ART CRITICISM AND THEORY: Question: How constraints practices artists/designers/architects influence make? Make reference TWO response: - Site - Views art critics historians - Historical precedents - Materials technologies - Time - Audience expectations.
Post-modern art and theory
Artists in the post-modern era realized that they dealt with a lot of pressure coming from the public and that it was important for them to employ attitudes that would reflect positively on their works. Even with this, people need to understand that artists have always been constrained and that being limited actually had a constructive effect on most individuals. Chaos is difficult to discuss when regarding things from an artistic point-of-view, as while some people consider it to be an important asset, others believe that it is better for an artist to work with a limited amount of tools because this makes it possible for him or her to actually demonstrate that he or she is different.
Bill Viola's 'painting' Silent Mountain is one of the most intriguing artworks in recent years. The fact that this paper relates to the video as being a painting is largely owed to the feelings that it triggers as the storyline progresses. Its silence dominates the whole motion picture and makes it possible for viewers to consider that they are practically watching a painting come to life and that they actually understand what the actors are...
feminist rhetorical theory. Women have been historically minimized and isolated by the domination of the patriarchal majority. Although women have been able to make a degree of progress, finally achieving positions of social and political power, the number of women in these high offices is still far less than the roles that are filled by man. Modern women, far removed from the "angels in the house" of the Victorian
In addition, Lett (1987) emphasizes that, "Cultural materialists maintain that a society's modes of production and reproduction determine its social structure and ideological superstructure, but cultural materialists reject the metaphysical notion of Hegelian dialectics that is part of dialectical materialism" (80). Indeed, according to Bradshaw (1993), "the British cultural materialist knows that the 'radical,' 'subversive,' 'marginal,' or 'dissident' perspective is always superior (9). This author maintains that British cultural
And yet, it is also important to understand that not everyone criticized Manet, for it was also Dejeuner which set the stage for the advent of Impressionism. Indeed, Manet emerged as something of an enfant terrible in the Parisian art scene of this era. In the same year, he would also produce Olympia, another painting featuring a female nude that would become the centre of much controversy. Olympia caused a
(269) It would seem that the artists and the press of the era both recognized a hot commodity when they saw one, and in this pre-Internet/Cable/Hustler era, beautiful women portrayed in a lascivious fashion would naturally appeal to the prurient interests of the men of the day who might well have been personally fed up with the Victorian morals that controlled and dominated their lives otherwise. In this regard, Pyne
18). Assessing the economic impact of the arts on these communities allowed the researchers to then produce a national impact estimate, the results of which were stated above. Ultimately, the researchers found that when communities "support the arts, [they] not only enhance the quality of community life but also invest in their economic well-being" (Cohen, Schaffer, & Davidson, 2003, p. 30). The researchers concluded by noting that while "the very
76). As automation increasingly assumes the more mundane and routine aspects of work of all types, Drucker was visionary in his assessment of how decisions would be made in the years to come. "In the future," said Drucker, "it was possible that all employment would be managerial in nature, and we would then have progressed from a society of labor to a society of management" (Witzel, p. 76). The
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