¶ … Art Diminish in an Age of Mechanical Reproduction? Walter Benjamin believes that the aura of an original work of art diminishes in an age of mechanical reproduction because the work of art is decontextualized from its original context as a result of mass production. At first blush, Benjamin's argument seems very compelling. After all, few could argue that seeing a work of art in a majestic setting, like the Louvre, in and of itself a work of art provides an entire experience that simply cannot be captured in a reproduction tea-towel. However, what Benjamin's argument ignores is that people have rarely, if ever, been able to appreciate the context of an original work of art, anyway. Museums do not provide the context that the artist had when creating the artwork. Artists do not work in museums or art galleries. They work in locations, in studios, on the street. Furthermore, artists are very influenced by society and culture, in a way that cannot really be understood by people outside of that culture. Finally, artists bring their own personal experiences when they create works of art. Therefore, to assume that most pieces of art can be understood in the context intended by the artist seems...
However, looking at three examples of art, it becomes clear that context can be important, and that, at least for me, the mass reproduction of certain artwork has done nothing to reduce my desire to see the original.
Art in the Age of Mechanical Reproduction," Walter Benjamin attempts to describe how the advent of industrialization has changed the way art is produced, transmitted, and received, and the effect these changes have had on the notion of art itself. Benjamin's argument centers around the notion of a work's "aura," or "the unique appearance of a distance," meaning the unique, individual experience of a work in time and space
66). Furthermore, social software will only increase in importance in helping organizations maintain and manage their domains of knowledge and information. When networks are enabled and flourish, their value to all users and to the organization increases as well. That increase in value is typically nonlinear, where some additions yield more than proportionate values to the organization (McCluskey and Korobow, 2009). Some of the key characteristics of social software applications
From approximately 1930 until the 1980s, rectangular and functional spaces were the chief form of architecture around the world in general. The latter part of the 20th century -- the 1980s onward -- saw change once again, however (2008). For the most part, 20th century architecture, however, "focused on machine aesthetics or functionality and failed to incorporate any ornamental accents in the structure" (2008). The designs were, for the
Anarchy in the 19th Century An Analysis of Merriman's Dynamite Club and Anarchy in the 19th Century John Merriman makes the point early in the Dynamite Club that there exists "a gossamer thread connecting…Islamist fundamentalists and Emile Henry's circle." Merriman goes on to define that connection as being one of "social inequalities." But more to the heart of the matter, however, is the difference in ideologies -- ideologies that transcended the economic, political,
Forgiveness on human health. In its simplest form, the purpose of the study is to evaluate human psychological stress that might constitute a risk factor for heart disease. Further, the study will also evaluate the impact of forgiveness on heart disease. However, such a simple dissertation clearly demands further definition. What, exactly, do we signify when we speak of heart disease? What is properly considered as forgiveness? What impact does
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