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Supernatural
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What is Supernatural?

The supernatural encompasses phenomena that exist beyond the boundaries of the natural world — spirits, prophecies, divine intervention, mythological beings, and forces that defy rational explanation. In academic settings, this topic appears across religious studies, literature, anthropology, and cultural history courses. It invites students to examine how different societies and texts construct meaning around what cannot be empirically verified, and how belief in supernatural power shapes human behavior, identity, and storytelling across time and place.

The papers archived here approach the supernatural from several distinct angles. Literary analysis features heavily, with essays examining the role of the supernatural in works such as Macbeth, Hamlet, and the myths of Hercules, Theseus, and Gilgamesh, as well as stories by authors like Stephen King and Gabriel García Márquez's symbolism in A Very Old Man with Enormous Wings. Cultural and historical approaches appear as well, including explorations of the Gothic period, Maori cultural practices, and Renaissance English theater. Some papers engage with realism and naturalism to question or contrast supernatural frameworks, while others take a more contemporary focus, treating subjects like crop circles and the meaning and purpose of dreams.

A strong essay on the supernatural establishes a clear, arguable thesis about what function the supernatural serves — whether narrative, ideological, psychological, or spiritual — rather than simply cataloguing occurrences. Evidence drawn from close reading of primary texts or specific cultural frameworks tends to carry the most weight. The most common pitfall is treating the supernatural as mere decoration; effective essays connect it directly to character, power, or the construction of reality within the work or culture under study.

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Paper Undergraduate
Clive Barker's The Damnation Game: Horror and the Faustian Bargain
Baker, Clive. The Damnation Game. Berkley, 2002.
Paper High School
Marx, Engels, Feuerbach, and the Philosophy of Religion
Karl Marx and Friedrich Engels said that man makes religion, religion does not make the man (p 160). What they meant to say is that man makes religion in that it is something that man needs, it is not something that…
Research Paper Undergraduate
Underworld (2006): War, Identity, and Immortal Conflict
Underworld (2006) -- an Immortal, Immoral War to End All Wars, Like So Many Human Wars Before it
Essay Doctorate
Fate and Free Will in Sophocles' Oedipus Rex
Oedipus Rex is a Greek tragedy in which Oedipus and Thebes are punished for the sins committed by Oedipus' father, Laius. Written by Sophocles and first performed in 429 BCE, it is the second play produced in Sophocles'…
Paper Doctorate
Voodoo: Origins, Rituals, and Cultural Misrepresentation
¶ … voodoo" is derived comes from vodun, which means a god, spirit or some type of sacred object, in the Fon language of West Africa (Cavendish, 1970).
Paper Undergraduate
Magic and the Supernatural in 1001 Arabian Nights
As Bruno Bettelheim states in The Uses of Enchantment, the fables depicted in Arabian Night are of a specific character that has been shown to be part of the universal nature of stories of enchantment.
Paper Doctorate
Otherness in Gothic Fiction: Walpole and Lewis Explored
The construct of otherness is represented in Gothic fiction in three primary ways: (1) An underlying emphasis on the supernatural is a strong platform to presenting a sense of the other to readers. (2) Moreover, women are portrayed in a manner that characterizes them as being very different from men. (3) The behavior of the characters and the situations in which they find themselves and put themselves is profoundly different from the quotidian experiences of the readers, thereby imparting a separation between fiction and real life that comfortably maintains the characters in some kind of otherland.
Research Paper Undergraduate
The Exorcist and the Question of Human Identity and Self
Exorcist -- What constitutes the human self, apart from the human body?
Research Paper Doctorate
Supernatural in Renaissance Drama: Marlowe and Shakespeare
There are things in heaven and earth, not dreamt of in the philosophy of Horatio, not simply in "Hamlet" but also in the "Midsummer's Night Dream" of Shakespeare, and the "Dr. Faustus" of Christopher Marlowe.
Research Paper Doctorate
Myth, Identity, and Death in Daniel Wallace's Big Fish
¶ … myth in Daniel Wallace's Big Fish is particularly what allows Edward Bloom to keep other people in his life at a distance. By stretching the events of his life into tall tales, Edward was able to create an identity…