156 results for “Zeus”.
The figure of Zeus in the form of a human being also played a great role in Greek art. The Greek sculptor Lysippos was widely known and admired for his monumental statues of Zeus.
Perhaps this is why he was asked to create a full-size portrait of Alexander the Great now known as the Scraper, a Roman copy after the original bronze statue made around 330 .C.E. According to legend, Lysippos allegedly met with Zeus on Mount Olympus, where Zeus posed for him while holding a golden scepter, a sign of power and authority.
In addition, a reasonably reliable image of Alexander the Great can be found on a coin issued by Lysimachos, the king of Thrace, sometime in the 4th or 3rd centuries .C.E. The portrait on this coin shows "Alexander in profile wearing the curled ram's horn headdress that identifies him as the Greek-Egyptian god of Zeus-Amun" (Ferguson, 278). Certainly,…
Ferguson, John. Among the Gods: An Exploration of Ancient Greek Religion. London: Constable Press, 1989.
Gimbutas, Marija. The Goddesses and Gods of Old Europe, 6500-3500 B.C. Berkeley: University of California Press, 1984.
Hurwitt, Jeffrey M. The Art and Culture of Early Greece, 1100-480 B.C. Ithaca, NY: Random House, 1985.
Leadbetter, Ronald. "Zeus." Encyclopedia Mythica. Internet. 2005. Retrieved at http://www.pantheon.org/articles/z/zeus.html .
Zeus also acted on principle to create social order at Olympia by waging war on his own father. However, Zeus was just in his treatment of the vanquished Titans, eventually granting their freedom (Morford & Lenardon p. 78). Zeus's story mirrors that of the Greeks in their skillful fashioning of political and social structures out of disparate and geographically distinct peoples.
Zeus can even suggest the evolution from a polytheistic to a monotheistic society. Although monotheism would not become entrenched in Greek consciousness until Christianity, Zeus does become a singular force, "one god" above all others (Morford & Lenardon p. 72). Zeus's "supremacy" paved the way for the future growth of a monotheistic culture and religion throughout ancient Greece and Rome (Morford & Lenardon p. 72). His greatness among all other gods is sometimes symbolized as an aegis: representing Zeus's special power like a crown on a king. Kings, in…
Greek culture is really no different from modern culture. For example in today’s culture, there are various iterations of the super heroes who are popular today—and so readers of comic lore will know different variations on the Bruce Wayne, Bruce Banner, Spiderman, and Superman myths. The same is true for the Greeks. Depending on the author, there were different iterations. Euripides told stories of the Greek gods in a much different vein than did Aeschylus or Homer. The reason for this is that the form of the drama had changed but so too had the culture from the time of Homer to Aeschylus to Euripides. Zeus in Hesiod’s Theogony is different from Zeus in Aeschylus’ Prometheus Bound. In Aeschylus’ play, Zeus is silent and the focus instead is on Prometheus: the playwright aims at increasing the audience’s sympathy for the title character. In Hesiod’s Theogony, Zeus’s thoughts and feelings are…
Is it a sign of inconsistency in Athena that at the end of the Odyssey she echoes the sentiment of Zeus and sues for peace whereas in Book 4 of the Iliad she is all too eager to ignore the sentiment of her father and manipulate the warriors into shedding more blood? Again -- not necessarily. hile, were it up to Zeus he would gladly see men work out their problems in a peaceful way, and, if he can help it, only sends strife and war when men need to be punished. The relationship between war and peace is complicated by the fact that he is not the only god (even if he is king of the gods). The gods seem to have just as many quarrels and disagreements among themselves as men do on Earth -- a point Zeus knows quite well. That is the reason he presides over…
Homer. The Iliad. (Trans. By Richmond Lattimore). IL: University of Chicago Press,
Homer. The Odyssey. (Trans. By Robert Fitzgerald). NY: Farrar, Straus and Giroux,
As well I can see that she has wore royal headdress that usually a king wears but the uraeus (cobra) is linked with the female individuals, though both kings and queens use it. The uraeus is linked to the sun god. Here I remember and you also know dear Zeus one of our beliefs that God took the eyes from Sun. This uraeus in front of her headdress makes me feel like she is the goddess though it symbolizes her kinship.
Yet I am feeling that her portrayal and imagery is different from the Canonical practice however, I am also feeling that it was essential for creating her female king identity. It also makes me feel that Hatshepsut created her image very carefully and slowly and was able to cultivate her identity because in her images she is portrayed as female king and not as a male king.
And tell me why…
By taking part in his destiny, she somewhat disproves Zeus' claim that humans are wrong to suggest that the gods are to blame -- for without her interference, the many suitors would not have been slaughtered by Odysseus.
Athena's speech here, which will fuel the eventual release of Odysseus and his long ride home, continues at this point to describe the situation in which (at the story's beginning) he is imprisoned. She described how he is suffering torments "on a wave-washed island rising at the centre of the seas," where he is held captive by "a daughter of Atlas, wicked Titan." This daughter, Calypso, is herself an immortal, and contemporary of the oldest gods. The Titans were those deific forces which proceeded Zeus and the other Olympic Gods. Cronos, king of the Titans, had been the father of Zeus and over thrown by them. In this overthrow, the old titans…
Here we can see that Agamemnon struggled over what to do but finally set his eyes upon the prize. His crime becomes justified through the victory. However, when Agamemnon kills his own daughter, he is violating one of the most fundamental rules set in place by the gods, which prohibits the murder of a family member. Agamemnon is indifferent to what he has done. hen Clytaemestra confronts him about it, he says, "I have no fear" (925) in relation to his sense of right and wrong. The gods will not allow him to enjoy his victory just as they did not allow Paris to enjoy his.
Zeus uses others to exact this revenge with Clytemnestra being the most powerful example of how events work out to his favor. hen she murders Agamemnon, we see how the glory of the king and his victories do not matter in the gods' big…
Aeschylus. Agamemnon. The Norton Anthology of World Masterpieces. New York W.W. Norton and Company. 1985.
Compare and contrast two other Olympic deities with the story of Zeus. Discuss and elaborate in your answer how these gods interact with Zeus and why the stories about their origins are important to our understanding of Greek mythology
Zeus overtook and destroyed his father, the Titan Cronos -- but was nearly destroyed by the birth of his own daughter, Athena. Zeus, fearing that her mother Metis would become wiser than himself, ate his lover while she was pregnant, and Athena was born from Zeus' skull, fully formed. Zeus proved his ability to 'give birth,' thus showing his greatness as a god, and Athena gained her unique status, having been entirely mentally generated by a male, although female in appearance. Unlike the other deities of Olympus, she seldom had conflicts with Zeus, as Zeus seemed to respect her wisdom.
Zeus also had another special relationship with Hermes, another of his Olympian children.…
Ganz, Timothy. (2009). Early Greek Myth. Excerpted at About.com March 20, 2009 at http://ancienthistory.about.com/cs/grecoromanmyth1/a/hesiodagesofman.htm
However, when Achilles touches Priam as token that he should have no fear; both gods and mortals are said to be asleep. There is a sense of will in Achilles' gentleness towards the man, and his willingness to touch Priam's sleeve that night. In other words, human and divine reconciliation and pity is not simply a law, humans must accept the will of the gods, but they are also capable of choosing to add or subtract the misery of the world by showing pity to their fellow humans. Odysseus' cleverness, although aided by the gods, is also partly drawn from his own resourcefulness and character, as well as merely because Athena helps him.
Achilles makes what is said to be the greatest gift to Priam, that of Hector's body. In Greek custom, gifts were customary to give to visitors. ith such a gift, Achilles gives up his determination to mourn…
Homer. "The Iliad." Trans. Robert Fagles. New York: Penguin, 1990.
Homer. "The Odyssey." Trans. Robert Fagles. New York: Penguin, 1996
Tales of love begin with the creation of humans, and continue to the graphic media driven "reality TV" shows that televise the private lives of the bachelor and bachelorette and all the people competing for their love. Love is a feeling everyone can relate to, but it is unlikely most people would claim to understand love. ithin almost every literary genre there are myths about love that fuel ideals that are rarely if ever realized. There is no place where this is truer than in the stories of mythology.
The perpetual love myths that exist in classical mythology demonstrate ideals that are confronted even today by individuals searching for love today. The ideals of love that will be explored in this work are: love at first sight, the myth of one true love and the human phenomenon of over idealizing unobtainable love. The stories of classical mythology charter the lives…
For Peter Mazur, the two creation myths of the origins of the individual gods Apollo and Hermes represented two polar forces in the universe of man, two necessary ways the gods were a presence in the fate of human creation, as a tricking and deceitful force but also as a force of indomitable strength.
For example, night may be either a kindly protection for a hero under attack, or a dangerous cloud leading one astray from a path to glory states Mazur, although Apollo sees Hermes as having the potential to embody both. Apollo also recognizes Hermes as his brother, for Apollo too understands and uses trickery, as well as strums upon his lyre. By showing Hermes through the eyes of Apollo, the author of the hymn has a greater perspicacity, that trickery and the light of the mind are both godly forces and trickery itself, when practiced by the…
Mazur, Peter. "Apate and Hermes, Children of Night." American Philological Association. Journal of Philology. Summer 2005. http://www.apaclassics.org/AnnualMeeting/05mtg/abstracts/mazur.html
Mitchell-Boyask, Robin. "Study Guide to the Homeric Hymns." 11 Sept 2002. Temple University Classics Archives Page. http://www.temple.edu/classics/apolhermhymn.html
Hesiod. "Hymn to Hermes." From Harris and Platzner. Classical Mythology. Fourth Edition. Pp.214-227.
Hesiod. "Hymn to Apollo." From Harris and Platzner. Classical Mythology. Fourth Edition. Pp. 245-57.
ABC/123 Version X
Divine oles Across Cultures
Divine oles Across Cultures
Select one common divine role that recurs in world mythology. Possible options of divine roles include the following: father or mother divinities, divinities of war, home or hearth divinities, divinities of love, divinities of wisdom, divinities of medicine or health, divinities of the wind, divinities of agriculture, divinities of the sky, ruler of all the gods, and so on.
Identify the role in the title of your table.
Select two myths, each from a different culture, in which the divine role appears. Identify the divinity names and cultures in columns A and B.
Complete the table by answering each of the five questions for both selected divinities.
Divinity Name: Zeus
Culture of Origin: Greek
Divinity Name: a
Culture of Origin: Egyptian
How is this divinity portrayed? Describe the divinity's role within the myth.
In Greek mythology, Zeus is the king god and creator of all gods. He lives…
Eisenhower, S. (2013). Divine Roles across Cultures. Retrieved October 4, 2016 from Academia.edu: https://www.academia.edu/15704328/Hum_105_Divine_Roles_Across_Cultures
Jewell, R. (2002). Mythology- Stories of Who We Are. Retrieved October 4, 2016 from the University of Minnesota: http://www.tc.umn.edu/~jewel001/humanities/book/4mythology.htm
Larkin, A. & Kingston, G. (2016). Zeus. Retrieved from the Department of Education, Early Learning and Culture: http://www.edu.pe.ca/gulfshore/Archives/heroes/html8imm/zeus/zeushist.htm
"Ra (Re)." Myths and Legends of the World. Retrieved October 04, 2016 from Encyclopedia.com: http://www.encyclopedia.com/humanities/news-wires-white-papers-and-books/ra-re
The Greeks were one of the most religious societies in the ancient world. With roots in Minoan culture, West Asian beliefs, and Central Asian gods, religion permeated virtually every aspect of Greeks' life -- from politics and culture to family, morals, agriculture, festivals, games, as well as beliefs about nature and the origin of life (Carr). The Greeks strongly believed that there were invisible, all-powerful gods and goddesses that controlled every occurrence. As a society, therefore, it was important to maintain a good relationship with the gods through prayer, sacrifice, and leading a good (morally upright) life. The prayers and sacrifices were made in sacred sites and temples where the gods were erected in their personified forms (Cartwright). Gods were also believed to reside in mountains.
Religion in ancient Greece was strongly tied to natural phenomena like rain, storms, plagues, earthquakes, and volcanoes (Carr). There were gods for each of these…
Male and Female Relationships in Hesiod's Theogony
One of the most interesting and complex facets of Greek mythology is how it portrays the relationship between the sexes. At first glance, the celebration of Zeus and his relationships with multiple women, mortal and immortal, appears to celebrate the male and portray women as subjugated vessels, good for little more than bearing and raising children. Furthermore, complicating the issues of sexism and sexuality is the fact that mythology portrays relationships between humans and non-humans, adding another dimension of power and inequality. However, delving below the surface of Greek myths, one finds a reverence for the feminine, which belies the apparent sexism and misogyny that one encounters on the surface of most myths. Nowhere is this interaction between the male-female dynamic and the human-divine dynamic more fascinating than in Hesiod's Theogony.
The first substantive mention of the feminine in Theogony centers around Hesiod's description…
Hesiod. "Theogony." Trans. H.G. Evelyn White. Greek-Mythology.com. 2004. Greek-
Mythology.com. 24 Oct. 2005 .
This is a clear and explicit statement of the gods' selfishness, and in the context of the story of Zeus' in particular. There is no other reason provided for his desire to keep fire away from humanity; it is not out of a prudent and paternal fear of fire's destructive powers, nor because of something divine in the very essence of fire that is not to be sullied by human hands, but merely because it is part of the "stuff of life," and the gods do not feel like sharing. It is one more way in which Zeus can feel superior to man, and though this type of petty selfishness might not be very becoming to the king of gods in the Greek pantheon, maker of thunder and lover of swans, it is certainly appropriate for a villain.
So, too, is the ingenuity with which Zeus goes about punishing mankind…
Thus, at the end of the poem, Yeats uses words to suggest that Leda has made a full transformation from weak women to one with a sexual assertiveness that can only be described as a shudder and a power that is greater than Zeus's. Through this suggestion, Yeats also points out that women are different than the Greek's conception of them in the myth. Instead of being weak, his word choices argue that they are powerful enough to overcome even the greatest of powerful men, and that this struggle to become powerful is what makes them gain that ability.
Finally, the structure of Yeats' poem itself suggests Leda's eventual rise from a weak, sexually conquered, "staggering girl" (2), to a strong, sexually assertive woman. This can be seen, first, through the chronological nature of the poem. Content, imagery, and word choice all trace Leda's evolution in a chronological fashion. In…
Yeats, William Butler. "Leda and the Swan." n.d. The Literature Network. 3 April 2009.
Pindar and the Olympian Ode
In general, sports are competitive physical activities that may be individual, group, team, or a combination. The idea of sports is to improve physical abilities as well as to provide entertainment to both participants and observers (spectators). One of the longest and most famous traditions in sports was, in fact, the Ancient Olympic Games of Greece. These games were not just sporting events for the Greeks, but were religious and athletic festivals held every four years in Olympia -- the site of a temple to their chief God, Zeus. These games were competitions among the several city-states in Ancient Greece, and were so ingrained into their society that any wars or conflicts or even legal disputes between any of the region's participating were put on hold during these Games.
In Ancient Greek society, sports were not just entertainment. The idea of the professional athlete did not exist,…
Marriage in Greek Myth
efore we discuss the depictions of marriage in the Theogony, the Homeric Hymn to Demeter and the Odyssey, perhaps we should first discuss the real- life ancient Greek marriage rituals and reveal their attitude towards marriage.
Indeed, many of the things we see in Greek myths happened in real life as well. For example, the Greek girls usually married quite young, around the age of 14, which was meant to ensure that the girl was a virgin and pure in mind and body. "Marriage to a family member was an acceptable alternative and occasionally encouraged in order to consolidate family wealth"- if we look at many of the marriages between gods (taking only this example), we will notice that many of them were affiliated. Remember, for example, that almost all of the Olympian Gods were in some way related, most of them being brothers and sisters, and…
1. Roll, Rose. Gender Ideology in Myth: The Place of the Female Within Male Order. January 2003. On the Internet at http://www.gradesaver.com/ClassicNotes/Titles/eumenides/essays/essay1.html
2. Ancient Greek Marriage. On the Internet at http://www.pogodesigns.com/JP/weddings/greekwed.html
Ancient Greek Marriage. On the Internet at
The function of the work of art would be to stand before the city, and to show the city as wisdom personified, and by implication show that the wisdom came from the works and power of the Medici. It would make an analogy between the city-state of Florence and the ancient city-state of Athens. Because Athens was a genuine republic, it might even deflect some criticism from the Medicis, who were technically supposed to be residents of a republic, even though they ruled from behind the scenes. The setting of the sculpture, next to David, outside the city gates would act as a powerful warning of the city's power (with the violence of the anvil and David's shotgun) as well as strike a balance between Classical representations of learning and the still-important tenants of the Catholic faith that must be honored in a world still dominated by the clergy.
Essak, Shelly. "Art History 101 - Early Renaissance Art." 2007. 20 Apr 2007. http://arthistory.about.com/cs/arthistory10one/a/early_ren.htm
Medici: Godfathers of the Renaissance." PBS.com. 2007. 20 Apr 2007. http://www.pbs.org/empires/medici/medici/snapshots.html
Pioch, Nicolas. "La Renaissance: Italy." Web Museum Paris. 2002. 20 Apr 2007. http://www.ibiblio.org/wm/paint/glo/renaissance/it.html
Renaissance Masterworks from the National Gallery of Art." National Gallery: Washington, D.C. 20 Apr 2007. http://www.nga.gov/press/2003/exhibitions/211/background.shtm
For the most part women in the Odyssey are essentially one of three things: sexualized monsters, in the form of Circe, Calypso, the Sirens, and even Scylla; asexual helpers and servants, in the form of Athena and Eurycleia; and finally, seemingly helpless damsels, in the form of Penelope. To this one may add what is essentially the lowest of the low class within the poem, those women who are sexually liberated but who do not even have supernatural power to defend their desire for sexual autonomy, namely, Penelope's maids. Circe and Calypso both express sexual desire, but they are ultimately spared due to their status as goddesses, and thus they merely have to give up Odysseus. Penelope's maids have no such extra status, and thus in the hierarchy of power represent the lowest of the low, and receive punishment in return.
As a result, they are summarily executed for having sex…
Homer. The Odyssey. Trans. Samuel Butler. New York: Plain Label Books, 2009. Print.
Religion in the Odyssey of Homer
Homer has the reputation of having "given the Greeks their gods." In so doing Homer has created a type of religion that does not have one god, but one that has many. Each god governs over one or more aspect of the world. This type of religion is known as polytheism, more than one god, as opposed to monotheism, one supreme God. Because there are many gods, no one god is omnipotent, having power over everything, as is God in the Christian, Jewish and Muslim religions. This paper will explore the roles of Homer's gods and how they fit into the religion that Homer has created. The paper also explores the idea that the sort of religion that Homer created does exist today.
The gods in The Odyssey do not create the men that they preside over. The gods are not overpowering, but work to bring…
Comparing the divine world in the Iliad and the Odyssey, olfgang Kullmann emphasizes that unlike in the Iliad, in the latter, "men themselves, not the gods, are responsible for their sufferings beyond their destined share. Gods, on the contrary, guarantee "poetic justice" when they warn men against doing evil."
As Kullmann points out, the mortals in the Odyssey are less likely to act as mere objects of higher powers that manipulate them as they wish, but their actions, although still coordinated by gods at times, are more inclined to be the result of their own actions. Kullmann places Zeus' introductory discourse that reveals the basic principle he is using when leading the world at the origin of the whole development of the epic. Injustice, in this case, is not tolerated in the human world and the repercussions are pointed out by Zeus as merciless towards those who dare to disobey this…
Homer, The Odyssey, Houghton Mifflin, 1921. Original from the University of Virginia, available at: http://books.google.com/books?id=ezJJAAAAYAAJ&printsec=frontcover#v=onepage&q&f=false
Rutherford, R.B. The Philosophy of the Odyssey. The Journal of Hellenic Studies, Vol. 106 (1986), pp. 145-162. Available at: http://www.jstor.org/stable/629649
Kullmann, W. Gods and Men in the Iliad and the Odyssey. Harvard Studies in Classical Philology, Vol. 89 (1985), pp. 1-23. Available at: http://www.jstor.org/stable/311265
Clay, J.S. The Wrath of Athena: gods and men in the Odyssey. Rowman & Littlefield, 1997
"The broken wall, the burning roof and tower / and Agamemnon dead." Leda's body is broken through penetration, and Troy's wall also becomes broken. Zeus' desire burns, like the roofs and towers of Troy will burn. And men will die, including the great general Agamemnon. Time rushes forward in an instant.
Leda's pregnancy resulted in Helen, for whom the Trojan ar was waged. Yet the future war is also a kind of synecdoche for the violence done to Leda. The violence of war and the violence of sexuality are intertwined, and become metaphors for one another. The reader is suddenly aware that he or she has been reading an extended metaphor, both for how one sexual act can lead to violence, and also how violence is at the heart of all sexual activity. The poem reaches its climax with the sexual act, which foreshadows the horror to come.
Then, the poem…
Yeats. W.B. "Leda and the Swan." Online Literature Library. 11 Nov 2007. http://www.online-literature.com/yeats/865
For instance, all of the men who became shipwrecked on the shores of Tauris were sacrificed to Artemis. Also, in the town of Brauron in Attica which held the stolen statue of Artemis from Tauric, there appeared one day a tame bear which was sacred to Artemis. This bear apparently wandered freely through the village and attacked a young girl with its claws. Soon after, this bear was killed by the girl's brother, an act which angered Artemis to no end. The oracle at Delphi then told the people of Tauric that they must "consecrate all of their daughters to Artemis" as a result of killing the bear. Thus, "every five years, a procession of young Tauric daughters, dressed in saffron-colored robes, solemnly walked to the temple of Artemis and voluntarily allowed themselves to be butchered" (Gimbutas, 312).
In addition, there are stories that Artemis was akin to a vampire,…
Encyclopedia: Greek Gods, Spirits and Monsters." Theoi Project. Internet. 2007.
Retrieved at http://www.theoi.com/Encyc_A.html .
Fantham, Elaine, et al. Women in the Classical World: Image and Text. UK: Oxford
University Press, 1994.
(vs. 225, 17.) Hesiod continues to struggle with the Eris in Works and Days and that of Theogony, confusing the second Strife and the good Eris. Walcot says that Hesiod falters most by comprising a description of order, first presenting the good Eris (vs. 12) and then the bad (vs. 14); the bad again (vs. 14-16), and then a return to the good Eris (vs. 17-26). Later the pattern repeats itself with dike and hybris, and then again with the myth of the ages of mankind.
The literary scheme made available by Wolcot presents itself repeatedly throughout the text, drawing the reader's attention not only to the story and rhythm, but its historical contexts so frequently addressed and the personal importance that specific part of the story played to Hesiod. Unlike a fictional endeavor, the stories Hesiod presents in Theogony are that of the gods who limned the dreams of…
Ibid, 22, 33, 34, 35.
Dornseiff, F. Philol, LXXXIX. (Leipzig, Berlin: Teubner, 1934.), 198.
Dunbabin, T.J. The Greeks and Their Eastern Neighbors. (London: University Press, 1957), 56.
As the business changes, developers can more easily map business process changes to applications and then implement the appropriate it changes.
SOA facilitates business connections. With business processes packaged as modular, accessible business services, enterprises can connect them where and when they are needed to optimize processes across customers, partners, suppliers, and their own internal applications
SOA enhances business control. Because services model business processes, the flow of data and transactions through service-oriented applications is valuable business data. SOA infrastructure actively manages service flows and can provide flexible and dynamic access to this data, which enterprises can use to analyze and optimize business results and process costs.
As flexible, service-based applications make business change easier and faster, business people will take advantage of their new found agility to drive competitive advantage through a faster cycle of introducing new capabilities and optimizing core processes. To guide this faster optimization cycle and provide data…
ESB and EAI buyers do more SOA -- as do testing-tool buyers. Buyers of software tools and infrastructure for enterprise software buses (ESBs), enterprise application integration (EAI), and software testing have notably higher end of 2006 adoption of SOA at 72%, 73%, and 73%, respectively, as compared with 53% of all survey respondents from LWC Research and AMR Research surveys. Higher adoption among ESB and EAI buyers makes perfect sense -- many use such products within their SOA platform -- but researchers often hears of SOA adopters wrestling with testing issues, too. As with other factors above, effective use of testing tools requires a greater level of organizational discipline. Among other types of software infrastructure, the next highest end of 2006 SOA adoption correlations, ranging from 63% to 66%, are with buyers of portal servers, content management, business process management, and application design and development tools.
Recommendations for best Practices
From extensive research on enterprises doing SOA, it has been concluded that there are many, many different ways that firms evolve their way into SOA. In most cases, initial SOA implementations are small-scale and low cost -- and achieve only a small part of the full range of flexibility that the full market hype of SOA promises. But that small part is enough, as the above data shows, to prompt nearly 70% of SOA users to expand their SOA deployments. It is this type of market experience -- and its dramatic difference over the days of OO and CBD -- that makes SOA safe, prudent, and a high priority for enterprise adoption. If organizations are not already using SOA they need to move forthrightly toward adoption, start small, and evolve their SOA strategies from there.
Aphrodite was said to have been the most beautiful and sensual of all the goddesses. There are varying stories of her birth. One story holds that she was born from the loins of Uranus, when his sex was severed from him and thrown into the sea: Aphrodite emerged from the sea foam—a daughter of the sea, which is why one of the most famous images of her in artistic expression is of the goddess emerging from the sea (Graves). Homer in the Iliad indicated that Aphrodite was the daughter of Zeus and Dione. Regardless of her origin story, Aphrodite served a central role in the back story of Greece, particularly when it came to her feud with Hera and Athena over who was the most beautiful of all.
Aphrodite was said to have married Hephaestus, the god of blacksmithing. She was also said to have had many paramours, including one with…
The novel opens seven years after Gabo's mother, Ximena, was murdered by coyotes -- or paid traffickers -- during an attempt to cross the border. Her mutilated body was found, her organs gone -- sold most likely. Because of the fear surrounding this border town and the lure of the other side, all of the characters become consumed with finding afa. These people are neglected and abused. Like other fiction works on this topic (such as Cisneros's The House on Mango Street), The Guardians (2008) is rich in symbolism and flavored with Mexican aphorisms. The novel also shows the reader how complex and perilous border life is when you're living in between the United States and Mexico.
The book is important when attempting to understand the challenge of the border town life and it is, at the same time, a testament to faith, family bonds, cultural pride, and the human experience…
Giroux, Henry A. (2001). Theory and resistance in education (Critical studies in education and culture series). Praeger; Rev Exp edition.
San Juan (2002) states that the racism of sex in the U.S. is another element of the unequal political and economic relations that exist between the races in the American democracy. Women of color may even be conceived as constituting "a different kind of racial formation" (2002), although the violence inflicted against them as well as with familial servitude and social inferiority, testifies more sharply to the sedimented structures of class and national oppression embedded in both state and civil society (2002).
San Juan (2002) goes on to explore the articulations between sexuality and nationalism. "What demands scrutiny is more precisely how the categories of patriarchy and ethnonationalism contour the parameters of discourse about citizen identities" (2002). How the idea of nation is sexualized and how sex is nationalized, according to San Juan (2002), are topics that may give clues as to how racial conflicts are circumscribed within the force field of national self-identification.
Sexuality, San Juan (2002) suggests, unlike racial judgment is not a pure self-evident category. He states that it manifests its semantic and ethical potency in the field of racial and gendered politics. In the layering and sedimentation of beliefs about sexual liberty and national belonging in the United States, one will see ambiguities and disjunctions analogous to those between sexuality and freedom as well as the persistence of racist ideology.
Zeus himself, though now king of the gods, is the child of other gods who are themselves children of still greater gods -- Gaia or Mother Earth among them. Most significant for our purposes here is the fact that Zeus created four other races of man before he got to ours, meaning that again man (especially in his current form) was the last in a long line o creative outbursts. Certain other portions of the Greek creation myth necessitate the creation of animals prior to the creation of the current race of man for procreative purposes, meaning that modern man was most certainly the last species to be created according to this myth. What this says about Man's relation the animals is somewhat more obscure.
Similarities in Man's Position
Both the Greek and the Biblical creation myths leave a certain ambiguity concerning Man's relation to the animals. In the Biblical version…
Of course, this is a supreme being who was authorized by a greater power to represent law, order, equity and custom and was not only the wife of Zeus, but also his counselor. In pre-Hellenic times wiser women made the most important decisions. Perhaps a woman brings more balance into life, in every person. In ancient times, women had the best judgmental capacity and were the most important in taking decisions.
It is universally acknowledged that the earliest appearance of justice in ancient Greek civilization is as a Goddess, whose function is to judge humans by punishing or rewarding their conduct in relation to the Divine Principle. The oldest record of justice dating from ancient Greece is to be found in Homer's Iliad and Odyssey, where Themis is mentioned for the first time, being depicted as the personification of the social and moral order of human affairs. Mention should also…
1. Kernbach, Victor. Dictionary of General Mythology. Bucharest: Albatros, 1983.
2. Ferrari, Anna. Dictionary of Greek and Roman Mythology. Torino: Unione, 2000..
3. Parada, Carlos. "Greek Mythology Link" copyright © Carlos Parada & Maicar Frlag 1997. Retrieved: Nov. 12, 2006
Plutus is the last extant comedy of Aristophanes that focuses on the moral aspect of poverty and views riches from an ethical standpoint. The play has often been considered least significant of all Aristophanes' plays but it has its own charm and appeal to those who understood Aristophanes' comic style. The play has many character but the three more important ones are Plutus, (the god of riches), hremylus (a just man) and ario (or arion, hremylus' servant). The story begins when hremylus complaints to oracle of Apollo that only scoundrels and wicked people wealthy while the just and righteous remain poor. ario is extremely unhappy at the situation and doesn't understand why his master has abandoned worship of gods.
Aye, master, unless you tell me why we are following this unknown fellow, I will not be silent, but I will worry and torment you, for you cannot beat me because…
Chremylus, Cario and Plutus then work for fair distribution of wealth as Plutus regains his sight. On their journey, they meet many people from The informer to the Just, to the Youth and the Old woman etc. The most important meeting is with Poverty where she explains why she must dwell in the country and speaks against the plans of Chremylus and Plutus. A priest of Zeus complains that since Plutus has started working again, he has lost everything. The play ends on a solemn note as Chremylus and others manage to convince the people of the righteousness of their actions.
1) All quotations are taken from the Online version of Plutus. Retrieved (20th Feb 2005) from http://www.textkit.com/learn/ID/27/author_id/8/
For Paris was essentially a shepherd, and had only recently returned to Troy, thus, he had no military skills (Judgement pp).
Another way the movie made Paris a hero of sorts, is that he is portrayed as the one who tells his father King Priam to be cautious about the horse. hen actually, according to legend, it was his sister Cassandra, a priestess of psychic powers, knew the horse was deceptive and tried to warn her father, but he would not listen (Judgement pp). Then the priest, Laocoon, also tried to warn the Priam to beware of Greeks bearing gifts, yet he too was ignored (Judgement pp).
Another part of the legend that the movie left out was Agamemnon's sacrifice of his daughter, Iphigenia, to the goddess Artemis, in order to obtain favorable winds for the voyage to Troy (Judgement pp). And according to legend, the gods were basically the reason…
The Trojan War: The Judgement of Paris; pp. http://www.royalty.nu/legends/Troy.html
The Legend of the Trojan War
Troy." Director: Wolfgang Petersen. Warner Bros. 2004.
Achilles a Sympathetic Character
Achilles, the grandson of Aeacus was regarded as the greatest and primal character in Homer's Iliad, the ancient epic of Greek mythology. Even though Achilles is the central character of the epic, he is considered to be an unsympathetic character. Achilles was the son of the king of Meymidouns in Phthia, Pelues, and sea nymph Thetis. As the legend goes, Achilles made invincible by his mother Thetis by dipping him in the river Styx, however, ignored to wet his heel she held him by and made him vulnerable to be killed by a blow to that heel. (Achilles [Categories: LGBT mythology, People who fought in the Trojan ar]) Homer's Iliad, develops around the Trojan ar that spans for ten years between Greeks and the Trojans. Illiad depicts the involvement of gods and goddesses in the lives of mortal beings. (Troy Movie Review: arner Bros. Troy vs.…
Achilles [Categories: LGBT mythology, People who fought in the Trojan War]. Retrieved
Accessed 26 October, 2005
Eadon, Jim. Troy: Directed by Wolfgang Petersen. 2004. Retrieved from http://www.eadon.com/movies/troy.php Accessed 26 October, 2005
art period's styles represent a theme art. Your comparison focus artists period styles. The pair choose drawn period styles. For essay, I compare a High Classical Greek artwork Early Italian Renaissance artwork.
The Artemision ronze vs. Donatello's bronze David
While most people are inclined to look at the Italia Renaissance as being innovative and as bringing new concepts to society, the artistic movement actually inspired from Ancient Greece. y looking at the Early Renaissance period and at the Classical Greek artistic movement one is likely to observe a series of parallels, as the more recent artists did not hesitate to inspire themselves from individuals that they considered to be particularly refined in producing artwork. To a certain degree, one can consider the two movements to have had a similar effect in individuals living contemporary to them, considering that they both brought on artistic revolutions. The Artemision ronze and Donatello's bronze statue…
Kleiner, Fred S. "Gardner's Art Through the Ages: The Western Perspective," (Cengage Learning, 2009)
Mattusch, Carol C. "Greek Bronze Statuary: From the Beginnings Through the Fifth Century B.C.," (Cornell University Press, 1988)
Shaked, Guy, "Masters of Italian Sculpture," (Lulu.com, 2007)
"Donatello's David," Retrieved May 11, 2012, from the Suny Oneonta Website: http://employees.oneonta.edu/farberas/arth/arth213/donatello_david.html
Mythological Character in Past and Present
Athena was a virgin Greek goddess of intelligent activity, reason, literature and arts. She was the daughter of Zeus and Metis, and her birth was unique because she did not have a mother. Instead, she sprung from Zeus' forehead fully grown and clad in armor (Stehle, 2013). Athena was brave and fierce in battle, but she only participated in battles that defended the home and state from outside enemies. Her powers were mainly in defense of Athens. Other powers she possessed were wisdom and women's craft. Athena was a virgin warrior goddess she was amongst many throughout the world mythologies. Athena invented the bridle and it was used by men to tame horses. She also invented the flute, the pot, the plow, the rake, the yoke, the chariot, and the ship. Athena was Zeus' favorite child and she was permitted to use his weapons. She…
Azad, M. M., Barua, A., & Sultana, S. (2014). A Review Analysis of Ancient Greek Architecture. Civil and Environmental Research, 6(11), 95-103.
Clampitt, A. (1997). Athena. from http://www.poetryfoundation.org/poetrymagazine/poem/25290#poem
Stehle, E. (2013). Athena. The Encyclopedia of Ancient History.
Although they are verbal in nature, the striking image of many mnemonics, like MataHari the spy, or a mother delivering nine pizzas makes them effective.
Another mnemonic technique is to create a word called an acronym, a word that represents what needs to be remembered (Keeley 1999). Some acronyms, like Radar, or NASA, have become so popular and are used to frequently they have replaced the words they were created to encourage people to remember. An example of this would be to remember the Seven onders of the Ancient orld along the lines of 'MC SLAG': M (the Mausoleum) C (Colossus of Rhodes) S (Statue of Zeus) L (Lighthouse of Alexandria) a (Temple of Artemis) G (Hanging Gardens).
Acronyms can be effective if they sound funny, even if MC SLAG is unlikely to replace the actual list of the beautiful seven wonders! However, the planets might be more difficult, because their…
Mnemonics: Acrostics." (2000). Learning disabilities. Retrieved 11 Jan 2008 at http://www.audiblox2000.com/learning_disabilities/arcostics.htm
Keeley, Meg (1999). "Mnemonics: Memory techniques." The Basics of Effective Learning: Bucks County. Retrieved 11 Jan 2008 at http://www.bucks.edu/~specpop/mnemonics.htm
"Snakes are symbols of both death and fertility in many cultures" (No author). Therefore, it is highly significant that "Her head is made up of the joined heads of two snakes, and the skirt that she wears is made of snakes woven together" (No author). In keeping with the motif of the life that she is emblematic of, the breasts of this goddess are substantially enlarged to illustrate her role as nurturer. However, such effervescence is also tempered with death and its fearsome appearance and role within life, which is demonstrated in the statue by the "garment of human skin" (No author) Coatlicue wears as well as the eminent skull in her midsection. There is a definite aura of gruesomeness manifested by the statue, typified by the goddesses' necklace of hearts and hands, and the claws of her hands and feet (better to dig graves with) (No author), that…
Encyclopedia Britannica. "Coatlicue." Encyclopedia Britannica Online. 2012. Web. http://www.britannica.com/EBchecked/topic/123205/Coatlicue
No author. "Coatlicue." Myths Encyclopedia. 2008. Web. http://inanna.virtualave.net/southamerican.html
Robles, Kathleen, del Castillo, Richard. "Coatlicue." Chicano Park Murals. No date. Web. http://www.chicanoparksandiego.com/murals/coatlicue.html
The Curators of the University of Missouri. "Nike of Samothrace." 2011. Web. http://maa.missouri.edu/objects/castgallery/castnikesamothrace.html
Heracles (means glory of Hera) is best known as the strongest of all mortals and considered as super hero on a grand scale. He is much stronger compared to other Gods. He was the deciding factor in allowing the Olympian Gods to win their battle with the giants. He was the last mortal son of Zeus. He is the only man born of mortal woman to become a god upon his death.
Offsetting his strength was a noticeable lack of intelligence or wisdom. Once when he became too hot he pulled his bow out and threatens to shoot the sun. This coupled with strong emotions in one so powerful frequently got Heracles in trouble. While his friend and cousin Theseus ruled Athens, Heracles had trouble ruling him. His pride was easily offended. He took up grudges easily and never forgot them. His appetites for food, wine, and women were as massive…
McGuire, L. "84.02.04: Heracles: Super Hero." Yale-New
Haven Teachers Institute. 2005. Yale-New
Haven Teachers Institute. 25 Jan 2005
Nestor seems saddened by the fact that some of the best Greek warriors were killed in Troy, including Ajax, Achilles, and Patroclus as well as Nestor's own son. The fact that Nestor's own son died may make him particularly sympathetic, of course, to Telemachus' need to hear news of what happened to his father, and how the Greeks became separated at the end of the Trojan War.
Nestor explains to Telemachus that his father acquitted himself bravely during the siege of Troy, and thus he should be proud of his father's conduct as a warrior. He also says that his father was a wise and noble counselor, and the two were often in agreement during the frequent arguments within the Greek camp. But because Zeus sided with the Trojans, the god was angry with the actions of the Greeks during Troy's sacking, and tried to upset the Greek's homeward journey,…
Rose cites the repeated imagery of flying in the film, finding that this matches what critic Philip Slater says about the Freudian and phallic images in the Perseus myth. Rose refers to this film, and several others of a similar nature, as modern versions of the myths, to a degree cut down from the original in order to something more visceral and more direct. In a film like this, the student has "an opportunity for assessing the concrete differences between the ideological norms of male-female relations in their own society and those explored in ancient Greek myth" (Rose 310).
Stephen R. ilk considers the film and the way it is designed and also finds elements of the Greek period in the film. He refers tom the designs of special efercts artist Raym Harryhausen when he notes, "Critics have dismissed this sort of animation as 'kitsch,' but I note that…
Davis, Desmond. Clash of the Titans. Metro-Goldwyn-Mayer, 1981.
Peterson, Amy T. And David J. Dujnworth. Mythology in Our Midst: A Guide to Cultural References. Westport, Connecticut: Greenwood Press, 2004.
Rose, Peter W. "Teaching Classical Myth and Confronting Contemporary Myths. In Classical Myth & Culture in the Cinema, Martin M. Winkler (ed.), 291-318. New York: Oxford University Press, 2001.
Wilk, Stephen R. Medusa: Solving the Mystery of the Gorgon. New York: Oxford University Press, 2000.
Elements of Business: Project Management
Postings to the Discussion Board
The Critical Path of PET charts
Successful realization of business goals of any organization, there has to be an efficient project management in control. Most performing organizations bare witness of how the good managerial functions and change has brought to them. The critical path will always entail the sequencing of duties and events, to ensure that a project is not delayed. The critical paths of most projects are designed in search a manner that the delay or acceleration of the entire project is determined by one activity. Once one activity is altered, it leads to the entire change of project timeline. The process of creating the critical path in most cases requires activity sequencing (Sawyer, 2009).
Prioritizing the correction of existing projects
In cases where the project has steps that follow a certain sequence, a certain task must be completed for the next one…
Adams, T. & Means, J. (2005) Facilitating the Project Lifestyle: Skills and Tools to Accelerate Progress for Project Managers, Facilitators and Six Sigma Project Teams: New York, John Wiley and Sons.
Haynes, M.E. (2002) Project Management: Practical Tools for Success: New York, Cengage Learning.
Jones, R. (2007) Project Management Survival: A Practical Guide to Leading Managing and Delivering Challenging Projects: New York, Kogan Page Publishers.
Paula, M. & Humphrey, C.J. (1996) Orientation to Home Nursing: New York, Jones and Bartlett Learning publishers.
History As Myth
This-based Myth Atreus Thyestes In paper I conversational I supposed a myth teacher a continuing education program geared library patrons aged 50+, a conversation actual essay. Below directions assignment: Briefly describe a historical event, a controversy, a world event, a current event, a military group action, a political event group, a religious group action, a similar phenomenon.
Thyestes and Atreus: The great Civil War of Mycenae
Once upon a time, long, long ago there lived two brothers named Thyestes and Atreus. These two brothers were extremely power hungry and even their own father King Pelops was forced to exile them when they killed their half-brother to better their chances to ascend to the throne. Undeterred, the two brothers found another kingdom to dominate, the land of Mycenae. Proving there is no honor amongst thieves; Atreus was determined to be the sole ruler of this new kingdom. One day, he promised…
Freeman, Elsie, Schamel, Wynell Burroughs & West, Jean. (2992). The fight for equal rights: A
recruiting poster for black soldiers in the Civil War. Social Education 56 (2): 118-120. [24 Mar 2013] Retrieved:
The war: The crossroads of our being. (2002). The Civil War. PBS. Retrieved:
role of deities in "The Iliad," by Homer, the poetry of Sappho, and "Pericles Funeral Oration," by Thucydides. Specifically it will discuss how significant the deities are in the three pieces, and why deities played such an important part in ancient literature.
IMPORTANCE of the DEITIES
The Gods (deities) play an extremely important part throughout these three pieces, and through much of ancient literature. The gods were extremely important to the Greeks, who believed they lived atop Mount Olympus, ruled by Zeus, the father and leader of the Gods. In "The Iliad," Achilles often turns to the Gods to aid him in battle and in his personal life. People believed the Gods could influence everything in their lives, and so often asked them for help and advice, as Achilles does. "I came to see if I could check this temper of yours, / Sent from heaven by the white-armed goddess /…
Homer. The Iliad. Translated by Stanley Lombardo. Indianapolis, in:, 1997.
Robinson, David M. Sappho and Her Influence. Boston: Marshall Jones Company, 1924.
Thucydides. Pericles Funeral Oration [book online]. 6 June 1999, accessed 16 Oct. 2002;
Written in the 8th century BC, Hesiod's Theogony provides a detailed and authoritative account of the Greek creation myth and, as such, is regarded as a significant primary source of Greek mythology. Although the style and structure of Theogony poses several problems to a modern readership, the manner in which the poem organizes and records the origins and chronology of Greek myth - and displays connections with the myths of other cultures - ensures that it remains a work of vital importance to the study of Greek mythology.
Greek myths, as with the traditional tales of most cultures, were initially passed orally from generation to generation resulting in a great deal of variation, from place to place and from time to time. Hesiod's Theogony is one of the earliest known attempts to chronicle a culture's myths in the permanent and stable form of a written work, and is therefore of…
Hesiod. Theogony. Trans. Hugh.G.Evelyn-White. Cambridge, MA: Harvard UP, 2000.
Hesiod. Works and Days. Ed. Apostolos N. Athanassakis, Baltimore: The John Hopkins
Venus in Art
Introduction to Venus and Aphrodite:
Throughout history, Venus has long been a source of inspiration for artists. Her representation of love and beauty has been captured in various mediums, from the visual arts of paintings and sculpture to music and drama; Venus has served as a universal symbol of beauty and has embodied the secrets of love. Central to understanding how artists have been able to use her as such a representation of love and beauty, is understanding Venus and Aphrodite's roles in history and Greek mythology.
Venus is an ancient Italian goddess closely associated with fields and gardens and later identified by the Romans with the Greek goddess of love, Aphrodite. Although the question as to how Venus came to be identified with so important a deity as Aphrodite remains unanswered, Venus' identification with Aphrodite is certain and because of this is often depicted in art. As a native…
Arscptt, C. & Scott, K. (Eds.) (2000). Manifestations of Venus: Art and sexuality. New York: Manchester University Press.
Beckley, B. (ed.) (1998). Uncontrollable Beauty: Toward a new aesthetics. New York: Allworth Press.
Hersey, G. (1996). The evolution of allure: sexual selection from the Medici Venus to the Incredible Hulk. Cambridge, MA: The MIT Press.
Goodman, E. (ed.) (2001). Art and Culture in the Eighteenth Century: new dimensions and multiple perspectives. Newark: University of Delaware Press.
ancient poem "Works and Days" by Hesiod. Specifically, it will contain an argumentative historical essay on the question, "What kind of social values do you find in Hesiod's advice to his brother in 'Works and Days.' What does this say about Dark Age culture in Greece? Hesiod's advice to his brother Perses is simple and complicated at the same time. Hesiod's social values include the values of work rather than idleness, which he passes on quite clearly to his brother. However, there are many other customs and beliefs in the poem that indicate this was a simple culture based on agriculture and localized government. These values were common in the Dark Age culture in Greece, and represent one of the reasons Greek culture later became so advanced, and a model to other cultures of the age.
Little is known about the Dark Ages in Greece. In fact, some scholars believe…
West, M.L., and Hesiod. Theogony: And, Works and Days. Oxford: Oxford University Press, 1999.
The Iliad is a collection of poems by Homer describing the 10-year siege on Troy by Greeks in what is now famously referred to as the Trojan ar. Several Greek and Trojan characters are worth a special mention in these Homeric poems because of the roles they played in the battles before the war was won, how they conducted themselves to help eventually win the war for their side. This paper specifically investigates the writings in the Homeric poems to look are important in the overall text.
The author, Homer, portrays a society utilizing poetic fiction. He describes how humans directly talked and interacted with divine beings (Raaflaub 469), an act that can be seen in page forty six of the Iliad which starts by describing a dream that Zeus (god) had sent to Agamemnon. In the dream Zeus promises Agamemnon glory in when the war is finished. The interaction…
Homer. " The Iliad" n.d.: 46-419. Web. 11 Nov. 2015.
Raaflaub, Kurt A. "Homeric Warriors and Battles: Trying to Resolve Old Problems." The Classical World 101.4 (2008): 469-483. Web. 12 Nov. 2015.
Wees, Hans Van. "The Homeric Way of War: The 'Iliad' and the Hoplite Phalanx (I)." Greece & Rome, Second Series 41.1 (1994): 1-18. Web. 11 Nov. 2015
Wees, Hans Van. "The Homeric Way of War: The 'Iliad' and the Hoplite Phalanx (I)." Greece & Rome, Second Series 41.2 (1994): 131-155. Web. 11 Nov. 2015
Michael Vey: Rise of the Elgen by Richard Paul Evans, begins with the Electroclan forcing Hatch to run from a Pasadena located Elgen Academy and then escaping to Idaho where they face a recapture by Elgen guards. Tragedy arises with Jack's house burning down and Taylor's family placed in immediate danger. The Electroclan leader, Michael, discovers his mother being held captive and through the use of a cell phone, he attempts to sneak into the Peruvian plant through the guidance of the Voice. Through Zeus' help and sacrifice, the Electroclan find Michael's mother and Michael in the end stumbles upon a native tribe that tell him he cannot go home.
The setting at first is Pasadena, then Idaho, then it culminates in Peru. It is a science fiction novel so there are futuristic elements, but the timeframe appears to be modern time. In the prequel, Michael Vey discovers he has electricity-based…
In his last moments, Hektor realizes he can never persuade Achilles because "in his breast is a heart of iron" (XXII.357). Achilles reveals his cold nature when he says, "Die: and I will take my own death at whatever time" (XXII.364) moments after Hektor dies. Again, we see the stark contrast between these two heroes.
Achilles is another face Homer attaches to the notion of war and kleos. Achilles is noble and popular for his "swift feet" (I.148). he is swift on his feet and he is swift to anger and this anger will surface to be the one thing that plagues him through The Iliad. It drives him through most of the plot and it is the bane of his existence. However, this flaw does not prevent Achilles from seeking glory or reaching fame. He experiences a different kind of kleos than Hektor does primarily because he becomes an…
Bloom, Harold. Introduction. Homer's The Iliad. New York: Chelsea House Publishers. 1987.
Homer. "The Iliad." Mack, Maynard, ed. The Norton Anthology of World Masterpieces. Vol. I.
5th ed. New York: W.W. Norton and Company. 1985. pp. 106-208.
Redfield, James. "Nature and Culture in the Iliad: Purification." Homer's The Iliad. New York:
Mazzucchelli on behalf of Asterios (or Ignazio in abstentia) asks in words and graphics whether dividing lives into dualities and opposites is simply easier for than accepting "a sphere of possibilities." As Asterios states as he bends his head over his cigarettes, which are an unusual addiction for such a structured person, "It's just a convenient organizing principle." "As long as one doesn't mistake the system for reality," answers Ignazio. Although Asterios believes that he can handle the human tendency to simplify and sever, it is this division that breaks his emotional attachment with Hana, causing their relationship to dry up with neglect and boredom.
The scenes of disharmony between Hana and Asterios are text- and graphic-filled and colorful and morphing. In exaggerated graphics that portray how each person is thinking, Mazzuchelli shows how individuals build walls around themselves and become introverted as they are placed on the defensive and…
Goldmund and Narcissus respect each other, but they are two very different people, and the former is a student and the latter a teacher. They also feel that one is dangerous to the other. Narcissus takes care of Goldmund, and the polarity between the two becomes clearer over time. It is Narcissus who is the ascetic, the thinker; he does not accept that love is going to come into his life, regardless that he truly loves Goldmund. On the other hand, Goldmund, a man of outwardly love, sees his love unreturned. How can a man of the mind and a man of emotion and spirit find equality and friendship? Narcissus says to disappoint Goldmund: "It is not our aim to merge into one another, but to understand one another, to see and appreciate the other as he is: the other's contradiction and complement." Nor does Narcissus take Goldmund seriously, since he is not a deep thinker.
Goldmund travels for a number of years and gets his fill of life and women. When he returns, Narcissus once again relates the distinction between the two men. Goldmund always had "a dislike of the abstract," thinking in images, but "thinking has nothing to do with images, but with concepts and formulas. Exactly there, where the images end, philosophy begins." If Goldmund had instead become a thinker, he would have become a mystic, and mystics "are all unhappy people." Rather, Goldmund becomes an artist, which pleases Narcissus: "Be yourself, try to fulfill yourself," Narcissus says, to reach perfection. Goldmund leaves one more time and returns a broken man. Narcissus now says: "Let me now tell you, how deeply I love you, how much you always have been to me, how rich you made my life," and kisses him. Goldmund responds: "I have always loved you, Narcissus, half my life has been an attempt to attract you." Narcissus cares for his friend, until he dies. "Goldmund's last words burned in his heart like fire." Similarly, Asterios returns to Hana, and the two sit quietly together, at one and at peace.
Mazzucchelli, David. Asterios Polyp. New York: Pantheon, 2009
Those with issues to overcome are always more heroic. Hector also becomes a hero when, after at first running from Achilles, he eventually stands up to him and dies a heroic death.
The Iliad is primarily a war epic. In your opinion, is the Iliad condemnation of the it could easily be argued that the Illiad glorifies war, as much of the poem is spent portraying the warriors as brave and courageous, even as they go on killing rampages. Warriors are describes as "masters of the battle cry" and "warlike" in glowing epithets. When Achilles originally refused to fight, he is roundly condemned for it by all of the other Greek characters. Even the weapons of war, such as Achilles impenetrable shield, are glorified. But homer is more complicated than simple -- war also brings death, which he describes in great detail. Hector's death is perhaps the most graphic of…
The earliest divisions of the temple still standing are the barque chapels, just in the rear the first pylon. They were constructed by Hatshepsut, and appropriated by Tuthmosis III. The central division of the temple, the colonnade and the sun court were constructed by Amenhotep III, and a later on addition by Rameses II, who constructed the entry pylon, and the two obelisks connected the Hatshepsut structures with the core temple. To the back of the temple are chapels constructed by Tuthmosis III, and Alexander. During the Roman age, the temple and its environment were a legionary fortress and the residence of the Roman government in the region (Johnson, 1988).
There was a girdle wall constructed around the temple that was made up of self-sufficient massifs of sun-dried brick adjoining at their ends, constructed of courses set on a triple arrangement that ran concave horizontal concave. The gate through which one…
"Ancient Babylonia - the Ishtar Gate."n.d., viewed 14 November 2010,
"Ancient Egypt Brought to Life With Virtual Model of Historic Temple Complex." 2009, viewed 14 November 2010,
"Babylon and the Ishtar Gate." 2010, viewed 14 November,
Andrews, Mark. 2010. "Luxor Temple of Thebes in Egypt," viewed 14 November 2010,
This is perhaps another interesting aspect of Herodotus's objective level of discussion: his interests go beyond history and simple ethnography to give larger descriptions of additional themes such as geographical location. These can also help in determining and explaining the development of certain ethnography.
His objective approach can also be seen in the descriptive manner in which he goes into the people's traditions. One such example stands out in ook 1, paragraph 196, when he proceeds with an enumeration of the established customs, keen to show both religious and laical customs. His description is, again, very detailed.
One of Herodotus's clear interest on both subjective and objective levels is that for religious conceptions. However, from the way he minutely examines the different traditions, beliefs, and cults, one could point out that he simply objectively notes some of the ways that these cultures and people practice some of their religious beliefs. On…
1. The Histories. Translated by G.C. Macaulay. Barnes and Nobles Classics. New York. 2004
" (Rossetti, 1886)
Mary Shelley is noted as having stated that it would require "…a mind as subtle as his own to understand the mystic meanings scattered throughout the poem." (Rossetti, 1886) Mary writes that rough the whole poem there "There reigns a sort of calm and holy spirit of love, it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and love, untainted by any evil, becomes the law of the world…" (as cited in: Rossetti, 1886) it is agreed upon by all Shelley critics, according to Ristic that the imagery of the "…lyric built drama is bold and original and that its lyrical splendor is one of the wonders of English poetry. Thirty-six different verse forms have been counted, "all perfectly handled," and the drama has been compared to symphonic music." (Ristic, 2000)
Shelley writes in the Preface to Prometheus Unbound that the "only imaginary…
Bromwich, David (2002) Love Against Revenge in Shelley's Prometheus. Philosophy and Literature. Vol. 26, No. 2, October 2002. pp. 239-259.
Reading Justice: From Derrida to Shelley and Back. (2007) Studies in Romanticism. 1 Jan 2007 Available online at: http://www.infoplease.com/t/lit/shelley/1/10/8.html
Ristic, Ratomir (2000) Shelley's First Major Lyrics and Prometheus Unbound. Facta Universitatis. Linguistics and Literature Vol. 2, No. 7, 2000.
Rossetti, William M. (1886) Shelley's Prometheus Unbound. Lecture Delivered to the Shelley Society December 1886. Online available at: http://www.archive.org/stream/shelleyspromethe00rossrich/shelleyspromethe00rossrich_djvu.txt
In the second part, the role of Clytemnestra changes somewhat, but she is still depicted as a weak woman. The weakness of her position in society is further illustrated by the fact that her son, Orestes, confesses freely to his mother's murder, and also that he never shows any remorse. It is clear that to Orestes, his father, not his mother, is of importance to him, that he finally claims as his sole parent. Any persuasive capabilities of Clytemnestra are overcome by Orestes in the Choephoroe, as she is unable to successfully defend herself when he tries to kill her. In another related play Electra and her brother Orestes hatch a plan to kill their mother and step father. Clytemnestra is said to treat Electra really badly, almost like a beggar or someone living in poverty because she is still grieving at the death of her father. Electra deceives…
McClure, L. (1999). Spoken like a woman. Speech and Gender in Athenian Drama.
Encyclopedia Beta. (2007). Clytemnestra Greek wife of Agamemnon. Retrieved April 9, 2007 at http://ancienthistoryabout.com.
Thalmann, W. (1985). Speech and Silence in the Oresteia. Phoenix, Vol. 39(3).
Zeitlin, F. (1965). The Motif of the Corrupted Sacrifice in Aeschylus' Oresteia.
g., the finding last year at Athens of the hand of Zeus of the east pediment)" the Parthenon continues to yield intellectual fruit through archeological excavation and discovery (Bruno xiv). As age replaces age with new speculations, scholars reappraise this epic piece of architecture, for "speculations of the eighteenth and nineteenth centuries are already mostly out of date, and original source materials are rare" (Bruno xiv). hat historians do, as a rule, have to go on are the stories preserved by Plutarch, who reflects a "spirit that undoubtedly prevailed at Athens as a plan took shape to reconstruct the sanctuary which had been left in ruins by the Persians" (Bruno xiv). This plan was so Athenian to the core that even (as Plutarch mentions) the animals seemed to throw their very being into the operation.
In conclusion, Greek architecture has produced some of the world's finest marvels, and was especially brilliant…
Bruno, Vincent. The Parthenon. NY W.W. Norton & Company, 1996. Print.
Fergusson, James. The Parthenon. London: William Clowes and Sons, Limited, 1883.
"The Greeks: Crucible of Civilization." PBS. Web. 28 Nov 2011.
How could that be true when that child was left in the woods to die?
Oedipus is calmed, but he still sets out to solve the murder-mystery and punish the man who committed regicide. As more details come to the surface, however, Oedipus starts to get a bad feeling. The evidence indeed points to him: Laius, he learns, was slain at the same crossroads where Oedipus took the lives of a group of men. as Laius among them? Apparently so…as Oedipus also learns that he was the babe whom Jocasta and Laius abandoned -- and indeed has grown up to ruin the house by killing his father and marrying and having children with his mother Jocasta. Jocasta (sensing that this might be the case) had pleaded for Oedipus to halt the investigation, but determined to know the truth, Oedipus called the herdsman who found him tied to a tree to…
New Revised Standard Version Bible. New York, NY: HarperCollins, 2009. Print.
Sophocles. Oedipus the King. Internet Classics Archive. Web. 10 Dec 2011.
Online Collaborative Tools
Collaboration is the focal point of business and its management in a workplace. Whereas effectual and sustainable collaboration needs face-to-face contact, the majority of the collaborative work usually depends on virtual collaboration, which is through telephone, emails or other online resources and tools. It is crucial for tools that enhance collaboration to be easy to use, mutually convenient and with remarkably little risk. This should be so because of the fact that it is being applied on an environment that is time constrained and information heavy (Duarte & Snyder, 2006).
Collaboration using online tools is increasing, with the advancement of technology, and as organizations are in the process of realizing the use and advantages of the internet, in conducting virtual meetings like the use of teleconference. Organizations should come up with a guideline on how to use and when not use these tools. Collaboration technology foresees future innovations and…
Camarinha-Matos, L., Afsarmanesh, H., & Ollus, M. (2008). Methods and tools for collaborative networked organizations. New York, NY: Springer Science+Business Media.
Duarte, D.L., & Snyder, N.T. (2006). Mastering virtual teams: Strategies, tools, and techniques that succeed. San Francisco: Jossey-Bass.
Matthews, T., Moran, T., Whittaker, S. & Yang, M. (2011). Collaboration personas: A
framework for understanding and designing collaborate workplace tools. New York:
Both points-of-view may be absolutely correct, but neither really addresses the issue of whether or not Alexander was truly great.
Perhaps the best way to evaluate Alexander's greatness is to look at the lasting effects that he had on civilization.
First and foremost, Alexander conquered the known world. "Before Alexander world civilization had been dominated by eastern cultures - Persians, Egyptians, and Babylonians. Alexander shifted the spotlight once and for all. From now on the western societies of the Romans and the Greeks would take over the torch." Alexander used the gold reserves of conquered Persia to build new cities and ports, which he used to spread the Greek civilization around the world. In fact, "the economic system that began to take shape after Alexander's reign remained virtually unchanged until the Industrial Revolution of the late 18th century." hile the Greeks may have found Alexander's successes great, not all of the…
Welman, Nick. 2005. General Overview [online]. Pothos; available at http://www.pothos.org/alexander.asp?paraID=88&keyword_id=2&title=General%20Introduction;Internet; accessed 14 March 2005.
Wehrstein, Karen. 2003. Alexander's True Passion: Transcendence [online]. Pothos; available at http://www.pothos.org/alexander.asp?paraID=26&keyword_id=2&title=Passion;Internet; accessed 14 March 2005.
Welman, Nick. 2005. General Overview [online]. Pothos; available at http://www.pothos.org/alexander.asp?paraID=88&keyword_id=2&title=General%20Introduction;Internet; accessed 14 March 2005.
However, unlike Prometheus, Loki has been almost universally seen as evil. His eventual freedom is said to presage the death of all the Gods. This link between Loki and Prometheus, which has only (relatively) recently been understood by a culture versed in both Greek and Norse myths, is evidenced in this work by the fact that Prometheus' theft is being counter-pointed by the image of the Watcher deity posed for burial. In some ways, then, this piece suggests that Loki's judgment on the gods is welcomed. There is actually some historical precedence for this. "Ragnarok may appear to be the termination of all things but the Voluspa makes it quite clear that Ragnarok is not the end but rather a cleansing." Prometheus is visually exalted and the Watcher seems somehow evil even in death. The church itself is filled with darkness and a sense of monstrosity. So one would…
Book of Cruxshadows. "Prometheus"
Book of Cruxshadows. Available online at http://bookofcruxshadows.com/BookofCruxshadowsSITE/BinarySoul/Underworld/Greek / prometheus.htm
Haugen, Andrea. The Ancient Fires of Midgard. [ebook] New York: Hammerheart Publishers, n.d.
Mandem. "Sanctuary." The Art of Mandem. Available online at http://mandemic.com/Cruxshadows/Sanctuary_MED.jpg
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