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Violence
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What is Violence?

Violence as an academic subject appears across criminology, sociology, communication studies, and literature courses. Students are asked to examine it because it sits at the intersection of individual behavior, cultural norms, and institutional policy, making it a rich site for critical analysis. The topic resists simple explanation — whether the focus is on domestic settings, organized crime, campus safety, or political extremism, violence raises questions about causation, responsibility, and social consequence that disciplines approach from very different angles.

The papers archived here reflect a wide range of approaches. Some take a media-effects angle, examining how television, movies, and video games shape aggressive behavior in children and adolescents. Others focus on specific institutional contexts — prison officer and inmate dynamics, college campuses, and sports environments — using case-study reasoning to ground broader arguments. Historical and operational analyses, such as those covering organized militant groups, sit alongside literary treatments like those centered on works such as Slaughterhouse-Five, where violence is examined through narrative and symbol. Policy-oriented papers address questions of restriction and regulation, particularly around media access for young audiences.

A strong essay on violence scopes its thesis by choosing one context — media, sport, incarceration, literature — rather than attempting to address all forms at once. Evidence carries the most weight when it connects observed behavior or documented events to identifiable social or institutional factors. The most common pitfall is conflating correlation with causation, especially in arguments about media exposure and aggression; a credible essay acknowledges complexity and competing explanations rather than asserting a single, direct cause-and-effect relationship.

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Paper Doctorate
Mary Shelley's use of form, theme, and metaphor in Frankenstein
This paper gives a literary analysis of Mary Shelley's Frankenstein from the standpoint of theme, character, language, metaphor, tone, and form. The tale essentially serves as a cautionary novel on the dangers of pursuing the extremes of the "wisdom" and "knowledge" of the natural philosophy promoted during the Age of Enlightenment and Romanticism.
Research Paper Doctorate
Aristotle's ethical framework and the morality of capital punishment
This paper will examine capital punishment as a moral issue and argue the opinion that it is an immoral practice. In order to do this, this paper will employ Aristotle's ethical system and explore his notion of values.
Research Paper Doctorate
Displaced desire in Sherman Alexie's Ten Little Indians
The name of the short story collection Ten Little Indians by Sherman Alexie takes its name from a politically incorrect children's nursery rhyme also made famous by Agatha Christie's drawing room mystery novel of the…
Essay Doctorate
OSHA and workplace safety in On The Waterfront
Signed into law on December 29th, 1970 by President Richard M. Nixon, the Occupational Safety and Health Act recognized the government's role in protecting the American worker from hazards and threats in the workplace.
Research Paper Masters
Truth and totalitarianism in Orwell, Brown, and Beethoven
An analysis of the Da Vinci Code, Beethoven's 9th, and 1984.
Paper High School
The case for government: law, order, and economic stability
There are times when it is tempting -- on tax day, or when the wrong political party gets elected -- to wonder if it might be better not to have any government at all. It spends your money, gets in your way with laws…
Paper Doctorate
Government control of African-Americans through twentieth-century science and art
A Survey of Black Social Oppression in the Twentieth Century
Research Paper Undergraduate
Phillip Slater's critique of American individualism and the counterculture
Slater, Phillip. The Pursuit of Loneliness: American Culture at the Breaking Point.
Research Paper Undergraduate
Michael Moore's participatory approach in Bowling for Columbine
Bill Nichols argues that documentary can be divided into six modes. One of these modes is the participatory mode, and this mode can be seen in a film like Bowling for Columbine, made by Michael Moore in 2002.
Paper Undergraduate
Christian Identity movement and the problem of religious fundamentalism
An Example of the Problem of Fundamentalism