¶ … Great War of 1914-1918. The writer answers the question "Why was there so much initial support for the war and what did that do to the soldiers in the trenches?" The writer details the world's mindset at the time and the factors that escalated the situation, which in turn garnered initial support for the violence that ensued. There were three sources used to complete this paper.
Wars have been a fact of life since the beginning of time. Historically, wars have been about religious disagreements, political power, or economic need. Most wars can be traced to one of these causes with little underlying secondary foundation. The Great War of 1914-1918 is an exception to this rule of thumb. The Great War on the outside appeared to be founded in an assassination but if one peels the top layer away and examines the underpinnings one will discover a deeper, more broad reaching meaning. The Great War initially received a tremendous amount of support worldwide because mankind had recently industrialized to the point of being able to manufacture weapons of mass destruction and violence. The governments of the nations fighting in the Great War were initially enthusiastic with their new found "toys" and like little boys lining up in the yard with their toys, the nations rushed to display and show off their ability to create wide spread destruction. This new ability and eagerness to show off the ability caused men who were in the trenches to die in mass numbers. The Great War and the opportunities it presented triggered the initial enthusiasm by the involved nations and presented trench solider as fish in a barrel for the weapons to target.
THE WAR
The Great War will forever be known as the war which led mankind into the future. The Great War years separate the world into two eras. The era before the Great War was lacking industrialization and modernization while the years following the Great War were modernized and marching forward in progress (Fussell, 1975). The Great War stood at the brink of change. The world had spent its history working to develop necessities that would allow survival, while the after math of the Great War saw the world launched into an era that allowed leaps and bounds technologically.
During the Great War the initial support of many world nations for the war had more to do with that era change than the war itself. The Great War allowed various nations to flex their industrialized muscles and demonstrate the technological advancements they had discovered. Weapons such as hand grenades, machine guns, aircraft bombers and poisonous gases created a mindset of power that escalated during the initial months of the war (Fussell, 1975).
The war provided more than weapons however (Ellis, 1991). The same technological advances that provided the new weapons of destruction also provided the ability to invent the wristwatch, daylight savings time and other positive contributions to society. It also gave the world the ability to kill in mass numbers.
As the world discovered just what it was capable of the men in the trenches during the war were used as target bait to prove the power (Ellis, 1991).
WEAPONS OF DESTRUCTION
For the first time in history weapons reached technically superior heights. There were hand grenades, gases, aircraft and machine guns. These weapons had not been used in widespread capacities previously therefore the war strategies that various nations had developed were designed around more primitive methods of defensive and offensive actions. One of the most tried and true war strategies that had worked in the past had been a trench (Chickering, 1998). Service men would go into trenches, which were holes or pathways dug into the ground. They could duck and hide, as well as shoot toward enemy lines with the safety of being in...
In Braque's "Woman with a Guitar we can see the foreshadowing of the Synthetic Cubism period, when he introduces stenciling and lettering, a practice that Picasso was soon to imitate. Figure 7: Picasso, Le Guitariste"(1910 Figure 8: Braque "Woman with a Guitar" (1913 Synthetic Cubism/Collage 1912-1914: Braque was beginning to experiment further now by mixing materials such as sand and sawdust into his paint to create a more textured, built- up look and what
We are surrounded on all sides by enemies, and we have to advance almost constantly under their fire. We have combined, by a freely adopted decision, for the purpose of fighting the enemy, and not of retreating into the neighboring marsh, the inhabitants of which, from the very outset, have reproached us with having chosen the path of struggle instead of the path of conciliation…there can be no talk
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