¶ … Blood of My Blood: The Dilemma of the Italian-Americans," by Richard Gambino. Specifically, it will identify and discuss several important themes in the book, and how the author presented his arguments. BLOOD OF MY BLOOD: A STUDY

Ethnicity is made of a community that is cultural and psychological, not necessarily geographic."

With his book, "Blood of my Blood," Gambino attempts to change the publics' perception of Italian-Americans, and encourage more empathy with their problems and their culture. It was first written in 1975, but is still extremely relevant and topical today. "Richard Gambino, an Italian-American scholar, complained that 'the white elite has shown little understanding of Italian-American history, culture, or problems and less empathy with them'" (Feagin 108). Gambino covers every aspect of Italian-American life, from sex, family, and Italian culture, to what its like to be an Italian-American in the U.S. today. He tries to break up existing stereotypes, and show Italian-Americans in a different light.

The book is partly a study of Gambino's own life, growing up in Red Hook, Brooklyn in a "typical" Italian-American family, and partly a study of Italian-Americans as a whole. Gambino speaks of how Italian-Americans tend to cluster together in their own sections of a city, called "Little Italies." Gambino gives us figures and numbers, but more than that, he gives us an intimate look at the family, the culture, and the strong ties to home that each Italian-American carry with them. "At least 85% of the total of Italians who immigrated to the United States, and perhaps 90% of those who came in the great flood of immigration from 1875 to 1920 were from areas south and east of Rome" (Gambino 3).

Family life was one of the most important traditions to these people, and their retained their strong sense of family when they immigrated to the United States. These...

"(The southern Italian peasant] despised as a scomunicato (pariah) anyone in any family who broke the ordine della famiglia or otherwise violated the onore (honor, solidarity, tradition, 'face') of the family" (Gambino, 4). Gambino sees three layers of family commitment, which are shown here:
From top to bottom: 1. family members, "blood of my blood," 2. compari and padrini and their female equivalents, commare and madrine ("godparents," a relationship that was by no means limited to those who were godparents in the Catholic religious rites... And which would better translate as "intimate friends" and "venerated elders"), 3. amici or amici di cappello (friends to whom one tipped one's hat or said "hello"), meaning those whose family status demanded respect, and 4. stranieri (strangers), a designation for all others (Gambino 20-21).

Religion also plays an extremely important part in these immigrants' lives, and continues to be extremely important today. These people were deeply religious, but not as deeply devout to their Catholic Church. Gambino says they show their disapproval of the Church as "attitudes of familiar contempt" (Gambino 229), and that "The parish priest appeared to be regarded as a functionary who performed the necessary rites of baptism, marriages, and funerals" (Gambino 229). Because of this, the traditional Catholic Churches in America did not accept many immigrants, and they petitioned for their own churches, run by Italian priests. Soon, these Italian-American Catholic churches existed in most areas heavily populated by immigrants, especially New York City.

One of the biggest stereotypes Gambino sets out…