Enkidu And Gilgamesh: The Function Thesis

PAGES
1
WORDS
373
Cite

Enkidu and Gilgamesh: The Function of Heroic Friendship on the Path to Enlightenment

According to G.S. Kirk, "the main underlying theme" of the early Mesopotamian epic of Gilgamesh "is mortality" (Kirk 141). The hero Gilgamesh embarks upon a quest to find the secret of eternal life after witnessing the death of his dearest friend. At the beginning of the saga, the leader Gilgamesh is confident in his abilities because he is able to struggle and overcome the wild man of the forest Enkidu. At first, the representative of kingly authority Gilgamesh and 'nature' in the form of Enkidu are adversaries; then they become friends. But the polarization of nature and civilization shows that Gilgamesh, despite his strength, has much to learn from Enkidu. When Enkidu and Gilgamesh encounter Humbaba, the guardian of the cedar forest, Enkidu urges his friend not to kill the creature. Gilgamesh ignores Enkidu and brings the wrath of the gods upon the two men -- Enkidu is killed in punishment for Gilgamesh's crime.

This death changes Gilgamesh. Taming Enkidu made Gilgamesh more confident. Knowing his arrogant actions brought about the death of someone whom he loved and respected as much as Enkidu shakes Gilgamesh to his very core. No longer certain of his greatness, now that he knows he can die, he embarks upon a quest that does not yield him the answer he is seeking, but brings him wisdom and understanding. Gilgamesh's heroic struggle for knowledge is a classic depiction of the heroic quest of death and rebirth ("Heroic quest cycle," 2005). The underworld, as it is portrayed in Gilgamesh, is a dark and terrible place, a place from which all individuals shy away from -- but Gilgamesh finds it within himself to accept what Enkidu and eventually he will become after death. Radical acceptance of the cyclical processes of life, rather than resistance is the only answer. Befriending Enkidu leads Gilgamesh on a path to true knowledge, in a way that is far more profound than winning a physical contest.

Works Cited

Kirk, G.S. Myth: its meaning and functions in ancient and other cultures. CUP Archive, 1970

"Heroic quest cycle." 2005. November 9, 2009.http://www.questcycles.com/hqcycle.html

"Mesopotamian underworld." Nyboria. November 9, 2009.

http://www.nyboria.de/meso_under.htm

Cite this Document:

"Enkidu And Gilgamesh The Function" (2009, November 09) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/enkidu-and-gilgamesh-the-function-17690

"Enkidu And Gilgamesh The Function" 09 November 2009. Web.25 April. 2024. <
https://www.paperdue.com/essay/enkidu-and-gilgamesh-the-function-17690>

"Enkidu And Gilgamesh The Function", 09 November 2009, Accessed.25 April. 2024,
https://www.paperdue.com/essay/enkidu-and-gilgamesh-the-function-17690

Related Documents
Gilgamesh and Others
PAGES 6 WORDS 2070

Gilgamesh and God The cultures of ancient times were often dominated by the religious system and religious ideology of the populous. Many stories from ancient cultures define how that culture viewed those in power, either secular power such as their king or religious power such as their deity. Often, the two types of authority were combined so that the king was in some way descended or connected to their god or

Gilgamesh the King
PAGES 3 WORDS 977

Gilgamesh the King Gilgamesh is properly the oldest written and most widely read ancient stories. The man, his desires and achievements have been discussed several times by several different authors, thereby immortalizing the king. Interestingly this was what the king had always dreamed of- to become immortal and his quest for a life devoid of death turned him into a more considerate, compassionate and just ruler. In this paper we shall

Gilgamesh and Okonkwo
PAGES 6 WORDS 1752

Things Fall Apart and Gilgamesh Despite being conceived and written during distinctly different eras in human history, both Chinua Achebe's modern indictment of colonial conquest in Africa Things Fall Apart, and the anonymously authored tale of legendary heroism The Epic of Gilgamesh share the common thread of a protagonist struggling to reconcile personal expectations with the rapidly changing world around him. One of the earliest known surviving examples of ancient literature,

The fear of death and pain of grief continue to intrigue present readers because these are reoccurring issues in our daily lives, which calls for further speculation and deciphering through present, future, and past writings. As previously stated, if we can understand our history better, we may be able to understand life better. and, that is where the reading of Gilgamesh comes into play for people of today. While my

Hi arrival at Uruk tames Gilgamesh who now leaves the new brides to their husbands (Hooker). Gilgamesh and Enkidu journey to the cedar forest to acquire timber for Uruk's walls (this need for protection indicates both increased prosperity and further urbanization), but before doing so they must defeat Khumbaba, the forest's guardian, a primitive, nature deity. They know fear for the first time, triumphing only with help from the god

He stated that, "I mean printed works produced ostensibly to give children spontaneous pleasure and not primarily to teach them, nor solely to make them good, nor to keep them profitably quiet." (Darton 1932/1982:1) So here the quest is for the capture and promotion of children's imagination through stories and fables that please as well as enlighten. There is always the fallout that once a child learns to love