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The manner in which Cezanne abstractly modulated color in his paintings was seminal to the controversial cubist style. What is more, Pablo Picasso's Les Demoiselles d'Avignon simplified previous endeavors in terms of structure by employing a savage two-dimensional angularity, and as such was exponential for early modern art.
Modernist painting, in Clement Greenberg's words, "used art to call attention to art" (193) as opposed to Realism's alleged concealment of art. Formerly inferred drawbacks attached to the limits imposed by the medium of painting, such as the plain surface, the pigment's properties or the shape of the support, were brought to light in modernism and even considered positive elements (Greenberg 195). To list various embodiments of the modern newly found openness and embracing of factors that used to be regarded as glitch, Piet Mondrian's minimalist Composition...
In addition, it may be asserted that modernist painting did not simply shun figurative representation as much as it abandoned, in principle, "the representation of the kind of space that recognizable objects can inhabit" (Greenberg 198).
Overall, Impressionism, Realism, Post-Impressionism, Cubism and the entire vast spectrum of Modern styles that ensued are altogether defined as pioneer art forms which drastically upended or sought to improve previous European traditions. In conclusion, the link that can be traced throughout these currents serves as testimony for visual art's creative continuity.
Reference
Greenberg, Clement. Modernist painting. Art and…
Reference
Greenberg, Clement. Modernist painting. Art and Literature Spring 1965: 193-201
Color Me Three The use of color by artists depends on both personal predilections as well as environmental and social circumstances. This paper will use the works from three well-known artists to illustrate the assumption that the use of color and the style of each artist is combination of these various factors. An important issue that will be dealt with is the artistic climate and the predominant view on art and
In essence the Cubists were not only concerned with the development of new artistic techniques, but their experimentation was also concerned with the search for a new and more dynamic perception of reality. As one commentator notes; "The Cubists sought to create spatial abstractions" (the AESTHETIC). As has been stated, Cubism depicts a new reality which was also in essence a form of protest against conventional ideas of both art
The rococo was aimed towards the French court and nobles. The main message was not a religious one, but aimed the upper classes and focused on their lives, houses and celebrations. In France this style gave way to the austere neoclassic style at the end of the xviii century and disappeared with the French revolution in 1978, suddenly and completely. Neoclassicism appeared as a return to the classical ideology in
Art Monet Claude Monet and Water Lilies This research paper aims to discuss one of the better known impressionist artists, Claude Monet and his rendition series, one of the 'Water Lilies' on display in the Toledo Museum of Art. This research piece combines information about the life and works of the artist as well as the famous series of 48 landscapes started shortly before the armistice of World War I. Obviously, when one
Abstract Expressionist Painting Artistic and Aesthetic Value in American Modernist Art during the Cold War Era Defining American Expressionism American modernism is perhaps one of the most difficult artistic periods to define. Modernism refers to a trend that affirms the power of human beings to create, shape, and make improvements to their environment. Modernism is aided by technological advances and is considered both progressive and optimistic in its approach to defining society. American
Henri Matisse -- Western Tradition HENRI MATISSE: FAUVISM AND THE WESTERN PICTORIAL TRADITION Henri Matisse (1869 -- 1954), a painter, draughtsman, sculptor, printmaker, designer and author, came into the world of art comparatively late in his life and made his reputation as the main exponent of Fauvism, the first avante-garde artistic movement of the 20th century. As Jacques Lassaigne points out, Matisse "never ceased probing the mystery of the creative process and applied