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Saddling them with the idea that every work must have some kind of recognizable theory that speaks to the viewers may be too much for some artists to manage, and it could shut down their creative process. As another critic notes, "[I]n Western culture, after all, art is associated with the free expression of a unique vision or the pleasurable cultivation of individual tastes" (Williams 2004, p. 3). Thus, by branding a theory on a piece of art, the artist is pigeonholed into a certain genre, which reduces their "free expression," and the viewer is not as apt to enjoy the art according to their "individual tastes."
In conclusion, it is fine to have a theory when creating or admiring art, but that theory challenges creativity and the enjoyment of the piece. If a viewer or an artist is so busy attempting to figure out the theory of a piece that it gets in the way of the enjoyment or creativity of that piece, then theory has gone too far. It can guide the artist, but it should never overpower the artwork or the creation of that artwork. To enjoy art just for art's sake is the highest complement to...
2003, Art Theory: A Very Short Introduction, Oxford University Press, Oxford, England.
Hertel, C. 2003, 'Ivan Gaskell: Vermeer's Wager Speculations on Art History, Theory and Art Museums', the Art Bulletin, 85(3), 611+.
Irvine, M. 2008, 'Art Theory Concepts', Georgetown University [Online] Available at http://www9.georgetown.edu/faculty/irvinem/visualarts/art-theory-intro.html.
Murray, D.C., & Murray, S. 2006, 'Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity', Art Journal, 65(1), 22+.
Panero, J. 2005, 'Criticism after Art', New Criterion, 24, 16+.
Rosenstein, L. (2002). The End of Art Theory. Humanitas, 15(1), 32+.
Vess, D. 2008, 'The Influence of Neoplatonism on Michelangelo', Georgia College & State University [Online] Available at http://hercules.gcsu.edu/~dvess/micel.htm.
Williams, R. 2004, Art Theory: An Historical Introduction. Blackwell Publishing, Malden,…
References
Freeland, C. 2003, Art Theory: A Very Short Introduction, Oxford University Press, Oxford, England.
Hertel, C. 2003, 'Ivan Gaskell: Vermeer's Wager Speculations on Art History, Theory and Art Museums', the Art Bulletin, 85(3), 611+.
Irvine, M. 2008, 'Art Theory Concepts', Georgetown University [Online] Available at http://www9.georgetown.edu/faculty/irvinem/visualarts/art-theory-intro.html.
Murray, D.C., & Murray, S. 2006, 'Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity', Art Journal, 65(1), 22+.
Vess, D. 2008, 'The Influence of Neoplatonism on Michelangelo', Georgia College & State University [Online] Available at http://hercules.gcsu.edu/~dvess/micel.htm.
What inspiration and creativity will the next generation of artists utilize in forming their great works and how will the world perceive their masterpieces. Art Compilation Book Conclusion After completing this course I can honestly say that my educational horizon has been expanded. Exploring the vast world of modern art and observing the strange yet innovative techniques used by modern artists has only inspired my personal pursuits and desires to implement
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