Tempest Is a Play That Essay

Download this Essay in word format (.doc)

Note: Sample below may appear distorted but all corresponding word document files contain proper formatting

Excerpt from Essay:

Miranda even says, "My father's of a better nature, sir,/Than he appears by speech" (I.ii.500-501). Shakespeare may have been writing Prospero like this only to juxtapose his warm nature at the end of the play, which gives the play a "and they lived happily ever after" feel.

Prospero uses his magic to control the spirit Ariel, which gives him a lot of power. Prospero knows of Caliban, Stephano, and Trinculos' plot to kill the king and he uses this knowledge to his own advantage. He thinks that when he takes back his throne in Milan, he can use it as blackmail against them. He thinks that they will do whatever he says because of this and because of the fact that Miranda will become queen one day.

Prospero shows his protective side as a father to Miranda. He tries to make sure that Ferdinand really loves Miranda by making her seem more difficult to get. He is worried that their love won't last and he doesn't want this for her. He wants to make sure that Ferdinand knows the greatness he is getting in the love of Miranda, which makes Prospero seem downright sweet, even if his language comes across as scheming and vindictive. It is very clear that he loves his daughter and wants only what is best for her.

By the end of the story, Prospero is able to forgive Antonio and Caliban, which shows how he has changed as a man. After Caliban has forced himself upon Miranda and has actually tried to kill Prospero himself, Prospero is able to find forgiveness for him. Prospero is even able to forgive his brother for taking his position in Milan and casting him and his daughter out to sea. It is precisely because of this change in Prospero from a vengeful, scheming man to a protective and forgiving man that he is able to get off the island. It is rather symbolic if we look at the island as a representation of power and Prospero's obsession with power. It was what kept him at a distance from his true nature and from his real self. Once Prospero was able to let that side of his personality go and let the true, loving nature come forth, he is able to get off the island.

Prospero forgives the people who have hurt him most and his letting go of Ariel, freeing him, is symbolic of him letting that need for power go. "The rarer action is/in virtue than in vengeance" (V., i., 27-28). Prospero can go back to Milan and be the Duke that he should have been -- only this time he will be better because he is a different person. He is now happy and not spiteful; he is now loving and not in need of controlling others for his own gain.

It is apparent throughout the play that Prospero is our hero. Behind all of his selfish acts of power, we can hear the true nature of the man. He has an innate sense of reason that always keep us believing in him, despite all of the things he does and the control that he has over Ariel and Caliban and that which he wants to have over everything else. He is a man of cultivation and reason and this is why we always keep believing in him -- that he will change into the person he is destined to be, the person he really is. Shakespeare takes us on a journey to a far off land and introduces us to a character who is far away from his home both in person and in spirit. Through acts of magic and through acts of humanity, Prospero becomes the person that we have always believed him to be.

Our revels now are ended. These our actors,

As I foretold you, were all spirits, and Are melted into air, into thin air:

And, like the baseless fabric of this vision,

The cloud-capped towers, the gorgeous palaces,

The solemn temples, the great globe itself,

Yea, all which it inherit, shall dissolve,

And, like this insubstantial pageant faded,

Leave not a rack behind. We are such stuff

As dreams are made on; and our little life

Is rounded with a sleep (IV.i., 148-158).

Works Cited

Shakespeare, William. The Tempest (the Annotated Shakespeare). Yale University

Press; 1st edition, 2006. Print.[continue]

Cite This Essay:

"Tempest Is A Play That" (2011, January 31) Retrieved December 1, 2016, from http://www.paperdue.com/essay/tempest-is-a-play-that-5127

"Tempest Is A Play That" 31 January 2011. Web.1 December. 2016. <http://www.paperdue.com/essay/tempest-is-a-play-that-5127>

"Tempest Is A Play That", 31 January 2011, Accessed.1 December. 2016, http://www.paperdue.com/essay/tempest-is-a-play-that-5127

Other Documents Pertaining To This Topic

  • Tempest in Act I Scene 2 Of

    Tempest In Act I, scene 2 of Shakespeare's The Tempest, the protagonist Prospero explains his case to both his daughter and his familiar spirit Ariel. Thus, the main themes of the play are elucidated in this one scene more than any other. The concept of power, of power overused and power usurped are evident and constant in Act One, scene 2 of The Tempest. This early in the play, before the

  • Tempest Shakespeare

    Tempest In the epilogue of A Midsummer's Night Dream, Puck speaks to the audience directly not as an actor or a character in a play, while in The Tempest, Prospero is still in character but begs the audience to set him free so he can return to Naples. For Puck, King Oberon and all the other actors are mere shadows, exactly as Theseus described the actors in the play-within-a-play, and his

  • Play Within The Play Developing a Cultural Understanding of the

    Play-within-the-Play Developing a cultural understanding of the relative power of theater upon culture creates a sense of the traditional and the dramatic. Within many works of antiquity is a demonstration of analogy, in much the same manner as the analogous representations of doctrine. Creating a thematic web of understanding about the nature of humanity, through the play-within-the-play technique many play writes of today and yesterday demonstrate the power of drama upon

  • Tempest Caliban in Shakespeare s the

    While Prospero is truly meant to be the main character in the Tempest, seeing the play performed live reminds us that it is actually Caliban who is most important. Michael Stewart Allen's performance of Caliban brought out the richness and complexity of the character, without reducing him to a crude stereotype - which is a direction that other, less talented actors may have chosen to go in. Rather than overacting,

  • Tempest Is One of William

    This is, in fact, the basis of colonization as the natives are subdued and forced to abandon their language and traditions in favor of the colonizers'. Critics who supported the thesis of "The Tempest" being a description of the Spaniards' experience in the Americas considered Caliban to be a Native American despite the multitude of details that differentiate him from the Indians as they were described in the travelers' reports

  • Tempest In Major and Minor

    The similar treatment of these very different minor characters highlight's Prospero's obsession with control, as well as his own return to the human world. Consider that although Prospero mourns his exile, he even uses captivity as an enticement for Miranda and Ferdinand's courtship, forcing the young man to carry wood like he does Caliban. The young man responds cheerfully, "There be some sports are painful, and their labor/Delight in

  • Tempest After Prospero Gives His Blessing to

    Tempest After Prospero gives his blessing to the marriage between Ferdinand and Miranda, he summons Ariel and instructs him to call the spirits to perform a masque. The spirits appear in the shapes of Iris, Juno and Ceres. The masque is a performance of allegorical and mythical stories and it serves to emphasize various symbolic aspects that are important to the marriage between Ferdinand and Miranda, as well as to

Read Full Essay
Copyright 2016 . All Rights Reserved