Birth Of Venus By Sandro Term Paper

PAGES
7
WORDS
1945
Cite

Some have speculated that the work may have been commissioned by one of those families, and that the work was stored in a private residence, as opposed to being on display (the Birth, No date). In its historical context, Birth of Venus is important because it gives us a glimpse into the Italian psychology at the time. The painting shows that even as the church tried to exert total influence in Italy, the people had not completely forgotten their old traditions and still thought fondly about the days of Rome. Because so many pagan-themed paintings were destroyed by the Catholic church, Birth of Venus also allows us to consider the other great works of pagan art from the 15th century that we will never get to see.

Conclusion

Birth of Venus by Sandro Botticelli is an important work in the study of art. This late-15th century painting reflects the struggle many Italian artists felt between the great history and traditions of their land, and the strong influence of the Catholic church. Both of these influences are present in Birth of Venus, even though the painting depicts a pagan theme.

Birth of Venus also shows Botticelli's technical skill. His use of lines to create the perception of wind and his use of shading to create a sense of light around Venus help tell the story of Venus and help convince the...

...

Finally, the work is important because there is some mystery surrounding it. At a time when many pagan works of art were destroyed, including Botticelli pieces, Birth of Venus was somehow spared. Today, it represents a work of genius that we could have just as easily never known.
Works Cited

Art archive: Venus (No date). Retrieved March 29, 2007, at http://www.windows.ucar.edu/tour/link=/mythology/images/venus_art_archive.html.

The Birth of Venus: Spring (No date). Retrieved March 29, 2007, at http://www.bergerfoundation.ch/Sandro/44venusprintemps_english.html.

Botticelli (2002). Retrieved March 28, 2007, at http://www.loggia.com/art/renaissance/botticelli02.htm.

Botticelli, Sandro, real name Alessandro di Mariano Filipepi (No date). Retrieved March 27, 2007, at http://www.latifm.com/artists/Botticelli_Sandro.html.

Gombrich, E.H. (No date). Botticelli, Sandro. Retrieved March 28, 2007, at http://www.artchive.com/artchive/B/botticelli/venus_text.jpg.html.

Reichold, K. And B. Graf (No date). Sandro Botticelli. Retrieved March 28, 2007, at http://www.all-art.org/early_renaissance/botticelli25.html.

Sandro Botticelli (1445-1510) (No date). Retrieved March 28, 2007, at http://www.mcs.csuhayward.edu/~malek/Botticelli.html.

Sources Used in Documents:

Works Cited

Art archive: Venus (No date). Retrieved March 29, 2007, at http://www.windows.ucar.edu/tour/link=/mythology/images/venus_art_archive.html.

The Birth of Venus: Spring (No date). Retrieved March 29, 2007, at http://www.bergerfoundation.ch/Sandro/44venusprintemps_english.html.

Botticelli (2002). Retrieved March 28, 2007, at http://www.loggia.com/art/renaissance/botticelli02.htm.

Botticelli, Sandro, real name Alessandro di Mariano Filipepi (No date). Retrieved March 27, 2007, at http://www.latifm.com/artists/Botticelli_Sandro.html.
Gombrich, E.H. (No date). Botticelli, Sandro. Retrieved March 28, 2007, at http://www.artchive.com/artchive/B/botticelli/venus_text.jpg.html.
Reichold, K. And B. Graf (No date). Sandro Botticelli. Retrieved March 28, 2007, at http://www.all-art.org/early_renaissance/botticelli25.html.
Sandro Botticelli (1445-1510) (No date). Retrieved March 28, 2007, at http://www.mcs.csuhayward.edu/~malek/Botticelli.html.


Cite this Document:

"Birth Of Venus By Sandro" (2007, March 31) Retrieved April 23, 2024, from
https://www.paperdue.com/essay/birth-of-venus-by-sandro-38932

"Birth Of Venus By Sandro" 31 March 2007. Web.23 April. 2024. <
https://www.paperdue.com/essay/birth-of-venus-by-sandro-38932>

"Birth Of Venus By Sandro", 31 March 2007, Accessed.23 April. 2024,
https://www.paperdue.com/essay/birth-of-venus-by-sandro-38932

Related Documents

Sandro Boticelli Sandro Botticelli In the Birth of Venus, Sandro Botticelli is depicting a mythical deity that is rising from the ocean. Venus is standing on a sea shell and is surrounded by two angels and a woman. They are all in a suspended position that is hovering above the water. Visual Elements Line -- What types of lines do you see in the piece? Provide examples actual and implied lines. The types of lines

Birth of Venus by Boticelli
PAGES 10 WORDS 3077

In his attempt to paint the goddess, the Renaissance painter inspired from the mythological legend of Venus's birth. The Roman Goddess of love apparently emerged out of the sea as a result of a foam formed around Uranus's genitals that had just been cut by his son, Cronus. Cronus apparently did so in order to get revenge, since his father treated him very cruelly (Deimling 52). Botticelli focused on emphasizing

Sandro Botticelli Italian painter Sandro Botticelli was one of the foremost talked-about artists during the early Italian Renaissance, well-known for his portrayal of the female figure. Even throughout the changes of his subjects -- from the whimsical pagan mythologies to the reverent Christian ideologies -- Botticelli was a master of his art. His personalized style was captured in each work, all elegantly executed on canvas with the influence of his patrons

Venus Role in Art
PAGES 11 WORDS 2900

Venus in Art Introduction to Venus and Aphrodite: Throughout history, Venus has long been a source of inspiration for artists. Her representation of love and beauty has been captured in various mediums, from the visual arts of paintings and sculpture to music and drama; Venus has served as a universal symbol of beauty and has embodied the secrets of love. Central to understanding how artists have been able to use her as

Birth of Venus" and "Venus Anadyomene" Sandro Botticelli's 1486 painting "The Birth of Venus" and Titian's 1520 painting "Venus Anadyomene" are two of history's most remarkable works depicting the Roman goddess. While the former is meant to address Venus' birth directly, the latter only hints at the event, as it is difficult to determine whether or not Titian actually wanted to portray the goddess' birth or if he simply wanted

This may also be an indication of the struggle within the artist. (Botticelli, Sandro: The Mystical Nativity) The works of Botticelli were to become less fashionable and popular with the development of the Renaissance. He was to die virtually unknown in the art world. However in the 19th century Ruskin and the Pre-Raphaelites once again recognized his genius and his paintings again assumed a prominent position in the history of