One of Peggy McIntosh's most profound observations is that the white privileged class, though it can choose to engage with, learn from, and attempt to understand developments in minority writing, music, arts, and culture, it is essentially insulated from any of the possible negative reflections of these developments (McIntosh). That is, though I might personally enjoy listening to rap music, I do not need to worry about what the music says regarding my culture's views on women or violence, whereas an African-American who might detest rap purely on the basis of its sound as well as its messages will nevertheless be identified with the more negative connotations of misogyny and violent tempers that have become inherent to most rap music. McIntosh's logic can be taken to even more insidious and harmful conclusions, as well.
I attended a private Catholic school in New Jersey that was very expensive -- as pricey as many colleges -- and had very few minority students. Five to be exact. These students were bussed to the private school from the inner city in order to provide them with educational opportunities that matched their abilities, and that they would not have been able to have access to in their own schools and living situations. My attendance at the school was not merely evidence of my white privilege, but also my economic privilege (or more correctly, my parents' economic privilege). By the same token, the presence of the minority students was not actually an indicator of equality or of an evening-out of the privileges and biases that exist in this country, but ironically served as a reminder of the severe gap that existed between their level of privilege and that of the average -- i.e. white and rich -- student at the school.
Nothing was done at the school with the...
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