David Crockett, William Otter, James Cook, P.T. Barnum Term Paper

PAGES
3
WORDS
1111
Cite
Related Topics:

Otter -- Crockett -- cook Is William Otter's a History of My Own Time a rags-to-riches success story? To what extent does it conform to the themes associated with the Cult of the Self-Made Man and to what extent does it deviate?

William Otter's autobiographical work A History of My Own Time (1835) is truly what one would call a "rags-to-riches" tale, yet it can also be viewed as being quite the opposite. Otter started out in several professions -- a shoemaker with John Paxton in New York City, the venetian blind-making business with William Howard, a carpenter with Gausman, and finally, the bricklaying and plastering business with Kenweth King. Following these flings as an apprentice, Otter then decided to attend school with a "liberal attention to classic lore," but Otter's involvement with heavy drinking at the taverns and his association with many of New York's toughest street gangs severely cut into his potential as a self-made man. As to the "Cult of the Self-Made Man," Otter was clearly an entrepreneur when such a thing was in its early stages of development in New York City, a place in the 1830's full of factories, shops, and various industries. Otter was also what one would call a "rugged individualists," a person who goes against the traditions of society and runs his life as he sees fit which is best illustrated by his statement that he became "a very apt scholar in. . . street etiquette" which in some ways deviates from the normal "cult" of the self-made man via his immersion in the life of the street as compared to the life of a true scholar, highly educated and academically industrious.

Question # 2: In evaluating David...

...

Elected to Congress in 1827 from Tennessee, Crockett was also a true demagogue, being a leader who champions the causes of the common people while relying on promises in order to gain political power. Politically, Crockett was taken up by the Whigs which invented anecdotes about him that helped his popularity with the common people; he also attended banquets, inspected factories and often blamed Jackson for the economic depression, all of which placed him in great favor with many Americans. But Crockett was defeated for re-election which forced him to leave his native Tennessee for Texas, where he later died fighting at the Alamo. As to Crockett's Narrative of his life reflecting Jacksonian democracy, Crockett, much like his Tennessee neighbor Andrew Jackson, a radical Jeffersonian, was a lover of war and sport, was very skilled with firearms, and had a passion for the outdoors. Thus, as a "Jacksonian," Crockett's narrative reflects the democratic ideals of President Jackson via his image as a tough frontiersman, for in his narrative he states that, after 1827, some of his admirers were disappointed with him after a face-to-face meeting, for they expected "to see a half-horse, half-alligator sort of fellow," a symbolic gesture…

Sources Used in Documents:

In 1842, P.T. Barnum purchased what has come to be called the "Feejee Mermaid" (i.e., from the island nation of Fiji) from a Boston museum proprietor. This "mermaid" was a conglomeration of various fish parts and other faked pieces assembled to look like a real mermaid; of course, its authenticity was not promoted by Barnum who merely wished to display the "mermaid" as a curiosity of "artful deception." Considering Crockett's love for the outdoors and for nature, he most probably would have bought a ticket to see the mermaid at Barnum's museum and thus would have enjoyed the exhibit, mostly due to his innate curiosity as pointed out in his narrative and his love for nature, but since Crockett was not a stupid nor gullible man, he most assuredly would not have been fooled by Barnum's "mermaid" and would have viewed it yet another gimmick to fool the common man or woman and thus profit from their gullability. As a demagogue, Crockett would also have not liked the idea of the mermaid as a "promise" to the viewer in regard to its authenticity, for Crockett surely would have considered any attempt to make money from gullible customers as outright theft.

Question # 4: How would William Otter respond to Barnum's "What Is It?" exhibit? How would he describe it? Would he enjoy the exhibit? Would he demand his money back? Answer should draw on both James Cook's account of the exhibit and evidence from A History of My Own Times.

In his book The Arts of deception, James W. Cook describes an exhibit in Barnum's museum called "What Is It?," promoted in the museum's literature as "Nondescript," meaning something that cannot easily be identified or recognized, much like Barnum's "Feejee mermaid." This exhibit featured a black man with a shaved head, dressed in furs or tights while grunting and consuming what appeared to be a meal of "African" origin; obviously, Barnum was attempting to parody the traditional racist view of the black man as an "African" primitive far beyond the bounds of ordinary New York civilization. For William Otter, this exhibit, due to his New York City roots, would have been seen as quite hilarious yet somehow reminiscent of the streets of New York with its roving bands of thieves and rowdies, some of whom were most assuredly African-American. As to enjoying the exhibit, Otter would most probably have thoroughly liked it, for it may have reminded him of his own early roots working as a "slave" in various low-paying and often unglamorous professions in New York City. Also, Otter may have understood the true meaning of this exhibit -- a symbolic reflection of life on the streets of the city with many people living as animals while the rich and powerful enjoyed their luxuries and wealth. Of course, Otter would not have asked for his money back; in fact, he may have returned to Barnum's museum to see this exhibit several times.


Cite this Document:

"David Crockett William Otter James Cook P T Barnum" (2005, August 23) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/david-crockett-william-otter-james-cook-68678

"David Crockett William Otter James Cook P T Barnum" 23 August 2005. Web.25 April. 2024. <
https://www.paperdue.com/essay/david-crockett-william-otter-james-cook-68678>

"David Crockett William Otter James Cook P T Barnum", 23 August 2005, Accessed.25 April. 2024,
https://www.paperdue.com/essay/david-crockett-william-otter-james-cook-68678

Related Documents

Tennessee Williams' "Streetcar Named Desire" & social class theories of Karl Marx This paper presents a detailed examination of Tennessee Williams' "Streetcar Named Desire. The writer of this paper holds the play up to be examined under the light of social and class theories as ascribed to by Karl Marx. There were two sources used to complete this paper. Marxism in Art Many times authors use their works o purposely display a social

Tennessee Williams' "The Glass Menagerie," is a portrayal of the fragile psyches of its characters -- an arrangement of tiny, delicate glass figurines whose essence of life can be shattered very easily. This arrangement takes place in a cramped apartment in St. Louis, inhabited by Amanda Wingfield, her son Tom, and daughter Laura, the husband having deserted the family several years ago. Another character, perhaps the most stable, is Jim

Tennessee Williams Biography Tennessee Williams was born as Thomas Lanier Williams on March 26, 1911, in Columbus, Mississippi. His parents were Cornelius Coffin, a shoe salesman, and Edwina Dakin Williams, the daughter of a minister. The playwright's home life was never peaceful. His parents' turbulent fights frightened him and his two siblings. After some years in Clarksdale, Mississippi, the young Tennessee's parents moved to St. Louis in 1918. It was here that

Another theme that tends to occur in many of the main plays is that of the outsider or the marginalized, sensitive individual who feels an outcast in society. The central theme on which he based most of his plays is, "the negative impact that conventional society has upon the "sensitive nonconformist individual" (Haley, D.E). This theme can possibly be linked to Williams' homosexuality in a time when homosexuals were not

Tennessee Williams reflect his personal struggles and serve as vehicles for poignant social commentary. From "Glass Menagerie" to "Cat on a Hot Tin Roof" to "A Streetcar Named Desire," Williams served up a set of masterpieces that delighted critics and audiences alike. His screenplays are among some of the most famous in American history, as big name film stars like Elisabeth Taylor, Marlon Brando, Kirk Douglas, and Paul Newman

Menagerie REVISED Prince, don't ask me in a week / or in a year what place they are; I can only give you this refrain: / Where are the snows of yesteryear? Francois Villon, c. 1461 "Where are the snows of yesteryear?" asks Tennessee Williams in the opening screen of The Glass Menagerie (401), quoting a poem by Francis Villon. Williams explains in the production notes to this famous play that he has left