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Graves, R.N. (1995). Hardy's "The Convergence of the Twain." The Explicator, 53 (2): 96-99.
In this essay, the eventual unity of the iceberg and the Titanic is described as a kind of love relationship. Ironically, the supposedly unsinkable ship and the iceberg were 'born for one another' to create a historical, real life metaphor of the folly of humanity. The word 'consummation' at the end of the poem is given great significance. There is a kind of humor to how the jarring hemispheres -- the 'shaken world' -- makes the crash seem like a common wedding night metaphor -- 'the earth moved.' The unity of ship and iceberg is like a sexual union of an overly willing groom and a cold bride. The ship is an illustration of the Victorian folly of trying to overcome the natural world -- both the coldness of the...
I wanted to study Thomas Hardy's poem "The Convergence of the Twain" to see how a contemporary poet viewed the event. I learned that the idea that the Titanic symbolized human folly and arrogance was common even at the time the ship sunk. However, Hardy used the metaphor of the sinking ship as a metaphor for something larger -- the arrogant idea that human will could control the world. The Victorian Era that Hardy was attempting to critique believed that rationalism could build an empire and channel baser human impulses. The Titanic, in Hardy's view, showed that Man was still a slave to natural forces, including the forces of history.
Thomas Hardy / Elizabeth Barrett Browning Considered purely as a poet, Thomas Hardy has earned the status of a Modernist, or at the very least an honorary Modernist. Claire Tomalin's recent biography of Hardy would have us believe that, in essence, Hardy had a full career as a late Victorian novelist, then retired, then was suddenly reborn as a craggy and philosophical Modernist poet, a latter-day Robert Browning for the age
Thomas Hardy's Writing Style Thomas Hardy was a successful writer of novels, short stories and poetry. While each of these areas could be used to analyze his writing style, the area of choice is his poetry. This is based on two reasons. Firstly, poetry is an area of writing that comes closest to representing the writer's style because of its personal nature. Secondly, it is known that Hardy had to revise
Thomas Hardy's Poem "The Voice" The title of Thomas Hardy's poem "The Voice" reveals a lot about its mode of delivery. The audible whispers of the woman calling, calling are conveyed to the reader through literary devices such as rhyme and rhythm. The voice of the woman is translated into the voice of the poet. "The voice" of the woman becomes a symbol of the narrator's memory, which is tainted by
The Heath is described as "Ancient, unchanging, untamable, sombre and tremendous..." (ibid) www.questia.com/PM.qst?a=o&d=6200808 Grimsditch also sees a relationship of the Heath to the characters, particularly the character of Eustacia. "It is in accord with moods of loneliness, melancholy and even tragedy, and these moods predominate in the nature of its adopted child, Eustacia... " (ibid) In essence the Heath represents the dominant mood and symbol of the book. It is against
Poetry Analysis of Thomas Hardy's "The Oxen" The English poet Thomas Hardy wrote a seemingly simple piece titled "The Oxen" in 1915, as the industrialized slaughter of World War I raged throughout the European continent. Although the light tone and themes of holiday reverence and religious worship which are present throughout "The Oxen" suggest a sense of innocence, the poem actually represents the futile yearnings of a jaded old man in
In each case, marriage for the woman has less freedom than for the man. After all, the woman cannot even properly (as Elinor evidences) express her deep-seated affection or attachment to a man, unless he has first approached her. A woman cannot initiate love, and this in itself debases her freedom of choice. This omnipresent element of Victorian culture is present in Wuthering Heights as well, when one sees