Fiction has the unique attribute of being able to be relatable to a person regardless of its implications to real life. No matter how bizarre a plot or character might be, it is the meaning behind everything that is obvious that makes the interpretation of stories unique and applicable to the human experience. This is greatly demonstrated in a collection of quotations from a variety of stories that all share one commonality: survival. No matter how tough things go, and no matter what life's circumstances can be, survival is the ultimate goal, and these stories all bring together that philosophy in a variety of ways, but all coming up with the same equal concept. Nothing brings on this notion of survival more than Zora Neale Hurston does in her story "Sweat." Life is all about how hard one works in order to be able to excel and in order to get by on a day-to-day basis. In the particular line, "Delia's work-worn knees crawled over the Earth," one can visualize the struggles that this woman went through and was currently going through in order to just get by and get through all of her problems, yet through it all, she survived, and demonstrates this to all her readers, that one can survive as well. In conjunction with this theme of direct survival is Charlotte Perkins Gilman's "The Yellow Wallpaper" with the line "There is one marked peculiarity about this paper, a thing nobody seems to notice but myself, and that is that it changes as the light changes." Instead of trying to conform to the unfortunate circumstances, the character thought of ways to get through her unfortunate...
As one thinks about such conditions, there is always this need to survive a physical situation which is causing one to accrue doubt.
SCIENCE FICTION & FEMINISM Sci-Fi & Feminism Origins & Evolution of Science Fiction As with most things including literature, science fiction has progressed and changed a lot over the years. Many works of science fiction were simply rough copies and following the altready-established patterns of prior authors. However, there has always been authors and creators that push the envelope and forge new questions and storylines that have not been realized or conceptualized before.
Either way, what they shared is gone. The interesting thing about this story is the boyfriend's inability to see things from Jig's point-of-view. He does not have to deal with the emotional aspect of abortion, so he can say things like, "It's not really an operation at all" (Hills Like White Elephants 1391). The nameless man is selfish and a liar because he tries to convince Jig "It's really
Shirley Jackson's "The Lottery" and DH Lawrence's "The Rocking-Horse Winner," the desire of human beings to gain control over their existence with the use of rituals and 'magic' is in evidence. Use of ritual and superstition in "The Lottery and "The Rocking Horse Winner" In one story, magic is real, in the other it is not II. "The Lottery" Plot of sacrifice Sacrifice highly ritualized Not performing the magic is seen as barbaric, ironically "The
and, as no two individuals can have had completely identical experiences, it follows that no two individuals can view events in exactly the same way. Thus, they will make different choices, and choose different course of action. So important to Michener are all the minute events that go to make up a life, that prior to undertaking a new narrative, he sets himself the enormous task of finding out everything
Ross (1988) notes the development of Romanticism in the late eighteenth century and indicates that it was essentially a masculine phenomenon: Romantic poetizing is not just what women cannot do because they are not expected to; it is also what some men do in order to reconfirm their capacity to influence the world in ways socio-historically determined as masculine. The categories of gender, both in their lives and in their
speak or write, do you own the words that you have created? What about the thoughts that preceded those words? What is originality? In some sense, we are all 'original authors.' We compose our own ideas in our head and transmit them to the world in speech. Yet, on the other hand, it is just as easy to claim that because our words are the result of a series of subtle
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