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Pride and Prejudice Additional Pages
Casal, Elvira. "Laughing at Mr. Darcy: Wit and Sexuality in Pride and Prejudice." Persuasions On-Line 22.1 (2001): n. pag. Web.
Casal discusses comedy, laughter and wit as Austen's basic thematic concerns within Pride and Prejudice. She begins her analysis with a discussion of the conversation between Miss Bingley and Elizabeth Bennett, which concludes with Elizabeth's expostulation "Mr. Darcy is not to be laughed at!" Casal notes that this passage indicates laughter as the sign that Elizabeth is not intimidated by Darcy's superior social status, as Miss Bingley is. In the same passage, Casal notes, Austen is careful to also have Elizabeth admit that "I dearly love a laugh," and thus asserts the importance of comedy. Yet Casal notes that laughter itself plays an ambiguous role within the actual novel: on the one hand she thinks that the novel itself is a "celebration of laughter" simply because "the reader is invited to laugh,"...
Bennet's laughter is closely linked to his abdication from responsibility, and the character in the novel who laughs the most is Lydia." This means that there is an ethical element to the incorporation of comedy into Pride and Prejudice; Casal suggests that the novel attains a balance by insisting at the same time that Darcy needs to learn how to accept laughter at the same time that Elizabeth needs to learn how to laugh wisely. The final pages, Casal notes, include Georgiana Darcy's expression of surprise at the "lively and sportive" way in which Elizabeth converses with Darcy.
Casal surveys the way in which women's laughter was regarded negatively in Austen's own society, either as…
Indeed, in her conversations with Wickham, Elizabeth was extremely superficial, appreciating him because of his pleasant manners and positive attitude towards her, and omitting any other considerations: "Elizabeth honoured him for such feelings, and thought him handsomer than ever as he expressed them."(Austen, 36) Elizabeth had been definitely wrong in her opinions of both Darcy and Wickham, but had been right about the other man who proposed to her,
Austen Jane Austen allows her characters to reveal themselves naturalistically, through their words and actions. Rather than interfering with an overly strong narrative voice, the author prefers to enable the reader's engagement with characters like Darcy as if they were real life acquaintances. Interestingly, though, Austen makes a small exception for Darcy, who when he first appears in Chapter three, is described by the narrator. Austen's choice of introduction makes perfect
Jane Austen Quotes Austen, Jane. Pride and Prejudice. New York: Bantam Classics, 2003. Print. PRIDE "His pride," said Miss Lucas, "does not offend me so much as pride often does, because there is an excuse for it." (15) "It has been the study of my life to avoid those weaknesses which often expose a strong understanding to ridicule." "Such as vanity and pride." "Yes, vanity is a weakness indeed. But pride -- where there is real
Pride and Prejudice Jane Austen's "Pride and Prejudice" is set in rural England, in Longbourn, during the Napoleonic Wars, 1797-1815. The novel centers around the Bennet family, which includes five daughters of marrying age, Jane, the oldest, then Elizabeth, Mary, Kitty, and Lydia. It is a story of romance, manners and a comedy of misunderstandings, in 19th century England. The protagonist of the story is the second daughter, Elizabeth, regarded as
Freedom of the Mind Is Freedom From Prejudice: Personal Renewal From Jane Austen's Classic, Pride And Prejudice For years, reading has been both a necessity and luxury for me. Reading, as a necessity, is an imperative for students like me who need to be constantly needed to be updated and knowledgeable about their chosen fields of expertise. Similarly, in times of leisure, reading provides me with new insights and discoveries about
Jane Austen's Emma Jane Austen's Gentleman Ideal in Emma In her third novel, Jane Austen created a flawed but sympathetic heroine in the young Emma Woodhouse. Widely considered her finest work, Austen's Emma once again deals with social mores, particularly those dealing with ethical actions and social status. This paper focuses on how Austen uses the figure of George Knightley to propose a new English Gentleman Ideal to criticize the strictures regarding the