On the one hand, she had an almost desperate sense of wanting to believe, while on the other, she had little reason to do so. Her poetry addresses her doubts and fears regarding religion, inspiring critics to often jump to conclusions regarding her religious persuasions or indeed lack of these. This very ambiguity is what makes Emily Dickinson's poetry such a fulfilling experience. Her work lends itself to various interpretations and combinations, which will never become worn or repetitive. Sources

Franke, William (2008, Autumn). "The missing all": Emily Dickinson's apophatic poetics. Christianity and Literature. Online database: findArticles.com http://findarticles.com/p/articles/mi_hb049/is_1_58/ai_n31041796/

(2006, Fall). Meeting her maker: Emily Dickinson's God. Cross Currents. http://findarticles.com/p/articles/mi_m2096/is_3_56/ai_n27002612/?tag=rbxcra.2.a.22
UXL Newsmakers (2005). Emily Dickinson. Online Database: Findarticles.com. http://findarticles.com/p/articles/mi_gx5221/is_2005/ai_n19136112/?tag=rbxcra.2.a.11

Yezzi, David (1998, Oct 9). Emily Dickinson and the Art of Belief. Commonweal. Online Database: Findarticles.com: http://findarticles.com/p/articles/mi_m1252/is_n17_125/ai_21227669/?tag=rbxcra.2.a.33

Zapedowska, Magdalena. (2006, March). Wrestling with silence: Emily Dickinson's Calvinist God. The American Transcendental Quarterly. Online Database: findArticles.com