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Theme
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What is Theme?

Theme is one of the most fundamental concepts in literary studies, referring to the central ideas or messages that give a work its deeper meaning. Students across introductory composition courses, world literature seminars, and advanced literary analysis classes are regularly asked to identify and interpret theme because it trains close reading and critical thinking. Works like William Blake's "The Lamb," William Faulkner's "A Rose for Emily," Edgar Allan Poe's "The Tell-Tale Heart," and Gabriel García Márquez's "A Very Old Man With Enormous Wings" appear frequently in these assignments because they carry layered, discussable themes around death, love, society, and human nature.

The papers archived on this topic take a range of approaches. Many focus on single-text analysis, tracing how one theme develops across a short story or poem — as seen in essays on Liliana Hecker's "The Stolen Party," August Wilson's Fences, and Robert Frost's "Out, Out." Others adopt a broader comparative or cultural lens, examining theme across multiple works or situating it within American literature as a whole. Some essays combine thematic analysis with attention to symbolism, while others move toward ethical or societal interpretation, connecting a work's ideas to larger questions about life, class, and identity.

A strong essay on theme opens with a specific, arguable thesis that names the theme and makes a claim about how or why the author develops it. Textual evidence — quoted passages, specific scenes, repeated images — carries the most weight and should be interpreted rather than simply summarized. The most common pitfall is defining a theme too broadly, such as stating only that a work is "about love" without explaining what the text actually argues about love's nature or consequences.

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Paper Doctorate
Whitman and Melville: spirituality versus alienation in industrial New York
Walt Whitman's poem "Crossing Brooklyn Ferry" and Herman Melville's short story "Bartleby the Scrivener" are set in New York City during the early years of the industrial revolution, but are markedly different in tone, theme and the perceptions and feelings of the main characters. Melville's characters exist without joy, love or hope, and merely drag themselves through a life of drudgery and alienation, without making any human connections to each other or to nature. Mankind in Bartleby's world is simply trapped in a pointless existence that ends with death, and unlike Whitman's narrator they are unable to rise above this grim, mundane world or imagine a common link with others or with the past and the future. Rather than simply being tools and machines carrying out routine, white-collar tasks, Whitman's narrator finds the resources within himself to transform an ordinary scene of returning home from work into a sublime spiritual experience, in which he perceives a bond with all of mankind, past, present and future, as well as with nature and the entire universe in a way that Bartleby and his coworkers never could have imagined.
Paper Doctorate
Narcissism, celebrity culture, and mass violence in new media
Serazio, Michael. "Shooting for Fame: Spectacular Youth, Web 2.0 Dystopia, and the Celebrity Anarchy of Generation Mash-Up." Communication, Culture & Critique 3 (2010) 416 -- 434.
Research Paper Doctorate
Elia Kazan's "On the Waterfront": moral courage against union corruption
Elia Kazan's 1954 "On the Waterfront" is a mixture of crime-romance with hero-drama. Marlon Brando is cast as the protagonist, with Rod Steiger as his brother, Lee J. Cobb as the union mob boss, Karl Malden as the local…
Research Paper Doctorate
Gender and class stratification in John Updike's A&P
The Themes of Women Empowerment and Modern vs. Traditional American Society in John Updike's A&P
Research Paper Doctorate
Individualism and choice in Robert Frost's "The Road Not Taken"
The Poem "The Road Not Taken" is a first person narrative about an important decision in the life of the protagonists. The central theme that is explored throughout the poem is the question of individualism and the…
Research Paper Doctorate
Symbolism of the self in Franz Kafka's "The Metamorphosis"
Symbolism of the 'Self' in Franz Kafka's "The Metamorphosis"
Research Paper Doctorate
Cass Sunstein's review of Kenneth Starr's Supreme Court book
Cass Sustein's Politics By Other Means, which was published in New Republic in 2002; Mark Green's The Evil of Access, which was published in The Nation in 2002; Bill Moyers' Journalism and Democracy, which was published…
Research Paper Doctorate
Modernism and Romanticism in Samuel Beckett's Endgame
¶ … play "Endgame" by Samuel Beckett. The writer of this paper examines the theme, style and other elements of the play while examining the contextual and stylistic elements of the work.
Research Paper Doctorate
Stephen King's The Stand and the battle between good and evil
¶ … Stand, by Stephen King [...] personal response to the novel. "The Stand" is a disturbing book that recounts the story of survivorship, new worlds, and man's inhumanity.
Research Paper Doctorate
Machiavelli's use of Ferdinand of Aragon as critique of church power
Ferdinand of Aragon is represented both directly and indirectly in the text. Ferdinand of Aragon is one of the few characters whom Machiavelli openly compliments. However, as the following research will demonstrate,…