Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
¶ … real-life events relating to "Young Goodman Brown," by Nathaniel Hawthorne.
YOUNG GOODMAN BROWN
Young Goodman Brown's journey is a classic tale of good vs. evil. Brown's journey consists of a nocturnal forest visit to resist the temptations of the devil. He must return to his village before sunrise.
Brown is unsure of himself, and fearful of his visit. When he first enters the forest, he's afraid of everything, looking for something evil behind every tree limb and rock. I have often felt the same way when I enter a room full of strangers. I am nervous of how I appear, and how I will sound as I talk with them, and I hope that they do not think badly of me.
When he meets a traveler who seems evil to him, and he resists the traveler's advances. I feel the same way when I do not know someone, and they make a rude...
I will stay away from them.
Brown feels strong and powerful, and that he can defy the evil in the forest, until they meet his childhood catechism teacher and he sees she has turned into something evil. When this happens he loses much of his confidence. I remember meeting someone I had known many years before, that I had always thought of as my friend, and I found out they really were not my friend at all. I lost all confidence in them, and in my ability to see people for what they really are. It took me a long time to trust some of my friends again.
Now as he continues through the forest, he looks for good and hope, but hears only strange howling voices. He does make it to the end of his journey, but he finds his fellow villagers enjoying Satanic acts. He loses all faith in the villagers, and in his ability to…
HAWTHORNE'S BIRTHMARK AND YOUNG GOODMAN BROWN Hawthorne was born 1804 and brought up in Salem, Massachusetts to a Puritan family. When Hawthorne was four, his father died. After this incident he was mostly in the female company of his two sisters, an aunt and his retiring mother who was not close to her offspring. Hawthorne was known as a reserved personality but during four years at college he established close friendships
Thematic Development in "Young Goodman Brown" and "The Most Dangerous Game" While Nathaniel Hawthorne's "Young Goodman Brown" and Richard Connell's "The Most Dangerous Game" both feature the same basic theme of good vs. evil, the additional themes that the author utilize in telling their stories serves to differentiate them in a significant way, so that Hawthorne's story suggests that evil can corrupt even a successful protagonist while Connell suggests that his protagonist
Nathaniel Hawthorne's Young Goodman Brown (1835) and The Scarlet Letter. It is rather fascinating that the two readings have a number of similarities even though the plots of both stories are rather different. The Young Goodman Brown is all about an inexplicable and mystifying course that is occupied by witches and immoral conduct in the suburbs of a Puritan Village (Moores). Hawthorne has been able to captivate the reader
Duality of Character in Nathaniel Hawthorne and Edgar Allan Poe In Nathaniel Hawthorne's short story, "Young Goodman Brown," and in Edgar Allan Poe's story, "The House of Usher," there are main characters who have several characteristics in common. The main character in Hawthorne's story possesses a duality of character and undergoes a life-changing experience. The title character in Poe's story has a similar duality of character; he, too, undergoes a transformational
The "contradictory actions" will be strictly limited to the literal statements on the pages authored by Hawthorne in order to avoid evaluation by modern standards perhaps not shared by the Puritans this story discusses c. Young Goodman Brown seems to come to the conclusion that everyone around him carries the taint of real or potential "sin" or "evil" (Hawthorne 7) which he tries to distance himself from. 3. Considering 2c the
setting of a story can reveal important things about the narrative's larger meaning, because the setting implies certain things about the characters, context, and themes that would otherwise remain implicit or undiscussed. In their short stories "The Lottery" and "The Rocking-Horse Winner," Shirley Jackson and DH Lawrence use particular settings in order to comment on the political and socio-economic status of their characters without inserting any explicitly political or