Romantic Period Essays (Examples)

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Romantic Love Is a Complex and Unique

Words: 784 Length: 3 Pages Document Type: Essay Paper #: 59107290

Romantic love is a complex and unique phenomenon. The concept has become so ubiquitous in modern society that most people take it for granted. Romantic love is considered to be one of the normal conquests in the course of one's life. Yet it was not always this way nor is romantic love a part of every culture. In fact, in many other cultures, romantic love is often a subsidiary consideration to such things as status and property considerations. By contrast, romantic relationships are founded on something of an adventurous impulse in which feelings and emotions are at something of a plateau. Although this plateau may offer some intense aspects that are positive in many ways, the same intensity can also create situations in which the intensity and the feelings fade and what is left is unpleasant at best. This paper will examine some of the concepts that are associated with…… [Read More]

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Romantic Poetry the Term Romanticism

Words: 1759 Length: 5 Pages Document Type: Essay Paper #: 73047034

The work expresses with clear honesty the need to express, reality and pain, in ordworthian values. The expression of the work is poignant and clear, as the washerwoman goes through the process of noticing nature, as a guide for time rather than as something she is able to explore at leisure. The woman and the poet explored leisure, in only those available times when she was not otherwise needed for work. There is a clear sense that even in the poet's golden years her sentiments changed little as she so effectively expressed the condition of her life, through the clear and present reality of necessity, better than many of her time. The romantic poet was given license to express pain, through individual self-expression, and this working class woman was not only not an exception but probably even more committed to the ideals of the period than many of the classic…… [Read More]

Works Cited

Harvey, a.D. "Working-Class Poets and Self-Education." Contemporary Review May 1999: 252.

Lonsdale, Roger, ed. Eighteenth-Century Women Poets: An Oxford Anthology. Oxford: Oxford University Press, 1989.

Read, Herbert. The True Voice of Feeling: Studies in English Romantic Poetry. New York: Patheon Books, 1953.

Sherwood, Margaret. Undercurrents of Influence in English Romantic Poetry. Cambridge, MA: Harvard University Press, 1934.
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Romantic Era Began in the Late Eighteenth

Words: 938 Length: 3 Pages Document Type: Essay Paper #: 71207753

omantic era began in the late eighteenth century as a reaction against the Age of Enlightenment and was a period of great change and emancipation. The movement started as an artistic and intellectual reaction against aristocratic social and political norms of the Enlightenment and against the scientific rationalization of nature. During the Enlightenment literature and art were primarily created for the elite, upper classes and educated, and the language incorporated in these works was highly poetic, completely different from that spoken by the masses. Artists of the omantic era accessed the ballads and folklore that was familiar to commoners, rather than from the literary works popular with the aristocracy. This shift in emphasis was most strongly manifested in the visual arts, music, and literature. This was the beginning of a period of artistic freedom, experimentation, and creativity. The movement stressed strong emotion, imagination, freedom from classical correctness in art forms,…… [Read More]

References

Constable, J. (1821). The hay wain. [Painting] The national gallery. Retrieved January 6, 2012, from  http://www.nationalgallery.org.uk/paintings/john-constable-the-hay-wain 

Kartha, Deepa. (2010). Romanticism: Chariteristics of romanticism. Buzzle.com. Retrieved January 6, 2012, from  http://www.buzzle.com/articles/romanticism-characteristics-of-romanticism.html 

Nourrit, A. (1832). La Sylphide. Ballet encyclopedia. Retrieved January 6, 2012, from http://www.the-ballet.com/sylphide.php

Shelley, P.B. (1820). The Question. About. Com A Today. USATODAY.com. Retrieved January 6, 2012, from  http://classiclit.about.com/library/bl-etexts/pshelley/bl-pshel-question.htm
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Romantic Comedies Love Has Been

Words: 1026 Length: 3 Pages Document Type: Essay Paper #: 66765155

This film depicts the life of a woman who has not lived up to her cultural expectations and by the time she is thirty, she realizes that she is getting too old to find love. She then meets a man whom she falls in love with, but the problem lies in his not being from her same ethnic and cultural background. This creates turmoil among her extremely traditional family. Her father refuses to accept her new fiance, but insisting that she is in love, she gets her family to accept a non-Greek individual into their family. Unlike It Happened One Night (1934), My Big Fat Greek Wedding (2002) shows how culture influences love in our civilization.

The relationship between these two individuals, demonstrates how much love means in our society. The underlying concern in this case is how two different cultures could unite to form a mutual one where everyone…… [Read More]

References:

My Big Fat Greek Wedding. Dir. Joel Zwick. Perf. Nia Vardalos and John Corbett.

Gold Circle Film, 2002. Film.

It Happened One Night. Dir. Frank Capra. Perf. Clark Gable and Claudette

Colbert. Columbia Pictures, 1934. Film.
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Romantic and Modern Design Styles Comparing the

Words: 1568 Length: 6 Pages Document Type: Essay Paper #: 95732441

Romantic and Modern Design Styles

Comparing the Ornate and the Natural: A Study of Two Theories of Design

History often dictates societal mentality more so than current climate, yet in times of peace, it seems that the beautiful and the artful flourish. This very concept is debatable, especially in interior design, where the fashions of the time very often have a much-felt impact upon design theories and the way in which they are carried out. Yet it is in history that one finds inspiration, or the contradiction thereof. For instance, during the mid to late 19th century, it was against history that romanticism was born. Yet in the early 20th century, immediately following this period of romanticism, it was out of a societal need for simplicity prior to the two Great ars that a more natural aesthetic was born, expressed so perfectly by the architect Frank Lloyd right. The following…… [Read More]

Works Cited:

1. Customer Notes -- Provided by Customer from Academic Notes and Books

2. Britannica Encyclopedia, (2012). Interior Design: The Romantic Movement and the Battle of the Styles. Retrieved from, http://www.britannica.com/EBchecked/topic/290278/interior-design/74226/The-Romantic-movement-and-the-battle-of-the-styles-1835-1925

3. Frank Lloyd Wright Foundation, (2012). Wright's Life and Work. Retrieved from, http://www.franklloydwright.org/web/Home.html

4. Pile, J. (1997). Color in Interior Design. McGraw-Hill: New York.
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Romantic Era Marked a Movement

Words: 308 Length: 1 Pages Document Type: Essay Paper #: 77652395



Jane Austin's Sense and Sensibility, while including no supernatural references, focuses on the more positive side of extreme emotion of romantic love. Similarly to Shelley's work, this side of emotion is also used to reflect upon the society of the time. The hypocrisy often associated with marriage ties are for example exposed.

Romantic poetry is not so much concerned with the anxieties or evils in society. Instead, the concern of this poetry is depicting the human relationship with nature as a part of it, rather than separated from it. As such, there is a departure from the image of socially imposed order towards a free, untamed image of nature. Similarly to romantic fiction, poetry also focuses on the strength of emotions related to this. These are entirely individualized, with the connection of the individual to nature often central to the work.… [Read More]

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Romantic Lit Romantic Notions in Blake's The

Words: 775 Length: 2 Pages Document Type: Essay Paper #: 29200765

Romantic Lit

Romantic notions in Blake's "The Chimney Sweeper"

Romanticism was an artistic, literary, and intellectual movement that occurred during the second half of the 18th century. During this time, a shift from previously established Enlightenment ideals to more natural, emotional, and personal themes was seen. Opposing forces within Romantic literature were Nature and the Self; Nature was seen as the source of goodness and it was through society and civilization that innocence of what was natural, and the natural order of things, was lost. One of the Romantic poets that best exemplified this concept was illiam Blake.

illiam Blake's Songs of Innocence and Songs of Experience can be used to demonstrate how society and civilization have corrupted the inherent innocence of children. In Reading Between the Lines: A Christian Guide to Literature, Veith (1990) writes that "civilization was seen as corrupting the natural innocence of human beings; more primitive…… [Read More]

Works Cited

Blake, W. (1979) "The Chimney Sweeper" from Songs of Experience. Blake's Poetry and Designs.

Ed. Mary Lynn Johnson and John E. Grant. New York: W.W. Norton & Company.

Blake, W. (1979) "The Chimney Sweeper" from Songs of Innocence. Blake's Poetry and Designs.

Ed. Mary Lynn Johnson and John E. Grant. New York: W.W. Norton & Company.
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Romantic Art and 18th Century

Words: 660 Length: 2 Pages Document Type: Essay Paper #: 58643885

The exoticism and escapism of Romantic Art is manifest by the focus in the features of Napoleon on the bright or the wider scenes of the battlefield. However, it is the works of Francisco Goya that perhaps most perfectly epitomizes the intense individualism and emotion of Romantic art. Even the titles of Goya's works like "Yo lo Vi (This I saw)" and "Para Eso Yo Nacido (for this I was born) places the artist's individual consciousness squarely in the center of the meaning of the painting. There is no attempt at objectivity, and no apology for the subjective nature of the representation.

The Third of May" although a political work, is not of a noble or significant figure, or a beautiful human body like "Marat." Most of the painting has a hazy quality, as if seen through the night, except for the illumination of the victims. It shows the ugliness…… [Read More]

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Fashion Romantic Era Fashion in Europe the

Words: 846 Length: 3 Pages Document Type: Essay Paper #: 65048304

Fashion

Romantic Era Fashion

In Europe, the Romantic Period lasted from approximately 1820-1835 and had very distinctive flavor. People were disenchanted with writing and paintings that followed dour religious subject matter for the main part and took away humanity. The Romantic Era can be seen as the birth of the humanist period that continues to this day. People wanted to express themselves as individuals with passion and emotion. This was reflected in the art of the day, in the literature from such great poets and novelists as Edgar Allen Poe and Jane Austen, and in the fashion that became popular for a brief time and then faded away. This was a fashion that was tempered with diversity due to the class of the people wearing it and the utility of the garments. This research paper discusses the fashions of the day and how they were influenced, especially in England by…… [Read More]

Works Cited

Bell, Melissa J. "About the Romantic Period and the French Revolution." (2009). Web.

Jarrett, Susan M. "The Romantic Era: 1820-1850." Costume History Pages, 2011. Web.

Thomas, Pauline Weston. "The Romantic Era 1825-1845 Fashion History." Fashion Era, 2011. Web
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Victor Hugo Romantic Writings of Victor Hugo

Words: 2912 Length: 10 Pages Document Type: Essay Paper #: 64431488

Victor Hugo

Romantic ritings of Victor Hugo

The romantic period was partly in reaction to the impact that the industrial revolution had on the psyches of artists of all stripes. The move toward an industrial culture had moved many people from the pastoral scenes of the country into the grungy hearts of the cities. Many of the people worked in the factories six days a week for many hours a day, or they worked in mines and other industries to support the industry in the cities. The response from the artistic community was to remind the public of two things. They wanted people to remember where they came from and they wanted to help people see the true emotion of life.

One of the most influential writers of the period was a young Frenchman who was known for his poetry early in his career (Halsall x), but who gained international…… [Read More]

Works Cited

Halsall, Albert W. Victor Hugo and the Romantic Drama. Toronto: University of Toronto Press, 1998. Print.

Hugo, Victor. Selected Poems of Victor Hugo. Trans E.H. And A.M. Blackmore. Chicago: University of Chicago Press, 2001. Print.

Hugo, Victor. Ruy Blas. Boston D.C. Heath & Co., Publishers, 1888. Print.
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Wordsworth Blake Shelly and Other Greats of the Romantic Era

Words: 1186 Length: 3 Pages Document Type: Essay Paper #: 19543527

Romantic Era

The years in which the Romantic Era had its great impact -- roughly 1789 through 1832 -- were years in which there were "intense political, social, and cultural upheavals," according to Professor Shannon Heath at the University of Tennessee at Knoxville (Heath, 2009). The beginning of the Romantic Era actually is traced to the French Revolution, and though that tumultuous event was not in England, illiam ordsworth and others sympathized with the French Revolution -- at least at the beginning of the Revolution.

The demands for democracy in the Era were manifested through poems that reflected solidarity with principles of "equality and individuality," Heath explains. The principles of fairness and equality were needed in England as well as in France, and Heath suggests that poets were not just responding to revolutions but rather were critiquing English government. According to Giovanni Pellegrino the struggles for democracy and the "political…… [Read More]

Works Cited

Heath, S. (2009). The Culture of Rebellion in the Romantic Era. Romantic Politics. University of Tennessee at Knoxville. Retrieved April 24, 2014, from  http://web.utk.edu .

Pellegrino, G. (2011). Romantic Period in England. Centro Studi La Runa. Retrieved April 24,

2014, from  http://www.centrostudilaruna.it .
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Orient West Minoan and Romantic Movements Describe

Words: 1422 Length: 4 Pages Document Type: Essay Paper #: 73695449

Orient West

Minoan and omantic movements

Describe the earlier historical art period, characteristics of the style, and social conditions that may have contributed to the advent of this style.

Within the history of the Ancients, the story of Classical Greek art and architecture is prefaced by the earliest epoch of the seafaring Cretan civilization, Minos. The Palace of King Minosis is a magical structure reflective of this early world of classical lyricism. It is in fact, Homer's reference to the island, and its legendary king, in Book XIX of the Odyssey, that has informed us of Aegean cultures, and our fascination with all things Minoan. The central locus of exchange for communique with other civilizations of antiquity such as the nearby lands of Pharonic Ancient Egypt, the Palace of King Minos is our greatest resource for inquiry into the roots of ancient classical civilization.

obust in economy and in cultural…… [Read More]

References

Art. Grove Art Online. Oxford Art Online. Retrieved from: http://www.oxfordartonline.com de la Croix, H. And Tansey, R.G. (1980). Gardner's: Art Through the Ages. New York: Harcourt and Brace.

Vaughan, W. (2010). Romanticism. Grove Art Online. Oxford Art Online. Retrieved from: http://www.oxfordartonline.com

(2010). Romanticism in the Visual Arts. Oxford Companion to Western Art. Oxford Art Online. Retrieved from: http://www.oxfordartonline.com
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The Romantic Child and Emile

Words: 997 Length: 3 Pages Document Type: Essay Paper #: 25084304

This is one of the major aspects of Romanticism, a notion that was entirely missing from raising children up to this point.
ook II of Emile describes the educational framework of a child's formative years, most likely from the approximate ages of seven to eleven or twelve, within Rousseau's philosophy. In this theory, education in this stage should take place within the context of personal experiences and interactions with the outside world. The emphasis should be on developing the senses and drawing inferences from them. ook III has the child successfully integrated with the physical world and ready to make a decision regarding his trade, which Rousseau believed was necessary in order for him to search out the appropriate role models and focus on the necessary skills.
ook IV is the section that interests this writer the most. The child is now physically strong and able to carefully observe and…… [Read More]

Bibliography
Rousseau, Jean Jacques. (1979) Emile (or On Education). Translation by Bloom, Alan. New York: Basic Books.
Stroup, William. (Jan. 2003-Dec. 2004) The Romantic Child. Literature Compass. Volume 1, Issue 1.
Ferguson, Frances. (Winter 2003) The Afterlife of the Romantic Child: Rousseau and Kant Meet Deleuze and Guattari. The South Atlantic Quarterly. Vol. 102, No. 1, pp. 215-234.
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Romantic Movement Explored in the

Words: 1321 Length: 4 Pages Document Type: Essay Paper #: 88626820

The winds are "driven, like ghosts from an enchanter fleeing" (4) and the poet's thoughts are like "winged seeds" (7) of each passing season. The poet writes, "ild Spirit, which art moving everywhere; / Destroyer and preserver; hear, oh, hear!" (13-4). Critic Jeanine Johnson notes that "Ode to the est ind" "returns to the idea that human development and nature follow parallel cycles. If the seasons correspond to the ages of human life, spring being a time of new birth is childhood, summer is young adulthood, autumn is middle age, and winter being the time nearest death is old age" (Johnson). Each stanza represents a stage of life that is seen as if it were an aspect of nature and when examining the stages of life, one cannot overlook death. Johnson contends, "Human death is permanent. The poet tries to counter his sadness at the thought of dying with an…… [Read More]

Works Cited

Lasaschire, Ian. "Percy Bysshe Shelley: Ode to the West Wind." Representative Poetry Online.

Site Accessed May 13, 2009. < http://rpo.library.utoronto.ca/poem/1902.html

Johnson, Jeanine. "An overview of Ode to the West Wind." Poetry for Students. 1997. GALE

Resource Database. Site Accessed May 13,
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Romantic Poets Nature and Romantic

Words: 737 Length: 2 Pages Document Type: Essay Paper #: 87474870

The urn is a symbol to him of all great works of art which, picturing beauty, will always reflect truth to those who behold them. To Keats "beauty is truth, truth beauty," and art is the balm which soothes his fevered soul. He died at the age of 25 from tuberculosis.

ordsworth, who lived longer than the other poets, dying at the age of 80, was the leading poet of the nineteenth century. His work, with exquisitely turned phrasing, accurately depict both nature and his emotions. Nature was his inspiration and solace. He believed that nature could heal and commune both the elemental and divine through its natural forces. Like Coleridge, he believed that transcendental meditation was possible and that one could rise to a plane above that of the merely human with contemplation of nature and beauty. His verses rose to new heights in rhythm and meter, unlike the…… [Read More]

Works Cited

Fiero, Gloria K. The Humanist Tradition, Book 5: Romanticism, Realism, and the Nineteenth-Century World. New York: McGraw-Hill. 2002.
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Revolutions in Romantic Literature

Words: 1565 Length: 5 Pages Document Type: Essay Paper #: 86376203

Thompson "Disenchantment or Default?: A Lay Sermon," The Romantics.

In the article "Disenchantment or Default?: A Lay Sermon," author E.P. Thompson explores the restoration of literary works by Wordsworth and Coleridge. Specifically, Thompson is interested in the moment when the poet became politically aware and disenchanted with the environs around him, turning his distaste into pieces of literature. While making his argument, Thompson delves heavily into the possible psychological profile of the author and his break with Godwinism. By doing this however, Thompson makes a critical mistake which all literary scholars and critics are meant to watch out for: that is confusing the narrator of the literature with the author himself.

Remarkably, Thompson determines that the change in Wordsworth's writings came at a time when he stopped writing towards an ideal and instead directed his writings at a real person. He writes, "It signaled also -- a central theme of…… [Read More]

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Enlightenment-Era Neo-Classical Works With Romantic Overtones 'Tartuffe

Words: 981 Length: 3 Pages Document Type: Essay Paper #: 55737002

Enlightenment-era, Neo-Classical works with Romantic overtones 'Tartuffe," Candide, and Frankenstein all use unnatural forms of character representation to question the common conceptions of what is natural and of human and environmental 'nature.' Moliere uses highly artificial ways of representing characters in dramatic forms to show the unnatural nature of an older man becoming attracted to a younger woman. Voltaire uses unnatural and absurd situations to question the unnatural belief of Professor Pangloss that this is the best of all possible worlds. Mary Shelley creates a fantastic or unnatural scenario to show the unnatural nature of a human scientist's attempt to turn himself into a kind of God-like creator through the use of reason and science alone.

"Tartuffe" is the most obviously unnatural of the three works in terms of its style. It is a play, and the characters do not really develop as human beings because of the compressed nature…… [Read More]

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Eliza Haywood and Her Romantic Novel the

Words: 1450 Length: 5 Pages Document Type: Essay Paper #: 84425964

Eliza Haywood and Her Romantic Novel The History Of Miss Betsy Thoughtless

The fascinating intrigues that surround the fictionalized search for love, both legitimate and otherwise have oft been the topic of titillating drama. Eliza Haywood in The History of Betsy Thoughtless (1720-1805) is nothing less than a compilation of the wanderings of a young fictional character trying to assert a very culturally limited level of control over the decisions surrounding her love life and that of her friends. The reasons for the creation of this work are no doubt countless and yet the historical representation of the work traditionally has been a work created for the sole purpose of the earning of a living. Even in 1720 "sex sells." More recent scholarship has been focused on the idea that Haywood and her literary partners were not just selling books but giving life to a whole new genre, that of…… [Read More]

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Joan Miro's Detailist Period Joan

Words: 2837 Length: 7 Pages Document Type: Essay Paper #: 27525197

In the tracks, one sees the plants and rocks that help make the tracks part of the environment, rather than having it stand out from the environment. Miro even makes the blades of grass stand out in the painting, helping demonstrate that they are equally important with the other features. One of the elements of the painting that is most interesting is that it displays the sun without depicting the sun. The entire painting is highly illuminated, which clearly references the sun, but there is no image of the sun in the painting. This detail highlights how detailism is romantic realism; in the mid-day, no sun is actually visible, so that artist depictions of the sun at that point during the day are necessarily a departure from reality.

Miro, the aggon Tracks. 1918.

The next painting examined is Mont-roig, Village and Church, which was painted in 1919. One of the…… [Read More]

Works Cited

Art and Coin TV. "Joan Miro's Work Examined in Landmark Exhibition at the National Gallery

of Art." Art and Coin TV. N.p. 6 May 2012. Web. 13 Dec. 2012.

Gutierrez, Tuesday. "Starving Myself with Joan Miro's Retrospective at the Tate Modern."

Momardi. N.p. 2011. Web. 13 Dec. 2012.
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What Was the Romantic Movement

Words: 1326 Length: 4 Pages Document Type: Essay Paper #: 5715778

Romanticism

There are many way to approach the concept (or movement) known as romanticism, and over the many years romanticism has been perceived and defined in wildly different ways. Scholars and historians have spent tens of thousands of words dissecting, describing, and trying to come to terms with what romanticism really means. The truth is there are many ways to approach romanticism, and this paper looks into scholarly approaches to romanticism in 1925, 1949, and 1990. How is the approach to romanticism in 1925 different -- but also similar -- to another approach in 1990? That question and others that are germane to this topic will be presented in this paper. The three scholarly articles that will be critiqued in this paper are: Paul Kaufman's "Defining Romanticism" (1925); Morse Peckham's "Theory of Romanticism" (1951); and David Perkins' "The Romantic Movement" (1990).

Three scholarly articles from three periods in the twentieth…… [Read More]

Works Cited

Kaufman, Paul. "Defining Romanticism: A Survey and a Program." Modern Language Notes,

40.4. (1925)" 193-204.

Peckham, Morse. "Toward a Theory of Romanticism." PMLA, 66.2 (1951): 5-23.

Perkins, David. "The Construction of 'The Romantic Movement' as a Literary Classification."
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From the Baroque Period Through the Romantic Age

Words: 1110 Length: 4 Pages Document Type: Essay Paper #: 82076000

art is changed by the changes that occur in political culture. The writer presents examples and contrasts two of the following areas Baroque, ococo, Neoclassicism, and omanticism and argues the point of how the eras drive changes in artwork. In addition the writer devotes two pages to comparing three works of famous artists.

Art has always been influenced by the masses. Political culture, and change have been driving forces behind the changes in art that history has witnessed. When political and cultural changes occur it is generally because of changing attitudes of those who live in the era and drive those changes. This extrapolates to changes in many things including taste in artwork. Two periods in history provide classic examples of such change occurring and being directly related to political and cultural changes that were taking place in society during the time.

The Neoclassical period and the omantic era are…… [Read More]

REFERENCES

Grainstack 1891

http://www.oceansbridge.com/art/customer/product.php?productid=38385& cat=4037& page=19& maincat=M

Pierre Bonnard The Terrace

http://www.metmuseum.org/toah/hd/scpa/hob_68.1.htm
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Progression of Committed Romantic Relationships

Words: 2370 Length: 8 Pages Document Type: Essay Paper #: 72633415



A particular area of interest for Baxter and Bullis (1986) is the manner in which couples recollect the turning point in their relationship, and how well those recollections match up with one another. After interviewing hundreds of couples whose relationships had declined or disintegrated, the researchers found that only 54% of the couples attributed their relationships downfall to the same turning point. Misaligned perceptions of many types are, in fact, a major cause of conflict and failure in committed romantic relationships.

Inconsistent Perceptions

esearch on self-interpretation suggests that individuals might embellish their personal virtues to make up for perceived faults. In a study by Greenberg & Pyszczynski, (1985) individuals were confronted with the knowledge that another person knew of a serious fault in their characters. These threatened individuals then emphasized their many virtues in domains unrelated to this fault, presumably in an attempt to reaffirm themselves in this critical other's…… [Read More]

References

Acker, M., & Davis, M.H. (1992). Intimacy, passion and commitment in adult romantic relationships: A test of the triangular theory of love. Journal of Social and Personal Relationships, 9, 21-50.

Acitelli L.K. (1998). When spouses talk to each other about their relationship. Journal of Social and Personal Relationships, 5, 185-199.

Amato, P.R. (2007) Transformative processes in marriage: Some thoughts from a sociologist. Journal of Marriage and the Family.69, 305-309

Baxter L.A. (1988). Dialectical perspective on communication strategies in relational development. In S. Duck, D. Hay, S. Hobfoll, W. Ickes, & B. Montgomery (Eds.), Handbook of personal relationships: Theory, research, and interventions (pp. 257-273). Chichester, England: Wiley.
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Role and Importance of the

Words: 5946 Length: 20 Pages Document Type: Essay Paper #: 47971090



Most individuals fail to appreciate life to the fullest because they concentrate on being remembered as some of the greatest humans who ever lives. This makes it difficult for them to enjoy the simple pleasures in life, considering that they waste most of their time trying to put across ideas that are appealing to the masses. While many did not manage to produce ideas that survived more than them, others succeeded and actually produced thinking that remained in society for a long period of time consequent to their death.

Creativity is generally regarded as one of the most important concepts in society, considering that it generally induces intense feelings in individuals. It is responsible for progress and for the fact that humanity managed to produce a series of ideas that dominated society's thinking through time. In order for someone to create a concept that will live longer than him or…… [Read More]

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Frankenstein Offers a Great Analysis

Words: 1283 Length: 4 Pages Document Type: Essay Paper #: 16084218

The Monster's suffering was the root of all his murders, and Victor the cause of all his pain. It was at this point that the monstrosity of Victor's character is understood better, making Victor the greater monster in the story.

2.)

The poem "Lines Composed a Few Miles Above Tintern Abbey" encompasses everything that the Romantic period had to offer. The physical aspect that the poem can portray, and the feeling that reading invokes makes this one of great substance and significance. The deep connection with Nature, is one that makes this poem a part of the Romantic Era's history, encapsulating a part of history in its lines.

The poem provides very rich description that invokes feeling; that is what the Romantic Period is all about. "Here, under this dark sycamore, and view / These plots of cottage ground, these orchard tufts, / Which at this season, with their unripe…… [Read More]

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Neo-Classical Art and Romanticism

Words: 906 Length: 3 Pages Document Type: Essay Paper #: 76614217

Art has always been used as a means of expression and of confirmation of events and movements that take place in the society in that respective period of time. The Neo-Classical and Romanticist art makes no exception to this rule and the two periods have been considered in the history of artistic art as two of the most representative for the expressivity they brought to the world of the arts as well as through the painters they inspired. Jacques-Louis David and Eugene Delacroix are two of the most representative painters of the New Classical period and the Romanticist art and their paintings are significant for the symbols and ideals these two periods provided for the artistic world.

Neo-classical art must be seen in the wider context of the 18th century and the era of Enlightenment when the new perceptions on the role of reason were redefined against the concepts of…… [Read More]

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Art Please Take a Close Look at

Words: 1116 Length: 3 Pages Document Type: Essay Paper #: 24976249

Art

Please take a close look at two paintings of storms: Watteau's the Storm

painting comparison

Watteau's the Storm and Delacroix's the Sea of Galilee

The two paintings in question refer to different time periods in art history and more importantly, to different views about art and life. These views are also reflected in the style and the technique of the two paintings. Art is often a reflection of the times in which it is created. The social values and perceptions as well as the dominant religious and philosophical ideas of the time tend to be represented in art during a certain period. The following two paintings will be compared and contrasted in terms of their unique qualities, as well as in terms of the way they reflect the era and the dominant ethos of the time period in which they were created.

Comparison of Two Paintings

The development in…… [Read More]

References

Introduction to the Romantic Era in English Poetry. Retrieved from  http://records.viu.ca/~johnstoi/introser/romantic.htm 

Neoclassicism. Retrieved from  http://www.metmuseum.org/toah/hd/neoc_1/hd_neoc_1.htm 

Romanticism in Art. Retrieved from http://www.visual-arts-cork.com/history-of-

art/romanticism.htm
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Beowulf as a Hero Lesson

Words: 8817 Length: 19 Pages Document Type: Essay Paper #: 81934961

Your answer should be at least five sentences long.

The Legend of Arthur

Lesson 1 Journal Entry # 9 of 16

Journal Exercise 1.7A: Honor and Loyalty

1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality.

2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable.

Lesson 1 Journal Entry # 10 of 16

Journal Exercise 1.7B: Combining Sentences

Complete the Practice Activity on page 202 of your text. After completing this activity, read over your Essay Assessment or another journal activity you've completed.

* Identify three passages that could be improved by combining two or more sentences with coordinating or subordinating conjunctions. Below the practice activity in your journal, write the original passages and the revised sentences you've created.

* Be sure to…… [Read More]

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Imagery Help Evoke Emotion in

Words: 2080 Length: 6 Pages Document Type: Essay Paper #: 3629633

In the future, this helps to give everyone a greater appreciation for the emotions and challenges that were endured. (Henry, n.d., pp. 522- 535) (Legett, n.d., pp. 802 -- 818) (Gray, n.d., pp. 678 -- 697)

In the Victorian Period, there is focus on showing the impact of the industrial revolution on society. In the poem Dover Beach, there is discussion about how this is creating vast disparities. Evidence of this can be seen with the passage that says, "Ah, love, let us be true

To one another! For the world, which seems. To lie before us like a land of dreams, So various, so beautiful) so new, Hath really neither joy, nor love, nor light, nor certitude, nor peace, nor help for pain; and we are here as on a darkling plain. Swept with confused alarms of struggle and flight, Where ignorant armies clash by night." (Arnold, n.d.) This…… [Read More]

References

Arnold, M. (n.d.). Dover Beach.

Arnold, M. (n.d.). To Marguerite-Continued.

Blake, W. (n.d.). London.

Blake, W. (n.d.). Chimney Sweeper.
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Imagery Help Evoke Emotion in

Words: 765 Length: 2 Pages Document Type: Essay Paper #: 51724943

Everywhere there is the drumbeat of the natives, and the ominous reminder of the presence of untamed native life. Blackness is the dominant image of the Congo in Heart of Darkness -- whirls of black limbs, the black water -- all of which suggest that the environment is anathema and destructive to white civilization, as manifest in the persona of Kurtz. The natural beauty of the land, its colors, and the nuances of local cultures of tribes that would be perceptible to an Africa blur into a singular image of darkness in Conrad's prose.

Q4. Some critics argue that you can only fully understand a piece of literature if you understand the historical events that were ongoing when it was being written. Others argue that each piece of literature is independent of its historical context and you should not have to look for information outside the text to understand it.…… [Read More]

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Schumann Traumerei Dreaming Is

Words: 1022 Length: 3 Pages Document Type: Essay Paper #: 11876950

The harmony is used for particularly dramatic effect in Bar 4, where four eight notes can be heard under beats 3 (the second half of a half-note) and 4. Schumann again creates movement in a similar way in Bars 8, 12, 14, and 20, where there is much more movement for the left hand than for the right. Schumann keeps most of his chords in the register below middle C; to do otherwise would create an overly dramatic darkness that would not be appropriate for the childhood memories this piece tries to call to mind for its listeners. He uses C3 on beat 1 for the harmony in Bar 13; it is the lowest note in the piece and adds to the sense of climax in Bar 14.

Schumann also made Traumerei emotional with his use of tempo. It is a slow piece, slowing even further with the ritard ("slower")…… [Read More]

References

Almansa, J., and Delicado, P., (2009), "Analysing musical performance through functional data analysis; rhythmic structure in Schumann's Traumerei," Connection Science, vol. 21. 2/3, pp.207-225.

Kamien, R. (1998). Music: An Appreciation. New York: McGraw-Hill.

Penel, a., and Drake, C., (1998). "Sources of timing variations in music performance: A

psychological segmentation model. Psychological Research, vol. 61, no. 1, pp. 12-32.
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Rossini Gioachino Antonio Rossini the

Words: 2072 Length: 6 Pages Document Type: Essay Paper #: 27113570

(Gioachino Rossini Biography 2)

Ewen (1962) also notes the importance and influence of some of his major works. "As regards French opera, Rossini's great influence can scarcely be questioned. illiam Tell has been described as the foundation stone of French grand opera." (Ewen 202) it is also noteworthy that critics consider his influence to extend further than only his freshness and vital style; for example, he "… may have the credit of having grafted onto opera seria many of the more elastic conventions of opera buffa, the employment of an important bass soloist being one notable instance…" (Ewen 202)

Conclusion

In conclusion, there is little doubt that Rossini produced works that are not only part of our culture and operatic repertoire, but that he was a formidable influence on music and opera in his time. As has also been suggested in the above discussion, while he was not an 'artistic…… [Read More]

Works Cited

Britannica Concise Encyclopedia: Gioacchino Antonio Rossini. April 24, 2010.

Ewen, David, ed. The World of Great Composers. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1962. Questia. Web. 26 Apr. 2010.

Gioachino Rossini, a towering Italian composer of the Romantic era. April 23, 2010.

Gioachino Rossini Biography (2). 26 Apr. 2010.
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Russian Composer Piotr IL'yich Tchaikovsky 1840-1893 Was

Words: 1238 Length: 3 Pages Document Type: Essay Paper #: 65043140

Russian composer Piotr Il'yich Tchaikovsky (1840-1893) was that of his Romeo and Juliet Fantasy (first composed in 1869 and subsequently revised 1870 and 1880). In this composition, Tchaikovsky adapted Shakespeare's tragedy of thwarted adolescent love into the sonata form. (Grout & Palisca 584) Although the play that inspired this musical work is often called tragic rather than Romantic in its orientation, Tchaikovksy's interpretation of the tale is a clear example of the Romantic style of 19th century orchestral music. Five elements must be analyzed to understand and underline the Romantic nature of this composer's work. Firstly, one must consider the 'storytelling' use of the sonata form of the Fantasy. Secondly, one must consider the way in which the sonata was considered by the composer to be an Overture, a work that gives a 'summary' or a miniature of a larger story or musical work. Thirdly, the tone color of the…… [Read More]

Works Cited

Grout, Donald Jay & Palisca, Claude V. A History of Western Music. Fifth Edition. New York: W.W. Norton, 1996.

Tchaikovsky, Piotr Il'yich. Romeo and Juliet Fantasy, Overture in B Minor. 1869.
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Religion and British Literature

Words: 1614 Length: 5 Pages Document Type: Essay Paper #: 90394972

role of religion in the history of European society is a tumultuous one. Christianity, from its obscure beginnings in the classical age, eventually took the reins as the centerpiece of philosophical, literary, and scientific thought. It is true that religion, often, tends to justify actions that might objectively be perceived as incongruous to the established faith. It has historically been the case that when traditional forms of worship become threatened, morally questionable methods are undertaken to strengthen the order. This is certainly the case with Christianity. Since the birth of the Catholic Church in the Roman Empire, Church officials have actively attempted to make their privileged positions in society impervious to assault -- this process has progressed for centuries and, indeed, tens of centuries. For many years this single faith dominated nearly every aspect of European society and was a strong force in maintaining the status quo. However, the many…… [Read More]

Works Cited:

1. Haney, David P. "Christianity and Literature." Malibu, Winter Vol. 54, Iss. 2, 2005.

2. Mill, John Stuart. "Utilitarianism." Reason and Responsibility. New York: Wadsworth Publishing, 1999. Pages 571-77.

3. Shelley, Mary. "Frankenstein." The Norton Anthology of English Literature: Seventh Edition, Volume 2. New York W.W. Norton and Company, 2000. Pages 905-1033.

4. Wilde, Oscar. Literary Criticism of Oscar Wilde. Lincoln: Bison Books, 1968. Page, 233.
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Waste Land French Lieutenant the

Words: 4164 Length: 14 Pages Document Type: Essay Paper #: 35242335

(Eliot, 1971).

The Subjective over the Objective

Modernism was a reaction against Realism and its focus on objective depiction of life as it was actually lived. Modernist writers derived little artistic pleasure from describing the concrete details of the material world and the various human doings in it. They derived only a little more pleasure from describing the thoughts of those humans inhabiting the material world. Their greatest pleasure, however, was in expressing the angst, confusion, and frustration of the individual who has to live in that world. (Merriam-Webster, p. 1236).

Modernist writers used novel means for expressing these newly intense emotions. They did not always express the individual's confusion and frustration by relating the inner discourse of the individual. Instead, they manipulated the structure, style, and content of their works to cultivate a certain effect on the reader. (aym, Vol. D, p. 17). They wanted to convey the experience…… [Read More]

Bibliography

1. Snow, C. (1968). The Realists: Portraits of Eight Novelists. New York: Macmillan.

2. Fried, M. (1997). Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane. Chicago: The University of Chicago Press.

3. Wilson, E., & Reill, P. (2004). Encyclopedia of the enlightenment. New York, NY: Facts on File.

4. Zafirovski, M. (2011). The Enlightenment and Its Effects on Modern Society. New York: Springer.
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British Literature Romanticism to Present

Words: 580 Length: 2 Pages Document Type: Essay Paper #: 88607468

British Lit. Romanticism to Present

Following the liberating Age of Reason, the Enlightenment, the age when humanity was triumphing through literature and Rousseau's philosophy was inspiring revolutions, the age of Romanticism saw the birth of some genius writers of its own. Among them, Lord Byron, a man who lived his thirty-six years with the intensity of one who wants to know it all and do it all, was a prolific writer whose works were the expression of his time.

Lord Byron was the restless soul who burnt every resource he had in his inquiries about the meaning of life. He traveled extensively and, like most of his fellow artists, was enchanted with the exotic of the East. Byron was both blessed and haunted by his genius. His image on the seashore, watching the fire lit to burn Shelly's body at Via Reggio, in Italy, is one of those images most…… [Read More]

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Authorship and Attribution in Early

Words: 3487 Length: 14 Pages Document Type: Essay Paper #: 20745555

A certain feeling toward propriety and morality is stamped upon our sex, which does not allow us to appear alone in public, nor without an escort. Thus how can I present my musical work, to the public with anything other than timidity. The work of any lady…can indeed arouse a degree of pity in the eyes of some experts." (owers and Tick, 1987)

owers and Tick state that many composers of this time "Reichardt, Hensel, and Schumann -- published lieder under male authorship. A few of Reichardt's early songs were included in a collection of her father's lieder, 'Duetsche Lieder' and three of Hensel's early songs "appear in each of Felix's Opus 8 and Opus 9; the 'Allegemeine musikalische Zeitung' claimed that 'An des lust'gen runnenes Rand' a duet composed by Fanny, is the best song in the collection" of Opus 8. Additionally three of Schumann's lieder were "included in…… [Read More]

Bibliography

Backer, Eric and Kranenburg, Peter van (2004) on Musical Stylometry- a Pattern Recognition Approach. Science Direct 2004 Elsevier.

Bowers, Jane M. And Tick, Judith (1987) Women Making Music: The Western Art Tradition, 1150-1059. University of Illinois Press, 1987.

Haynes, Bruce (2007) the End of Early Music. Oxford University Press. U.S., 2007.

Kranenburg, Peter van (2006) Composer Attribution by Quantifying Compositional Strategies. University of Victoria 2006.
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Keats and Hemingway Although the Literary Texture

Words: 342 Length: 1 Pages Document Type: Essay Paper #: 81780577

Keats and Hemingway

Although the literary texture John Keats' poem "La Belle Dame Sans Merci" and Ernest Hemingway's "A Very Short Story," have profoundly different tones, given that one was written during the Romantic period of the 19th century in England, and the other during the modernist period of 20th century American literature, both works have similar tales and attitudes towards love -- a military man seeks beauty and solace in the arms of a woman. Yet the man's love comes to naught because of a woman's faithlessness.

The Keats has a distinctly 'unreal' or crafted poetic tone, in contrast to the Hemingway attempt to have the quality of ordinary speech and life. Keats' poem is a ballad in the modern style. Hemingway's reads almost like a newspaper story in its quiet, factual description of its characters. Keats' poem is about a fairy queen, rather than an attempt at capturing…… [Read More]

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Women's Roles 1865-1912 Social Class

Words: 1683 Length: 5 Pages Document Type: Essay Paper #: 85355904

For instance, Sylvy could have decided to go with the man and leave her rural life. She could have left the life of poverty and gone back to the city. Had she made this choice she knew that she would never have to worry about money again. However, having come from the city originally, she also knew the personal freedom that she would be giving up. She felt that if she went away with the guest, she could learn to serve, follow, and love him, "as a dog loves" (Jewett, a White Heron, Harper Series, p. 1646). This line summarizes the oppression of the urban woman in the late 1880s.

Jewett tells her readers much about her feelings about social class and the political position of women during her time. She portrays women as "followers" of men. She alludes to the position of women as "servants" of man. She compares…… [Read More]

References

McQuade, D., Atwan, R., Banta, M., Kaplan, J., Minter, D., Stepto, R., Tichi, C., & Vendler, H. (Eds.). (1999). The Harper single volume of American literature (3rd ed.).Sarah Orney Jewett, a White Heron, (pp. 1639-1646. New York: Longman.
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Music Appreciation Stravinsky the Rite

Words: 1420 Length: 5 Pages Document Type: Essay Paper #: 13021578

The piano plays quick octaves and the urgent bass motive portrays an intense wild ride. This strong galloping is also being formulated by the piano's triplet rhythm which allows for the development of the dramatic storyline's urgency.

5. ) There are four different characters in this piece: the Narrator, the father, the son, and the Erlkonig. Although Schubert uses one singer to portray and sing all of the four parts of the characters, the listener is able to quite clearly differentiate them from one another. The son is sung in the high register in a minor key with dissonant harmonies. On the other hand, the father is sung in low register while the Erlkonig is sung in a coy with pleasant and soft melodies in the major key.

6. ) There are two ways that Schubert builds momentum in his piece. The first way is by using the bass as…… [Read More]

References:

Kamien, R. (2010). Music: An appreciation, brief edition. (7th ed. ). New York: McGraw-Hill Humanities/Social Sciences/Languages.
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Family and Education in Frankenstein

Words: 2250 Length: 8 Pages Document Type: Essay Paper #: 42657604

People generally focus on appearance when coming across a particular individual. This is perfectly exemplified by the meeting between the old member of the De Lacey family and the monster. The man initially welcomes the creature, as he is no longer able to see and is unacquainted with the monster's facial features and body.

Victor Frankenstein can be considered to contrast the monster through his behavior, his background, and because of the goals that he has. The scientist virtually had everything that the monster longed for, considering his family, his reputation, and the fact that he was generally seen as one of society's leading members. Instead of valuing what he had, however, Frankenstein gave it all away in favor of gaining reputation, as this was apparently the thing that he appreciated the most in life. hile most readers are likely to blame Frankenstein for most unfortunate events in the book,…… [Read More]

Works cited:

Bloom Bissonete, Melissa, "Teaching the Monster: Frankenstein and Critical Thinking"

Chao, Shun-Liang. "Education as a Pharmakon in Marry Shelley's Frankenstein," the Explicator, Vol. 68, No. 4, 223-226, 2010.

Lunsford, Lars, "The Devaluing of Life in Shelley's Frankenstein," the Explicator, Vol. 68, No. 3, 174-176, 2010

Schmid, Thomas H. "Addiction and Isolation in Frankenstein"
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English Romanticism in the 1790s

Words: 3717 Length: 12 Pages Document Type: Essay Paper #: 45643615

"O Sylvan ye! thou wanderer thro' the woods, / How often has my spirit turned to thee!" (http://www.uoregon.edu/~rbear/ballads.html) Now, the poet wishes to "transfer" the healing powers of nature that he himself has experienced to his sister. By stating."..Nature never did betray / the heart that loved her" (http://www.uoregon.edu/~rbear/ballads.html) ordsworth assures his sister that she will also find peace in the middle of nature if she believes in the communion with nature. This prediction is an artifice of the poem and is not simple. "ordsworth's ability to look to the future to predict memories of events that are happening in the present is ingenious and complicated. But ordsworth beautifully clarifies this concept by using nature as the ideal link between recollection, foresight, and his relationship with another."(Eilenberg, Susan. Strange power of Speech: ordsworth, Coleridge, and Literary Possession. New York: Oxford University Press, 1992).

Moreover, by imagining the future of his…… [Read More]

Works Cited

Bronte, Charlotte. Jane Eyre. Ed. Beth Newman. Boston: St. Martin's, 1996.

Baudelaire, Charles. Selected Writings on Art and Literature. London:

Penguin, 1992.

Spector, Jack the State of Psychoanalytic Research in Art History. The Art
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Influential Victorian Literature Scott and Historical Fiction

Words: 2772 Length: 10 Pages Document Type: Essay Paper #: 75596424

Sir Walter Scott was a writer a part of the romantic era, roughly 1797 -- 1837. Scott was born slightly before the beginning of this era, in 1771, and died nearly at the same time the period changed in 1832. Scott is known as a novelist, playwright, and poet of Scottish descent. The beginning of the omantic period is typically attributed to the publication of Wordworth's and Coleridge's Lyrical Ballads, and closed with the rise into power of Queen Victoria. This is a period in literature that produced outstanding lyrical poetry, a few dramas, and several novelists that were popular, including Scott. Scott was known for the ability to blend European history into entertaining narratives. Scott happened to have mass appeal during this period, able to reach readers of various classes and places within the Victorian era. At the time of the omantic Era, authors such as Jane Austen were…… [Read More]

References:

Edinburgh University Library. "Walter Scott." Edinburgh University Library, Web, 2014, Available from:  http://www.walterscott.lib.ed.ac.uk/home.html . 2014 March 04.

MacKenzie, Robert Shelton. Sir Walter Scott: The Story of His Life. Kessinger Publishing, 2009. Print.

Scott, MD, Professor Walter. The Complete Works of Sir Walter Scott: With a Biography, and His Last Additions and Illustrations, Volume 7. Nabu Press, 2010. Print.
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Death in Spanish Literature While

Words: 3683 Length: 10 Pages Document Type: Essay Paper #: 7150930

In his novels he focused on characters, motivations, and reactions to the forces around his characters. He realistically examined Spanish politics, economy, religion, and family through the eyes of the middle class, addressing the cruelty of human beings against each another in his novels Miau and Misericordia. Galdos was called the conscience of Spain for his realistic observations of society with all its ills. (Columbia 2005) His plays were less successful than his novels.

In 1907 he became deputy of the Republican Party in Madrid. He went blind in 1912, but overcoming this tragedy, he continued to dictate his books until his death. Other works translated into English are Tristana (tr. 1961) and Compassion (tr. 1962) Outside Spain his Novelas Espanolas Contemporaneas are the most popular. Perez Galdos was elected to the "Real Academia Espanola" Real Academia Espanola (Royal Spanish Academy) in 1897. A statue of him was raised in…… [Read More]

Works Cited

The Academy of American Poets" Poets.org. 1997-2007. http://www.poets.org/poet.php/prmPID/348.

Cole, Toby, (ed.). "Garc'a Lorca" in Playwrights on Playwrighting, 1961.

Hills, Elijah Clarence and Morley, S. Griswold, Modern Spanish Lyrics, New York: H. Holt, 1913.

Jehle, Fred F. Anthology of Spanish Poetry: A Collection of Spanish Poems, 1999.  http://users.ipfw.edu/jehle/poetry.htm .
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Analyzing the Wuthering Heights

Words: 1184 Length: 3 Pages Document Type: Essay Paper #: 42283053

uthering Heights

Emily Bronte is an author who was born in 1818. She is known for publishing her only novel, uthering Heights, in 1847 under the name of Ellis Bell, a year before her death. Her stellar work of art, uthering Heights, narrates her experience with both the Romantic periods, which lasted from years 1785 to 1830, to that early Victorian era, from 1830 to 1848 (Landers).

The Theme of Love in uthering Heights

The uthering Heights is a passionate story of a love triangle involving two family generations that intermarry. These families are the Earnshaws and the Lintons. The love tale includes a technique of a story within a story, and is narrated by two different characters. It is of importance to note that the two characters also happen to have different knowledge about the two families. One character has a profound knowledge of the families. Her name is…… [Read More]

Works Cited

BBC. Wuthering Heights. 2014. Web. 21 July 2016

E-notes. Wuthering Heights Analysis. 2016. Web. 21 July 2016

Landers, Kendell. "Wuthering Heights: From Victorian To The Romantic." The St. Lawrence Review (2004): n. pag. Web. 21 July 2016
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Underground the Books That Emerged During the

Words: 1423 Length: 5 Pages Document Type: Essay Paper #: 63130359

Underground

The books that emerged during the first half of the 19th century and some a little later as well belonged to the romantic age of literature that demonstrated a deep fascination for the dark side of human nature. Starting with such books as Mary Shelley's Frankenstein, this age is known for some of the unique characters it gave us including the protagonist of Notes from Underground. This book despite its theme of natural vs. unnatural is essentially romantic in its views and characterization style. This is clear from the fact that while Romantic period was known for its intense appreciation of nature, it also exhibited a heightened interest in the occult, the gothic and the strange phenomena. The non-adherence to classic rules and norms had given rise to creativity freedom that led to the development of strange new themes such as the one we encounter in the Frankenstein. In…… [Read More]

WORKS CITED:

1. Peter L. Thorslev, The Byronic Hero: Types and Prototypes, 1962.

1. Fyodor Dostoevsky. Notes from the Underground. Accessed online from  http://www.online-literature.com/dostoevsky/notes_underground/1/
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Greek Legend of Prometheus the God That

Words: 1316 Length: 3 Pages Document Type: Essay Paper #: 98266952

Greek legend of Prometheus, the god that defied Zeus and brought fire to humans, is one that figures largely in the imagery of the later Romantic poets. There's Byron's Prometheus, Percy Shelley's Prometheus Unbound, and Mary Shelley's Frankenstein, or The Modern Prometheus. For Percy Shelley and Lord Byron, Prometheus embodied the revolutionary, creative, and daringly original spirit, and a "courage and majesty and firm and patient opposition to omnipotent force" (Prometheus Unbound, Norton Anthology 734). Prometheus was the "champion of humanity" persecuted for his selfless desire to bring good to the world. Considering both men's hate for tyranny and zeal for social justice such a reading is not surprising.

However, Paul Cantor points out in Creature and Creator that, "the Romantics made a hero out of Prometheus by glossing over those aspects of the original legends which cast him in a bad light"(77). Mary Shelley's use of the Promethean legend,…… [Read More]

Works Cited

Brailsford, H.N, Shelley, Godwin, and Their Circle. New York: Henry Holt and Co., n.d.

Cantor, Paul Creature and Creator: Mythmaking and English Romanticism. Cambridge: Cambridge U. Of P, 1984.

____ "Mary Shelley and the Taming of The Byronic Hero: Transformation and The Deformed Transformed." The Other Mary Shelley: Beyond Frankenstein. Ed. Audrey A. Fisch. Oxford: Oxford U. Of P, 1993. 89-106.

Evslin, Bernard and Dorothy, and Ned Hoopes. The Greek Gods. New York: Scholastic Magazines, Inc., 1966.
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Sensibility and Paul De Man Conclusions Despite

Words: 1993 Length: 7 Pages Document Type: Essay Paper #: 70054660

SENSIBILITY AND PAUL DE MAN "CONCLUSIONS"

Despite the fact that De man was not a trained philosopher his post war theoretical work is majorly concerned with the nature of the subject and the language in addition to the role played by language and subject in the larger epistemological question of how and what one can claim to know. As a scholar in the field of literature, however, he often took his departure from, and kept returning to, the problems that mostly affect literature in terms of language and criticism. De man did some work in literary theory and criticism dating back to 1950s, although this work cannot be associated with any previous school of criticism that were flourishing during that era. (De man 567)

esearch questions

What major theme does Austen bring about in her book 'sense and sensibility'

What styles does she use to build on the major theme?…… [Read More]

References

Moore, Lisa L. Dangerous Intimacies: History of the British Novel. Durham, NC: Duke UP, 2000.

O'Farrell, Mary Ann. The Nineteenth-Century English

Novel and the Blush. Durham, NC: Duke UP, 1995.

Stoval, Bruce. The Cambridge Companion to Jane Austen. 4th Ed.
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Turner and Jacques Louis David Painters of Style

Words: 1029 Length: 3 Pages Document Type: Essay Paper #: 66486138

Neoclassicism:

Oath of the Horatii (1784) by Jacques-Louis David

Romanticism:

The Plagues of Egypt (1800) by Joseph Turner

Style Guide

Representing the Neoclassicist period of art is the French painter Jacques-Louis David's (1784) Oath of the Horatii, painted for the French government (prior to the Revolution) in Rome. It conveys a Republican sentiment, both in form and in function (as the story of the Horatii was an old one from ancient Roman history that told the story of two brothers who banded together to fight oppression within the city-state). This same theme of taking a stand against oppression would be important in the coming years in France and especially in Paris, where the revolution would break out in force. This painting thus delivers up a theme that is in full support of the classical ideals represented by the Horatii as they take arms and prepare themselves to fight the corrupt…… [Read More]

Works Cited

Bietoletti, Silvestra. Neoclassicism and Romanticsm. NY: Sterling, 2009. Print.

Bordes, Philippe. Jacques-Louis David: Empire to Exile. CT: Yale University press,

2005. Print.

Hamilton, James. Turner -- A Life. UK: Sceptre, 2014. Print.
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Debussy Listening Prelude to the

Words: 1606 Length: 5 Pages Document Type: Essay Paper #: 43997705

And the goal of Impressionist painting is always just that -- to given an impression, rather than to suggest a coherent, linear picture of experience. Impressionists depicted emotions and subjective concepts, rather than attempted to convey a singular view. There is no 'point' to Monet's paintings of water lilies; there is merely the artist's reflection on color. The story goes nowhere in "Prelude to the afternoon of a faun," but the atmospheric canvas of light, shade, and sound creates a scene. Backdrops rather than plot; emotions and desires and dreams rather than clear movements characterize this Impressionistic work of art.

The original inspiration of the work was a poem by the French poet Mallmarme. However, the poem's uncertainty and daydream-like quality is not a literal 'synthesis' of the poem (Lloyd 154). Instead, Debussy created something entirely new in his work. The music allows for a greater ambiguity in its composition…… [Read More]

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Western Enlightenment

Words: 1691 Length: 6 Pages Document Type: Essay Paper #: 64281599

Ideology in France 1848-1849: eflections on Nationalism and Liberalism

The ideology adopted in France between 1848-1849 has been described in many different ways by historians and theorists. The predominant body of research available however suggests that a liberal and nationalistic ideology reigned supreme during this time, where the middle class became much more influential. The idealisms of the romantic era are also evident in France during this period of time, and may have influenced the nationalistic state of affairs in France at the time.

The liberal and nationalistic idealisms adopted by the middle class led many people to experience struggles and hardships, but a majority of these were in the process of discovering their own form of leadership and sense of pride. These ideas are explored in greater detail below.

Ideology in France

Karl Marx describes the France of 1848-1849 as filled with Class struggles. From primary accounts of the…… [Read More]

References:

Dunham, A.L. "The industrial revolution in France, 1815-1848." New York: Exposition

Press: 1955.

Evans, D.O. "Social romanticism in France, 1830-1848." Oxford: Clarendon Press: 1951.

Hemmings, F.W.J."Culture and society in France, 1815-1848." New York: Peter Lang,