In effect, Matisse is "at home" in his studio. He is comfortable there, and somehow, this feeling of comfort is conveyed by the painting. Matisse noted that freedom is "not following the same road" and his work certainly does not do that. He painted what he felt, rather than what he actually saw, and sometimes these emotions were so strong on the canvas that they put off critics and potential

We can appreciate the emotional sentiment of the Picasso work, which only superficial research reveals was inspired by a brothel in Barcelona. To an extent, Picasso offers us a dark perspective on either the subject or, as one might suggest based on the confrontational stance of the painting's subjects, the experience of visiting these women. Indeed, as these women look out from the canvas, presenting themselves with stoic expressionless

Everyday Creativity The concept of everyday creativity is about finding joy in the things we do and obtaining happiness in even the most routine aspects of life—such as finding food to eat, getting dressed, getting to work, or even adapting to an unexpected emergency. Everyday creativity is about the art of spontaneity, the art of adaptability, the art of being okay with things the way they are because at all times

Art The Painting Techniques of the Impressionists, Cubists, and Fauvists During the late nineteenth and early twentieth centuries art styles were changing rapidly in France. Impressionism, Cubism, and Fauvism were three of the styles developed during this time. The painters involved were using new techniques with oil paint to change what was accepted as fine art. Their new techniques reflected societal changes happening all around them. The Age of Industrialization, economic fears,

Titian's painting, in fact, seems to be a stop-cadre and the audience can expect that once the play button is pressed again, the characters will resume their natural movement and activities. In Matisse's painting, the characters are also extremely dynamic, caught in activities ranging from dancing to movement and from gymnastics to playing instruments. In the background, we can see one of the dancing group that has appeared in other

This is another example of how truthfulness and realism are not always synonymous. The naturalness of the bathers is shown by making the lines of their bodies similar to the lines of the natural landscape. Henri Matisse's "The Joy of Life" is not even an arrangement of posed figures like Cezanne and Picasso's works of art, rather it is a cacophony of color and the rounded, nude sensual female figures