133). Kramer wants to hear all the minute sounds coming from the lead singer, including his or her breath (Massey, p. 133).
Kramer employs many different methods to capture the best from the lead singer. If necessary, he will carpet a room, light candles, adjust lighting, and whatever it takes to set the mood for the singer in the studio (Massey, p. 133). Unlike many record producers, Kramer does not experiment with different polar patterns (Massey, p. 133). Instead, he leaves it up to the musicians to get the balance right (Massey, p. 133). This is a technique he learned when recording symphony orchestras (Massey, p. 133). Additionally, when recording vocals, Kramer always records with multiple limiters (Massey, p. 133).
Kramer adds that when recording vocals, he always employs the use of a nylon windscreen to position the microphone where it is most beneficial (Massey, p. 132). According to Kramer, he 'never puts the monitor out of phase because he does not care if there is some leakage' (Massey, p. 132). If necessary, Kramer will provide...
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