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Art Criticism And Theory: Question: How Constraints Essay

ART CRITICISM AND THEORY: Question: How constraints practices artists/designers/architects influence make? Make reference TWO response: - Site - Views art critics historians - Historical precedents - Materials technologies - Time - Audience expectations. Post-modern art and theory

Artists in the post-modern era realized that they dealt with a lot of pressure coming from the public and that it was important for them to employ attitudes that would reflect positively on their works. Even with this, people need to understand that artists have always been constrained and that being limited actually had a constructive effect on most individuals. Chaos is difficult to discuss when regarding things from an artistic point-of-view, as while some people consider it to be an important asset, others believe that it is better for an artist to work with a limited amount of tools because this makes it possible for him or her to actually demonstrate that he or she is different.

Bill Viola's 'painting' Silent Mountain is one of the most intriguing artworks in recent years. The fact that this paper relates to the video as being a painting is largely owed to the feelings that it triggers as the storyline progresses. Its silence dominates the whole motion picture and makes it possible for viewers to consider that they are practically watching a painting come to life and that they actually understand what the actors are...

The artist's work virtually pervaded the world of painters and succeeded in providing viewers with unique feelings as they realized that they could appreciate both the beauty of a painting and a storyline accompanying the respective artwork. Silent Mountain is inspired from Dieric Bouts' painting "The Anonciation," an artwork portraying the Archangel Gabriel while he delivers the news to Mary.
Viola appears to be dedicated at creating videos that are focused on the relationship between past and present. The artist's "Ocean without a shore" is probably one of the most suggestive works that have ever been created. He used the church of San Gallo with the purpose of providing visitors with the feeling that they are interacting with the underworld and that the dead are attempting to communicate. It appears that the church's three altars stand as a portal where life and death intersect and where the dead are provided with the opportunity to leave their eternal resting places in order to reach out to the living. The dead appear to express little to no happiness with regard to the fact that they…

Sources used in this document:
Works cited:

Gehry, Frank, "Fred & Ginger Building," 1996

Gehry, Frank, "Guggenheim Museum, Bilbao," 1997

Dir. Bill Viola. Ocean without a shore. 2007

Dir. Bill Viola. Silent Mountain. 2001.
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