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Workers in Florence were experts when it came to transforming wool into cloth of an excellent quality; they wee well acquainted with the ways to do the same. The process was a quite complicated one which involved dying of wool, cleaning the wool and a host of other processes.
The Palazzo Vecchio, constructed in 1299, was the home of the Florentine guilds. Then, as well as today, it functioned as the seat of municipal government and the heart of Florentine culture. It was here that the city's 5,000 guild members, who had the power of the vote, gathered to discuss and determine city issues. In addition to textile workers and bankers, the guild members included masons and builders, sculptors, lawyers, and solicitors." (Renaissance, 1 January...
Sea trade did not flourish in Florence as much as it did in Venice because the people of Florence had many other interests which fetched them much more than Sea trade, this was primarily the reason why Sea trade never flourished in Florence. Banking was one of the most common professions during the time of Renaissance; many families tasted success being bankers in Florence. The gold coin Manufactured in Florence was a trademark of purity and was accepted the world over by people. The buildings and the sculpture are very famous and looked upon by many people all across the globe, some of the buildings built
A major point of the above is that the winners of wars typically write the history books and their reverence and view of history may not be all that positive. Examples like that litter the pages of history including the Roman Empire, the Ottoman Empire and so on. Architecture is molded and shaped to this very day by countries generally take a dim view of religion and the associated
In the Palazzo Farnese in Rome, Michelangelo used unnatural and manufactured views throughout the building, another trademark of Mannerist buildings.. In fact, many architects of the time (and beyond), view Michelangelo as one of the geniuses of the movement. His, "Medici Chapel in San Lorenzo was executed, in Vasari's opinion, 'in a style more varied and novel than that of any other master,' and 'thus all artists are under a
As a result, both works of art share this similarity, as they want to instill the audience with a sense of awe and respect for this person. (Stokstad, 2011) When you step back and analyze both statues, it is clear that Donatello as well as Michael Angelo is trying to impress upon the audience a sense of: strength and respect for their statues. This is illustrated by the way they