Cavaliers Drum and Bugle Corps got their start in 1948 and were originally called the Boy Scout Troop III Drum & Bugle Corps. At this time, they wore the traditional khaki uniform dressed up with shoulder braids and white gloves. The Corps obtained its first outside sponsorship in 1949 in the form of an American Legion Post dedicated to the memory and honor of Revolutionary War hero, Thaddeus Kosciuszko. The Corps went through 1949 known as the Kosciuszko Post 712 Drum & Bugle Corps and changed their uniform to midnight blue Army issue dress pants and shirts.
In 1950, the Cavaliers were just a parade corps with hand-me-down uniforms from the more seasoned Bell Corps that consisted of Eisenhower jackets, shakos & plumes. But, they would soon learn a drill and enter big-time competition. They had taken on the Cavalier name and logo from a new cigarette. The logo was a cavalier with a plumed hat, sword and cape.
The cigarette company, as part of its promotional campaign, had made available a costume jewelry pin of the logo which the Cavaliers would wear on their hats. After a summer full of parades, contests and other appearances in 1950, the Cavalier's treasury was sufficient to allow new uniforms for 1951 that were Kelly Green.
The Cavaliers would soon earn the reputation as an up- and-coming corps. The Spectacle...
Costumes A Midsummer Night's Dream is one of Shakespeare's most whimsical plays, and therefore this production follows in its spirit. Designing costumes for A Midsummer Night's Dream allows for total creative license, as the play takes place within a fantasy world replete with fairies. The overall impact is captured well by an artist at Duke (image credit: http://sites.duke.edu/midsummer/files/2009/12/Study_for_The_Quarrel_of_Oberon_and_Titania.jpg): This image is a study for what Oberon and Titania might look like. The
Costumes in Les Miserables (1998) Directed by Bille August 1998's Les Miserables' costumes were designed by Academy Award-winning costume designer Gabriella Pescucci. Pescucci had previously won for The Age of Innocence and been nominated for The Adventures of Baron Munchausen (1993). While her work for Billie August's Les Mis would go unnominated for any major awards, the costumes are nonetheless on par with her previous work and reflect the authentic style
Othello Costumes Designing costumes for Othello, in whatever form -- play, ballet or opera, presents a few problems from the outset. First, of course, is the necessity for the costume to enhance the feeling of paranoia of Othello, a Moor in a Caucasian society. Second, Iago needs to be malevolent without being evil personified; he is, perhaps, simply overly worldly and overly ambitious, as is his wife, Emily. And third, Desdemona
In conclusion, costumes are used in two essential ways in the film. The first is that it reinforces the sense of normalcy and creates a background that juxtaposes and heightens the horror and drama of the film. The second use of costume in the way that Bates dresses as his mother is a complete transgression of normalcy and psychologically and socially diametrically opposed to the mundane costumes worn by the
Midsummer's Night Dream Acting: Were the actors believable in their roles? I did not find all of the actors particularly believable in their roles. I could not help noticing that several of the members of the cast forgot their lines or misspoke their lines, sometimes saying a line in the wrong place. Knowing the play well, this really threw me off and took me out of the moment of the performance. I
Cocoon (Howard, 1985) is a 1985 Sci-Fi/Fantasy genre film directed by Ron Howard, who previously directed such films as Splash and Night Shift. Benefitting from the kindly type of aliens previously seen in E.T.: The Extraterrestrial and Close Encounters of the Third Kind, Cocoon used the advanced technologies of benevolent aliens to explore aging and the pros/cons of reversing that process. Aided by a veteran cast and superior editing/special effects,
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