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Rhinoceros
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What is Rhinoceros?

Rhinoceros is a subject that appears across multiple academic disciplines, from environmental science and conservation biology to literature and cultural studies. As one of the world's most recognizable megafauna, rhinoceroses occupy a significant place in discussions about biodiversity, endangered species policy, and ecological balance. Their status as a critically threatened group of animals makes them relevant to courses in environmental studies, zoology, and global policy, while their symbolic presence in art, mythology, and literature gives them cultural dimensions worth examining in humanities contexts as well.

The papers gathered around this topic reflect a wide range of academic approaches rather than a single unified angle. Some engage with broader environmental and political concerns such as global warming, while others take on individualist versus conformist social frameworks or examine interest groups, suggesting that rhinoceros conservation is often analyzed through the lens of policy advocacy, collective action, and competing stakeholder interests. The diversity of approaches indicates that writers frequently use the rhinoceros as a focal point for larger arguments about human responsibility, political will, and ecological ethics.

A strong essay on this topic benefits from a clearly scoped thesis — for instance, focusing on a specific conservation policy, a regional case study, or a defined cultural representation rather than attempting to cover all aspects of the subject at once. Evidence drawn from scientific reports, policy documents, or well-documented historical examples tends to carry the most weight. A common pitfall is treating the topic too broadly, producing a general overview instead of a focused, arguable claim supported by specific, credible evidence.

12 papers
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Paper Masters
Annotated bibliography of children's books for young readers
Belitz, L. The Buffalo Hide Tipi Of the Sioux. Pine Hill Press: 2006
Paper Undergraduate
Harold Pinter and the theatre of the absurd's violation of Aristotelian convention
The Violation of Aristotelian Convention and the Establishment of the Theatre of the Absurd in the Major Works of Harold Pinter
Research Paper Doctorate
African Wildlife Federation: function, purpose, and political influence
When most people think of "special interest groups," they immediately call to mind their negative connotations -- sneaky, manipulative, perhaps "buying off" politicians I order to further their shady agendas.
Paper Undergraduate
James and the Giant Peach: Book vs. Film Comparison
James and the Giant Peach: James as Seen Through the Eyes of the Book And the Film
Research Paper Doctorate
Milankovitch Cycles vs. Greenhouse Gases: Global Warming Causes
From Milutin Milankovitch to Greenhouse Gases
Paper Undergraduate
Black Rhinoceros Extinction: Science, Culture, and the Last of the Race
This paper intends to discuss the idea of extinction. Such discussion necessarily entails a certain amount of scientific discourse, but in particular I would like to ramify the scientific discussion with some literary…
Paper Masters
Tim Cook Comes Out: Implications for Apple and Diversity
"So let me be clear: I'm proud to be gay, and I consider being gay among the greatest gifts God has given me."
Essay Doctorate
Endangered species: reproductive processes and physical characteristics across five vertebrate classes
Reproductive Process: Females reproduce every 2-1/2 years
Paper Doctorate
The Venus of Dolni Vestonice as Gravettian art for art's sake
Three page paper about the Venus of Dolni Vestonice, the Gravettian culture statue found in Moravia. The statue represents the artistic traditions of the Gravettian culture. Using a variety of sources, the paper asserts that the Venus status was not a fertility statue because the Gravettian culture was nomadic hunter-gatherer society--and fertility was not in their best interest. The statue represents art for art's sake and harmony with nature.
Paper High School
Marco Polo's travels to China and accounts of the Khan's court
The Venetian trader and adventurer Marco Polo was an exceptionally astute observer as he traveled the caravan routes to China, Tibet, and India, and then returned by sea over twenty years later, with tales of countries few people in Europe had ever seen before. His brother and uncle had travelled there in 1260-65, then returned again four years later, and reported on their meeting with the Kublai Khan at Kaifeng (Beijing) and his request for one hundred Christian missionaries. The Khan's message was ultimately relayed to the Pope but he did not send the requested missionaries. When he left Venice with his father in 1271, Marco Polo was a boy of seventeen, and had no idea what adventures were ahead of him. Virtually no one in in the Western world at that time could possibly have known since they literally had no maps of China or the route to get there, and all they knew about Asia was ancient myths and legends of faraway lands. For centuries, Marco Polo was accused of exaggerating his exploits and called Marco Millione or Marco of a Million Tales.