¶ … Cultural Reflection of Charlotte Bronte's Jane Eyre
In Charlotte Bronte's novel Jane Eyre, we are introduced to a timid, insecure orphan child who is set extraordinary odds to find happiness and eventually love in 19th Century England. Jane Eyre is the story of a reluctant and fairly plain woman who believes that she is unloved because of these physical traits, yet she is strong-principled, intelligent and possesses a desire to do better in life and become independent. Of her greatest obstacles to overcome, the crude Victorian society is the hardest, and Bronte pits her character against many Victorian taboos and religious fervor that she herself must have witnessed in her own life.
Charlotte Bronte herself was born and raised in Victorian England, one of three sisters who all became published authors. "The prejudice against women in the nineteenth century was such that the three sisters were forced to adopt male pseudonyms for the initial publication of their novels because they knew that their books were unlikely to be published if they had used their own names" (Longman Literature, viii). Bronte had plenty of material therefore to fall back on as she wrote Jane Eyre, though chose to show the stringent lifestyle of Victorian England through the story and characters rather than preach the injustices against women and social bias.
Jane Eyre was an orphan in Victorian England who went to live with her uncle and his family in Gateshead. Before she does, she contemplates the possibility of being sent to a 'poorhouse'. "You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse" (Chapter2, pg7). Poorhouses were notorious for their ill-treatment and diseases that spread through these institutions designed to tuck away the socially unacceptable and poor away from the rest of society.
At one point, when Jane Eyre is forced to walk instead of taking a carriage,...
1847, Charlotte Bronte's Jane Eyre is structured like a puzzle. The title page reads Jane Eyre: An Autobiography but the work is credited to Currer Bell, an apparently male pseudonym. The author's involvement with the text is therefore signposted from the moment we open the book -- what does it mean for a work to be described as an "autobiography" but ascribed to a different writer? Obviously an autobiography
GOTHIC NOVEL & JANE EYRE According to E.F. Bleiler, "Before Horace Walpole, the word 'gothic' was almost always a synonym for rudeness, barbarousness, crudity, coarseness and lack of taste. After Walpole, the word assumed two new major meanings -- first, vigorous, bold, heroic and ancient; and second, quaint, charming, romantic, but perhaps a little decadent in its association with Romanticism, but sentimental and interesting" (12). Of course, Bleiler is referring
Wuthering Heights and Jane Eyre have captured the imagination of successive generations of critics, from the time they were published till today. Widely acclaimed, these two novels continue to literally mesmerize scholars as the harbingers of a unique literary genre of romance in a gothic drama setting, which is related with harsh vitalism and lack of moral zeal. More than their technical aspects, however, a review of the critical literature on
Color Purple- Film and Book The Color Purple is a deeply through-provoking and highly engrossing tale of three black women who use their personal strength to transform their lives. Alice Walker's work was published in 1982 and it inspired Steven Spielberg so much that he began working on its film version as soon as the novel won accolades for its brilliant storyline and powerful narrative. However the movie, though it
343). This same pious fellow who reports in his letter that he hears God announcing His approach is also the picture of imperial majesty, brave, stern, and exacting, and of course only working for the betterment of those he is bringing into his empire. St. John's rousing finale allows the work to finish as it almost physically completes a conquering of Jane's secular world, as well. The celebratory nature of
The comparison between Jan's bright eyes and the "red balls" that hold the same station in Bertha's animalistic face, as well as Bertha's size and girth in comparison to Rochester (his equal in size) and Jane, small young and proper is meant also to show Bertha as a tyrant, though her size has nothing to do with choice it is a point of comparison which separates her from the
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