In fact the concern over Hamlet's sanity is foreshadowed in scene iv. When Hamlet tells his friend he will follow the ghost and hear what he has to say, Horatio says, "He waxes desperate with imagination" (I.4.87). However, in Act I scene 5, we see Hamlet's extended conversation with the ghost of his father. In this discussion Hamlet remains emotional but rational. He realizes that what the ghost tells him is probably true. He shows no sign of madness, nor does he after this event. Only Horatio and Marcellus see him after Hamlet's talk with the ghost. He despairs about what he will have to do, but still sounds completely rational:
The time is out of joint: O. cursed spite,
That ever I was born to set it right!
If the rest of the play is interpreted believing that Hamlet is feigning madness as it meets his needs, everything he does, including the times when he seems to speak irrationally, make complete sense. The king and queen, Polonius, Rosencranz and Guildenstern all believe him to be mad, and have thought of two reasons he might have become melancholy: the death of his mother followed by her hasty marriage to her husband's brother, viewed as incestuous by both the ghost and Hamlet, and his supposed unrequited love for Ophelia. The stage is set for Hamlet to do what he has to do.
Hamlet wastes no time supporting the idea that he is mad immediately falls into his role as the newly crazed nephew of the king. Later in that scene, Hamlet wanders into Polonius' presence reading...
" This madness likely leads to Ophelia's suicide but, consistent with the entire theme of this play, the exact nature of Ophelia's demise is left to speculation. The fascination with Hamlet is uncanny. What provides this fascination is the fact that there is always more to what is going on in the play than what actually appears to be. Observers of the play are left with an overwhelming feeling that they
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