Deng Xiaoping and Modernization During the Cultural Revolution, Mao Zedong led a tremendously aggressive and transformative movement within mainland China that would forever change the face of his country and the people within its borders. Since the beginnings of Mao's communist China, there existed a powerful will amongst his supporters to remove the liberal bourgeois from Chinese society; the Cultural Revolution took this agenda to further, far more frightening extremes, in order to achieve that goal. During Mao's iron grip on China, he led the country into a nightmarish world of flawed policies, persecution, and utter destruction of the economy. Originally intending to industrialize and develop the nation by means of a proletariat movement, Mao sought to lift the lower class out of their poverty, calling on farmers, small-time laborers, and other low-income citizens to band together in order to oust undesirable members of society. At many...
Unknown Cultural Revolution In most of the literature, China's Cultural Revolution gets a bad rap. It is considered a time of social turmoil that eventually led to an economic disaster for the country. There are accounts of intellectuals being persecuted as well as violence in many communities. However, the author, Dongping Han, gives a different account of this period. In many cases, history is written by the winners. Therefore, the capitalistic
In the course of the Cultural Revolution, the communist leader Mao Zedong proclaimed particular cultural requirements for both art and writings in China. This was a period that was filled with violence and harsh realisms for the people within the society. Authors such as Bei Dao, Gu Cheng and Yu Hua can be considered to be misty poets, whose works endeavored to shift from an inactive response to active formation.
Chinese Cultural Revolution, which began in the early 1960's and endured until the death of Mao Tse-tung, drastically altered the cultural arena of China from an agrarian system to one of modernity and acceptance by Western nations. Yet the Cultural Revolution was in effect based on communist principles which affected its ability to transcend the needs of the majority at the expense of the needs of the individual, meaning
Chinese Cultural Revolution, which was started by Mao Tse-tung in 1966 and did not conclude until after his death in 1976, is referred to officially by the current government of China as haojie; as GAO Mobo notes that "haojie is ambiguous because it can be a modern term for 'holocaust' or a traditional term to mean 'great calamity' or 'catastrophe'." (Gao 15). To some extent, those who lived through the
Autographic style book by Dr. Li Zhisui ( the private life of chairman mao pp433-546), and the short stories by Chen Jo-hsi, and the movie The Blue Kites, are all about these authors' and director's experiences of the tumultuous year of the Cultural Revolution and its aftermath. In what way do you think their works (book and movie) are valuable as historical documents? The Communist Revolution in China was fighting against
It was a new means of defining a control over the cultural aspects of the society. Mao had envisaged a cultural background that would rise from the middle class, the social level on which the Communist Party based its electoral and strength. Given the tight control exercised by the communist party through all its regional, local, and national mechanisms, a new sense of fear and submission affected the society.
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