Sun Trust Bank vs. Houghton Mifflin Company
Houghton Mifflin had scheduled the publication of Alice Randall's story, entitled "The Wind Done Gone," in June last year when the lawyers of Margaret Mitchell's estate - represented by Sun Trust Bank -- sought for and obtained a preliminary injunction in April, stopping its publication (Associated Press 2001). Margaret Mitchell was the author of the classic novel and very famous movie, "Gone with the Wind," in 1939 and Alice Randall wrote "The Wind Done Gone" in 2001. The estate's lawyers held that Randall violated the Copyright Law by plagiarizing Mitchell's novel and that it was not simply a case of free speech, as claimed by Randall.
In their court action, the lawyers of the Mitchell estate, implored the estate's exclusive right to the publication of the novel:
without the threat of an injunction to derail unauthorized derivative works of fiction, pirates will be free to mine the rich vein of copyrighted works and only to pay if they strike gold, get sued, and get caught before they steal away."
Preliminary Injunction
In granting the preliminary injunction, U.S. District Judge Charles Pannell ruled that Randall's novel borrowed "too liberally from 'Gone with the Wind' and, in so doing, infringed upon the copyright of Mitchell's original work. He elaborated that "The Wind Done Gone" essentially retold "Gone with the Wind," using only a different viewpoint but the same characters and places, and the court viewed this as "unabated piracy (Associated Press)."
Randall argued that she told her story from the viewpoint of Scarlett O'Hara's mulatto half-sister, Tara, and that it was a political parody that had the right to be published. But the federal judge disagreed and said that her "recitation of so much of the earlier work is overwhelming" and thus, constituted un-authorized sequel. To illustrate his point, Judge Pannell said that, while Mitchell's novel ends without describing what becomes her leading and tragic characters, Randall provides that ending in her work. "The right to answer those questions and to write a sequel or other derivative work, however, legally belongs to Ms. Mitchell's heirs, not Ms. Randall."
The Copyright Law
The Copyright Law provides that the author of an original work has the sole right to reproduce, derive, distribute and/or distribute copies of his or her own work (Title 17 Chapter I Sections 106 and 106A). This right extends to the author's estate or heirs, in this case, Mitchell's brother, through the Lawyers for the Mitchell Trusts Committee.
Gone with the Wind" is a love story between Scarlett O'Hara and Rhett Butler with Atlanta as setting and the American Civil War as background. It is an immensely popular novel brought to life by two of the most famous actors and actresses of the time, Vivien Leigh (as Scarlett) and Clark Gable (as Rhett). It sold several millions of copies and many consider it "the best-known book next only to the Bible." But blacks have also long regarded it as racist in deforming and ignoring the cruelty to which black slaves were subjected in plantations.
On the other hand, Randall's "The Wind Done Gone," according to reviews, is a pseudo diary of Cynara, Scarlett's mulatto half-sister (Weaver 2001) and a retelling of part of American history through a literary classic, employing a "vastly overrated, racist melodrama." Scarlett's name was changed to "Other," Rhett referred to only as "R," Scarlett's/Other's cousin as Mealy Mouth, and Bette as Beauty.
The Wind Done Gone" is, first of all, satirical: Cynara meets a black congressman to whom she gets attracted. It is also lyrical as well as "oppressive (Weaver)." The whites and the blacks exchanged places: the plantation's slaves are all wise and diligent and always saving the whiles from their helplessness and clumsiness. The only thing that gave the whites any common sense is at least a drop of "Negro blood." Randall's novel was viewed as her sheer desire to equalize and settle the score for every wronged African-American. Critics did not recognize any "freshness" in her novel, where the characters go overboard and others reveal their having been molded after the 1939 original mold. And the diary mode does not develop the work into a real novel.
Randall said that these deviations did not bother her - what she wanted to do was to "tell the story that had not been told - by doing so in a different point-of-view and altering the personality of Mitchell's characters, rather than creating her own. If Mitchell's theme is survival, Randall's is despair (The Nomad Group 2002). In her work, Randall said she wanted to reveal what was true in those personalities, such as their disgraces, sadness and deceit. She was also quoted by USAToday.com...
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The Randall novel also violated several caveats placed by the Mitchell estate upon authorized sequels: "that Scarlett never die, that miscegenation and homosexuality be avoided" and Randall further suggests that "Scarlett had a black ancestor, that Tara was really run by savvy slaves who knew how to manipulate their white masters and that Rhett pursued Scarlett only because she looked like her mulatto half-sister, Cynara, who was the true
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