's David. Some suggest that medieval art pays homage to classical antiquity, even if the quotations from classical Greek and ome are…… [Read More]

References

Castelijn, D. (2012). The Influence of Classical Antiquity on the Renaissance. Oxford Department for Continuing Education. Retrieved online:  http://www.conted.ox.ac.uk/courses/details.php?id=V350-130#pagetop 

"Classical Antiquity in the Middle Ages," (n.d.). The Metropolitan Museum of Art. Retrieved online:  http://www.metmuseum.org/toah/hd/anti/hd_anti.htm 

"Greek Art," (n.d.). Retrieved online:  http://www.ancient-greece.org/art.html 

"Jacques-Louis David," (n.d.). Retrieved online:  http://www.jacqueslouisdavid.org/
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Art One Point Linear Perspective in the Renaissance

Words: 1791 Length: 5 Pages Document Type: Research Paper Paper #: 23072864

Art One-Point Linear Perspective in the enaissance

One-Point Linear Perspective in the enaissance

In the context of art, perspective is generally defined as "… the technique an artist uses to create the illusion of three dimensions on a flat surface" (Essak). Perspective is in essence an illusion of depth and realism in the work of art. It is also an intrinsic part of human evolutionary makeup. As Edgerton ( 2006) states, "

Every human being who has ever lived from Pleistocene times to the present, has experienced in vision the apparent convergence of parallel edges of objects as they extend away from our eyes and seem to come together in a single "vanishing point" on the distant horizon… (Edgerton, 2006)

However, from an art historical perspective it is also true that linear or single-point perspective has not always been an accepted part of painting and artistic creation. It is in…… [Read More]

References

Edgerton, S. ( 2006). Picturing the Mind's Eye. Tampa University. Journal of Art History,

1. Retrieved from  http://journal.utarts.com/articles.php?id=4&type=paper 

Op Art History Part I: A History of Perspective in Art. Retrieved from http://www.op-

art.co.uk/history/perspective/
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Art of Colonial Latin America

Words: 1933 Length: 7 Pages Document Type: Research Paper Paper #: 6585454

Admittedly, these two teams were faced with a daunting challenge in acquiring and interpreting those works of art that were most appropriate for their exhibition goals, and interpretive efforts must use some framework in which to present the resources in a fashion that can be understood and appreciated by the targeted audiences.

Nevertheless, there is little or no discussion concerning the fusion of artistic styles in the two catalogs, with a preference for a neat and orderly, date by date, presentation of representative works that typify the points being made by the exhibition. Despite these shortcomings, both catalogs were shown to be authoritative references that were supported by relevant citations and imagery. Likewise, both catalogs provide useful overviews of the materials that are being presented preparatory to their interpretation, helping place the information in its historical context.

Conclusion

The research showed that interest and appreciation in colonial Latin American art…… [Read More]

Works Cited

Bailey, Gauvin Alexander. Introduction in Art of Colonial Latin America. New York: Phaidon

Press, 2005.

Paz, Octavio. Metropolitan Museum of Art: Mexico: Splendors of Thirty Centuries. Los Angeles: The Metropolitan Museum of Art.

Pierce, Donna, Gomar, Rogelio R. And Bargellini, Clara. Painting a New World: Mexican Art
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Art Culture

Words: 5226 Length: 15 Pages Document Type: Term Paper Paper #: 29153439

Art Culture: Public Space Art

Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections, and community-based projects among others, breaks the public's traditional understanding of art (Glahn, 2000). This critique finds that the public's totalizing classification of public sphere brings about controversy and dialogue over public art displays. By reviewing the famous public art "Tilted Arc" (1981) by Richard Serra, this analysis will show that there are distinct differences between public understanding and professional understanding of public art.

The government with the intention of exhibiting, protecting, and edifying art, commissions public art in…… [Read More]

Works Cited

"REVIEW & OUTLOOK (Editorial, b) -- Asides: Tilting with the Arc." Wall Street Journal: 1. Sep 04, 1987. ABI/INFORM Complete. Web. 21 Feb. 2013.

Doss, Erika. "Public Art Controversy: Cultural Expression and Civic Debate," Americans for the Arts, October 2006. Web. 20 Feb. 2013.

Drescher, Timothy. "The Harsh Reality: Billboard Subversion and Graffiti," Wall Power, Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2000.

Fleming, Ronald Lee. "Public Art for the Public." Public Interest.159 (2005): 55-76. ABI/INFORM Complete. Web. 21 Feb. 2013.
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Renaissance Was Born Out of

Words: 767 Length: 2 Pages Document Type: Essay Paper #: 18409332



Considered part of the Northern Renaissance, German Renaissance developed in the 15th and 16th centuries among German thinkers who had traveled to Italy, the cradle of the movement, and had been inspired to import it to Germany. Humanism exerted a strong influence over the arts and sciences in several German principalities, and coincided with a period of political development.

Painting was one of the most prominent ways of artistic expression within the German Renaissance. Also, publishing and printmaking were two areas which developed significantly throughout this period. German art was deeply influenced by its Gothic past, but many painters became increasingly more interested in fusing these Gothic elements with newer developments. Two of the most important figures of German visual arts were Konrad itz, a conservative German painter who was less keen on adopting Italian trends, and Albrecht Durer who was both a painter and a graphic master. In fact,…… [Read More]

Works Cited

Guisepi, R.A.. "Beginning and Progress of the Renaissance." University of California. Available at http://history-world.org/renaissance.htm. Accessed 3 November, 2008.

Hulme, Edward Maslin "The Revival of Art." In the Renaissance, the Protestant Revolution, and the Catholic Reformation in Continental Europe, 108-124. Revised ed. New York: D. Appleton-Century, 1915.
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Renaissance and Baroque an Analysis of Two

Words: 936 Length: 3 Pages Document Type: Essay Paper #: 99293608

enaissance and Baroque

An Analysis of Two Davids

The humanism, nobility, and power of the enaissance are reflected in Michelangelo's David (1504). The emphasis on drama, movement, and action is demonstrated in Bernini's David (1624). Both emphasize the heroic and favorite themes of the High enaissance, but it is Vasari who gives the greatest compliment to Michelangelo's David, calling it more excellent than all sculpture of ancient Greece and ome and even contemporary works (Vasari, 1998, p. 424). This paper will analyze the two works and the eras of art that produced them.

Differences between enaissance and Baroque

The most important thing to remember about the difference between the enaissance and the Baroque is that the former rose to glory prior to the feverish pitch of Protestantism, which to some extent put out its flame; the latter was a kind of rejuvenation of the themes posed by the enaissance --…… [Read More]

Reference List

Bernini's David. (n.d.). Smart History. Retrieved from  http://smarthistory.org/Bernini-David.html 

Johnson, P. (2003). Art: A New History. NY: HarperCollins.

Palmisano, B. (n.d.). The Baroque Period of Art. Retrieved from http://www.cartage.org.lb/en/themes/Arts/scultpurePlastic/SculptureHistory/BaroqueSculpture/BaroquePeriodArt/BaroquePeriodArt.htm

Vasari, G. (1998). The Lives of the Artists. UK: Oxford University Press.
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Art the Renaissance Heralded in

Words: 2995 Length: 9 Pages Document Type: Term Paper Paper #: 58827633



French omantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and oil. He was also skillful in lithography, a new graphic process popular with the omantics. His illustrations of a French edition of Goethe's "Faust" and Shakespeare's "Hamlet" still stand as the finest examples in that medium.

Delacroix' painting "Massacre at Chios" is precisely detailed, but the action is so violent and the composition so dynamic that the effect is very disturbing (Janson, 678). With great vividness of color and strong emotion he pictured an incident in which 20,000 Greeks were…… [Read More]

References

Art: A World History. New York: DK Publishing, 1997.

Eysteinsson, Astradur. The Concept of Modernism. Ithaca, NY: Cornell UP, 1992

Gardner, Helen. Art through the Ages. New York: Harcourt, Brace: 1959.

Hoving, Thomas. Art. Foster City, CA: IDG, 1999.
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Art Complete Identifications Period Date- Renaissance 1501- 1504

Words: 770 Length: 2 Pages Document Type: Essay Paper #: 31395123

Art

Complete Identifications

Period/date- enaissance 1501- 1504

Location or origin- Florence Italy

Medium and size- Sculpture

Period/date- Baroque 1610

Location or origin- ome

Medium and size- Painting

The story of David and Goliath is one that transcends time. In particular, the story appeals to a wide array of diverse individuals, each with its own views on religion, culture and values. Through the universal appeal of David, many different interpretations have arisen throughout time. These interpretations, although distinct, often convey a fundamental truth prevailing during the period of its creation. Aspects such as war, political policies, civil unrest, and culture values often matriculate into the interpretation of the David of Goliath. Art is no different in this regard. Both the Baroque and enaissance periods gave rise to new and distinct forms of belief and expression. These concepts ultimately matriculated into many of the more commonly know masterpieces of today's time. The…… [Read More]

References:

1) Hartt, Frederick, Michelangelo: the complete sculpture, New York: Abrams,1982

2) Howard Hibbard, Michelangelo, New York: Harper & Row, 1974, 59-61; Anthony Hughes, Michelangelo, London: Phaidon, 1997, 74
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Renaissance Book Review Ivor B

Words: 945 Length: 3 Pages Document Type: Term Paper Paper #: 1624021

This was even though he received no immediate remuneration, in terms of money or benefits, from developing such interests. Leonardo's notebooks of this period of his life reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of his time.

Ivor Hart makes it clear that Leonardo was far more than a great artist: he had one of the best scientific minds of his time. Perhaps Leonardo's great talent was in observing -- he made careful, painstaking observations of the natural world, such as birds in flight. Such careful observations of the natural world are critical, of course, to the eye of a great artist. But Leonardo's eye enabled him to carry out research of precision as well as beauty, in science as well as art.

Perhaps the real paradox is how separate art and science have become in the modern construction of the disciplines. Leonardo…… [Read More]

Works Cited

Hart, Ivor. The World of Leonardo da Vinci Man of Science, Engineer and Dreamer of Flight. New York, 1962.
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Art Practice in the Past and Present

Words: 1040 Length: 3 Pages Document Type: Research Paper Paper #: 31737559

Art Practice in the Past and Present

Art practice

A skill or mastery that stimulates the process of thought, amusement, and emotions is called an art. It is also defined as a special quality used by many people to express their feelings, approach and position. Dating back to 50,000 years ago, art has various forms that ground itself from sculptures, rock paintings, wall craving to modern paintings. Countries like Egypt, Persia, India, Europe and America have great foundations of ancient civilizations that developed their own way of expressing their work and teaching it to their future generations. These teachings started with simple body signs for expressing there need to using brushes, knifes and other tools to explain there work. As a result of these teachings, the art present today expresses an urbanized form of historic art.

Similarities and difference of past and present art

Artists today are very similar in…… [Read More]

References

Bolin, Paul E (2009). Studies in Art Education: A Journal of Issues and Research in Art Education, 50(2): 110-123.

Comunian, Roberta (2009). Journal of Arts Management, Law & Society, 39(3): 200-220.

Gaiger, Jason (2011). Art Bulletin, 93(2): 178-194, 17p.

Keizer, Joost (2011). Art Bulletin, 93(3): 304-324, 21p.
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Art Qs the United States

Words: 566 Length: 2 Pages Document Type: Essay Paper #: 47628352

Palmer C. Hayden and Laura Wheeler Waring were two of the painters of the Harlem Renaissance, and they focused on painting stylized portraits of prominent African-Americans and scenes of black life from a variety of perspectives.

4)

The dynamism of the machine age is exhibited not only in the engineered workings of inventions like automobiles and early airplanes, but also in the Futuristic paintings of the period. There is a blend of very strong geometry and straight lines that combine to create larger images of fluidity and movement that almost seems impossible when the smaller constituent elements of the painting are focused on. It is as though magic and passion are meeting science and cool logic, which is a way of describing things like the combustion engine as well. This period was a time when the world seemed to be moving in two directions, at once looking forward to the…… [Read More]

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Art Outreach Programs it Is

Words: 1808 Length: 5 Pages Document Type: Term Paper Paper #: 82218692

(Mulcahy and yszomirski 139)

However, this is not art for art's sake; it is art for our children's sake. If one has to put on the back burner that Picasso was a cubist for the sake of challenging a child to look at a painting and just experience it, than so be it. The very act of simply experiencing the art of an artist can have profound effects on the thought process of children as well as adults. They may think it is profound or they may think it is a piece of trash, but at least they are thinking.

Art outreach programs have become the sole window into the art world for some schools. Since funding for school programs has been so drastically reduced, these outreach programs have become absolute necessities for many communities. These programs also introduce not only children to art, but adults are benefiting from these…… [Read More]

Works Cited

Art Program Promotes Self-Esteem, Self-Expression." Daily Herald (Arlington Heights, IL) 24

Feb. 2006: 1.

The Importance of Art to Education. Arkansas River Valley Arts Education (2007)

http://www.arvartscenter.org/education.htm
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Art and Economics Are Often

Words: 608 Length: 2 Pages Document Type: Essay Paper #: 997448

It would have been as ridiculous for a working class man or woman to make art as it would have for that same person to become an accountant. Still, artists throughout time have snuck in their personal values in their paintings. Hieronymous Bosch is one of the artists I believe to have inserted personal values into Church-commissioned art.

Even in the modern era, art is still entwined with money. The artist needs to live, sure. But that is not the only connection between art and money. Art galleries exist because art has become big money. Art symbolizes wealth. No ordinary person can afford "real" art. Ordinary people purchase prints and reproductions, not original pieces by known or up-and-coming artists.

Art is like any other commodity now, for better or for worse. Artists have a greater chance than ever of making a viable living, given the plethora of opportunities in graphic…… [Read More]

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Art and Society an Analysis

Words: 2935 Length: 10 Pages Document Type: Term Paper Paper #: 30330794

(176)

In this regard, Nead notes that because she was an art lover, Richardson experienced a moral dilemma in her decision to attack "The Rokeby Venus," but she felt compelled to do so anyway based on her perception that the government was failing to act responsibility towards women in general and the suffragettes in particular. "In her statement during her trial, Richardson appears calm and articulate and nothing is said explicitly about any objections that she might have had to a female nude. Indeed, it was not until an interview given in 1952 that Richardson gave an additional reason for choosing the Velazquez: 'I didn't like the way men visitors to the gallery gaped at it all day'" (emphasis added) (Nead 36).

Figure 1. Velazquez, The Rokeby Venus.

Source: The Social Construction of Gender, 2006.

According to Mann (2002), functionalism could help explain the attack by Richardson on "The Rokeby…… [Read More]

Works Cited

Bartley, Paula. (2003). "Emmeline Pankhurst: Paula Bartley Reappraises the Role of the Leader of the Suffragettes." History Review, 41.

Damon-Moore, Helen. Magazines for the Millions: Gender and Commerce in the Ladies' Home Journal and the Saturday Evening Post, 1880-1910. Albany, NY: State University of New York Press, 1994.

Harris-Frankfort, Enriqueta. "Velazquez, Diego." Encyclopedia Britannica. 2006. Encyclopedia Britannica Premium Service. 31 May 2006  http://www.britannica.com/eb/article-222892 .

Mallory, Nina Ayala. El Greco to Murillo: Spanish Painting in the Golden Age, 1556-1700. New York: HarperCollins, 1990.
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Art Exhibition the Human Condition

Words: 901 Length: 3 Pages Document Type: Research Proposal Paper #: 88541583



On the other hand there is another side to the vision of human life. There is the experience of human joy and happiness that also has to be taken into account. We find this side in works that resonate with color, joy conviviality and friendship. In this exhibition works by Renoir and Picasso have been selected to show this side of the human condition. In this context the famous painting by Renoir entitled, the Luncheon of the Boating Party portrays a very different sense of the human condition compared to that of Bacon. We also this sense of the gentleness and beauty of human life in Picasso's the Bathers.

Another artist who has much to say about the human condition is Giacometti. This famous sculptor portrays human being in terms existential searching and mystery. His sculptures refuse to comment directly on the human condition but leave us with a sense…… [Read More]

(Source: http://www.artsofinnovation.com/renoir.html)

6. Picasso; "The bathers" ( 1918). Oil on canvas.

7. Giacometti: Standing Woman, bronze, 1959.
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Renaissance Of All the Artistic

Words: 589 Length: 2 Pages Document Type: Thesis Paper #: 12912331

Matthew from the Gospel Book made for Archbishop Ebb of Reims, circa 816 to 835 C.E. This illumination which measures about 10 by 8 inches portrays a rather frail-looking saint with his hair almost standing on end and his garment twisted around on his body and deeply wrinkled, perhaps from sitting much too long at his table while transcribing passages for a new edition of the Holy Bible. There is almost no background or landscape in this illumination but what there is of it appears very unnatural and sketchy. Also, the proportions of the saint's body appears to be somewhat unnatural, not to mention his face which appears to be almost a caricature or a cartoon of a real human face.

Also, the expression on the saint's face makes him look as if he is not enjoying the task at hand, being the writing down via dictation from the tiny…… [Read More]

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Art Bernini's Bacchanal A Faun

Words: 978 Length: 3 Pages Document Type: Thesis Paper #: 22725311

ather, the vines and clusters f grapes on the tree give the piece its true softness and roundness. This is mirrored by the effect of the figures' hair. Both faun and children all possess curling flowing ringlets that seem to hang as loosely as do the grapes, emphasizing a sense of liberty in the work.

The sense of softness and liberty bestowed upon the piece by the line and texture is oddly juxtaposed with the impressions created by other elements of Bacchanal: A Faun Teased by Children. Most obviously, the piece is composed in a way that makes the faun's posture seem unnaturally contorted, as if the scene has moved beyond teasing and into torment. The extreme angle of the head and neck, especially with the backwards-arcing back, evince more of a struggle to get away than the softer elements of the sculpture suggest. The same is true of the…… [Read More]

References

Delbeke, M., Levy, E., and Ostrow, S. Bernini's Biographies. University Park, PA: Pennsylvania State University Press, 2006.

Metropolitan Museum of Art Works of Art Index. "Bacchanal: A Faun Teased by Children," Metropolitan Museum of Art.  http://www.metmuseum.org/toah/ho/09/eusts/ho_1976.92.htm 

Montagu, J. Roman Baroque Sculpture. Hong Kong: Yale University Press, 1989.

Metropolitan Museum of Art Works of Art Index, "Bacchanal: A Faun Teased by Children," Metropolitan Museum of Art.
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Art Memo We Are a Company at

Words: 948 Length: 3 Pages Document Type: Essay Paper #: 86925928

Art Memo

We are a company at the head of the fashion industry. Our image is crucial to our success. The appearance, the environment, the overall decor, and the ambiance of our office space is what sends the first messages to our clients. If we expect consumers to value their appearance, then it is up to us to be role models for fashion sense and sensibility.

Therefore, I propose the installation of six major works of art in our corporate office space. Each of these six works of art is carefully selected because it reflects the vibe and mission of our company. The colors, the tone, and the style of the artwork matches our corporate vision. In this memorandum, I will list and describe the six works of art, telling you why these pieces reflect our image.

Camille Pissarro's "Apple Tree at Eragny"

This richly textured painting conveys a sense…… [Read More]

References

The Metropolitan Museum of Art (2011). Impressionism: Art and Modernity. Retrieved online:  http://www.metmuseum.org/toah/hd/imml/hd_imml.htm 

Pioch, N. (2006). Impressionism. Retrieved online:  http://www.ibiblio.org/wm/paint/glo/impressionism/ 

"Welcome to Impressionism," (n.d.). Retrieved online:  http://www.impressionism.org/
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Art Interview an Interview With

Words: 1045 Length: 3 Pages Document Type: Research Paper Paper #: 22361023

My letters to my brother Theo often touch upon this theme."

Q: hat was your relationship like in Arles?

Gaugin: "I would say that Vincent definitely needed me more than I needed him. Vincent was always looking for a friend, you know -- a kindred spirit. His brother Theo was sympathetic but separate from him. In me he found someone who shared his passion for art and who understood what he was trying to accomplish. But Vincent was unstable and our relationship was often frustrated by his inability to reconcile himself to the artist's lonely lot. I, certainly, was more comfortable being a loner."

Van Gogh: "My sojourn in Arles in a rented yellow house, which I depicted on canvas in my typically thickly-applied, brightly colored 1888 painting, would end in a kind of portentous delirium. Gauguin's stay and my increasing reliance upon the Frenchman proved a misstep. Gauguin's insufferable…… [Read More]

Works Cited

Gayford, M. The Yellow House. NY: Houghton Mifflin Harcourt, 2008. Print.

Johnson, Paul. Art: A New History. New York, NY: HarperCollins, 2003. Print.

Kyziridis, T. "Notes on the History of Schizophrenia." 2005. Web.

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Art the Metropolitan Museum of Art Currently

Words: 1001 Length: 3 Pages Document Type: Term Paper Paper #: 16438431

Art

The Metropolitan Museum of Art currently presents three fascinating special exhibits including one on cubism, another on enaissance tapestry, and a third on ancient Assyrian art. Each of these three special exhibits is different, and exciting in its own way. The exhibit on enaissance tapestry is entitled "Grand Design" and focuses on the work of Pieter Coecke van Aelst. Some of the tapestries are lavish and intricate, such as the "Seven Deadly Sins." Having never before encountered tapestries from this era, I was stunned at the workmanship and marveled at the amount of time it must have taken to weave these incredible patterns. As if on cue, the museum's curator had prepared several information panels informing viewers about the process of tapestry making, its history, and its relevance during the enaissance. Van Aelst had produced tapestries for Europe's elite, including the Medici family. This made me ponder the nature…… [Read More]

Reference

The Metropolitan Museum of Art. [Personal Visit].