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Rome
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What is Rome?

Rome as a subject of academic study spans disciplines including ancient history, classical studies, art history, political science, and religious studies. Students encounter Rome in courses that trace the foundations of Western civilization, examine the dynamics of empire and power, and analyze the spread of Christianity and the institutional Church. The sheer breadth of Roman history — from the legendary Seven Kings of Rome through the Republic, the expansion of the Roman Empire, and its eventual fall — makes it one of the most analytically rich topics in world studies. Its entanglements with neighboring civilizations, particularly Carthage and Greece, and its lasting influence on Italy and modern governance give scholars multiple entry points for sustained academic inquiry.

The papers collected on this topic reflect a wide range of approaches. Comparative essays examine Rome alongside other powers, such as the Han Dynasty, or trace architectural and artistic legacies through formal analysis. Historical narratives focus on specific conflicts like the Punic Wars or biographical subjects like Julius Caesar. Other papers take cultural and mythological angles, exploring Greek and Roman mythology or the role of structuralism in classical myth. Some essays engage with Rome's religious transformation and the rise of Christianity, while art historical work analyzes specific objects and monuments in their imperial context.

A strong essay on Rome requires a clearly bounded thesis — focusing on a specific period, figure, conflict, or legacy rather than attempting to survey the entire civilization. Primary evidence drawn from ancient historians and material culture carries particular weight. The most common pitfall is conflating Greek and Roman traditions without acknowledging where they genuinely diverge.

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Research Paper Doctorate
The Lady or the Tiger vs. Gladiator: Justice and Spectacle
¶ … Frank Stockton's "The Lady or the Tiger?" A young man, the forbidden lover of a princess, is sentenced to a trial by ordeal: in front of thousands of onlookers, he must choose between two doors.
Paper Undergraduate
Aristophanes, Cratinus & Eupolis: Old Athenian Comedy
Acharnians, Knights, and Clouds are three of the most revered works by Aristophanes. These works are of particular interest to this discourse because they have clear political and social nuances which affected the…
Essay Doctorate
Christianity, Politics, and the Church: A Historical Overview
this is a five page paper about turning points in Christianity. The five page paper refers to St. Augustine's City of God, Clovis's The Chronicle of St. Denis, Gregory VII. Dictatus Papae, 1090, Martin Luther's Address to the Christian Nobility of the German Nation, 1520, and John Calvin's Institutes of the Christian Religion.
Research Paper High School
Bernini and Caravaggio: Baroque Art, Religion, and Sensuality
This paper discusses two works of art from the Baroque period. It talks about Bernini's "Ecstasy of St. Teresa" and also about Caravaggio's "Crucifixion of St. Peter." The two paintings illustrate how religion can be not all about perfect pristine things. It can be sensual and it also can be very violent and ugly, both of which need to be remembered.
Paper Doctorate
Repatriation of Egyptian Artifacts: Ethics, Law, and History
The paper debates whether the artifacts should go back to egypt, or stay where they are? The writer takes one side of the debate and prefers that artifact should go back to egypt.
Paper Undergraduate
Islamic Golden Age: Science, Culture, and Western Civilization
The Islamic Golden Age is also known as the Caliphate of Islam or the Islamic Renaissance. The term refers to a system of political, cultural, and religious authority derived from the teachings of the Prophet Mohammed…
Paper Masters
Exoticism in 19th and 20th Century Opera: Carmen and Madama Butterfly
Exoticism in 19th and 20th Century Opera Exoticism was a cultural invention of the 17th Century, enjoying resurgence in the 19th and 20th Centuries due to increased travel and trade by Europeans in foreign, intriguing continents. The "West," eventually including the United States, adapted and recreated elements of those alluring cultures according to Western bias, creating escapist art forms that blended fantasy with reality. Two examples of Exoticism in Opera are Georges Bizet's "Carmen," portraying cultural bias toward gypsies and Basques, and Giacomo Puccini's "Madama Butterfly," portraying cultural bias toward the Far East. Butterfly's "exotic geisha" imagery of the Far East and Carmen's "earthy Spanish gypsy" imagery originating from the Middle East blossomed from escapist original source material that was borrowed and embellished to create some of the finest operas of the modern art world. Though the premieres of both operas were poorly received, both "Carmen" and "Madama Butterfly" survived to become classic, enduring masterpieces.
Research Paper Doctorate
Schooling in Renaissance Italy: Literacy and Learning Review
Grendler, Paul F. Schooling in Renaissance Italy: Literacy and Learning 1300-1600. Baltimore: Johns Hopkins University Press, 1991.
Paper Undergraduate
The Homeric Epics and the Gospel of Mark: A Critical Review
Dennis McDonald's The Homeric Epics and the Gospel of Mark (2000) is a book that was always guaranteed to upset orthodox Christian theologians and biblical literalists and fundamentalists everywhere, since its main thesis held that the author of the first gospel used the Iliad and the Odyssey as literary models. He compares Mark to the apocryphal Acts of Andrew, a Gnostic book, and describes it as a "hypotext" that "relies somehow on a written antecedent" (McDonald, p. 2). Specifically, Mark used Books 22 and 24 of the Iliad as models for the death and burial of Jesus, in which Achilles brutally kills Hector and then releases the body to his father, King Priam of Troy. Hector's soul went to Hades and never returned, but of course Jesus was resurrected on the third day, even if his rather dim disciples in Mark failed to recognize him initially.
Paper Doctorate
Music and Politics: The Argentine Tango's Cultural Roots
The tango is a form of dancing that originates in Buenos Aires, Argentina. It is a popular dance form that has spread internationally since its inception in the early nineteenth century. As with all cultural forms, there is a distinctive history and style that accompanies this form of expression. The very creation and performance of tango are political acts. The tango flourishes in South America and in Europe. The tango culture is also quite popular in North American and Asia. There are, for example, multiple tango festivals that occur in Turkey, a country that is both in Asia and in Europe. The paper will discuss the cultural expression of tango, a form of music and dance, as well as the political circumstances under which it was created and the ones it expresses.